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2490904 Search Results

A banana cart, New York, c.1900 (b/w photo)
A banana cart, New York, c.1900 (b/w photo)

XOS862641: A banana cart, New York, c.1900 (b/w photo), Byron Company (fl.1890-1942) / Bridgeman Images

ID: XOS862641

A banana cart, New York, c.1900 (b/w photo)

Byron Company (fl.1890-1942)

Indian Mound Park, St. Paul, Minnesota, c.1898 (b/w photo)
Indian Mound Park, St. Paul, Minnesota, c.1898 (b/w photo)

XOS862662: Indian Mound Park, St. Paul, Minnesota, c.1898 (b/w photo), Detroit Publishing Co. (1880-1920) / Bridgeman Images

ID: XOS862662

Indian Mound Park, St. Paul, Minnesota, c.1898 (b/w photo)

Detroit Publishing Co. (1880-1920)

Skating in Central Park, New York, c.1900-06 (b/w photo)
Skating in Central Park, New York, c.1900-06 (b/w photo)

XOS862668: Skating in Central Park, New York, c.1900-06 (b/w photo), Detroit Publishing Co. (1880-1920) / Bridgeman Images

ID: XOS862668

Skating in Central Park, New York, c.1900-06 (b/w photo)

Detroit Publishing Co. (1880-1920)

'A Silver Watch Bell' by Thomas Tymme, 1617 (engraving)
'A Silver Watch Bell' by Thomas Tymme, 1617 (engraving)

XJF862974: 'A Silver Watch Bell' by Thomas Tymme, 1617 (engraving), English School, (17th century) / Bridgeman Images

ID: XJF862974

'A Silver Watch Bell' by Thomas Tymme, 1617 (engraving)

English School, (17th century)

The Songstress, engraved by G. Stodart, c.1863 (engraving)
The Songstress, engraved by G. Stodart, c.1863 (engraving)

XJF862978: The Songstress, engraved by G. Stodart, c.1863 (engraving), English School, (19th century) / Bridgeman Images

ID: XJF862978

The Songstress, engraved by G. Stodart, c.1863 (engraving)

English School, (19th century)

The City of York, a Noble Terrace Walk, print made by Charles Grignon, 1756 (etching)
The City of York, a Noble Terrace Walk, print made by Charles Grignon, 1756 (etching)

XJF863004: The City of York, a Noble Terrace Walk, print made by Charles Grignon, 1756 (etching), English School, (18th century) / Bridgeman Images

ID: XJF863004

The City of York, a Noble Terrace Walk, print made by Charles Grignon, 1756 (etching)

English School, (18th century)

Self portrait caricature from 25 Caricatures, 1768-9 (engraving)
Self portrait caricature from 25 Caricatures, 1768-9 (engraving)

XJF863031: Self portrait caricature from 25 Caricatures, 1768-9 (engraving), Patch, Thomas (1720-82) / Bridgeman Images

ID: XJF863031

Self portrait caricature from 25 Caricatures, 1768-9 (engraving)

Patch, Thomas (1720-82)

Portrait of a Lady, seated three-quarter length, in a white dress and fur-lined cape, 169- (oil on canvas)
Portrait of a Lady, seated three-quarter length, in a white dress and fur-lined cape, 169- (oil on canvas)

CH827804: Portrait of a Lady, seated three-quarter length, in a white dress and fur-lined cape, 169- (oil on canvas), Boonen, Arnold (1669-1729) / Bridgeman Images

ID: CH827804

Portrait of a Lady, seated three-quarter length, in a white dress and fur-lined cape, 169- (oil on canvas)

Boonen, Arnold (1669-1729)

San Marco and the Doge's Palace, Venice, (oil on canvas)
San Marco and the Doge's Palace, Venice, (oil on canvas)

CH827855: San Marco and the Doge's Palace, Venice, (oil on canvas), Canaletto, (Giovanni Antonio Canal) (1697-1768) / Bridgeman Images

ID: CH827855

San Marco and the Doge's Palace, Venice, (oil on canvas)

Canaletto, (Giovanni Antonio Canal) (1697-1768)

Venus with Sacred and Profane Love, (oil on panel)
Venus with Sacred and Profane Love, (oil on panel)

CH827862: Venus with Sacred and Profane Love, (oil on panel), Bresciano, Andrea di Alessandro (16th century) / Bridgeman Images

ID: CH827862

Venus with Sacred and Profane Love, (oil on panel)

Bresciano, Andrea di Alessandro (16th century)

A Schoolmaster Teaching a Boy to Draw (oil on canvas)
A Schoolmaster Teaching a Boy to Draw (oil on canvas)

CH827936: A Schoolmaster Teaching a Boy to Draw (oil on canvas), Potma, Jacob (c.1610-94) / Bridgeman Images

ID: CH827936

A Schoolmaster Teaching a Boy to Draw (oil on canvas)

Potma, Jacob (c.1610-94)

A Stranger in their Midst, (watercolour on paper)
A Stranger in their Midst, (watercolour on paper)

CH828413: A Stranger in their Midst, (watercolour on paper), Hughes, A. Foord (1856-1914) / Bridgeman Images

ID: CH828413

A Stranger in their Midst, (watercolour on paper)

Hughes, A. Foord (1856-1914)

Portrait of a Commander, three-quarter length, in Armour, holding a Baton, his Plumed Helmet on a Rock nearby, a Cavalry Charge beyond, (oil on canvas)
Portrait of a Commander, three-quarter length, in Armour, holding a Baton, his Plumed Helmet on a Rock nearby, a Cavalry Charge beyond, (oil on canvas)

CH827916: Portrait of a Commander, three-quarter length, in Armour, holding a Baton, his Plumed Helmet on a Rock nearby, a Cavalry Charge beyond, (oil on canvas), Netscher, Caspar (1639-84) / Bridgeman Images

ID: CH827916

Portrait of a Commander, three-quarter length, in Armour, holding a Baton, his Plumed Helmet on a Rock nearby, a Cavalry Charge beyond, (oil on canvas)

Netscher, Caspar (1639-84)

The Madonna and Child with the Infant Saint John the Baptist, (oil on panel)
The Madonna and Child with the Infant Saint John the Baptist, (oil on panel)

CH827934: The Madonna and Child with the Infant Saint John the Baptist, (oil on panel), Innocenzo da Imola (Francucci), (c.1490/4-1547/50) / Bridgeman Images

ID: CH827934

The Madonna and Child with the Infant Saint John the Baptist, (oil on panel)

Innocenzo da Imola (Francucci), (c.1490/4-1547/50)

Brighton Beach, (oil on canvas)
Brighton Beach, (oil on canvas)

CH828402: Brighton Beach, (oil on canvas), Young, Alexander (1865-1923) / Bridgeman Images

ID: CH828402

Brighton Beach, (oil on canvas)

Young, Alexander (1865-1923)

There is a great Field Marshall, my friend, who arrays our battalions; Let us to Provdence trust, and abide and work in our stations', (oil on panel)
There is a great Field Marshall, my friend, who arrays our battalions; Let us to Provdence trust, and abide and work in our stations', (oil on panel)

CH828442: There is a great Field Marshall, my friend, who arrays our battalions; Let us to Provdence trust, and abide and work in our stations', (oil on panel), Shaw, John Byam Liston (1872-1919) / Bridgeman Images

ID: CH828442

There is a great Field Marshall, my friend, who arrays our battalions; Let us to Provdence trust, and abide and work in our stations', (oil on panel)

Shaw, John Byam Liston (1872-1919)

Near Forres (w/c & gouache on paper)
Near Forres (w/c & gouache on paper)

AAH863214: Near Forres (w/c & gouache on paper) , Swarbreck, Samuel Dukinfield (c.1799-1863) / Bridgeman Images

ID: AAH863214

Near Forres (w/c & gouache on paper)

Swarbreck, Samuel Dukinfield (c.1799-1863)

New York Central Railway (Railroad) photographic car, c.1895-1915 (b/w photo)
New York Central Railway (Railroad) photographic car, c.1895-1915 (b/w photo)

XOS867557: New York Central Railway (Railroad) photographic car, c.1895-1915 (b/w photo), Detroit Publishing Co. (1880-1920) / Bridgeman Images

ID: XOS867557

New York Central Railway (Railroad) photographic car, c.1895-1915 (b/w photo)

Detroit Publishing Co. (1880-1920)

Nassau Hall, Princeton University, N.J., c.1903 (b/w photo)
Nassau Hall, Princeton University, N.J., c.1903 (b/w photo)

XOS867560: Nassau Hall, Princeton University, N.J., c.1903 (b/w photo), Detroit Publishing Co. (1880-1920) / Bridgeman Images

ID: XOS867560

Nassau Hall, Princeton University, N.J., c.1903 (b/w photo)

Detroit Publishing Co. (1880-1920)

Viewing the marine gardens through bottom of boat, Nassau, Bahamas, 1900 (b/w photo)
Viewing the marine gardens through bottom of boat, Nassau, Bahamas, 1900 (b/w photo)

XOS867595: Viewing the marine gardens through bottom of boat, Nassau, Bahamas, 1900 (b/w photo), Jackson, William Henry (1843-1942) / Bridgeman Images

ID: XOS867595

Viewing the marine gardens through bottom of boat, Nassau, Bahamas, 1900 (b/w photo)

Jackson, William Henry (1843-1942)

The Pompadour General, c.1759 (engraving)
The Pompadour General, c.1759 (engraving)

XJF867782: The Pompadour General, c.1759 (engraving), Bickham, George (the Younger) (c.1706–71) / Bridgeman Images

ID: XJF867782

The Pompadour General, c.1759 (engraving)

Bickham, George (the Younger) (c.1706–71)

Gibside, County of Durham,1835 (engraving)
Gibside, County of Durham,1835 (engraving)

XJF867863: Gibside, County of Durham,1835 (engraving), Allom, Thomas (1804-72) (after) / Bridgeman Images

ID: XJF867863

Gibside, County of Durham,1835 (engraving)

Allom, Thomas (1804-72) (after)

Epson Races 1847: The Railway - Third Class (engraving)
Epson Races 1847: The Railway - Third Class (engraving)

XJF867878: Epson Races 1847: The Railway - Third Class (engraving), English School, (19th century) / Bridgeman Images

ID: XJF867878

Epson Races 1847: The Railway - Third Class (engraving)

English School, (19th century)

Banquet in Alumni Hall [i.e., University Commons], Yale College, Connecticut, c.1900-06 (b/w photo)
Banquet in Alumni Hall [i.e., University Commons], Yale College, Connecticut, c.1900-06 (b/w photo)

XOS867940: Banquet in Alumni Hall [i.e., University Commons], Yale College, Connecticut, c.1900-06 (b/w photo), Detroit Publishing Co. (1880-1920) / Bridgeman Images

ID: XOS867940

Banquet in Alumni Hall [i.e., University Commons], Yale College, Connecticut, c.1900-06 (b/w photo)

Detroit Publishing Co. (1880-1920)

The Bear Pits, Memphis, Tennessee, c.1900-20 (b/w photo)
The Bear Pits, Memphis, Tennessee, c.1900-20 (b/w photo)

XOS867943: The Bear Pits, Memphis, Tennessee, c.1900-20 (b/w photo), Detroit Publishing Co. (1880-1920) / Bridgeman Images

ID: XOS867943

The Bear Pits, Memphis, Tennessee, c.1900-20 (b/w photo)

Detroit Publishing Co. (1880-1920)

Queen Victoria, 1835 (w/c on ivory)
Queen Victoria, 1835 (w/c on ivory)

CH829215: Queen Victoria, 1835 (w/c on ivory), Collen, Henry (1797-1879) / Bridgeman Images

ID: CH829215

Queen Victoria, 1835 (w/c on ivory)

Collen, Henry (1797-1879)

Ms. New Coll 380, f12r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper)
Ms. New Coll 380, f12r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper)

NCO833720: Ms. New Coll 380, f12r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper), Carlile, Robert (fl.1795) / Bridgeman Images

ID: NCO833720

Ms. New Coll 380, f12r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper)

Carlile, Robert (fl.1795)

Ms. New Coll 380, f20r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper)
Ms. New Coll 380, f20r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper)

NCO833729: Ms. New Coll 380, f20r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper), Carlile, Robert (fl.1795) / Bridgeman Images

ID: NCO833729

Ms. New Coll 380, f20r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper)

Carlile, Robert (fl.1795)

Ms. New Coll 380, f32r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper)
Ms. New Coll 380, f32r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper)

NCO833741: Ms. New Coll 380, f32r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper), Carlile, Robert (fl.1795) / Bridgeman Images

ID: NCO833741

Ms. New Coll 380, f32r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper)

Carlile, Robert (fl.1795)

Ms. New Coll 380, f44r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper)
Ms. New Coll 380, f44r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper)

NCO833753: Ms. New Coll 380, f44r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper), Carlile, Robert (fl.1795) / Bridgeman Images

ID: NCO833753

Ms. New Coll 380, f44r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper)

Carlile, Robert (fl.1795)

The Cowthorpe Oak, 1840 (oil on canvas)
The Cowthorpe Oak, 1840 (oil on canvas)

LMG833933: The Cowthorpe Oak, 1840 (oil on canvas), Rhodes, John Nicholas (1809-42) / Bridgeman Images

ID: LMG833933

The Cowthorpe Oak, 1840 (oil on canvas)

Rhodes, John Nicholas (1809-42)

The Interior of a Church, c.1640-45 (oil on panel)
The Interior of a Church, c.1640-45 (oil on panel)

HFA847265: The Interior of a Church, c.1640-45 (oil on panel), Delorme, Anthonie (1610-73) / Bridgeman Images

ID: HFA847265

The Interior of a Church, c.1640-45 (oil on panel)

Delorme, Anthonie (1610-73)

Funeral of Louis Belmas at Cambrai Cathedral, 19th century (oil on canvas)
Funeral of Louis Belmas at Cambrai Cathedral, 19th century (oil on canvas)

XIR868500: Funeral of Louis Belmas at Cambrai Cathedral, 19th century (oil on canvas), Saint-Aubert, Antoine Louis (1794-1854) / Bridgeman Images

ID: XIR868500

Funeral of Louis Belmas at Cambrai Cathedral, 19th century (oil on canvas)

Saint-Aubert, Antoine Louis (1794-1854)

Landscape with a Stream (oil on canvas)
Landscape with a Stream (oil on canvas)

XIR868509: Landscape with a Stream (oil on canvas), Harpignies, Henri-Joseph (1819-1916) / Bridgeman Images

ID: XIR868509

Landscape with a Stream (oil on canvas)

Harpignies, Henri-Joseph (1819-1916)

The Love Test, A German Legend, (oil on canvas)
The Love Test, A German Legend, (oil on canvas)

CH828489: The Love Test, A German Legend, (oil on canvas), Joy, Thomas Musgrave (1812-66) / Bridgeman Images

ID: CH828489

The Love Test, A German Legend, (oil on canvas)

Joy, Thomas Musgrave (1812-66)

Eastern Gate of the Tumulus of Sanchie (photo)
Eastern Gate of the Tumulus of Sanchie (photo)

XIR828631: Eastern Gate of the Tumulus of Sanchie (photo), Indian School / Bridgeman Images

ID: XIR828631

Eastern Gate of the Tumulus of Sanchie (photo)

Indian School


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