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Atmospheric electricite: Benjamin Franklin's flying deer in the summer of 1752. 1925 (print)
Atmospheric electricite: Benjamin Franklin's flying deer in the summer of 1752. 1925 (print)

XEE4140817: Atmospheric electricite: Benjamin Franklin's flying deer in the summer of 1752. 1925 (print), Anonymous / Bridgeman Images

The cold industry: mout fermentations to produce beer. Anonymous illustration from 1925. Private collection.
The cold industry: mout fermentations to produce beer. Anonymous illustration from 1925. Private collection.

XEE4140233: The cold industry: mout fermentations to produce beer. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

Steam generators: boiler room. Anonymous illustration from 1925. Private collection.
Steam generators: boiler room. Anonymous illustration from 1925. Private collection.

XEE4140256: Steam generators: boiler room. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

Animal traction: the post chair. Anonymous illustration of 1925. Private collection.
Animal traction: the post chair. Anonymous illustration of 1925. Private collection.

XEE4140288: Animal traction: the post chair. Anonymous illustration of 1925. Private collection., Anonymous / Bridgeman Images

Railways: signals used to ensure traffic safety. Anonymous illustration from 1925. Private collection.
Railways: signals used to ensure traffic safety. Anonymous illustration from 1925. Private collection.

XEE4140335: Railways: signals used to ensure traffic safety. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

Telegraph: telegraph by Claude Chappe in 1790. 1925 (print)
Telegraph: telegraph by Claude Chappe in 1790. 1925 (print)

XEE4141090: Telegraph: telegraph by Claude Chappe in 1790. 1925 (print), Anonymous / Bridgeman Images

Prisms and lenses: Metzu's son. The Dutch Jacob Metzu discovered the telescope by chance in 1609, watching his son playing with concave and convex glasses. 1925 (print)
Prisms and lenses: Metzu's son. The Dutch Jacob Metzu discovered the telescope by chance in 1609, watching his son playing with concave and convex glasses. 1925 (print)

XEE4140463: Prisms and lenses: Metzu's son. The Dutch Jacob Metzu discovered the telescope by chance in 1609, watching his son playing with concave and convex glasses. 1925 (print), Anonymous / Bridgeman Images

Balloons: station for airships. Anonymous illustration of 1925 (print) (print) (print)
Balloons: station for airships. Anonymous illustration of 1925 (print) (print) (print)

XEE4139867: Balloons: station for airships. Anonymous illustration of 1925 (print) (print) (print), Anonymous / Bridgeman Images

Ships and ships: the log and astrolabe, navigational instruments. 1925 (print)
Ships and ships: the log and astrolabe, navigational instruments. 1925 (print)

XEE4139900: Ships and ships: the log and astrolabe, navigational instruments. 1925 (print), Anonymous / Bridgeman Images

Vibratory movements: concentric spheres have a vibration center are called wave surfaces. 1925 (print)
Vibratory movements: concentric spheres have a vibration center are called wave surfaces. 1925 (print)

XEE4139921: Vibratory movements: concentric spheres have a vibration center are called wave surfaces. 1925 (print), Anonymous / Bridgeman Images

Moscow, fire in the suburb of Kaluga, 1892 (engraving)
Moscow, fire in the suburb of Kaluga, 1892 (engraving)

XEE4142743: Moscow, fire in the suburb of Kaluga, 1892 (engraving), Anonymous / Bridgeman Images

Light signals: light buoy. Anonymous illustration of 1925 (print)
Light signals: light buoy. Anonymous illustration of 1925 (print)

XEE4140502: Light signals: light buoy. Anonymous illustration of 1925 (print), Anonymous / Bridgeman Images

The Palais du Louvre under the reign of Henry III (16th century): young men of the King's Court. Chromolitography of the late 19th century.
The Palais du Louvre under the reign of Henry III (16th century): young men of the King's Court. Chromolitography of the late 19th century.

XEE4143209: The Palais du Louvre under the reign of Henry III (16th century): young men of the King's Court. Chromolitography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

View of the city of Tangier (Morocco), on the day of the Arab march. Engraving in “” Le Monde Illustré”” n°129 of 1 October 1859.
View of the city of Tangier (Morocco), on the day of the Arab march. Engraving in “” Le Monde Illustré”” n°129 of 1 October 1859.

XEE4143318: View of the city of Tangier (Morocco), on the day of the Arab march. Engraving in “” Le Monde Illustré”” n°129 of 1 October 1859., French School, (19th century) / Bridgeman Images

Cinematographer: shooting a film at the bottom of the seas. 1925 (print)
Cinematographer: shooting a film at the bottom of the seas. 1925 (print)

XEE4140597: Cinematographer: shooting a film at the bottom of the seas. 1925 (print), Anonymous / Bridgeman Images

The cordelle at the bagne de Rochefort in the 19th century“Histoire des bagnes depuis leur création à nos jours
The cordelle at the bagne de Rochefort in the 19th century“Histoire des bagnes depuis leur création à nos jours

XEE4143403: The cordelle at the bagne de Rochefort in the 19th century“Histoire des bagnes depuis leur création à nos jours" by Pierre Zaccone, Anonymous / Bridgeman Images

View of the city of Jeddo (Tokyo), capital of Japan, 1858. Engraving in “” Le Monde Illustré”” n°83 of 13 November 1858.
View of the city of Jeddo (Tokyo), capital of Japan, 1858. Engraving in “” Le Monde Illustré”” n°83 of 13 November 1858.

XEE4140676: View of the city of Jeddo (Tokyo), capital of Japan, 1858. Engraving in “” Le Monde Illustré”” n°83 of 13 November 1858., French School, (19th century) / Bridgeman Images

Suicide at the Rochefort bagne in 1840. Illustration from “Histoire des bagnes depuis leur création à nos jours
Suicide at the Rochefort bagne in 1840. Illustration from “Histoire des bagnes depuis leur création à nos jours

XEE4143444: Suicide at the Rochefort bagne in 1840. Illustration from “Histoire des bagnes depuis leur création à nos jours" by Pierre Zaccone., Anonymous / Bridgeman Images

Earth magnetism: at magnetic poles, the compasse loses the compasse, 1925 (print)
Earth magnetism: at magnetic poles, the compasse loses the compasse, 1925 (print)

XEE4140847: Earth magnetism: at magnetic poles, the compasse loses the compasse, 1925 (print), Anonymous / Bridgeman Images

Forcat to rest at the Rochefort bagne in the 19th century“Histoire des bagnes depuis leur création à nos jours
Forcat to rest at the Rochefort bagne in the 19th century“Histoire des bagnes depuis leur création à nos jours

XEE4143472: Forcat to rest at the Rochefort bagne in the 19th century“Histoire des bagnes depuis leur création à nos jours" by Pierre Zaccone, Anonymous / Bridgeman Images

Ultraviolet rays: sterilization of water by ultra violet rays. 1925 (print)
Ultraviolet rays: sterilization of water by ultra violet rays. 1925 (print)

XEE4140979: Ultraviolet rays: sterilization of water by ultra violet rays. 1925 (print), Anonymous / Bridgeman Images

The cooper of the Toulon Bagne in the 19th century“Histoire des bagnes depuis leur création à nos jours
The cooper of the Toulon Bagne in the 19th century“Histoire des bagnes depuis leur création à nos jours

XEE4143517: The cooper of the Toulon Bagne in the 19th century“Histoire des bagnes depuis leur création à nos jours" by Pierre Zaccone., Anonymous / Bridgeman Images

Model of the railway built for Prince Imperial (son of Napoleon III), in Saint Cloud Park, 1859. From a photograph of Mr. Michelez. Engraving in “” Le Monde Illustré”” n°130 of October 8, 1859.
Model of the railway built for Prince Imperial (son of Napoleon III), in Saint Cloud Park, 1859. From a photograph of Mr. Michelez. Engraving in “” Le Monde Illustré”” n°130 of October 8, 1859.

XEE4143753: Model of the railway built for Prince Imperial (son of Napoleon III), in Saint Cloud Park, 1859. From a photograph of Mr. Michelez. Engraving in “” Le Monde Illustré”” n°130 of October 8, 1859., French School, (19th century) / Bridgeman Images

X-rays: radioscopy of a human body. 1925 (print)
X-rays: radioscopy of a human body. 1925 (print)

XEE4141079: X-rays: radioscopy of a human body. 1925 (print), Anonymous / Bridgeman Images

Maruf at work: Tale of Ma'ruf (Maruf) the saver “” The thousand and one nights” (1001 nights or Le mille e una notte, Arabian Nights), Chromolithography of the end of the 19th century.
Maruf at work: Tale of Ma'ruf (Maruf) the saver “” The thousand and one nights” (1001 nights or Le mille e una notte, Arabian Nights), Chromolithography of the end of the 19th century.

XEE4143799: Maruf at work: Tale of Ma'ruf (Maruf) the saver “” The thousand and one nights” (1001 nights or Le mille e una notte, Arabian Nights), Chromolithography of the end of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4135606: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4135709: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4135734: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4135895: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4135982: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

Kabba Righe (Kabba-Righe), King of Ounyoro (in Africa), and his sequel. Engraving in “” Le Journal de la jeunesse””, 1890.
Kabba Righe (Kabba-Righe), King of Ounyoro (in Africa), and his sequel. Engraving in “” Le Journal de la jeunesse””, 1890.

XEE4134385: Kabba Righe (Kabba-Righe), King of Ounyoro (in Africa), and his sequel. Engraving in “” Le Journal de la jeunesse””, 1890., Unknown Artist, (19th century) / Bridgeman Images

Pan and the nymph Syrinx transformed into reeds“Lettres a Emilie sur la mythologie” by Charles Albert Demoustier, 1819 (engraving)
Pan and the nymph Syrinx transformed into reeds“Lettres a Emilie sur la mythologie” by Charles Albert Demoustier, 1819 (engraving)

XEE4137325: Pan and the nymph Syrinx transformed into reeds“Lettres a Emilie sur la mythologie” by Charles Albert Demoustier, 1819 (engraving), Anonymous / Bridgeman Images

Transformations of Paris under the Second Empire, Haussmann Paris. Construction of the Sewer Collector, 1858: the rat hole. Engraving in “” Le Monde Illustré”” n°43 of 6 February 1858.
Transformations of Paris under the Second Empire, Haussmann Paris. Construction of the Sewer Collector, 1858: the rat hole. Engraving in “” Le Monde Illustré”” n°43 of 6 February 1858.

XEE4137592: Transformations of Paris under the Second Empire, Haussmann Paris. Construction of the Sewer Collector, 1858: the rat hole. Engraving in “” Le Monde Illustré”” n°43 of 6 February 1858., French School, (19th century) / Bridgeman Images

The Tower is careful. A colonel with a gun comes down to the king, followed by pages. Engraving in “” Chants et chansons populaire de la France””, Tome 2, 1848. Private Collection
The Tower is careful. A colonel with a gun comes down to the king, followed by pages. Engraving in “” Chants et chansons populaire de la France””, Tome 2, 1848. Private Collection

XEE4137650: The Tower is careful. A colonel with a gun comes down to the king, followed by pages. Engraving in “” Chants et chansons populaire de la France””, Tome 2, 1848. Private Collection, French School, (19th century) / Bridgeman Images

Song
Song

XEE4137833: Song "la jeune bateliere ou le voyage a l'ile d'amour", late 19th century (print), French School, (19th century) / Bridgeman Images

Paris: the tomb of the Unknown Soldier buries under the Arc de Triomphe, November 11, 1920. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.
Paris: the tomb of the Unknown Soldier buries under the Arc de Triomphe, November 11, 1920. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

XEE4136267: Paris: the tomb of the Unknown Soldier buries under the Arc de Triomphe, November 11, 1920. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection., Anonymous / Bridgeman Images


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