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Vase, 1766 (marble)
Vase, 1766 (marble)

XCC2970818: Vase, 1766 (marble), Clodion, Claude Michel (1738-1814) / Bridgeman Images

ID: XCC2970818

Vase, 1766 (marble)

Clodion, Claude Michel (1738-1814)

Le Grenouillard (Frog-Man), 1892 (patinated plaster)
Le Grenouillard (Frog-Man), 1892 (patinated plaster)

XCC2970933: Le Grenouillard (Frog-Man), 1892 (patinated plaster), Carries, Jean Joseph Marie (1855-94) / Bridgeman Images

ID: XCC2970933

Le Grenouillard (Frog-Man), 1892 (patinated plaster)

Carries, Jean Joseph Marie (1855-94)

The Ecstasy of Saint Francis, 1601 (oil on canvas)
The Ecstasy of Saint Francis, 1601 (oil on canvas)

XCC2968439: The Ecstasy of Saint Francis, 1601 (oil on canvas), Baglione, Giovanni (1571-1644) / Bridgeman Images

ID: XCC2968439

The Ecstasy of Saint Francis, 1601 (oil on canvas)

Baglione, Giovanni (1571-1644)

Versailles, Vase par Cornu, 1904 (albumen print)
Versailles, Vase par Cornu, 1904 (albumen print)

XCC2968212: Versailles, Vase par Cornu, 1904 (albumen print), Atget, Eugene (1856-1927) / Bridgeman Images

ID: XCC2968212

Versailles, Vase par Cornu, 1904 (albumen print)

Atget, Eugene (1856-1927)

Carolling, 1887, printed January 1890 (photogravure)
Carolling, 1887, printed January 1890 (photogravure)

XCC2968215: Carolling, 1887, printed January 1890 (photogravure), Robinson, Henry Peach (1830-1901) / Bridgeman Images

ID: XCC2968215

Carolling, 1887, printed January 1890 (photogravure)

Robinson, Henry Peach (1830-1901)

Rider in the Mountains, 1866 (etching on off-white china paper laid down on white wove paper)
Rider in the Mountains, 1866 (etching on off-white china paper laid down on white wove paper)

XCC2968250: Rider in the Mountains, 1866 (etching on off-white china paper laid down on white wove paper), Bresdin, Rodolphe (1822-85) / Bridgeman Images

ID: XCC2968250

Rider in the Mountains, 1866 (etching on off-white china paper laid down on white wove paper)

Bresdin, Rodolphe (1822-85)

Alms to the Poor (pen and black ink, on tan tracing paper, laid down on ivory wove paper)
Alms to the Poor (pen and black ink, on tan tracing paper, laid down on ivory wove paper)

XCC2968278: Alms to the Poor (pen and black ink, on tan tracing paper, laid down on ivory wove paper), Bresdin, Rodolphe (1822-85) / Bridgeman Images

ID: XCC2968278

Alms to the Poor (pen and black ink, on tan tracing paper, laid down on ivory wove paper)

Bresdin, Rodolphe (1822-85)

And a Large Bird, Descending From the Sky, Hurls Itself Against the Topmost Point of Her Hair, plate 3 of 10, 1888 (litho in black on ivory china paper, laid down on ivory wove paper)
And a Large Bird, Descending From the Sky, Hurls Itself Against the Topmost Point of Her Hair, plate 3 of 10, 1888 (litho in black on ivory china paper, laid down on ivory wove paper)

XCC2968291: And a Large Bird, Descending From the Sky, Hurls Itself Against the Topmost Point of Her Hair, plate 3 of 10, 1888 (litho in black on ivory china paper, laid down on ivory wove paper), Redon, Odilon (1840-1916) / Bridgeman Images

ID: XCC2968291

And a Large Bird, Descending From the Sky, Hurls Itself Against the Topmost Point of Her Hair, plate 3 of 10, 1888 (litho in black on ivory china paper, laid down on ivory wove paper)

Redon, Odilon (1840-1916)

Mount Washington, 1869 (oil on canvas)
Mount Washington, 1869 (oil on canvas)

XCC2968534: Mount Washington, 1869 (oil on canvas), Homer, Winslow (1836-1910) / Bridgeman Images

ID: XCC2968534

Mount Washington, 1869 (oil on canvas)

Homer, Winslow (1836-1910)

The Mill Pond, 1889 (oil on canvas)
The Mill Pond, 1889 (oil on canvas)

XCC2968538: The Mill Pond, 1889 (oil on canvas), Inness, George Snr. (1825-94) / Bridgeman Images

ID: XCC2968538

The Mill Pond, 1889 (oil on canvas)

Inness, George Snr. (1825-94)

Portrait of General José Manuel Romero, c.1810 (oil on canvas)
Portrait of General José Manuel Romero, c.1810 (oil on canvas)

XCC2968542: Portrait of General José Manuel Romero, c.1810 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

ID: XCC2968542

Portrait of General José Manuel Romero, c.1810 (oil on canvas)

Goya y Lucientes, Francisco Jose de (1746-1828)

Seated Female Nude, 1660-62 (pen & brown ink & brush & brown wash on ivory laid paper, laid down on cream laid card)
Seated Female Nude, 1660-62 (pen & brown ink & brush & brown wash on ivory laid paper, laid down on cream laid card)

XCC2968589: Seated Female Nude, 1660-62 (pen & brown ink & brush & brown wash on ivory laid paper, laid down on cream laid card), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

ID: XCC2968589

Seated Female Nude, 1660-62 (pen & brown ink & brush & brown wash on ivory laid paper, laid down on cream laid card)

Rembrandt Harmensz. van Rijn (1606-69)

Paddling the Wounded British Officer, 1897 (oil on canvas)
Paddling the Wounded British Officer, 1897 (oil on canvas)

XCC2969047: Paddling the Wounded British Officer, 1897 (oil on canvas), Remington, Frederic (1861-1909) / Bridgeman Images

ID: XCC2969047

Paddling the Wounded British Officer, 1897 (oil on canvas)

Remington, Frederic (1861-1909)

The Filatrice, or The Spinner, 1850 (bronze)
The Filatrice, or The Spinner, 1850 (bronze)

XCC2969091: The Filatrice, or The Spinner, 1850 (bronze), Brown, Henry Kirke (1814-1886) / Bridgeman Images

ID: XCC2969091

The Filatrice, or The Spinner, 1850 (bronze)

Brown, Henry Kirke (1814-1886)

Evening Glow for Date no Yosaku and Seki no Koman, from the untitled series known as Eight Views of Tragic Lovers, 1801-04 (colour woodblock print)
Evening Glow for Date no Yosaku and Seki no Koman, from the untitled series known as Eight Views of Tragic Lovers, 1801-04 (colour woodblock print)

XCC2969361: Evening Glow for Date no Yosaku and Seki no Koman, from the untitled series known as Eight Views of Tragic Lovers, 1801-04 (colour woodblock print), Hokusai, Katsushika (1760-1849) / Bridgeman Images

ID: XCC2969361

Evening Glow for Date no Yosaku and Seki no Koman, from the untitled series known as Eight Views of Tragic Lovers, 1801-04 (colour woodblock print)

Hokusai, Katsushika (1760-1849)

The Actor Ichikawa Danjuro II as Soga no Goro in the play Soga Koyomi Biraki, performed at the Nakamura Theatre in the first month, 1723 (hand-coloured woodblock print)
The Actor Ichikawa Danjuro II as Soga no Goro in the play Soga Koyomi Biraki, performed at the Nakamura Theatre in the first month, 1723 (hand-coloured woodblock print)

XCC2969687: The Actor Ichikawa Danjuro II as Soga no Goro in the play Soga Koyomi Biraki, performed at the Nakamura Theatre in the first month, 1723 (hand-coloured woodblock print), Torii Kiyotomo (fl.1717-36) / Bridgeman Images

ID: XCC2969687

The Actor Ichikawa Danjuro II as Soga no Goro in the play Soga Koyomi Biraki, performed at the Nakamura Theatre in the first month, 1723 (hand-coloured woodblock print)

Torii Kiyotomo (fl.1717-36)

Jaina Tirthankara Parshvanatha with Serpent Hood Seated in Meditation (Dhyanamudra), from Karnataka, India (chlorite)
Jaina Tirthankara Parshvanatha with Serpent Hood Seated in Meditation (Dhyanamudra), from Karnataka, India (chlorite)

XCC2969751: Jaina Tirthankara Parshvanatha with Serpent Hood Seated in Meditation (Dhyanamudra), from Karnataka, India (chlorite), South Indian School, (12th century) / Bridgeman Images

ID: XCC2969751

Jaina Tirthankara Parshvanatha with Serpent Hood Seated in Meditation (Dhyanamudra), from Karnataka, India (chlorite)

South Indian School, (12th century)

Table, c.1800 (burl maple, fir or pine, gilt bronze, & marble)
Table, c.1800 (burl maple, fir or pine, gilt bronze, & marble)

XCC2969959: Table, c.1800 (burl maple, fir or pine, gilt bronze, & marble), Gilly, Friedrich (1772-1800) (after) / Bridgeman Images

ID: XCC2969959

Table, c.1800 (burl maple, fir or pine, gilt bronze, & marble)

Gilly, Friedrich (1772-1800) (after)

Portrait of an Artist, 1644 (oil on canvas)
Portrait of an Artist, 1644 (oil on canvas)

XCC2969989: Portrait of an Artist, 1644 (oil on canvas), Hals, Frans (1582/3-1666) / Bridgeman Images

ID: XCC2969989

Portrait of an Artist, 1644 (oil on canvas)

Hals, Frans (1582/3-1666)

The Nativity, 1507-10 (oil on panel)
The Nativity, 1507-10 (oil on panel)

XCC2970201: The Nativity, 1507-10 (oil on panel), Master of Pulkau (fl.c.1505–1520) / Bridgeman Images

ID: XCC2970201

The Nativity, 1507-10 (oil on panel)

Master of Pulkau (fl.c.1505–1520)

Altarpiece from Thuison-les-Abbeville: Saint Hugh of Lincoln, 1490-1500 (oil on panel)
Altarpiece from Thuison-les-Abbeville: Saint Hugh of Lincoln, 1490-1500 (oil on panel)

XCC2970284: Altarpiece from Thuison-les-Abbeville: Saint Hugh of Lincoln, 1490-1500 (oil on panel), French School, (15th century) / Bridgeman Images

ID: XCC2970284

Altarpiece from Thuison-les-Abbeville: Saint Hugh of Lincoln, 1490-1500 (oil on panel)

French School, (15th century)

Christ on the Living Cross, 1420-30 (oil on panel)
Christ on the Living Cross, 1420-30 (oil on panel)

XCC2970430: Christ on the Living Cross, 1420-30 (oil on panel), Master of Saint Veronica (fl.1395-1415) (follower of) / Bridgeman Images

ID: XCC2970430

Christ on the Living Cross, 1420-30 (oil on panel)

Master of Saint Veronica (fl.1395-1415) (follower of)

Virgin and Child with Angels, c.1610 (oil on panel)
Virgin and Child with Angels, c.1610 (oil on panel)

XCC2970730: Virgin and Child with Angels, c.1610 (oil on panel), Procaccini, Giulio Cesare (1574-1625) / Bridgeman Images

ID: XCC2970730

Virgin and Child with Angels, c.1610 (oil on panel)

Procaccini, Giulio Cesare (1574-1625)

Sketch for Oath on the Rütli, Female Figure (verso), 1779-81, 1785-90 (verso) (oil on canvas)
Sketch for Oath on the Rütli, Female Figure (verso), 1779-81, 1785-90 (verso) (oil on canvas)

XCC2970765: Sketch for Oath on the Rütli, Female Figure (verso), 1779-81, 1785-90 (verso) (oil on canvas), Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825) / Bridgeman Images

ID: XCC2970765

Sketch for Oath on the Rütli, Female Figure (verso), 1779-81, 1785-90 (verso) (oil on canvas)

Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825)

Half armour and targe for service on foot, c.1600 (steel with gilding, brass, and leather, etched and gilded)
Half armour and targe for service on foot, c.1600 (steel with gilding, brass, and leather, etched and gilded)

XCC2970779: Half armour and targe for service on foot, c.1600 (steel with gilding, brass, and leather, etched and gilded), Master of the sign of the cuirass with the letters IPF (fl.c.1600) / Bridgeman Images

ID: XCC2970779

Half armour and targe for service on foot, c.1600 (steel with gilding, brass, and leather, etched and gilded)

Master of the sign of the cuirass with the letters IPF (fl.c.1600)

Standing pavise, Klausen, c.1480-90 (wood, iron, and boarskin)
Standing pavise, Klausen, c.1480-90 (wood, iron, and boarskin)

XCC2970784: Standing pavise, Klausen, c.1480-90 (wood, iron, and boarskin), German School, (15th century) / Bridgeman Images

ID: XCC2970784

Standing pavise, Klausen, c.1480-90 (wood, iron, and boarskin)

German School, (15th century)

Bust of Paris, 1809 (marble)
Bust of Paris, 1809 (marble)

XCC2970807: Bust of Paris, 1809 (marble), Canova, Antonio (1757-1822) / Bridgeman Images

ID: XCC2970807

Bust of Paris, 1809 (marble)

Canova, Antonio (1757-1822)

Self-Portrait, c.1725 (oil on canvas)
Self-Portrait, c.1725 (oil on canvas)

XCC2970820: Self-Portrait, c.1725 (oil on canvas), Largilliere, Nicolas de (1656-1746) / Bridgeman Images

ID: XCC2970820

Self-Portrait, c.1725 (oil on canvas)

Largilliere, Nicolas de (1656-1746)

Winter Scene, c.1786 (oil on canvas)
Winter Scene, c.1786 (oil on canvas)

XCC2970849: Winter Scene, c.1786 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

ID: XCC2970849

Winter Scene, c.1786 (oil on canvas)

Goya y Lucientes, Francisco Jose de (1746-1828)

Bireno and Olimpia, 1640-50 (bronze, traces of red-gold lacquer)
Bireno and Olimpia, 1640-50 (bronze, traces of red-gold lacquer)

XCC2970873: Bireno and Olimpia, 1640-50 (bronze, traces of red-gold lacquer), Tacca, Ferdinando (1619-86/90) / Bridgeman Images

ID: XCC2970873

Bireno and Olimpia, 1640-50 (bronze, traces of red-gold lacquer)

Tacca, Ferdinando (1619-86/90)

The Nativity, 1504-07 (oil on panel)
The Nativity, 1504-07 (oil on panel)

XCC2970925: The Nativity, 1504-07 (oil on panel), Bartolomeo, Fra (Baccio della Porta) (1472-1517) / Bridgeman Images

ID: XCC2970925

The Nativity, 1504-07 (oil on panel)

Bartolomeo, Fra (Baccio della Porta) (1472-1517)

Cañon de Chelle, Walls of the Grand Cañon, about 1200 feet in height, 1873 (albumen print)
Cañon de Chelle, Walls of the Grand Cañon, about 1200 feet in height, 1873 (albumen print)

XCC2971266: Cañon de Chelle, Walls of the Grand Cañon, about 1200 feet in height, 1873 (albumen print), O'Sullivan, Timothy (1840-82) / Bridgeman Images

ID: XCC2971266

Cañon de Chelle, Walls of the Grand Cañon, about 1200 feet in height, 1873 (albumen print)

O'Sullivan, Timothy (1840-82)

The Church of San Miguel, the Oldest in Santa Fe, N.M., 1873 (albumen print, from the album geographical & geological explorations & surveys west of the 100th meridian, vol. 2)
The Church of San Miguel, the Oldest in Santa Fe, N.M., 1873 (albumen print, from the album geographical & geological explorations & surveys west of the 100th meridian, vol. 2)

XCC2971270: The Church of San Miguel, the Oldest in Santa Fe, N.M., 1873 (albumen print, from the album geographical & geological explorations & surveys west of the 100th meridian, vol. 2), O'Sullivan, Timothy (1840-82) / Bridgeman Images

ID: XCC2971270

The Church of San Miguel, the Oldest in Santa Fe, N.M., 1873 (albumen print, from the album geographical & geological explorations & surveys west of the 100th meridian, vol. 2)

O'Sullivan, Timothy (1840-82)

Study of a leg, flourish, and doodles, 1610-17 (pen & ink on paper)
Study of a leg, flourish, and doodles, 1610-17 (pen & ink on paper)

XCC2972696: Study of a leg, flourish, and doodles, 1610-17 (pen & ink on paper), Bellange, Jacques (c.1575-1616) / Bridgeman Images

ID: XCC2972696

Study of a leg, flourish, and doodles, 1610-17 (pen & ink on paper)

Bellange, Jacques (c.1575-1616)

Archery, from Amusements Champêtres (Country Sports), 1770-90 (wool & silk)
Archery, from Amusements Champêtres (Country Sports), 1770-90 (wool & silk)

XCC2972832: Archery, from Amusements Champêtres (Country Sports), 1770-90 (wool & silk), Julliard, Jacques Nicolas (1715-90) (attr.to) / Bridgeman Images

ID: XCC2972832

Archery, from Amusements Champêtres (Country Sports), 1770-90 (wool & silk)

Julliard, Jacques Nicolas (1715-90) (attr.to)

Tea Drinking Under the Wutong Tree, Ming dynasty (1369-1644), 1509 (handscroll; ink and slight colour on paper )
Tea Drinking Under the Wutong Tree, Ming dynasty (1369-1644), 1509 (handscroll; ink and slight colour on paper )

XCC2969543: Tea Drinking Under the Wutong Tree, Ming dynasty (1369-1644), 1509 (handscroll; ink and slight colour on paper ), Yin, Tang (1470-1523) / Bridgeman Images

ID: XCC2969543

Tea Drinking Under the Wutong Tree, Ming dynasty (1369-1644), 1509 (handscroll; ink and slight colour on paper )

Yin, Tang (1470-1523)


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