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An Encyclopaedia of the Arts and Sciences, from 'The Gentleman's Recreation' published by Richard Blome, 1686 (engraving)
An Encyclopaedia of the Arts and Sciences, from 'The Gentleman's Recreation' published by Richard Blome, 1686 (engraving)

XJF483389: An Encyclopaedia of the Arts and Sciences, from 'The Gentleman's Recreation' published by Richard Blome, 1686 (engraving), English School, (17th century) / Bridgeman Images

ID: XJF483389

An Encyclopaedia of the Arts and Sciences, from 'The Gentleman's Recreation' published by Richard Blome, 1686 (engraving)

English School, (17th century)

Frontispiece to the English translation of Sebastian Brandt's 'The Ship of Fools', edition published in 1874 (engraving)
Frontispiece to the English translation of Sebastian Brandt's 'The Ship of Fools', edition published in 1874 (engraving)

XJF483407: Frontispiece to the English translation of Sebastian Brandt's 'The Ship of Fools', edition published in 1874 (engraving), German School, (15th century) (after) / Bridgeman Images

ID: XJF483407

Frontispiece to the English translation of Sebastian Brandt's 'The Ship of Fools', edition published in 1874 (engraving)

German School, (15th century) (after)

The Common Partridge, illustration from 'A History of British Birds' by William Yarrell, first published 1843 (woodcut)
The Common Partridge, illustration from 'A History of British Birds' by William Yarrell, first published 1843 (woodcut)

XJF486308: The Common Partridge, illustration from 'A History of British Birds' by William Yarrell, first published 1843 (woodcut), Yarrell, William (1784-1856) / Bridgeman Images

ID: XJF486308

The Common Partridge, illustration from 'A History of British Birds' by William Yarrell, first published 1843 (woodcut)

Yarrell, William (1784-1856)

Ray's Wagtail, illustration from 'A History of British Birds' by William Yarrell, first published 1843 (woodcut)
Ray's Wagtail, illustration from 'A History of British Birds' by William Yarrell, first published 1843 (woodcut)

XJF486317: Ray's Wagtail, illustration from 'A History of British Birds' by William Yarrell, first published 1843 (woodcut), Yarrell, William (1784-1856) / Bridgeman Images

ID: XJF486317

Ray's Wagtail, illustration from 'A History of British Birds' by William Yarrell, first published 1843 (woodcut)

Yarrell, William (1784-1856)

Nude Woman Asleep with Cupid and Satyrs, c.1446-1506, (pencil on paper)
Nude Woman Asleep with Cupid and Satyrs, c.1446-1506, (pencil on paper)

XJF486339: Nude Woman Asleep with Cupid and Satyrs, c.1446-1506, (pencil on paper), Mantegna, Andrea (1431-1506) (school of) / Bridgeman Images

ID: XJF486339

Nude Woman Asleep with Cupid and Satyrs, c.1446-1506, (pencil on paper)

Mantegna, Andrea (1431-1506) (school of)

Boy with a Horse and Two Dogs, c.1597-1610 (etching)
Boy with a Horse and Two Dogs, c.1597-1610 (etching)

XJF486386: Boy with a Horse and Two Dogs, c.1597-1610 (etching), Elsheimer, Adam (1578-1610) / Bridgeman Images

ID: XJF486386

Boy with a Horse and Two Dogs, c.1597-1610 (etching)

Elsheimer, Adam (1578-1610)

Of hym that fyndeth ought of another mannys it nat restorynge to the owner, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)
Of hym that fyndeth ought of another mannys it nat restorynge to the owner, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)

XJF486413: Of hym that fyndeth ought of another mannys it nat restorynge to the owner, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving), German School, (15th century) (after) / Bridgeman Images

ID: XJF486413

Of hym that fyndeth ought of another mannys it nat restorynge to the owner, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)

German School, (15th century) (after)

Of pluralitees that is to say of them whiche charge them selfe with many benefycis, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)
Of pluralitees that is to say of them whiche charge them selfe with many benefycis, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)

XJF486422: Of pluralitees that is to say of them whiche charge them selfe with many benefycis, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving), German School, (15th century) (after) / Bridgeman Images

ID: XJF486422

Of pluralitees that is to say of them whiche charge them selfe with many benefycis, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)

German School, (15th century) (after)

Of the mutabylyte of fortune, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)
Of the mutabylyte of fortune, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)

XJF486428: Of the mutabylyte of fortune, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving), German School, (15th century) (after) / Bridgeman Images

ID: XJF486428

Of the mutabylyte of fortune, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)

German School, (15th century) (after)

Of folys that stande so well in their owne conceyt that they thinke none so wyse, stronge, fayre, nor eloquent, as they ar themself, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)
Of folys that stande so well in their owne conceyt that they thinke none so wyse, stronge, fayre, nor eloquent, as they ar themself, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)

XJF486446: Of folys that stande so well in their owne conceyt that they thinke none so wyse, stronge, fayre, nor eloquent, as they ar themself, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving), German School, (15th century) (after) / Bridgeman Images

ID: XJF486446

Of folys that stande so well in their owne conceyt that they thinke none so wyse, stronge, fayre, nor eloquent, as they ar themself, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)

German School, (15th century) (after)

The Seven Against Thebes, 1795 (engraving)
The Seven Against Thebes, 1795 (engraving)

XJF486476: The Seven Against Thebes, 1795 (engraving), Flaxman, John (1755-1826) / Bridgeman Images

ID: XJF486476

The Seven Against Thebes, 1795 (engraving)

Flaxman, John (1755-1826)

St. Eustachius, from the Jacopo Bellini's Album of drawings (pen & ink on vellum)
St. Eustachius, from the Jacopo Bellini's Album of drawings (pen & ink on vellum)

XIR486898: St. Eustachius, from the Jacopo Bellini's Album of drawings (pen & ink on vellum), Bellini, Jacopo (c.1400-70) / Bridgeman Images

ID: XIR486898

St. Eustachius, from the Jacopo Bellini's Album of drawings (pen & ink on vellum)

Bellini, Jacopo (c.1400-70)

The Ecstasy of St. Francis (oil on canvas)
The Ecstasy of St. Francis (oil on canvas)

XIR476003: The Ecstasy of St. Francis (oil on canvas), Coccapani, Sigismondo (1583-1642) / Bridgeman Images

ID: XIR476003

The Ecstasy of St. Francis (oil on canvas)

Coccapani, Sigismondo (1583-1642)

The Assumption of the Virgin, 16th century (oil on panel)
The Assumption of the Virgin, 16th century (oil on panel)

XIR476048: The Assumption of the Virgin, 16th century (oil on panel), Angolo del Moro, Gian Battista (1514-75) / Bridgeman Images

ID: XIR476048

The Assumption of the Virgin, 16th century (oil on panel)

Angolo del Moro, Gian Battista (1514-75)

William Penn aged Twenty Two, print made by S. A. Schoff, 1862 (engraving)
William Penn aged Twenty Two, print made by S. A. Schoff, 1862 (engraving)

XJF476253: William Penn aged Twenty Two, print made by S. A. Schoff, 1862 (engraving), English School, (17th century) (after) / Bridgeman Images

ID: XJF476253

William Penn aged Twenty Two, print made by S. A. Schoff, 1862 (engraving)

English School, (17th century) (after)

Sir William Penn (mezzotint)
Sir William Penn (mezzotint)

XJF476256: Sir William Penn (mezzotint), Place, Francis (1647-1728) (after) / Bridgeman Images

ID: XJF476256

Sir William Penn (mezzotint)

Place, Francis (1647-1728) (after)

Flirtation (oil on canvas)
Flirtation (oil on canvas)

CH476561: Flirtation (oil on canvas), Volkhart, Max (1848-1924) / Bridgeman Images

ID: CH476561

Flirtation (oil on canvas)

Volkhart, Max (1848-1924)

The Bouquet (oil on canvas)
The Bouquet (oil on canvas)

CH476575: The Bouquet (oil on canvas), Andreotti, Federigo (1847-1930) / Bridgeman Images

ID: CH476575

The Bouquet (oil on canvas)

Andreotti, Federigo (1847-1930)

A Day in the Park, 1875 (oil on canvas)
A Day in the Park, 1875 (oil on canvas)

CH476632: A Day in the Park, 1875 (oil on canvas), Molins, Auguste de (1810-86) / Bridgeman Images

ID: CH476632

A Day in the Park, 1875 (oil on canvas)

Molins, Auguste de (1810-86)

The Sleighride, 1896 (oil on canvas)
The Sleighride, 1896 (oil on canvas)

CH476698: The Sleighride, 1896 (oil on canvas), Vesin, Jaroslav Friedrich Julius (1859-1915) / Bridgeman Images

ID: CH476698

The Sleighride, 1896 (oil on canvas)

Vesin, Jaroslav Friedrich Julius (1859-1915)

A View of the Grotto and two shell temples, Stowe House Gardens, engraved by George Bickham, 1753 (engraving)
A View of the Grotto and two shell temples, Stowe House Gardens, engraved by George Bickham, 1753 (engraving)

XJF477685: A View of the Grotto and two shell temples, Stowe House Gardens, engraved by George Bickham, 1753 (engraving), Chatelain, Jean Baptiste Claude (1710-71) (after) / Bridgeman Images

ID: XJF477685

A View of the Grotto and two shell temples, Stowe House Gardens, engraved by George Bickham, 1753 (engraving)

Chatelain, Jean Baptiste Claude (1710-71) (after)

A View from the Grecian Temple to Lord Cobham's Pillar, Stowe House Gardens, engraved by George Bickham, 1753 (engraving)
A View from the Grecian Temple to Lord Cobham's Pillar, Stowe House Gardens, engraved by George Bickham, 1753 (engraving)

XJF477688: A View from the Grecian Temple to Lord Cobham's Pillar, Stowe House Gardens, engraved by George Bickham, 1753 (engraving), Chatelain, Jean Baptiste Claude (1710-71) (after) / Bridgeman Images

ID: XJF477688

A View from the Grecian Temple to Lord Cobham's Pillar, Stowe House Gardens, engraved by George Bickham, 1753 (engraving)

Chatelain, Jean Baptiste Claude (1710-71) (after)

Picturesque houses, Denham, near Uxbridge (b/w photo)
Picturesque houses, Denham, near Uxbridge (b/w photo)

XJF477691: Picturesque houses, Denham, near Uxbridge (b/w photo), English Photographer, (19th century) / Bridgeman Images

ID: XJF477691

Picturesque houses, Denham, near Uxbridge (b/w photo)

English Photographer, (19th century)

A Gibson Girl, c.1902 (litho)
A Gibson Girl, c.1902 (litho)

XJF477712: A Gibson Girl, c.1902 (litho), Gibson, Charles Dana (1867-1944) / Bridgeman Images

ID: XJF477712

A Gibson Girl, c.1902 (litho)

Gibson, Charles Dana (1867-1944)

A Gibson Girl, c.1902 (litho)
A Gibson Girl, c.1902 (litho)

XJF477715: A Gibson Girl, c.1902 (litho), Gibson, Charles Dana (1867-1944) / Bridgeman Images

ID: XJF477715

A Gibson Girl, c.1902 (litho)

Gibson, Charles Dana (1867-1944)

Mayrena Fair, engraved by Bayot, 1842 (litho)
Mayrena Fair, engraved by Bayot, 1842 (litho)

XJF477742: Mayrena Fair, engraved by Bayot, 1842 (litho), Perez Villaamil, Jenaro (1807-54) (after) / Bridgeman Images

ID: XJF477742

Mayrena Fair, engraved by Bayot, 1842 (litho)

Perez Villaamil, Jenaro (1807-54) (after)

The Lesser Redpole, illustration from 'A History of British Birds' by William Yarrell, first published 1843 (woodcut)
The Lesser Redpole, illustration from 'A History of British Birds' by William Yarrell, first published 1843 (woodcut)

XJF486315: The Lesser Redpole, illustration from 'A History of British Birds' by William Yarrell, first published 1843 (woodcut), Yarrell, William (1784-1856) / Bridgeman Images

ID: XJF486315

The Lesser Redpole, illustration from 'A History of British Birds' by William Yarrell, first published 1843 (woodcut)

Yarrell, William (1784-1856)

James V, 19th century copy after an illustration from Jonston's 'Inscriptiones Historicae Regum Scotorum', first published 1602 (engraving)
James V, 19th century copy after an illustration from Jonston's 'Inscriptiones Historicae Regum Scotorum', first published 1602 (engraving)

XJF486343: James V, 19th century copy after an illustration from Jonston's 'Inscriptiones Historicae Regum Scotorum', first published 1602 (engraving), English School, (17th century) (after) / Bridgeman Images

ID: XJF486343

James V, 19th century copy after an illustration from Jonston's 'Inscriptiones Historicae Regum Scotorum', first published 1602 (engraving)

English School, (17th century) (after)

Henry Stuart, Lord Darnley (engraving)
Henry Stuart, Lord Darnley (engraving)

XJF486396: Henry Stuart, Lord Darnley (engraving), Elstrack, Renold (1570-1625) (after) / Bridgeman Images

ID: XJF486396

Henry Stuart, Lord Darnley (engraving)

Elstrack, Renold (1570-1625) (after)

Of to moche spekynge or bablynge, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)
Of to moche spekynge or bablynge, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)

XJF486411: Of to moche spekynge or bablynge, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving), German School, (15th century) (after) / Bridgeman Images

ID: XJF486411

Of to moche spekynge or bablynge, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)

German School, (15th century) (after)

Of them that ar alway borowynge, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)
Of them that ar alway borowynge, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)

XJF486417: Of them that ar alway borowynge, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving), German School, (15th century) (after) / Bridgeman Images

ID: XJF486417

Of them that ar alway borowynge, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)

German School, (15th century) (after)

Of great stryuers in the lawe for thynges of nought, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)
Of great stryuers in the lawe for thynges of nought, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)

XJF486459: Of great stryuers in the lawe for thynges of nought, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving), German School, (15th century) (after) / Bridgeman Images

ID: XJF486459

Of great stryuers in the lawe for thynges of nought, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)

German School, (15th century) (after)

Illustration from 'Theatrum Chemicum Britannicum' by Elias Ashmole, first published in 1652 (engraving)
Illustration from 'Theatrum Chemicum Britannicum' by Elias Ashmole, first published in 1652 (engraving)

XJF486490: Illustration from 'Theatrum Chemicum Britannicum' by Elias Ashmole, first published in 1652 (engraving), English School, (17th century) / Bridgeman Images

ID: XJF486490

Illustration from 'Theatrum Chemicum Britannicum' by Elias Ashmole, first published in 1652 (engraving)

English School, (17th century)

Jubilee Fair in Hyde Park, 1814 (engraving)
Jubilee Fair in Hyde Park, 1814 (engraving)

XJF477745: Jubilee Fair in Hyde Park, 1814 (engraving), English School, (19th century) / Bridgeman Images

ID: XJF477745

Jubilee Fair in Hyde Park, 1814 (engraving)

English School, (19th century)

Charles Stanhope, 3rd Earl of Harrington, 1804 (engraving)
Charles Stanhope, 3rd Earl of Harrington, 1804 (engraving)

XJF477757: Charles Stanhope, 3rd Earl of Harrington, 1804 (engraving), Rawle, Samuel (1771-1860) / Bridgeman Images

ID: XJF477757

Charles Stanhope, 3rd Earl of Harrington, 1804 (engraving)

Rawle, Samuel (1771-1860)

A Toddy-Drawer's Hut in a Grove of Date Palms, Bombay Presidency, India (w/c on paper)
A Toddy-Drawer's Hut in a Grove of Date Palms, Bombay Presidency, India (w/c on paper)

STC478344: A Toddy-Drawer's Hut in a Grove of Date Palms, Bombay Presidency, India (w/c on paper), English School, (19th century) / Bridgeman Images

ID: STC478344

A Toddy-Drawer's Hut in a Grove of Date Palms, Bombay Presidency, India (w/c on paper)

English School, (19th century)


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