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Pier Paolo Pasolini and Italo Calvino at Caffe Rosati, Piazza del Popolo, Rome, Italy, 1960 (b/w photo)
Pier Paolo Pasolini and Italo Calvino at Caffe Rosati, Piazza del Popolo, Rome, Italy, 1960 (b/w photo)

FDG5948287: Pier Paolo Pasolini and Italo Calvino at Caffe Rosati, Piazza del Popolo, Rome, Italy, 1960 (b/w photo), Garolla, Federico / Bridgeman Images

ID: FDG5948287

Pier Paolo Pasolini and Italo Calvino at Caffe Rosati, Piazza del Popolo, Rome, Italy, 1960 (b/w photo)

Garolla, Federico

Franciscan monk holding a banner with the Crucifix, 17th century (black chalk, pen & dark brown ink, an area of the flag filled in later in light brown ink, on laid paper)
Franciscan monk holding a banner with the Crucifix, 17th century (black chalk, pen & dark brown ink, an area of the flag filled in later in light brown ink, on laid paper)

COU5948324: Franciscan monk holding a banner with the Crucifix, 17th century (black chalk, pen & dark brown ink, an area of the flag filled in later in light brown ink, on laid paper), Valencia, Felipe Gómez de (c.1634-1679/94) / Bridgeman Images

ID: COU5948324

Franciscan monk holding a banner with the Crucifix, 17th century (black chalk, pen & dark brown ink, an area of the flag filled in later in light brown ink, on laid paper)

Valencia, Felipe Gómez de (c.1634-1679/94)

Allegory of Divine Love, 1664 (pen & brown ink on laid paper, the upper corners rounded)
Allegory of Divine Love, 1664 (pen & brown ink on laid paper, the upper corners rounded)

COU5948327: Allegory of Divine Love, 1664 (pen & brown ink on laid paper, the upper corners rounded), Castillo y Saavedra, Antonio del (1616-68) / Bridgeman Images

ID: COU5948327

Allegory of Divine Love, 1664 (pen & brown ink on laid paper, the upper corners rounded)

Castillo y Saavedra, Antonio del (1616-68)

Design for a title page with two saints on pedestals and an imaginary Spanish coat of arms, 17th century (traces of black chalk, pen & brown ink, and brown wash, with brown ink framing lines, on laid paper, now laid down on Japanese tissue)
Design for a title page with two saints on pedestals and an imaginary Spanish coat of arms, 17th century (traces of black chalk, pen & brown ink, and brown wash, with brown ink framing lines, on laid paper, now laid down on Japanese tissue)

COU5948345: Design for a title page with two saints on pedestals and an imaginary Spanish coat of arms, 17th century (traces of black chalk, pen & brown ink, and brown wash, with brown ink framing lines, on laid paper, now laid down on Japanese tissue), Cano, Alonso (1601-67) / Bridgeman Images

ID: COU5948345

Design for a title page with two saints on pedestals and an imaginary Spanish coat of arms, 17th century (traces of black chalk, pen & brown ink, and brown wash, with brown ink framing lines, on laid paper, now laid down on Japanese tissue)

Cano, Alonso (1601-67)

David, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)
David, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)

COU5948357: David, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines), Torres, Matias de (c.1635-1711) (attr.to) / Bridgeman Images

ID: COU5948357

David, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)

Torres, Matias de (c.1635-1711) (attr.to)

Leopold I, Holy Roman Emperor, 17th century (black chalk, pen and brown ink on laid paper with brown ink framing lines)
Leopold I, Holy Roman Emperor, 17th century (black chalk, pen and brown ink on laid paper with brown ink framing lines)

COU5948363: Leopold I, Holy Roman Emperor, 17th century (black chalk, pen and brown ink on laid paper with brown ink framing lines), Torres, Matias de (c.1635-1711) (attr.to) / Bridgeman Images

ID: COU5948363

Leopold I, Holy Roman Emperor, 17th century (black chalk, pen and brown ink on laid paper with brown ink framing lines)

Torres, Matias de (c.1635-1711) (attr.to)

Alexander the Great, 17th century (black chalk, pen and brown ink on laid paper with brown ink framing lines)
Alexander the Great, 17th century (black chalk, pen and brown ink on laid paper with brown ink framing lines)

COU5948366: Alexander the Great, 17th century (black chalk, pen and brown ink on laid paper with brown ink framing lines), Torres, Matias de (c.1635-1711) (attr.to) / Bridgeman Images

ID: COU5948366

Alexander the Great, 17th century (black chalk, pen and brown ink on laid paper with brown ink framing lines)

Torres, Matias de (c.1635-1711) (attr.to)

Whiteleaved oak close up 2, 2019 (acrylic on board)
Whiteleaved oak close up 2, 2019 (acrylic on board)

PPO5943108: Whiteleaved oak close up 2, 2019 (acrylic on board), Powis, Paul / Bridgeman Images

ID: PPO5943108

Whiteleaved oak close up 2, 2019 (acrylic on board)

Powis, Paul

Fintan O’Toole, Irish columnist, literary editor and drama critic for The Irish Times, Edinburgh International book festival, August 2019 (photo)
Fintan O’Toole, Irish columnist, literary editor and drama critic for The Irish Times, Edinburgh International book festival, August 2019 (photo)

KEI5941911: Fintan O’Toole, Irish columnist, literary editor and drama critic for The Irish Times, Edinburgh International book festival, August 2019 (photo), Keightley, Pauline / Bridgeman Images

ID: KEI5941911

Fintan O’Toole, Irish columnist, literary editor and drama critic for The Irish Times, Edinburgh International book festival, August 2019 (photo)

Keightley, Pauline

Jan-Philipp Sendker, German author, Edinburgh International book festival, August 2019 (photo)
Jan-Philipp Sendker, German author, Edinburgh International book festival, August 2019 (photo)

KEI5941932: Jan-Philipp Sendker, German author, Edinburgh International book festival, August 2019 (photo), Keightley, Pauline / Bridgeman Images

ID: KEI5941932

Jan-Philipp Sendker, German author, Edinburgh International book festival, August 2019 (photo)

Keightley, Pauline

Emil Cioran, 20th century
Emil Cioran, 20th century

MLO5943232: Emil Cioran, 20th century, Monier, Louis / Bridgeman Images

ID: MLO5943232

Emil Cioran, 20th century

Monier, Louis

Joelle Wintrebert, 1995
Joelle Wintrebert, 1995

MLO5943262: Joelle Wintrebert, 1995, Monier, Louis / Bridgeman Images

ID: MLO5943262

Joelle Wintrebert, 1995

Monier, Louis

Self portrait in profile, 7 October 1732 (graphite on parchment)
Self portrait in profile, 7 October 1732 (graphite on parchment)

COU5948381: Self portrait in profile, 7 October 1732 (graphite on parchment), Richardson, Jonathan (1665-1745) / Bridgeman Images

ID: COU5948381

Self portrait in profile, 7 October 1732 (graphite on parchment)

Richardson, Jonathan (1665-1745)

Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper)
Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper)

COU5948393: Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper), Bolognese School, (17th century) / Bridgeman Images

ID: COU5948393

Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper)

Bolognese School, (17th century)

Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper, edges cut unevenly)
Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper, edges cut unevenly)

COU5948396: Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper, edges cut unevenly), Bolognese School, (17th century) / Bridgeman Images

ID: COU5948396

Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper, edges cut unevenly)

Bolognese School, (17th century)

Study of a man and a woman attacking another woman, 1621-c.1623 (pen & ink on light brown paper)
Study of a man and a woman attacking another woman, 1621-c.1623 (pen & ink on light brown paper)

COU5948423: Study of a man and a woman attacking another woman, 1621-c.1623 (pen & ink on light brown paper), Dyck, Anthony van (1599-1641) (attr. to) / Bridgeman Images

ID: COU5948423

Study of a man and a woman attacking another woman, 1621-c.1623 (pen & ink on light brown paper)

Dyck, Anthony van (1599-1641) (attr. to)

Landscape with a town, 16th century (pen & ink on paper)
Landscape with a town, 16th century (pen & ink on paper)

COU5948426: Landscape with a town, 16th century (pen & ink on paper), Savery, Jacob I (c.1545-1602) / Bridgeman Images

ID: COU5948426

Landscape with a town, 16th century (pen & ink on paper)

Savery, Jacob I (c.1545-1602)

White tin-glazed coffee pot and white tin-glazed bowl, 1914-15 (tin-glazed earthenware)
White tin-glazed coffee pot and white tin-glazed bowl, 1914-15 (tin-glazed earthenware)

COU5948444: White tin-glazed coffee pot and white tin-glazed bowl, 1914-15 (tin-glazed earthenware), Fry, Roger Eliot (1866-1934) / Bridgeman Images

ID: COU5948444

White tin-glazed coffee pot and white tin-glazed bowl, 1914-15 (tin-glazed earthenware)

Fry, Roger Eliot (1866-1934)

White tin-glazed side plate, 1914-15 (tin-glazed earthenware)
White tin-glazed side plate, 1914-15 (tin-glazed earthenware)

COU5948450: White tin-glazed side plate, 1914-15 (tin-glazed earthenware), Fry, Roger Eliot (1866-1934) / Bridgeman Images

ID: COU5948450

White tin-glazed side plate, 1914-15 (tin-glazed earthenware)

Fry, Roger Eliot (1866-1934)

Plate with overglaze geometric design enclosing Omega symbol, 1913-c.1914 (glazed earthenware with painted decoration)
Plate with overglaze geometric design enclosing Omega symbol, 1913-c.1914 (glazed earthenware with painted decoration)

COU5948459: Plate with overglaze geometric design enclosing Omega symbol, 1913-c.1914 (glazed earthenware with painted decoration), Fry, Roger (1866-1934) or Grant, Duncan (1885-1978) (attr.to) / Bridgeman Images

ID: COU5948459

Plate with overglaze geometric design enclosing Omega symbol, 1913-c.1914 (glazed earthenware with painted decoration)

Fry, Roger (1866-1934) or Grant, Duncan (1885-1978) (attr.to)

Right wing of a diptych depicting The Crucifixion (front), 14th century (carved ivory with traces of pigment and gilding)
Right wing of a diptych depicting The Crucifixion (front), 14th century (carved ivory with traces of pigment and gilding)

COU5948465: Right wing of a diptych depicting The Crucifixion (front), 14th century (carved ivory with traces of pigment and gilding), Northern French school, (14th century) / Bridgeman Images

ID: COU5948465

Right wing of a diptych depicting The Crucifixion (front), 14th century (carved ivory with traces of pigment and gilding)

Northern French school, (14th century)

The Creation of Eve and the Annunciation on a single panel, in the Gothic style, 19th century (carved ivory)
The Creation of Eve and the Annunciation on a single panel, in the Gothic style, 19th century (carved ivory)

COU5948477: The Creation of Eve and the Annunciation on a single panel, in the Gothic style, 19th century (carved ivory), European School, (19th century) / Bridgeman Images

ID: COU5948477

The Creation of Eve and the Annunciation on a single panel, in the Gothic style, 19th century (carved ivory)

European School, (19th century)

Cylindrical box with cover, 1400-c.1525 (metalworked brass with silver inlay) [see 5948503]
Cylindrical box with cover, 1400-c.1525 (metalworked brass with silver inlay) [see 5948503]

COU5948504: Cylindrical box with cover, 1400-c.1525 (metalworked brass with silver inlay) [see 5948503], Iranian School (15th Century) / Bridgeman Images

ID: COU5948504

Cylindrical box with cover, 1400-c.1525 (metalworked brass with silver inlay) [see 5948503]

Iranian School (15th Century)

Pair of candlesticks, each with a coat of arms and a blank shield, 19th century (cast bronze with silver overlay)
Pair of candlesticks, each with a coat of arms and a blank shield, 19th century (cast bronze with silver overlay)

COU5948525: Pair of candlesticks, each with a coat of arms and a blank shield, 19th century (cast bronze with silver overlay), Italian School, (19th century) / Bridgeman Images

ID: COU5948525

Pair of candlesticks, each with a coat of arms and a blank shield, 19th century (cast bronze with silver overlay)

Italian School, (19th century)

Le Cri, before 1886 (bronze) [see 5948541]
Le Cri, before 1886 (bronze) [see 5948541]

COU5948540: Le Cri, before 1886 (bronze) [see 5948541], Rodin, Auguste (1840-1917) / Bridgeman Images

ID: COU5948540

Le Cri, before 1886 (bronze) [see 5948541]

Rodin, Auguste (1840-1917)

Camp for Syrian civil war refugees in Arbat - Iraq
Camp for Syrian civil war refugees in Arbat - Iraq

SZT5948603: Camp for Syrian civil war refugees in Arbat - Iraq / Bridgeman Images

ID: SZT5948603

Camp for Syrian civil war refugees in Arbat - Iraq

Syrian refugees in Arbat - Iraq
Syrian refugees in Arbat - Iraq

SZT5948609: Syrian refugees in Arbat - Iraq / Bridgeman Images

ID: SZT5948609

Syrian refugees in Arbat - Iraq

Massafra, Taranto, Apulia, Italy, The castle overlooking the Gravina di San Marco, 10th century (photo)
Massafra, Taranto, Apulia, Italy, The castle overlooking the Gravina di San Marco, 10th century (photo)

RTG5948627: Massafra, Taranto, Apulia, Italy, The castle overlooking the Gravina di San Marco, 10th century (photo) / Bridgeman Images

ID: RTG5948627

Massafra, Taranto, Apulia, Italy, The castle overlooking the Gravina di San Marco, 10th century (photo)

Mottola, Taranto, Puglia, Italy, rock church of Santa Margherita, fresco (photo)
Mottola, Taranto, Puglia, Italy, rock church of Santa Margherita, fresco (photo)

RTG5948661: Mottola, Taranto, Puglia, Italy, rock church of Santa Margherita, fresco (photo) / Bridgeman Images

ID: RTG5948661

Mottola, Taranto, Puglia, Italy, rock church of Santa Margherita, fresco (photo)

Mottola, Taranto, Puglia, Italy, Rock church of Santa Margherita, interior (photo)
Mottola, Taranto, Puglia, Italy, Rock church of Santa Margherita, interior (photo)

RTG5948688: Mottola, Taranto, Puglia, Italy, Rock church of Santa Margherita, interior (photo) / Bridgeman Images

ID: RTG5948688

Mottola, Taranto, Puglia, Italy, Rock church of Santa Margherita, interior (photo)

Mottola, Taranto, Puglia, Italy, rock church of Sant'Angelo, interior (photo)
Mottola, Taranto, Puglia, Italy, rock church of Sant'Angelo, interior (photo)

RTG5948706: Mottola, Taranto, Puglia, Italy, rock church of Sant'Angelo, interior (photo) / Bridgeman Images

ID: RTG5948706

Mottola, Taranto, Puglia, Italy, rock church of Sant'Angelo, interior (photo)

Mottola, Taranto, Puglia, Italy, Rock church of St. Nicholas, interior (photo)
Mottola, Taranto, Puglia, Italy, Rock church of St. Nicholas, interior (photo)

RTG5948712: Mottola, Taranto, Puglia, Italy, Rock church of St. Nicholas, interior (photo) / Bridgeman Images

ID: RTG5948712

Mottola, Taranto, Puglia, Italy, Rock church of St. Nicholas, interior (photo)

Gina Lollobrigida and Rene Clair on the set of Beauties of the night, 1952
Gina Lollobrigida and Rene Clair on the set of Beauties of the night, 1952

XRA5943572: Gina Lollobrigida and Rene Clair on the set of Beauties of the night, 1952 / Bridgeman Images

ID: XRA5943572

Gina Lollobrigida and Rene Clair on the set of Beauties of the night, 1952

L'arbre aux Oiseaux, 2019
L'arbre aux Oiseaux, 2019

PVR5943645: L'arbre aux Oiseaux, 2019, Le Pivert, Léa / Bridgeman Images

ID: PVR5943645

L'arbre aux Oiseaux, 2019

Le Pivert, Léa

fresco in the Rock Church of Our Lady of the Three Doors, Matera, Basilicata, Italy.
fresco in the Rock Church of Our Lady of the Three Doors, Matera, Basilicata, Italy.

RTG5942147: fresco in the Rock Church of Our Lady of the Three Doors, Matera, Basilicata, Italy. / Bridgeman Images

ID: RTG5942147

fresco in the Rock Church of Our Lady of the Three Doors, Matera, Basilicata, Italy.

interior fresco of the Rupestre Church of Sant'Agnese, Matera, Basilicata, Italy.
interior fresco of the Rupestre Church of Sant'Agnese, Matera, Basilicata, Italy.

RTG5942150: interior fresco of the Rupestre Church of Sant'Agnese, Matera, Basilicata, Italy. / Bridgeman Images

ID: RTG5942150

interior fresco of the Rupestre Church of Sant'Agnese, Matera, Basilicata, Italy.


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