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Antoine Laurent de Lavoisier (1743-1794), French chemist.
Antoine Laurent de Lavoisier (1743-1794), French chemist.

XEE4411403: Antoine Laurent de Lavoisier (1743-1794), French chemist., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4411403

Antoine Laurent de Lavoisier (1743-1794), French chemist.

Unknown Artist, (19th century)

Siege of Toulon August-December 1793 - in “” The naval battles of Napoleon””, 19th century.
Siege of Toulon August-December 1793 - in “” The naval battles of Napoleon””, 19th century.

XEE4411447: Siege of Toulon August-December 1793 - in “” The naval battles of Napoleon””, 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4411447

Siege of Toulon August-December 1793 - in “” The naval battles of Napoleon””, 19th century.

Unknown Artist, (19th century)

Alexander III at the signing of the Franco-Russian trade agreement (Kronstadt 1891 - Toulon 1893), Bianchetti collection
Alexander III at the signing of the Franco-Russian trade agreement (Kronstadt 1891 - Toulon 1893), Bianchetti collection

XEE4411506: Alexander III at the signing of the Franco-Russian trade agreement (Kronstadt 1891 - Toulon 1893), Bianchetti collection, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4411506

Alexander III at the signing of the Franco-Russian trade agreement (Kronstadt 1891 - Toulon 1893), Bianchetti collection

Unknown Artist, (19th century)

Victor received from Napoleon I the Cross of the Legion of Honour and the rank of Captain on Wagram's battlefield for his bravery, engraving early 19th century
Victor received from Napoleon I the Cross of the Legion of Honour and the rank of Captain on Wagram's battlefield for his bravery, engraving early 19th century

XEE4411512: Victor received from Napoleon I the Cross of the Legion of Honour and the rank of Captain on Wagram's battlefield for his bravery, engraving early 19th century, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4411512

Victor received from Napoleon I the Cross of the Legion of Honour and the rank of Captain on Wagram's battlefield for his bravery, engraving early 19th century

Unknown Artist, (19th century)

Hatter; Craft series, 19th century (print)
Hatter; Craft series, 19th century (print)

XEE4411601: Hatter; Craft series, 19th century (print), French School, (19th century) / Bridgeman Images

ID: XEE4411601

Hatter; Craft series, 19th century (print)

French School, (19th century)

Fables de La Fontaine: the fox and the good, first half of the 19th century (print)
Fables de La Fontaine: the fox and the good, first half of the 19th century (print)

XEE4411647: Fables de La Fontaine: the fox and the good, first half of the 19th century (print), French School, (19th century) / Bridgeman Images

ID: XEE4411647

Fables de La Fontaine: the fox and the good, first half of the 19th century (print)

French School, (19th century)

Fables de La Fontaine: the wolf who became a shepherd, first half of the 19th century (print)
Fables de La Fontaine: the wolf who became a shepherd, first half of the 19th century (print)

XEE4411655: Fables de La Fontaine: the wolf who became a shepherd, first half of the 19th century (print), French School, (19th century) / Bridgeman Images

ID: XEE4411655

Fables de La Fontaine: the wolf who became a shepherd, first half of the 19th century (print)

French School, (19th century)

Perier measuring the height of the Barometer (mercury tube) by Evangelista Torricelli or Toricelli on the top of the Puy-de-Dôme on 20 September 1618, engraving 19th century, Bianchetti collection.
Perier measuring the height of the Barometer (mercury tube) by Evangelista Torricelli or Toricelli on the top of the Puy-de-Dôme on 20 September 1618, engraving 19th century, Bianchetti collection.

XEE4411741: Perier measuring the height of the Barometer (mercury tube) by Evangelista Torricelli or Toricelli on the top of the Puy-de-Dôme on 20 September 1618, engraving 19th century, Bianchetti collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4411741

Perier measuring the height of the Barometer (mercury tube) by Evangelista Torricelli or Toricelli on the top of the Puy-de-Dôme on 20 September 1618, engraving 19th century, Bianchetti collection.

Unknown Artist, (19th century)

Portrait of Adelbert de Chamisso (1781 - 1838) - in “” Les Contemporains””, n.d. late 19th century.
Portrait of Adelbert de Chamisso (1781 - 1838) - in “” Les Contemporains””, n.d. late 19th century.

XEE4411877: Portrait of Adelbert de Chamisso (1781 - 1838) - in “” Les Contemporains””, n.d. late 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4411877

Portrait of Adelbert de Chamisso (1781 - 1838) - in “” Les Contemporains””, n.d. late 19th century.

Unknown Artist, (19th century)

Portrait of His Majesty George I (1863-1913), King of Greece.
Portrait of His Majesty George I (1863-1913), King of Greece.

XEE4411913: Portrait of His Majesty George I (1863-1913), King of Greece., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4411913

Portrait of His Majesty George I (1863-1913), King of Greece.

Unknown Artist, (19th century)

The British army commanded by the Duke of Wellington (1769 - 1852) won the Battle of Waterloo against the French troops of Napoleon I on 18/06/1815. Engraving of the period.
The British army commanded by the Duke of Wellington (1769 - 1852) won the Battle of Waterloo against the French troops of Napoleon I on 18/06/1815. Engraving of the period.

XEE4411980: The British army commanded by the Duke of Wellington (1769 - 1852) won the Battle of Waterloo against the French troops of Napoleon I on 18/06/1815. Engraving of the period., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4411980

The British army commanded by the Duke of Wellington (1769 - 1852) won the Battle of Waterloo against the French troops of Napoleon I on 18/06/1815. Engraving of the period.

Unknown Artist, (19th century)

The station of Cisco, Count of Placer (Nevada), where one can take the express train of the Pacific Railway (Pacific Railway), engraved after Taylor's drawing, illustrating the voyage from Washington to San Francisco in 1868, by L. Simonin, published in “Le tour du monde” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The station of Cisco, Count of Placer (Nevada), where one can take the express train of the Pacific Railway (Pacific Railway), engraved after Taylor's drawing, illustrating the voyage from Washington to San Francisco in 1868, by L. Simonin, published in “Le tour du monde” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329720: The station of Cisco, Count of Placer (Nevada), where one can take the express train of the Pacific Railway (Pacific Railway), engraved after Taylor's drawing, illustrating the voyage from Washington to San Francisco in 1868, by L. Simonin, published in “Le tour du monde” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Taylor, T (fl.1850) / Bridgeman Images

ID: LSE4329720

The station of Cisco, Count of Placer (Nevada), where one can take the express train of the Pacific Railway (Pacific Railway), engraved after Taylor's drawing, illustrating the voyage from Washington to San Francisco in 1868, by L. Simonin, published in “Le tour du monde” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Taylor, T (fl.1850)

The crew of the ship La Germania, descended on the ice for a hunting game, set up a tent to bivouac, which is visited by a polar bear as the men were apprehended to lie down, engraving after the drawing of E.Riou, illustrating a voyage to the North Pole in 1869-1870 by the captain of the ship La Germania, Mr. Koldewey and his crew, published in “Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The crew of the ship La Germania, descended on the ice for a hunting game, set up a tent to bivouac, which is visited by a polar bear as the men were apprehended to lie down, engraving after the drawing of E.Riou, illustrating a voyage to the North Pole in 1869-1870 by the captain of the ship La Germania, Mr. Koldewey and his crew, published in “Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329792: The crew of the ship La Germania, descended on the ice for a hunting game, set up a tent to bivouac, which is visited by a polar bear as the men were apprehended to lie down, engraving after the drawing of E.Riou, illustrating a voyage to the North Pole in 1869-1870 by the captain of the ship La Germania, Mr. Koldewey and his crew, published in “Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4329792

The crew of the ship La Germania, descended on the ice for a hunting game, set up a tent to bivouac, which is visited by a polar bear as the men were apprehended to lie down, engraving after the drawing of E.Riou, illustrating a voyage to the North Pole in 1869-1870 by the captain of the ship La Germania, Mr. Koldewey and his crew, published in “Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Riou, Edouard (1833-1900)

The zandes (or niam niam, a tribe of Central Africa, divided between the Congo, Sudan and the Central African Republic) melomane hunters, playing mangala (musical instrument between harp and mandolin), whose practice is very common among men, traditionally accompanies a recitative, the listeners call the monotonous melody by a beating of the head, until plunging into a deep ecstasy, engraving after O.Mathieu's drawing, illustrating a journey to the heart of Africa, in 1868-1871, by Dr. George Schweinfurth, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The zandes (or niam niam, a tribe of Central Africa, divided between the Congo, Sudan and the Central African Republic) melomane hunters, playing mangala (musical instrument between harp and mandolin), whose practice is very common among men, traditionally accompanies a recitative, the listeners call the monotonous melody by a beating of the head, until plunging into a deep ecstasy, engraving after O.Mathieu's drawing, illustrating a journey to the heart of Africa, in 1868-1871, by Dr. George Schweinfurth, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329859: The zandes (or niam niam, a tribe of Central Africa, divided between the Congo, Sudan and the Central African Republic) melomane hunters, playing mangala (musical instrument between harp and mandolin), whose practice is very common among men, traditionally accompanies a recitative, the listeners call the monotonous melody by a beating of the head, until plunging into a deep ecstasy, engraving after O.Mathieu's drawing, illustrating a journey to the heart of Africa, in 1868-1871, by Dr. George Schweinfurth, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Mathieu, Oscar Pierre (1845-1881) / Bridgeman Images

ID: LSE4329859

The zandes (or niam niam, a tribe of Central Africa, divided between the Congo, Sudan and the Central African Republic) melomane hunters, playing mangala (musical instrument between harp and mandolin), whose practice is very common among men, traditionally accompanies a recitative, the listeners call the monotonous melody by a beating of the head, until plunging into a deep ecstasy, engraving after O.Mathieu's drawing, illustrating a journey to the heart of Africa, in 1868-1871, by Dr. George Schweinfurth, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Mathieu, Oscar Pierre (1845-1881)

The bongo tribe hunt the rat from the reeds (for naturalists: aulacode), sitot spot the place where the rodents live, fire is set to dry grass around their cottage, until the beets, forced to flee, come to present themselves to the hunters, engraving after the drawing by A.de Bar, illustrating a journey to the heart of Africa, in 186868 - 1871, by Dr. George Schweinfurth, published in “Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The bongo tribe hunt the rat from the reeds (for naturalists: aulacode), sitot spot the place where the rodents live, fire is set to dry grass around their cottage, until the beets, forced to flee, come to present themselves to the hunters, engraving after the drawing by A.de Bar, illustrating a journey to the heart of Africa, in 186868 - 1871, by Dr. George Schweinfurth, published in “Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329874: The bongo tribe hunt the rat from the reeds (for naturalists: aulacode), sitot spot the place where the rodents live, fire is set to dry grass around their cottage, until the beets, forced to flee, come to present themselves to the hunters, engraving after the drawing by A.de Bar, illustrating a journey to the heart of Africa, in 186868 - 1871, by Dr. George Schweinfurth, published in “Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bar, Alexandre de (1821-1901) (after) / Bridgeman Images

ID: LSE4329874

The bongo tribe hunt the rat from the reeds (for naturalists: aulacode), sitot spot the place where the rodents live, fire is set to dry grass around their cottage, until the beets, forced to flee, come to present themselves to the hunters, engraving after the drawing by A.de Bar, illustrating a journey to the heart of Africa, in 186868 - 1871, by Dr. George Schweinfurth, published in “Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Bar, Alexandre de (1821-1901) (after)

The ascent of the peaks of the Andes by the Marcoy expedition requires the most acrobatic means: here, to climb a rocky piton, the Indians climb on each other's shoulders to reach the summit, engraving by E.Riou illustrating the journey between the sierra, the valley of Huarancalqui and the regions of Pajonal, from 1862 to 1863 , by Paul Marcoy, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
The ascent of the peaks of the Andes by the Marcoy expedition requires the most acrobatic means: here, to climb a rocky piton, the Indians climb on each other's shoulders to reach the summit, engraving by E.Riou illustrating the journey between the sierra, the valley of Huarancalqui and the regions of Pajonal, from 1862 to 1863 , by Paul Marcoy, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4330000: The ascent of the peaks of the Andes by the Marcoy expedition requires the most acrobatic means: here, to climb a rocky piton, the Indians climb on each other's shoulders to reach the summit, engraving by E.Riou illustrating the journey between the sierra, the valley of Huarancalqui and the regions of Pajonal, from 1862 to 1863 , by Paul Marcoy, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4330000

The ascent of the peaks of the Andes by the Marcoy expedition requires the most acrobatic means: here, to climb a rocky piton, the Indians climb on each other's shoulders to reach the summit, engraving by E.Riou illustrating the journey between the sierra, the valley of Huarancalqui and the regions of Pajonal, from 1862 to 1863 , by Paul Marcoy, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Riou, Edouard (1833-1900)

Death of the aeronaute John La Mountain, separated from his balloon on July 4, 1873, in Iona (USA), engraving after a drawing by Albert Tissandier illustrating a study on airshipwrecks, by Gaston Tissandier, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Death of the aeronaute John La Mountain, separated from his balloon on July 4, 1873, in Iona (USA), engraving after a drawing by Albert Tissandier illustrating a study on airshipwrecks, by Gaston Tissandier, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330040: Death of the aeronaute John La Mountain, separated from his balloon on July 4, 1873, in Iona (USA), engraving after a drawing by Albert Tissandier illustrating a study on airshipwrecks, by Gaston Tissandier, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Tissandier, Albert (1839-1906) / Bridgeman Images

ID: LSE4330040

Death of the aeronaute John La Mountain, separated from his balloon on July 4, 1873, in Iona (USA), engraving after a drawing by Albert Tissandier illustrating a study on airshipwrecks, by Gaston Tissandier, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Tissandier, Albert (1839-1906)

The collection of the ants, a straw roof is erected above the ant, the ailees fly away and collide against this roof, stunned they are then swept and recolled in large baskets to be consumed fried, etched after a drawing by A.de Bar, illustrating the last diary by David Livingstone (1813-1873), in 1866-1873, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The collection of the ants, a straw roof is erected above the ant, the ailees fly away and collide against this roof, stunned they are then swept and recolled in large baskets to be consumed fried, etched after a drawing by A.de Bar, illustrating the last diary by David Livingstone (1813-1873), in 1866-1873, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330114: The collection of the ants, a straw roof is erected above the ant, the ailees fly away and collide against this roof, stunned they are then swept and recolled in large baskets to be consumed fried, etched after a drawing by A.de Bar, illustrating the last diary by David Livingstone (1813-1873), in 1866-1873, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bar, Alexandre de (1821-1901) (after) / Bridgeman Images

ID: LSE4330114

The collection of the ants, a straw roof is erected above the ant, the ailees fly away and collide against this roof, stunned they are then swept and recolled in large baskets to be consumed fried, etched after a drawing by A.de Bar, illustrating the last diary by David Livingstone (1813-1873), in 1866-1873, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Bar, Alexandre de (1821-1901) (after)

The Palace of Parliament in Ottawa, built between 1859 and 1876, engraved after a drawing by A.Deroy, illustrating the excursion to Canada and the Red River of the North, by H. De Lamotte in 1873, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The Palace of Parliament in Ottawa, built between 1859 and 1876, engraved after a drawing by A.Deroy, illustrating the excursion to Canada and the Red River of the North, by H. De Lamotte in 1873, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330173: The Palace of Parliament in Ottawa, built between 1859 and 1876, engraved after a drawing by A.Deroy, illustrating the excursion to Canada and the Red River of the North, by H. De Lamotte in 1873, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Deroy, Auguste Victor (d.1906) / Bridgeman Images

ID: LSE4330173

The Palace of Parliament in Ottawa, built between 1859 and 1876, engraved after a drawing by A.Deroy, illustrating the excursion to Canada and the Red River of the North, by H. De Lamotte in 1873, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Deroy, Auguste Victor (d.1906)

An Armenian cafe, a place of masculine conviviality, to drink coffee and smoke the pipe, engraving after a drawing by the author, illustrating the journey in Lazistan and Armenia, by Theophile Deyrolles, in 1869, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
An Armenian cafe, a place of masculine conviviality, to drink coffee and smoke the pipe, engraving after a drawing by the author, illustrating the journey in Lazistan and Armenia, by Theophile Deyrolles, in 1869, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330220: An Armenian cafe, a place of masculine conviviality, to drink coffee and smoke the pipe, engraving after a drawing by the author, illustrating the journey in Lazistan and Armenia, by Theophile Deyrolles, in 1869, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Deyrolle, Theophile Louis (1844-1923) / Bridgeman Images

ID: LSE4330220

An Armenian cafe, a place of masculine conviviality, to drink coffee and smoke the pipe, engraving after a drawing by the author, illustrating the journey in Lazistan and Armenia, by Theophile Deyrolles, in 1869, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Deyrolle, Theophile Louis (1844-1923)

The metropolitan eveque of the new cathedral of Athenes. Engraving after the drawing of E.Ronjat, to illustrate the voyage to Greece, by Henri Belle, in 1861-1868-1874, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The metropolitan eveque of the new cathedral of Athenes. Engraving after the drawing of E.Ronjat, to illustrate the voyage to Greece, by Henri Belle, in 1861-1868-1874, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330400: The metropolitan eveque of the new cathedral of Athenes. Engraving after the drawing of E.Ronjat, to illustrate the voyage to Greece, by Henri Belle, in 1861-1868-1874, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Ronjat, Etienne Antoine Eugene (b.1822) / Bridgeman Images

ID: LSE4330400

The metropolitan eveque of the new cathedral of Athenes. Engraving after the drawing of E.Ronjat, to illustrate the voyage to Greece, by Henri Belle, in 1861-1868-1874, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Ronjat, Etienne Antoine Eugene (b.1822)

Cartoon depicting American president Ulysses Grant (1822-1885), climbing on the shelves of Uncle Sam's officine to derober a jar of “third term””, spills a pot of habeas corpus (guarantee of personal freedom), caught on the fact, it is ushed by means of a stick mark “public opinion”. Engraving after Houssot's drawing, to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Cartoon depicting American president Ulysses Grant (1822-1885), climbing on the shelves of Uncle Sam's officine to derober a jar of “third term””, spills a pot of habeas corpus (guarantee of personal freedom), caught on the fact, it is ushed by means of a stick mark “public opinion”. Engraving after Houssot's drawing, to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330455: Cartoon depicting American president Ulysses Grant (1822-1885), climbing on the shelves of Uncle Sam's officine to derober a jar of “third term””, spills a pot of habeas corpus (guarantee of personal freedom), caught on the fact, it is ushed by means of a stick mark “public opinion”. Engraving after Houssot's drawing, to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Houssot, Louis (1824-1890) / Bridgeman Images

ID: LSE4330455

Cartoon depicting American president Ulysses Grant (1822-1885), climbing on the shelves of Uncle Sam's officine to derober a jar of “third term””, spills a pot of habeas corpus (guarantee of personal freedom), caught on the fact, it is ushed by means of a stick mark “public opinion”. Engraving after Houssot's drawing, to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Houssot, Louis (1824-1890)

A Chinese fishing village near Monterey, California, testified to the important Chinese community established on the Pacific coast of the United States. Engraving after D.Maillard's drawing, to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A Chinese fishing village near Monterey, California, testified to the important Chinese community established on the Pacific coast of the United States. Engraving after D.Maillard's drawing, to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330467: A Chinese fishing village near Monterey, California, testified to the important Chinese community established on the Pacific coast of the United States. Engraving after D.Maillard's drawing, to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., French School, (19th century) / Bridgeman Images

ID: LSE4330467

A Chinese fishing village near Monterey, California, testified to the important Chinese community established on the Pacific coast of the United States. Engraving after D.Maillard's drawing, to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

French School, (19th century)

The Krivoscians, mountaineers of the Bouches de Cattaro (or Kotor, bay on the ocidental coast of Montenegro), weapons to resist the force of encroachment in the Austrian troops. Engraving after P.Fritel's drawing, to illustrate the voyage to Dalmatia, by Charles Yriarte, in 1874, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The Krivoscians, mountaineers of the Bouches de Cattaro (or Kotor, bay on the ocidental coast of Montenegro), weapons to resist the force of encroachment in the Austrian troops. Engraving after P.Fritel's drawing, to illustrate the voyage to Dalmatia, by Charles Yriarte, in 1874, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330526: The Krivoscians, mountaineers of the Bouches de Cattaro (or Kotor, bay on the ocidental coast of Montenegro), weapons to resist the force of encroachment in the Austrian troops. Engraving after P.Fritel's drawing, to illustrate the voyage to Dalmatia, by Charles Yriarte, in 1874, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Fritel, Pierre (1853-1942) / Bridgeman Images

ID: LSE4330526

The Krivoscians, mountaineers of the Bouches de Cattaro (or Kotor, bay on the ocidental coast of Montenegro), weapons to resist the force of encroachment in the Austrian troops. Engraving after P.Fritel's drawing, to illustrate the voyage to Dalmatia, by Charles Yriarte, in 1874, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Fritel, Pierre (1853-1942)

Page costumes and troubadour in the 13th century. Colour engraving after a drawing of the manuscript of the miracles of Saint Louis (Louis IX 1214-1270), in “France et les francais à travers les centuries” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
Page costumes and troubadour in the 13th century. Colour engraving after a drawing of the manuscript of the miracles of Saint Louis (Louis IX 1214-1270), in “France et les francais à travers les centuries” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330587: Page costumes and troubadour in the 13th century. Colour engraving after a drawing of the manuscript of the miracles of Saint Louis (Louis IX 1214-1270), in “France et les francais à travers les centuries” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

ID: LSE4330587

Page costumes and troubadour in the 13th century. Colour engraving after a drawing of the manuscript of the miracles of Saint Louis (Louis IX 1214-1270), in “France et les francais à travers les centuries” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

French School, (19th century)

Portrait of Henry II (1519-1559) King of France from 1547, in a light horse suit of the guard. Colour engraving after Wilhem's antiiquites, in “France et les francais a travers les siecles” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
Portrait of Henry II (1519-1559) King of France from 1547, in a light horse suit of the guard. Colour engraving after Wilhem's antiiquites, in “France et les francais a travers les siecles” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330626: Portrait of Henry II (1519-1559) King of France from 1547, in a light horse suit of the guard. Colour engraving after Wilhem's antiiquites, in “France et les francais a travers les siecles” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

ID: LSE4330626

Portrait of Henry II (1519-1559) King of France from 1547, in a light horse suit of the guard. Colour engraving after Wilhem's antiiquites, in “France et les francais a travers les siecles” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

French School, (19th century)

Veneur's costume, in charge of hunting common dogs, in the 17th century. Colour engraving after a drawing by Lechevaller-Chevignard, in “France et les francais a travers les centuries”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
Veneur's costume, in charge of hunting common dogs, in the 17th century. Colour engraving after a drawing by Lechevaller-Chevignard, in “France et les francais a travers les centuries”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330691: Veneur's costume, in charge of hunting common dogs, in the 17th century. Colour engraving after a drawing by Lechevaller-Chevignard, in “France et les francais a travers les centuries”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., Lechevallier-Chevignard, Edmond (1825-1902) (after) / Bridgeman Images

ID: LSE4330691

Veneur's costume, in charge of hunting common dogs, in the 17th century. Colour engraving after a drawing by Lechevaller-Chevignard, in “France et les francais a travers les centuries”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

Lechevallier-Chevignard, Edmond (1825-1902) (after)

La peche des leeches, drawing by Sahib, to illustrate the story of Henri Belle: Voyage en Greece, 1861,1868 and 1874. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
La peche des leeches, drawing by Sahib, to illustrate the story of Henri Belle: Voyage en Greece, 1861,1868 and 1874. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4330952: La peche des leeches, drawing by Sahib, to illustrate the story of Henri Belle: Voyage en Greece, 1861,1868 and 1874. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., French School, (19th century) / Bridgeman Images

ID: LSE4330952

La peche des leeches, drawing by Sahib, to illustrate the story of Henri Belle: Voyage en Greece, 1861,1868 and 1874. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

French School, (19th century)

In the Jewish Quarter in Amsterdam, drawing by Hubert Clerget, to illustrate the story “” The Neerlande”” in 1878, by Charles de Coster. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.
In the Jewish Quarter in Amsterdam, drawing by Hubert Clerget, to illustrate the story “” The Neerlande”” in 1878, by Charles de Coster. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

LSE4331236: In the Jewish Quarter in Amsterdam, drawing by Hubert Clerget, to illustrate the story “” The Neerlande”” in 1878, by Charles de Coster. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., Clerget, Hubert (1818-1899) / Bridgeman Images

ID: LSE4331236

In the Jewish Quarter in Amsterdam, drawing by Hubert Clerget, to illustrate the story “” The Neerlande”” in 1878, by Charles de Coster. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

Clerget, Hubert (1818-1899)

Inondes villages, drawing by Riou, to illustrate the story of a trip to Gabon and the Ogoue River in 1875-1877, by Alfred Marche. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.
Inondes villages, drawing by Riou, to illustrate the story of a trip to Gabon and the Ogoue River in 1875-1877, by Alfred Marche. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

LSE4331257: Inondes villages, drawing by Riou, to illustrate the story of a trip to Gabon and the Ogoue River in 1875-1877, by Alfred Marche. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4331257

Inondes villages, drawing by Riou, to illustrate the story of a trip to Gabon and the Ogoue River in 1875-1877, by Alfred Marche. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

Riou, Edouard (1833-1900)

The bazaar of Samarkand (Uzbekistan), engraving by Barclay, to illustrate the impressions of travels from Orenburg to Samarkand by Marie de Ujfalvy-Bourdon, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.
The bazaar of Samarkand (Uzbekistan), engraving by Barclay, to illustrate the impressions of travels from Orenburg to Samarkand by Marie de Ujfalvy-Bourdon, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.

LSE4331965: The bazaar of Samarkand (Uzbekistan), engraving by Barclay, to illustrate the impressions of travels from Orenburg to Samarkand by Marie de Ujfalvy-Bourdon, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection., Barclay, (19th century) / Bridgeman Images

ID: LSE4331965

The bazaar of Samarkand (Uzbekistan), engraving by Barclay, to illustrate the impressions of travels from Orenburg to Samarkand by Marie de Ujfalvy-Bourdon, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.

Barclay, (19th century)

Descent of the Papus Arfaks warriors in Dorey (New West Guinee), engraving by E.Mesples, to illustrate the voyage to New Guinee by Achille Raffray, charged with a scientific mission by the Ministry of Public Education, in 1876-1877, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.
Descent of the Papus Arfaks warriors in Dorey (New West Guinee), engraving by E.Mesples, to illustrate the voyage to New Guinee by Achille Raffray, charged with a scientific mission by the Ministry of Public Education, in 1876-1877, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.

LSE4332016: Descent of the Papus Arfaks warriors in Dorey (New West Guinee), engraving by E.Mesples, to illustrate the voyage to New Guinee by Achille Raffray, charged with a scientific mission by the Ministry of Public Education, in 1876-1877, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection., Mesples, Paul Eugene (1849-1924) (after) / Bridgeman Images

ID: LSE4332016

Descent of the Papus Arfaks warriors in Dorey (New West Guinee), engraving by E.Mesples, to illustrate the voyage to New Guinee by Achille Raffray, charged with a scientific mission by the Ministry of Public Education, in 1876-1877, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.

Mesples, Paul Eugene (1849-1924) (after)

Dr. Harmand and his Annamite helper, conducting clandestine exhumations of Khas burials, at Attopeu (Laos), engraving by Eugene Burnand, to illustrate the story of Laos and the wild populations of Indochina by Dr. Harmand, in 1877, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.
Dr. Harmand and his Annamite helper, conducting clandestine exhumations of Khas burials, at Attopeu (Laos), engraving by Eugene Burnand, to illustrate the story of Laos and the wild populations of Indochina by Dr. Harmand, in 1877, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.

LSE4332061: Dr. Harmand and his Annamite helper, conducting clandestine exhumations of Khas burials, at Attopeu (Laos), engraving by Eugene Burnand, to illustrate the story of Laos and the wild populations of Indochina by Dr. Harmand, in 1877, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection., Burnand, Eugene (1850-1921) / Bridgeman Images

ID: LSE4332061

Dr. Harmand and his Annamite helper, conducting clandestine exhumations of Khas burials, at Attopeu (Laos), engraving by Eugene Burnand, to illustrate the story of Laos and the wild populations of Indochina by Dr. Harmand, in 1877, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.

Burnand, Eugene (1850-1921)

Pending the audience of the sultan, a group of men, women, urban, rural, bourgeois and beggars in the streets of Fes (Fez), the sultan grants a hearing three times a week to anyone who requests it for a favor or obtain justice, etched by Emile Bayard, to illustrate the story of Morocco by Edmondo de Amicis, in 1875, published in the tour du monde, directed by Edouard Charton, 1879, Paris. Selva Collection.
Pending the audience of the sultan, a group of men, women, urban, rural, bourgeois and beggars in the streets of Fes (Fez), the sultan grants a hearing three times a week to anyone who requests it for a favor or obtain justice, etched by Emile Bayard, to illustrate the story of Morocco by Edmondo de Amicis, in 1875, published in the tour du monde, directed by Edouard Charton, 1879, Paris. Selva Collection.

LSE4332083: Pending the audience of the sultan, a group of men, women, urban, rural, bourgeois and beggars in the streets of Fes (Fez), the sultan grants a hearing three times a week to anyone who requests it for a favor or obtain justice, etched by Emile Bayard, to illustrate the story of Morocco by Edmondo de Amicis, in 1875, published in the tour du monde, directed by Edouard Charton, 1879, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: LSE4332083

Pending the audience of the sultan, a group of men, women, urban, rural, bourgeois and beggars in the streets of Fes (Fez), the sultan grants a hearing three times a week to anyone who requests it for a favor or obtain justice, etched by Emile Bayard, to illustrate the story of Morocco by Edmondo de Amicis, in 1875, published in the tour du monde, directed by Edouard Charton, 1879, Paris. Selva Collection.

Bayard, Emile Antoine (1837-91)

Column of bearers through the rice fields, between Bassac and Hue, etched after a drawing by Eugene Burnand, to illustrate the story about Laos and the wild populations of Indochina, by Dr. Harmand, in 1877, published in the tour du monde, under the direction of Edouard Charton, 1880, Paris. Selva Collection.
Column of bearers through the rice fields, between Bassac and Hue, etched after a drawing by Eugene Burnand, to illustrate the story about Laos and the wild populations of Indochina, by Dr. Harmand, in 1877, published in the tour du monde, under the direction of Edouard Charton, 1880, Paris. Selva Collection.

LSE4332224: Column of bearers through the rice fields, between Bassac and Hue, etched after a drawing by Eugene Burnand, to illustrate the story about Laos and the wild populations of Indochina, by Dr. Harmand, in 1877, published in the tour du monde, under the direction of Edouard Charton, 1880, Paris. Selva Collection., Burnand, Eugene (1850-1921) / Bridgeman Images

ID: LSE4332224

Column of bearers through the rice fields, between Bassac and Hue, etched after a drawing by Eugene Burnand, to illustrate the story about Laos and the wild populations of Indochina, by Dr. Harmand, in 1877, published in the tour du monde, under the direction of Edouard Charton, 1880, Paris. Selva Collection.

Burnand, Eugene (1850-1921)

Les blanchisseuses au Chorillo, Panama, engraving after a drawing by E.Bayard, to illustrate the story Exploration at the isthms of Panama and Darien, by A. Reclus, lieutenant of ship, from 1876 to 1878, published in the tour du monde, under the direction of Edouard Charton, 1880, Paris. Selva Collection.
Les blanchisseuses au Chorillo, Panama, engraving after a drawing by E.Bayard, to illustrate the story Exploration at the isthms of Panama and Darien, by A. Reclus, lieutenant of ship, from 1876 to 1878, published in the tour du monde, under the direction of Edouard Charton, 1880, Paris. Selva Collection.

LSE4332234: Les blanchisseuses au Chorillo, Panama, engraving after a drawing by E.Bayard, to illustrate the story Exploration at the isthms of Panama and Darien, by A. Reclus, lieutenant of ship, from 1876 to 1878, published in the tour du monde, under the direction of Edouard Charton, 1880, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: LSE4332234

Les blanchisseuses au Chorillo, Panama, engraving after a drawing by E.Bayard, to illustrate the story Exploration at the isthms of Panama and Darien, by A. Reclus, lieutenant of ship, from 1876 to 1878, published in the tour du monde, under the direction of Edouard Charton, 1880, Paris. Selva Collection.

Bayard, Emile Antoine (1837-91)


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