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Emile Loubet (1836-1929) in 1892 (president of the council - minister of the interior) Engraving by Navellier in “The Illustrous Journal” of 1892
Emile Loubet (1836-1929) in 1892 (president of the council - minister of the interior) Engraving by Navellier in “The Illustrous Journal” of 1892

XEE4147746: Emile Loubet (1836-1929) in 1892 (president of the council - minister of the interior) Engraving by Navellier in “The Illustrous Journal” of 1892, Navellier, Edouard Felicien Eugene (1865-c.1945) / Bridgeman Images

Portrait of Emma Calve (Rosa Noemie Emma Calvet de Roquet, dit) (1858-1942), French soprano - Engraving by Navellier in “The Illustrous Journal” of 1892
Portrait of Emma Calve (Rosa Noemie Emma Calvet de Roquet, dit) (1858-1942), French soprano - Engraving by Navellier in “The Illustrous Journal” of 1892

XEE4147761: Portrait of Emma Calve (Rosa Noemie Emma Calvet de Roquet, dit) (1858-1942), French soprano - Engraving by Navellier in “The Illustrous Journal” of 1892, Navellier, Edouard Felicien Eugene (1865-c.1945) / Bridgeman Images

Orthodox Rite - Easter - Russia, 1860: blessing of butter, eggs and bread at the entrance of churches on the night of Easter Sunday. Engraving in “” Le Monde Illustré”” n°158 of 21 April 1860.
Orthodox Rite - Easter - Russia, 1860: blessing of butter, eggs and bread at the entrance of churches on the night of Easter Sunday. Engraving in “” Le Monde Illustré”” n°158 of 21 April 1860.

XEE4146766: Orthodox Rite - Easter - Russia, 1860: blessing of butter, eggs and bread at the entrance of churches on the night of Easter Sunday. Engraving in “” Le Monde Illustré”” n°158 of 21 April 1860., French School, (19th century) / Bridgeman Images

Place Bellecour or Place Louis-le-Grand - la plus grande place de Lyon - engraving in “La France illustree: geography, history, statistical administration” by V.-A. Malt-Brown. 1884
Place Bellecour or Place Louis-le-Grand - la plus grande place de Lyon - engraving in “La France illustree: geography, history, statistical administration” by V.-A. Malt-Brown. 1884

XEE4157715: Place Bellecour or Place Louis-le-Grand - la plus grande place de Lyon - engraving in “La France illustree: geography, history, statistical administration” by V.-A. Malt-Brown. 1884, French School, (19th century) / Bridgeman Images

Love's Labour's Lost - Illustration in
Love's Labour's Lost - Illustration in

XEE4157757: Love's Labour's Lost - Illustration in "Works complete by William Shakespeare" 1866 (engraving), English School, (19th century) / Bridgeman Images

Saint Louis founded the Sainte Chapelle in Paris to deposit the crown of spines.
Saint Louis founded the Sainte Chapelle in Paris to deposit the crown of spines.

XEE4157826: Saint Louis founded the Sainte Chapelle in Paris to deposit the crown of spines., Unknown Artist / Bridgeman Images

Portrait of Jean Thibaudin, French General and Politician (1822-1905) - Cover page of “The Illustrous Journal” of 1883 - Drawing by Henri Meyer (1844-1899)
Portrait of Jean Thibaudin, French General and Politician (1822-1905) - Cover page of “The Illustrous Journal” of 1883 - Drawing by Henri Meyer (1844-1899)

XEE4147926: Portrait of Jean Thibaudin, French General and Politician (1822-1905) - Cover page of “The Illustrous Journal” of 1883 - Drawing by Henri Meyer (1844-1899), Meyer, Henri (1841-99) / Bridgeman Images

L'asile de nuit du palais des arts liberaux au champs de mars en 1891 - Drawing by Henri Meyer, Engraving by Navellier in “Le journal illustrious”” of 1891
L'asile de nuit du palais des arts liberaux au champs de mars en 1891 - Drawing by Henri Meyer, Engraving by Navellier in “Le journal illustrious”” of 1891

XEE4148001: L'asile de nuit du palais des arts liberaux au champs de mars en 1891 - Drawing by Henri Meyer, Engraving by Navellier in “Le journal illustrious”” of 1891, Meyer, Henri (1841-99) / Bridgeman Images

Alchimie - La flamamme1659 (engraving)
Alchimie - La flamamme1659 (engraving)

XEE4148142: Alchimie - La flamamme1659 (engraving), Unknown Artist, (17th century) / Bridgeman Images

Witch riding a goat - “” Compendium Maleficarum””, deals about witches, their evil and their sortileges by Francesco Maria Guazzo or Guaccio or Guaccius (15?? -16??) 1608 Private Collection
Witch riding a goat - “” Compendium Maleficarum””, deals about witches, their evil and their sortileges by Francesco Maria Guazzo or Guaccio or Guaccius (15?? -16??) 1608 Private Collection

XEE4148184: Witch riding a goat - “” Compendium Maleficarum””, deals about witches, their evil and their sortileges by Francesco Maria Guazzo or Guaccio or Guaccius (15?? -16??) 1608 Private Collection, Anonymous / Bridgeman Images

The lady admiring herself in the mirror sees only a reflection of the Demon's posterior - symbol of Vanity - Irreverent conduct of the devil towards a flirtatious woman - in “Der Ritter von Turn”” by the Knight Marquard vom Stein, 1498
The lady admiring herself in the mirror sees only a reflection of the Demon's posterior - symbol of Vanity - Irreverent conduct of the devil towards a flirtatious woman - in “Der Ritter von Turn”” by the Knight Marquard vom Stein, 1498

XEE4148223: The lady admiring herself in the mirror sees only a reflection of the Demon's posterior - symbol of Vanity - Irreverent conduct of the devil towards a flirtatious woman - in “Der Ritter von Turn”” by the Knight Marquard vom Stein, 1498, German School, (15th century) / Bridgeman Images

Boulevard des Italians with the café de Paris, the rue Taitbout, the house doree, the rue Lafitte, the cafe Riche and rue Lepelletier - Engraving in “Tableau-de-Paris” by Edmond Texier 1852
Boulevard des Italians with the café de Paris, the rue Taitbout, the house doree, the rue Lafitte, the cafe Riche and rue Lepelletier - Engraving in “Tableau-de-Paris” by Edmond Texier 1852

XEE4147060: Boulevard des Italians with the café de Paris, the rue Taitbout, the house doree, the rue Lafitte, the cafe Riche and rue Lepelletier - Engraving in “Tableau-de-Paris” by Edmond Texier 1852, Unknown Artist, (19th century) / Bridgeman Images

View of the Fontaine du Vaucluse in the department of Vaucluse, region Provence-Alpes-Cote d'Azur - Engraving in “” Sciences at the reach of all - physics and chemistry”” by Alexis Clerc - End 19th century - Private collection
View of the Fontaine du Vaucluse in the department of Vaucluse, region Provence-Alpes-Cote d'Azur - Engraving in “” Sciences at the reach of all - physics and chemistry”” by Alexis Clerc - End 19th century - Private collection

XEE4147069: View of the Fontaine du Vaucluse in the department of Vaucluse, region Provence-Alpes-Cote d'Azur - Engraving in “” Sciences at the reach of all - physics and chemistry”” by Alexis Clerc - End 19th century - Private collection, French School, (19th century) / Bridgeman Images

Paris Le Louvre - engraving in “La France illustree: geography, history, administration statistique” by V.A. Malt-Brown. 1884
Paris Le Louvre - engraving in “La France illustree: geography, history, administration statistique” by V.A. Malt-Brown. 1884

XEE4157901: Paris Le Louvre - engraving in “La France illustree: geography, history, administration statistique” by V.A. Malt-Brown. 1884, French School, (19th century) / Bridgeman Images

Chalon-sur-Saone (Chalon sur Saone) - Saone-et-Loire - engraving in “La France illustree: geography, history, statistical administration” by V.-A. Malt-Brown. 1884
Chalon-sur-Saone (Chalon sur Saone) - Saone-et-Loire - engraving in “La France illustree: geography, history, statistical administration” by V.-A. Malt-Brown. 1884

XEE4157925: Chalon-sur-Saone (Chalon sur Saone) - Saone-et-Loire - engraving in “La France illustree: geography, history, statistical administration” by V.-A. Malt-Brown. 1884, French School, (19th century) / Bridgeman Images

Tobacco cultivation: la recolte. Engraving in “” Le Monde Illustré”” n°155 of March 31, 1860.
Tobacco cultivation: la recolte. Engraving in “” Le Monde Illustré”” n°155 of March 31, 1860.

XEE4147099: Tobacco cultivation: la recolte. Engraving in “” Le Monde Illustré”” n°155 of March 31, 1860., French School, (19th century) / Bridgeman Images

Portrait of Charles VIII (1470-1498) French King of the Valois Dynasty - Charles VIII (1470-98) King of France - engraving from 'Les Augustes Representations de tous les Kings de France from Pharamond to LouisXIV', Paris, 1679 by Larmessin (family of engravers) (1600-1799)
Portrait of Charles VIII (1470-1498) French King of the Valois Dynasty - Charles VIII (1470-98) King of France - engraving from 'Les Augustes Representations de tous les Kings de France from Pharamond to LouisXIV', Paris, 1679 by Larmessin (family of engravers) (1600-1799)

XEE4147102: Portrait of Charles VIII (1470-1498) French King of the Valois Dynasty - Charles VIII (1470-98) King of France - engraving from 'Les Augustes Representations de tous les Kings de France from Pharamond to LouisXIV', Paris, 1679 by Larmessin (family of engravers) (1600-1799), de Larmessin (family of engravers) (1600-1799) / Bridgeman Images

Portrait of John II the Good (1319-1364), King of France - Portrait of John II, 'the Good' (1319-64) King of France - engraving from 'Les Augustes Representations de tous les Kings de France from Pharamond to LouisXIV', Paris, 1679 by Larmessin (family of engravers) (1600-1799)
Portrait of John II the Good (1319-1364), King of France - Portrait of John II, 'the Good' (1319-64) King of France - engraving from 'Les Augustes Representations de tous les Kings de France from Pharamond to LouisXIV', Paris, 1679 by Larmessin (family of engravers) (1600-1799)

XEE4147114: Portrait of John II the Good (1319-1364), King of France - Portrait of John II, 'the Good' (1319-64) King of France - engraving from 'Les Augustes Representations de tous les Kings de France from Pharamond to LouisXIV', Paris, 1679 by Larmessin (family of engravers) (1600-1799), de Larmessin (family of engravers) (1600-1799) / Bridgeman Images

French occupation of Morocco - Oujda in 1907
French occupation of Morocco - Oujda in 1907

XEE4157940: French occupation of Morocco - Oujda in 1907, Unknown photographer, (20th century) / Bridgeman Images

Portrait of Pepin III dit Pepin le Brief (714-768) king of France - Pepin III (714-68) (Pepin the Short) King of the Frank - engraving from 'Les Augustes Representations de tous les Kings de France from Pharamond to LouisXIV', Paris, 1679 by Larmessin (family of engravers) (1600-1799)
Portrait of Pepin III dit Pepin le Brief (714-768) king of France - Pepin III (714-68) (Pepin the Short) King of the Frank - engraving from 'Les Augustes Representations de tous les Kings de France from Pharamond to LouisXIV', Paris, 1679 by Larmessin (family of engravers) (1600-1799)

XEE4147249: Portrait of Pepin III dit Pepin le Brief (714-768) king of France - Pepin III (714-68) (Pepin the Short) King of the Frank - engraving from 'Les Augustes Representations de tous les Kings de France from Pharamond to LouisXIV', Paris, 1679 by Larmessin (family of engravers) (1600-1799), de Larmessin (family of engravers) (1600-1799) / Bridgeman Images

Portrait of Dagobert, King of the Francs from 628 to 638 - Dagobert (605-39) King of the Franks - engraving from 'Les Augustes Representations de tous les Kings de France from Pharamond to LouisXIV', Paris, 1679 by Larmessin (family of engravers) (1600-1799)
Portrait of Dagobert, King of the Francs from 628 to 638 - Dagobert (605-39) King of the Franks - engraving from 'Les Augustes Representations de tous les Kings de France from Pharamond to LouisXIV', Paris, 1679 by Larmessin (family of engravers) (1600-1799)

XEE4147291: Portrait of Dagobert, King of the Francs from 628 to 638 - Dagobert (605-39) King of the Franks - engraving from 'Les Augustes Representations de tous les Kings de France from Pharamond to LouisXIV', Paris, 1679 by Larmessin (family of engravers) (1600-1799), de Larmessin (family of engravers) (1600-1799) / Bridgeman Images

French troops entering Florence in 1799 - French troops entering Florence through the San Gallo Gate in 1799 -
French troops entering Florence in 1799 - French troops entering Florence through the San Gallo Gate in 1799 -

XEE4158024: French troops entering Florence in 1799 - French troops entering Florence through the San Gallo Gate in 1799 -, French School, (19th century) / Bridgeman Images

The arrest of Pierre Broussel (1575-1654) in 1648, under the order of Anne of Austria (1601-1666), provoking the upheaval of the people (days of the barricades) and the Fronde - Arrest of Pierre de Brousel, councillor in Paris Parliament, called the Father of the People, 1648 - engraving from “” L'histoire de France racontee a mes grandcoenfants””””” - by Francois Is Guizot - 1872-1876
The arrest of Pierre Broussel (1575-1654) in 1648, under the order of Anne of Austria (1601-1666), provoking the upheaval of the people (days of the barricades) and the Fronde - Arrest of Pierre de Brousel, councillor in Paris Parliament, called the Father of the People, 1648 - engraving from “” L'histoire de France racontee a mes grandcoenfants””””” - by Francois Is Guizot - 1872-1876

XEE4158093: The arrest of Pierre Broussel (1575-1654) in 1648, under the order of Anne of Austria (1601-1666), provoking the upheaval of the people (days of the barricades) and the Fronde - Arrest of Pierre de Brousel, councillor in Paris Parliament, called the Father of the People, 1648 - engraving from “” L'histoire de France racontee a mes grandcoenfants””””” - by Francois Is Guizot - 1872-1876, French School, (19th century) / Bridgeman Images

Plate taken from a series of 12 engravings by William Hogarth (1697-1764), British illustrator, entitled “Industry and Idleness”, “” Zele and laziness”” recounting the careers of two apprentices: Thomas Idle, guilty of his vices, was halted in a tavern in London, 1747
Plate taken from a series of 12 engravings by William Hogarth (1697-1764), British illustrator, entitled “Industry and Idleness”, “” Zele and laziness”” recounting the careers of two apprentices: Thomas Idle, guilty of his vices, was halted in a tavern in London, 1747

XEE4148346: Plate taken from a series of 12 engravings by William Hogarth (1697-1764), British illustrator, entitled “Industry and Idleness”, “” Zele and laziness”” recounting the careers of two apprentices: Thomas Idle, guilty of his vices, was halted in a tavern in London, 1747, Hogarth, William (1697-1764) / Bridgeman Images

A paper mill - Stationery: Moulin en elevation - “” The Great Encyclopedie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers”” (Encyclopedia or Dictionary of the Sciences, Arts and Professions) by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783).
A paper mill - Stationery: Moulin en elevation - “” The Great Encyclopedie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers”” (Encyclopedia or Dictionary of the Sciences, Arts and Professions) by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783).

XEE4148439: A paper mill - Stationery: Moulin en elevation - “” The Great Encyclopedie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers”” (Encyclopedia or Dictionary of the Sciences, Arts and Professions) by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783)., French School, (18th century) / Bridgeman Images

Bookbinder - press and development - “” The Great Encyclopedie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers” (Encyclopedia or Dictionary of the Sciences, Arts and Professions) by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783)
Bookbinder - press and development - “” The Great Encyclopedie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers” (Encyclopedia or Dictionary of the Sciences, Arts and Professions) by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783)

XEE4148493: Bookbinder - press and development - “” The Great Encyclopedie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers” (Encyclopedia or Dictionary of the Sciences, Arts and Professions) by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783), French School, (18th century) / Bridgeman Images

Childeric I (d481) and the Story of the Two Halves of the Gold Coin - Childeric I, before leaving France, had taken half of a gold piece, the other half of which he had given to Guyeman - About six to eight years later, Guyeman, seeing the spirits brought back to Childeric's favor, sent him the other half, warning him that he can return to France - Engraving of 1825 in “Histoire de France represented by synoptic paintings for children of France and employee for their education”” - Steel engraving by Ambroise Tardieu
Childeric I (d481) and the Story of the Two Halves of the Gold Coin - Childeric I, before leaving France, had taken half of a gold piece, the other half of which he had given to Guyeman - About six to eight years later, Guyeman, seeing the spirits brought back to Childeric's favor, sent him the other half, warning him that he can return to France - Engraving of 1825 in “Histoire de France represented by synoptic paintings for children of France and employee for their education”” - Steel engraving by Ambroise Tardieu

XEE4147384: Childeric I (d481) and the Story of the Two Halves of the Gold Coin - Childeric I, before leaving France, had taken half of a gold piece, the other half of which he had given to Guyeman - About six to eight years later, Guyeman, seeing the spirits brought back to Childeric's favor, sent him the other half, warning him that he can return to France - Engraving of 1825 in “Histoire de France represented by synoptic paintings for children of France and employee for their education”” - Steel engraving by Ambroise Tardieu, Tardieu, Ambroise (1788-1841) / Bridgeman Images

First deliberation of the three consuls in Peer-Luxembourg - Napoleon Bonaparte, Emmanuel Joseph Sieyes and Pierre Roger-Ducos 1799 - Engraving by Barbant, after Philippoteaux - First Consulate, 24 Frimaire VIII (15th December 1799), first meeting of First Consul Napoleon Bonaparte, Emmanuel Joseph Sieyes and Pierre Roger Ducos
First deliberation of the three consuls in Peer-Luxembourg - Napoleon Bonaparte, Emmanuel Joseph Sieyes and Pierre Roger-Ducos 1799 - Engraving by Barbant, after Philippoteaux - First Consulate, 24 Frimaire VIII (15th December 1799), first meeting of First Consul Napoleon Bonaparte, Emmanuel Joseph Sieyes and Pierre Roger Ducos

XEE4147396: First deliberation of the three consuls in Peer-Luxembourg - Napoleon Bonaparte, Emmanuel Joseph Sieyes and Pierre Roger-Ducos 1799 - Engraving by Barbant, after Philippoteaux - First Consulate, 24 Frimaire VIII (15th December 1799), first meeting of First Consul Napoleon Bonaparte, Emmanuel Joseph Sieyes and Pierre Roger Ducos, Philippoteaux, Felix (1815-84) (after) / Bridgeman Images

Portrait of Louis VI, called The Fat - engraving from 'Les Augustes Representations de tous les Kings de France from Pharamond to LouisXIV', Paris, 1679 by Larmessin (family of engravers) (1600-1799)
Portrait of Louis VI, called The Fat - engraving from 'Les Augustes Representations de tous les Kings de France from Pharamond to LouisXIV', Paris, 1679 by Larmessin (family of engravers) (1600-1799)

XEE4147447: Portrait of Louis VI, called The Fat - engraving from 'Les Augustes Representations de tous les Kings de France from Pharamond to LouisXIV', Paris, 1679 by Larmessin (family of engravers) (1600-1799), de Larmessin (family of engravers) (1600-1799) / Bridgeman Images

Queen Caroline (Caroline of Brunswick-Wolfenbutte (Brunswick Wolfenbutte) (Queen consort of King George IV of the United Kingdom) repulsed from the door of Westminster Abbey 1820 (engraving)
Queen Caroline (Caroline of Brunswick-Wolfenbutte (Brunswick Wolfenbutte) (Queen consort of King George IV of the United Kingdom) repulsed from the door of Westminster Abbey 1820 (engraving)

XEE4147483: Queen Caroline (Caroline of Brunswick-Wolfenbutte (Brunswick Wolfenbutte) (Queen consort of King George IV of the United Kingdom) repulsed from the door of Westminster Abbey 1820 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Violetta at party with old protector Baron Douphol, Act I scene 2 from opera La Traviata by Giuseppe Verdi, 1813-1901 Italian composer (chromo)
Violetta at party with old protector Baron Douphol, Act I scene 2 from opera La Traviata by Giuseppe Verdi, 1813-1901 Italian composer (chromo)

XEE4147492: Violetta at party with old protector Baron Douphol, Act I scene 2 from opera La Traviata by Giuseppe Verdi, 1813-1901 Italian composer (chromo), Unknown Artist / Bridgeman Images

Portrait of John II the Good (1319-1364), King of France - Portrait of John II, 'the Good' (1319-64) King of France - engraving from 'Les Augustes Representations de tous les Kings de France from Pharamond to LouisXIV', Paris, 1679 by Larmessin (family of engravers) (1600-1799)
Portrait of John II the Good (1319-1364), King of France - Portrait of John II, 'the Good' (1319-64) King of France - engraving from 'Les Augustes Representations de tous les Kings de France from Pharamond to LouisXIV', Paris, 1679 by Larmessin (family of engravers) (1600-1799)

XEE4147504: Portrait of John II the Good (1319-1364), King of France - Portrait of John II, 'the Good' (1319-64) King of France - engraving from 'Les Augustes Representations de tous les Kings de France from Pharamond to LouisXIV', Paris, 1679 by Larmessin (family of engravers) (1600-1799), de Larmessin (family of engravers) (1600-1799) / Bridgeman Images

Portrait of King Louis XII (1462-1515) - Portrait of Louis XII of France (1462-1515), King of France - engraving from 'Les Augustes Representations de tous les Kings de France from Pharamond to LouisXIV', Paris, 1679 by Larmessin (family of engravers) (1600-1799)
Portrait of King Louis XII (1462-1515) - Portrait of Louis XII of France (1462-1515), King of France - engraving from 'Les Augustes Representations de tous les Kings de France from Pharamond to LouisXIV', Paris, 1679 by Larmessin (family of engravers) (1600-1799)

XEE4147513: Portrait of King Louis XII (1462-1515) - Portrait of Louis XII of France (1462-1515), King of France - engraving from 'Les Augustes Representations de tous les Kings de France from Pharamond to LouisXIV', Paris, 1679 by Larmessin (family of engravers) (1600-1799), de Larmessin (family of engravers) (1600-1799) / Bridgeman Images

Painting lovers at Hotel Bouillon. Cartoon by Honore Daumier (1808-1879). Engraving in “” Le Monde Illustré”” n°250 of January 25, 1862.
Painting lovers at Hotel Bouillon. Cartoon by Honore Daumier (1808-1879). Engraving in “” Le Monde Illustré”” n°250 of January 25, 1862.

XEE4148835: Painting lovers at Hotel Bouillon. Cartoon by Honore Daumier (1808-1879). Engraving in “” Le Monde Illustré”” n°250 of January 25, 1862., Daumier, Honore (1808-79) / Bridgeman Images

Eugene Turpin, the inventor of melinite, just died - cover of
Eugene Turpin, the inventor of melinite, just died - cover of

XEE4148910: Eugene Turpin, the inventor of melinite, just died - cover of "Le-Pelerin", February 6, 1927 / Bridgeman Images

Portrait of Charles James Fox (1749-1806) British politician - Portrait of Charles James Fox (1749-1806) British statesman - Engraving in “L'Histoire d'Angleterre, depuis les temps plus recules” by Francois Guizot 1877
Portrait of Charles James Fox (1749-1806) British politician - Portrait of Charles James Fox (1749-1806) British statesman - Engraving in “L'Histoire d'Angleterre, depuis les temps plus recules” by Francois Guizot 1877

XEE4148967: Portrait of Charles James Fox (1749-1806) British politician - Portrait of Charles James Fox (1749-1806) British statesman - Engraving in “L'Histoire d'Angleterre, depuis les temps plus recules” by Francois Guizot 1877, Unknown Artist, (19th century) / Bridgeman Images


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