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Indian Petroglyphs of North America. Arches National Park. Ute rock art. 17th - 19th century
Indian Petroglyphs of North America. Arches National Park. Ute rock art. 17th - 19th century

FBU4239732: Indian Petroglyphs of North America. Arches National Park. Ute rock art. 17th - 19th century / Bridgeman Images

Peter Doherty concert at the Days Off Festival, Cite de la musique.
Peter Doherty concert at the Days Off Festival, Cite de la musique.

TOU4345343: Peter Doherty concert at the Days Off Festival, Cite de la musique., Toulet, Frederique / Bridgeman Images

Arch National Park. Delicate Arch. Symbol of Utah. Utah, USA. Landscape
Arch National Park. Delicate Arch. Symbol of Utah. Utah, USA. Landscape

FBU4240160: Arch National Park. Delicate Arch. Symbol of Utah. Utah, USA. Landscape / Bridgeman Images

Concert by Laurie Anderson. Photography, Cite de la Musique, 2010.
Concert by Laurie Anderson. Photography, Cite de la Musique, 2010.

TOU4345722: Concert by Laurie Anderson. Photography, Cite de la Musique, 2010., Toulet, Frederique / Bridgeman Images

Glass, blade - The syllabic reading illustrated by E. Bremond, H. Mouret, 1908 (print)
Glass, blade - The syllabic reading illustrated by E. Bremond, H. Mouret, 1908 (print)

DUV4222828: Glass, blade - The syllabic reading illustrated by E. Bremond, H. Mouret, 1908 (print) / Bridgeman Images

Dr. Harmand at the reception at the Prince of Oubon (Laos), description of the interior of the princely case and its courtyard, engraving by Eugene Burnand, to illustrate the story of Laos and the wild populations of Indochina by Dr. Harmand, in 1877, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.
Dr. Harmand at the reception at the Prince of Oubon (Laos), description of the interior of the princely case and its courtyard, engraving by Eugene Burnand, to illustrate the story of Laos and the wild populations of Indochina by Dr. Harmand, in 1877, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.

LSE4332051: Dr. Harmand at the reception at the Prince of Oubon (Laos), description of the interior of the princely case and its courtyard, engraving by Eugene Burnand, to illustrate the story of Laos and the wild populations of Indochina by Dr. Harmand, in 1877, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection., Burnand, Eugene (1850-1921) / Bridgeman Images

A workshop for the manufacture of objects in varnish of Pasto (or resin of mopa mopa), in Colombia, engraving by Sirouy, to illustrate the story L'Amerique equinoxiale, by E.Andre, traveller in charge of mission by the French government, in 1875-1876, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.
A workshop for the manufacture of objects in varnish of Pasto (or resin of mopa mopa), in Colombia, engraving by Sirouy, to illustrate the story L'Amerique equinoxiale, by E.Andre, traveller in charge of mission by the French government, in 1875-1876, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.

LSE4332124: A workshop for the manufacture of objects in varnish of Pasto (or resin of mopa mopa), in Colombia, engraving by Sirouy, to illustrate the story L'Amerique equinoxiale, by E.Andre, traveller in charge of mission by the French government, in 1875-1876, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection., Sirouy, Achille (1834-1904) / Bridgeman Images

Yacouman, Roucouyenne chief, tribe of Guiana on the banks of the Oyapock, chasing the devil, he walks through the village after the birth of a child, sprinkling a milky white liquid with a feather brush, engraving after a drawing by Riou, to illustrate the story De Cayenne aux Andes, by Jules Crevaux, doctor of the navy in 1878-1879, published in the tour du monde, under the direction of Edouard Charton, 1880, Paris. Selva Collection.
Yacouman, Roucouyenne chief, tribe of Guiana on the banks of the Oyapock, chasing the devil, he walks through the village after the birth of a child, sprinkling a milky white liquid with a feather brush, engraving after a drawing by Riou, to illustrate the story De Cayenne aux Andes, by Jules Crevaux, doctor of the navy in 1878-1879, published in the tour du monde, under the direction of Edouard Charton, 1880, Paris. Selva Collection.

LSE4332263: Yacouman, Roucouyenne chief, tribe of Guiana on the banks of the Oyapock, chasing the devil, he walks through the village after the birth of a child, sprinkling a milky white liquid with a feather brush, engraving after a drawing by Riou, to illustrate the story De Cayenne aux Andes, by Jules Crevaux, doctor of the navy in 1878-1879, published in the tour du monde, under the direction of Edouard Charton, 1880, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

Carpenter's workshop in Nazareth. Engraving by E.Ronjat, to illustrate the story La Syria d'aujourd'hui, by M.Lortet, dean of the Faculty of Medicine of Lyon, charged with a scientific mission by the Ministry of Public Education, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection.
Carpenter's workshop in Nazareth. Engraving by E.Ronjat, to illustrate the story La Syria d'aujourd'hui, by M.Lortet, dean of the Faculty of Medicine of Lyon, charged with a scientific mission by the Ministry of Public Education, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

LSE4332436: Carpenter's workshop in Nazareth. Engraving by E.Ronjat, to illustrate the story La Syria d'aujourd'hui, by M.Lortet, dean of the Faculty of Medicine of Lyon, charged with a scientific mission by the Ministry of Public Education, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Ronjat, Etienne Antoine Eugene (b.1822) / Bridgeman Images

Page de garde - Syllabaire des ecoles chretiennes et Reglement pour les enfants qui les frequentent. Approuve par le Conseil de l'Instruction publique. Chez les editeurs : Alfred Mame et Cie, imprimeurs-libraires a Tours et Vve Poussielgue-Rusand a Paris, 1859. Dimensions : 14 x 8,5 cm.
Page de garde - Syllabaire des ecoles chretiennes et Reglement pour les enfants qui les frequentent. Approuve par le Conseil de l'Instruction publique. Chez les editeurs : Alfred Mame et Cie, imprimeurs-libraires a Tours et Vve Poussielgue-Rusand a Paris, 1859. Dimensions : 14 x 8,5 cm.

DUV4223227: Page de garde - Syllabaire des ecoles chretiennes et Reglement pour les enfants qui les frequentent. Approuve par le Conseil de l'Instruction publique. Chez les editeurs : Alfred Mame et Cie, imprimeurs-libraires a Tours et Vve Poussielgue-Rusand a Paris, 1859. Dimensions : 14 x 8,5 cm., French School, (19th century) / Bridgeman Images

Holly, ball, top - Methode Larousse illustrated. Read-Writing by Georges and Troncet. Booklet 2. Librairie Larousse, Paris, 1911. Photos Canellas. Dimensions: 19.2 x 13.2 cm.
Holly, ball, top - Methode Larousse illustrated. Read-Writing by Georges and Troncet. Booklet 2. Librairie Larousse, Paris, 1911. Photos Canellas. Dimensions: 19.2 x 13.2 cm.

DUV4223238: Holly, ball, top - Methode Larousse illustrated. Read-Writing by Georges and Troncet. Booklet 2. Librairie Larousse, Paris, 1911. Photos Canellas. Dimensions: 19.2 x 13.2 cm. / Bridgeman Images

Description of the different products and uses of donkey: the animal accompanies the travelling musician Detail of the board “” The donkey and its products”” in “” the instructive Recreations”” Synoptic painting by Jules DELBRUCK, engraving from 1860. Private collection.
Description of the different products and uses of donkey: the animal accompanies the travelling musician Detail of the board “” The donkey and its products”” in “” the instructive Recreations”” Synoptic painting by Jules DELBRUCK, engraving from 1860. Private collection.

XEE4189992: Description of the different products and uses of donkey: the animal accompanies the travelling musician Detail of the board “” The donkey and its products”” in “” the instructive Recreations”” Synoptic painting by Jules DELBRUCK, engraving from 1860. Private collection., French School, (19th century) / Bridgeman Images

Syllabaire - Le tresor de l'enfance ou Nouveau systeme d'enseignement mutuel. Cette methode, precedee d'une critique judicieuse sur le systeme de lecture de M. Peigne, contient tous les moyens necessaires pour amener les enfants a bien lire et a bien orthographier en moins de six mois, par M. Perrot d'Ablancourt. Chez Ch. Fradet, libraire, Poitiers, 1838. Dimensions : 21,5 x 13,5 cm.
Syllabaire - Le tresor de l'enfance ou Nouveau systeme d'enseignement mutuel. Cette methode, precedee d'une critique judicieuse sur le systeme de lecture de M. Peigne, contient tous les moyens necessaires pour amener les enfants a bien lire et a bien orthographier en moins de six mois, par M. Perrot d'Ablancourt. Chez Ch. Fradet, libraire, Poitiers, 1838. Dimensions : 21,5 x 13,5 cm.

DUV4223585: Syllabaire - Le tresor de l'enfance ou Nouveau systeme d'enseignement mutuel. Cette methode, precedee d'une critique judicieuse sur le systeme de lecture de M. Peigne, contient tous les moyens necessaires pour amener les enfants a bien lire et a bien orthographier en moins de six mois, par M. Perrot d'Ablancourt. Chez Ch. Fradet, libraire, Poitiers, 1838. Dimensions : 21,5 x 13,5 cm., French School, (19th century) / Bridgeman Images

Description of the five senses: the touch, a mother hugging her child for maternal contact and the game of the collin-aillard. Plate “” Les cinq sens”” in “” les Recreations instructives”” Synoptique painting by Jules Delbruck, engraving from 1860. Private collection.
Description of the five senses: the touch, a mother hugging her child for maternal contact and the game of the collin-aillard. Plate “” Les cinq sens”” in “” les Recreations instructives”” Synoptique painting by Jules Delbruck, engraving from 1860. Private collection.

XEE4190159: Description of the five senses: the touch, a mother hugging her child for maternal contact and the game of the collin-aillard. Plate “” Les cinq sens”” in “” les Recreations instructives”” Synoptique painting by Jules Delbruck, engraving from 1860. Private collection., French School, (19th century) / Bridgeman Images

Crucifix - Syllabaire des ecoles chretiennes et Reglement pour les enfants qui les frequentent. Approuve par le Conseil de l'Instruction publique. Chez les editeurs : Alfred Mame et Cie, imprimeurs-libraires a Tours et Vve Poussielgue-Rusand a Paris, 1859. Dimensions : 14 x 8,5 cm.
Crucifix - Syllabaire des ecoles chretiennes et Reglement pour les enfants qui les frequentent. Approuve par le Conseil de l'Instruction publique. Chez les editeurs : Alfred Mame et Cie, imprimeurs-libraires a Tours et Vve Poussielgue-Rusand a Paris, 1859. Dimensions : 14 x 8,5 cm.

DUV4223642: Crucifix - Syllabaire des ecoles chretiennes et Reglement pour les enfants qui les frequentent. Approuve par le Conseil de l'Instruction publique. Chez les editeurs : Alfred Mame et Cie, imprimeurs-libraires a Tours et Vve Poussielgue-Rusand a Paris, 1859. Dimensions : 14 x 8,5 cm., French School, (19th century) / Bridgeman Images

Abecedaire avec croix stylisee et syllabaire - Alphabet chretien ou Reglement pour les enfants qui frequentent les ecoles chretiennes. Alfred Mame et Fils, editeurs, Tours, 1889. Dimensions : 15 x 9 cm.
Abecedaire avec croix stylisee et syllabaire - Alphabet chretien ou Reglement pour les enfants qui frequentent les ecoles chretiennes. Alfred Mame et Fils, editeurs, Tours, 1889. Dimensions : 15 x 9 cm.

DUV4223711: Abecedaire avec croix stylisee et syllabaire - Alphabet chretien ou Reglement pour les enfants qui frequentent les ecoles chretiennes. Alfred Mame et Fils, editeurs, Tours, 1889. Dimensions : 15 x 9 cm., French School, (19th century) / Bridgeman Images

Description of the crop and silk products: planting muriers. Plate “” la soie”” in “” les Recreations instructives”” Synoptique painting by Jules DELBRUCK, engraving from 1860. Private collection.
Description of the crop and silk products: planting muriers. Plate “” la soie”” in “” les Recreations instructives”” Synoptique painting by Jules DELBRUCK, engraving from 1860. Private collection.

XEE4190380: Description of the crop and silk products: planting muriers. Plate “” la soie”” in “” les Recreations instructives”” Synoptique painting by Jules DELBRUCK, engraving from 1860. Private collection., French School, (19th century) / Bridgeman Images

Entomology: representation of a lonnabre of the olive tree, series on insects, beg of 20th century (chromo)
Entomology: representation of a lonnabre of the olive tree, series on insects, beg of 20th century (chromo)

XEE4190561: Entomology: representation of a lonnabre of the olive tree, series on insects, beg of 20th century (chromo) / Bridgeman Images

Bridge architecture and engineering: representation of the rocker bridge from Chicago to the United States, series on bridges, beg of 20th century (chromo)
Bridge architecture and engineering: representation of the rocker bridge from Chicago to the United States, series on bridges, beg of 20th century (chromo)

XEE4190753: Bridge architecture and engineering: representation of the rocker bridge from Chicago to the United States, series on bridges, beg of 20th century (chromo) / Bridgeman Images

The chateaux of the Loire: the chateau of Blois , beg of 20th century (chromo)
The chateaux of the Loire: the chateau of Blois , beg of 20th century (chromo)

XEE4190783: The chateaux of the Loire: the chateau of Blois , beg of 20th century (chromo) / Bridgeman Images

Notes alterees (accidents) - Gravure extraite de l' Alphabet musical de Mlle Lili, par Angelino Trojelli (18..-1916). Bibliotheque & Magasin d'Education et de Recreation J. Hetzel & Cie, Paris, 1883. Dessins de Alphonse Victor BAUMANN (1826-1909). Dimensions : 27 x 21 cm
Notes alterees (accidents) - Gravure extraite de l' Alphabet musical de Mlle Lili, par Angelino Trojelli (18..-1916). Bibliotheque & Magasin d'Education et de Recreation J. Hetzel & Cie, Paris, 1883. Dessins de Alphonse Victor BAUMANN (1826-1909). Dimensions : 27 x 21 cm

DUV4224027: Notes alterees (accidents) - Gravure extraite de l' Alphabet musical de Mlle Lili, par Angelino Trojelli (18..-1916). Bibliotheque & Magasin d'Education et de Recreation J. Hetzel & Cie, Paris, 1883. Dessins de Alphonse Victor BAUMANN (1826-1909). Dimensions : 27 x 21 cm , Baumann, Alphonse-Victor (1826-1909) / Bridgeman Images

Le proces du marquis de Nayve aux assizes de Bourges in 1895 - Engraving in “Le Progres illustrious”” of 1895
Le proces du marquis de Nayve aux assizes de Bourges in 1895 - Engraving in “Le Progres illustrious”” of 1895

XEE4151938: Le proces du marquis de Nayve aux assizes de Bourges in 1895 - Engraving in “Le Progres illustrious”” of 1895, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Abraham by Fabert by Esternay Marshal (1599-1662) of France (marechal de France) - engraving
Portrait of Abraham by Fabert by Esternay Marshal (1599-1662) of France (marechal de France) - engraving

XEE4151995: Portrait of Abraham by Fabert by Esternay Marshal (1599-1662) of France (marechal de France) - engraving, Unknown Artist, (19th century) / Bridgeman Images

Boabdil leaves Granada - Abu Abd Allah Mohammed, aka El Chico (Muhammad XII) (1459-1533) the last Arab King of Granada, illustration from 'Stories of the Crusades' by J-F. Michaud, 1877 - The last of the Moorish kings Boabdil - Muhammad XII AZ-Zughbi leaves Granada, 1492 - engraving by Gustave Dore, in “” HISTORY of the CROUSADES”” 1877
Boabdil leaves Granada - Abu Abd Allah Mohammed, aka El Chico (Muhammad XII) (1459-1533) the last Arab King of Granada, illustration from 'Stories of the Crusades' by J-F. Michaud, 1877 - The last of the Moorish kings Boabdil - Muhammad XII AZ-Zughbi leaves Granada, 1492 - engraving by Gustave Dore, in “” HISTORY of the CROUSADES”” 1877

XEE4152083: Boabdil leaves Granada - Abu Abd Allah Mohammed, aka El Chico (Muhammad XII) (1459-1533) the last Arab King of Granada, illustration from 'Stories of the Crusades' by J-F. Michaud, 1877 - The last of the Moorish kings Boabdil - Muhammad XII AZ-Zughbi leaves Granada, 1492 - engraving by Gustave Dore, in “” HISTORY of the CROUSADES”” 1877, Dore, Gustave (1832-83) / Bridgeman Images

President McKinley and his Cabinet in the White House, 1898.
President McKinley and his Cabinet in the White House, 1898.

XEE4152160: President McKinley and his Cabinet in the White House, 1898., Unknown photographer, (19th century) / Bridgeman Images

A child getting up in the morning, (engraving)
A child getting up in the morning, (engraving)

XEE4152238: A child getting up in the morning, (engraving), French School, (20th century) / Bridgeman Images

Interior of the ancient library of Saint Genevieve (Sainte Genevieve) in the 18th century-
Interior of the ancient library of Saint Genevieve (Sainte Genevieve) in the 18th century-

XEE4152480: Interior of the ancient library of Saint Genevieve (Sainte Genevieve) in the 18th century-, Unknown Artist / Bridgeman Images

Portrait of Corneille Van Cleve French sculptor (1645-1732) engraving by Poilly after the painting by Joseph Vivien
Portrait of Corneille Van Cleve French sculptor (1645-1732) engraving by Poilly after the painting by Joseph Vivien

XEE4152589: Portrait of Corneille Van Cleve French sculptor (1645-1732) engraving by Poilly after the painting by Joseph Vivien, Vivien, Joseph (1657-1734) (after) / Bridgeman Images

Portrait of Antoine Coypel (engraving)
Portrait of Antoine Coypel (engraving)

XEE4152596: Portrait of Antoine Coypel (engraving), Unknown Artist / Bridgeman Images

Portrait of Nicolas de Largillierre (Largillier) (1656-1746) French painter engraving by Dupuis after the painting by Gueuslain
Portrait of Nicolas de Largillierre (Largillier) (1656-1746) French painter engraving by Dupuis after the painting by Gueuslain

XEE4152623: Portrait of Nicolas de Largillierre (Largillier) (1656-1746) French painter engraving by Dupuis after the painting by Gueuslain, French School / Bridgeman Images

Julia (The Two Gentlemen of Verona) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by the early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838
Julia (The Two Gentlemen of Verona) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by the early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838

XEE4152764: Julia (The Two Gentlemen of Verona) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by the early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838, English School, (19th century) / Bridgeman Images

Mistress Ford (The Merry Wives of Windsor) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary records””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838
Mistress Ford (The Merry Wives of Windsor) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary records””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838

XEE4152792: Mistress Ford (The Merry Wives of Windsor) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary records””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838, English School, (19th century) / Bridgeman Images

Lady Macbeth (Macbeth) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched by critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes””, circa 1838
Lady Macbeth (Macbeth) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched by critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes””, circa 1838

XEE4152876: Lady Macbeth (Macbeth) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched by critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes””, circa 1838, English School, (19th century) / Bridgeman Images

Imogene: daughter of Cymbeline - Imogen (Cymbeline) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by the early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838
Imogene: daughter of Cymbeline - Imogen (Cymbeline) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by the early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838

XEE4152907: Imogene: daughter of Cymbeline - Imogen (Cymbeline) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by the early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838, English School, (19th century) / Bridgeman Images

View of Mount Sibille (Paradise of Queen Sybille) (Double map of Mount Pilate and Mount Sibyl) - Antoine de La Sale (La Salle) French satirical writer of the 15th century.
View of Mount Sibille (Paradise of Queen Sybille) (Double map of Mount Pilate and Mount Sibyl) - Antoine de La Sale (La Salle) French satirical writer of the 15th century.

XEE4152924: View of Mount Sibille (Paradise of Queen Sybille) (Double map of Mount Pilate and Mount Sibyl) - Antoine de La Sale (La Salle) French satirical writer of the 15th century., Unknown Artist, (15th century) / Bridgeman Images

View of the main gallery of the National Fire Centre of Vincennes, 1860. Engraving in “” Le Monde Illustré”” n°183 of 13 October 1860.
View of the main gallery of the National Fire Centre of Vincennes, 1860. Engraving in “” Le Monde Illustré”” n°183 of 13 October 1860.

XEE4153128: View of the main gallery of the National Fire Centre of Vincennes, 1860. Engraving in “” Le Monde Illustré”” n°183 of 13 October 1860., French School, (19th century) / Bridgeman Images


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