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Shopfront of Monsieur Theroulde's haberdashery store, 10 rue St. Denis, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau.
Shopfront of Monsieur Theroulde's haberdashery store, 10 rue St. Denis, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau.

FLO4590001: Shopfront of Monsieur Theroulde's haberdashery store, 10 rue St. Denis, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau. / Bridgeman Images

Grand Lama and Tao-Tse. Tartar Buddhist monk in yellow satin robe, and Taoist monk in yellow and blue robes. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Grand Lama and Tao-Tse. Tartar Buddhist monk in yellow satin robe, and Taoist monk in yellow and blue robes. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590103: Grand Lama and Tao-Tse. Tartar Buddhist monk in yellow satin robe, and Taoist monk in yellow and blue robes. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Tartar Woman making a Tsi, sacrificing the spirit of the door to prevent misfortune entering. Buddhist or Fo sect, Lao-Kiun. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Tartar Woman making a Tsi, sacrificing the spirit of the door to prevent misfortune entering. Buddhist or Fo sect, Lao-Kiun. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590114: Tartar Woman making a Tsi, sacrificing the spirit of the door to prevent misfortune entering. Buddhist or Fo sect, Lao-Kiun. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Bonze or Buddhist monk performing a vow to crawl on all fours with a saddle on his back. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Bonze or Buddhist monk performing a vow to crawl on all fours with a saddle on his back. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590120: Bonze or Buddhist monk performing a vow to crawl on all fours with a saddle on his back. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Young Licentiate or doctor riding a horse celebrating his graduation and proceeded by youths with banners showing his new rank. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Young Licentiate or doctor riding a horse celebrating his graduation and proceeded by youths with banners showing his new rank. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590131: Young Licentiate or doctor riding a horse celebrating his graduation and proceeded by youths with banners showing his new rank. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

An itinerant bookseller selling tales and song-books for the lower orders from a stall. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
An itinerant bookseller selling tales and song-books for the lower orders from a stall. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590181: An itinerant bookseller selling tales and song-books for the lower orders from a stall. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Chinese pottery making: potter firing a porcelain plate in a furnace to fix the glaze on it, and a potter firing porcelain plates over an open oven. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Chinese pottery making: potter firing a porcelain plate in a furnace to fix the glaze on it, and a potter firing porcelain plates over an open oven. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590209: Chinese pottery making: potter firing a porcelain plate in a furnace to fix the glaze on it, and a potter firing porcelain plates over an open oven. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Chinese musical instruments, Qing Dynasty: iron Hien-pan 1, bronze vase 2, drum, wooden percussion instrument in the shape of a fish 4, and Bong-gui 5. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Chinese musical instruments, Qing Dynasty: iron Hien-pan 1, bronze vase 2, drum, wooden percussion instrument in the shape of a fish 4, and Bong-gui 5. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590326: Chinese musical instruments, Qing Dynasty: iron Hien-pan 1, bronze vase 2, drum, wooden percussion instrument in the shape of a fish 4, and Bong-gui 5. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Newbouldia laevis (Five-stamened spathodea, Spathodea pentandra). Handcoloured copperplate engraving after a botanical illustration by Walter Fitch from William Jackson Hooker's Botanical Magazine, London, 1838.
Newbouldia laevis (Five-stamened spathodea, Spathodea pentandra). Handcoloured copperplate engraving after a botanical illustration by Walter Fitch from William Jackson Hooker's Botanical Magazine, London, 1838.

FLO4584267: Newbouldia laevis (Five-stamened spathodea, Spathodea pentandra). Handcoloured copperplate engraving after a botanical illustration by Walter Fitch from William Jackson Hooker's Botanical Magazine, London, 1838. / Bridgeman Images

Portrait of Aristide Briand, Chairman of the Council, 1932 (oil on canvas)
Portrait of Aristide Briand, Chairman of the Council, 1932 (oil on canvas)

JLJ4584592: Portrait of Aristide Briand, Chairman of the Council, 1932 (oil on canvas), Charmy, Emilie (1877-1974) / Bridgeman Images

Calliandra or crown tree, Calliandra harrisii - Botanical illustration by Walter Hood Fitch (1817-1892), lithography published in Curtis's Botanical Magazine for Sir William Jackson Hooker, Reeve Brothers edition, London 1846
Calliandra or crown tree, Calliandra harrisii - Botanical illustration by Walter Hood Fitch (1817-1892), lithography published in Curtis's Botanical Magazine for Sir William Jackson Hooker, Reeve Brothers edition, London 1846

FLO4584602: Calliandra or crown tree, Calliandra harrisii - Botanical illustration by Walter Hood Fitch (1817-1892), lithography published in Curtis's Botanical Magazine for Sir William Jackson Hooker, Reeve Brothers edition, London 1846 / Bridgeman Images

Leschenaultie elegante, Leschenaultia elegans - Botanical illustration by Walter Hood Fitch (1817-1892), lithography published in Curtis's Botanical Magazine for Sir William Jackson Hooker, Reeve Brothers edition, London 1846
Leschenaultie elegante, Leschenaultia elegans - Botanical illustration by Walter Hood Fitch (1817-1892), lithography published in Curtis's Botanical Magazine for Sir William Jackson Hooker, Reeve Brothers edition, London 1846

FLO4584732: Leschenaultie elegante, Leschenaultia elegans - Botanical illustration by Walter Hood Fitch (1817-1892), lithography published in Curtis's Botanical Magazine for Sir William Jackson Hooker, Reeve Brothers edition, London 1846 / Bridgeman Images

English tinker with portable forge, bellows and tools, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
English tinker with portable forge, bellows and tools, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590367: English tinker with portable forge, bellows and tools, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Carriage of the Kong Tchou, the Qing Emperor's eldest daughter. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Carriage of the Kong Tchou, the Qing Emperor's eldest daughter. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590372: Carriage of the Kong Tchou, the Qing Emperor's eldest daughter. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Chinese itinerant toy seller and boys playing Jianzi by kicking a shuttlecock, Qing Dynasty. The toy man holds a bamboo stick with three small puppets. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Chinese itinerant toy seller and boys playing Jianzi by kicking a shuttlecock, Qing Dynasty. The toy man holds a bamboo stick with three small puppets. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590451: Chinese itinerant toy seller and boys playing Jianzi by kicking a shuttlecock, Qing Dynasty. The toy man holds a bamboo stick with three small puppets. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Chinese men hunting wild ducks with decoy gourd hats in the river, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Chinese men hunting wild ducks with decoy gourd hats in the river, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590527: Chinese men hunting wild ducks with decoy gourd hats in the river, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Water cart for the Imperial Family, Qing Dynasty China. The wagon is loaded with cubical tin vessels filled with river water. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Water cart for the Imperial Family, Qing Dynasty China. The wagon is loaded with cubical tin vessels filled with river water. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590654: Water cart for the Imperial Family, Qing Dynasty China. The wagon is loaded with cubical tin vessels filled with river water. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Burning lens built in 1782 by William Parker, the London instrument maker. According to Parker, the optical glass melted platinum in 30 seconds. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1806.
Burning lens built in 1782 by William Parker, the London instrument maker. According to Parker, the optical glass melted platinum in 30 seconds. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1806.

FLO4590938: Burning lens built in 1782 by William Parker, the London instrument maker. According to Parker, the optical glass melted platinum in 30 seconds. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1806. / Bridgeman Images

Chelone (or Galane) has valerian leaves, native to California - S. Watts strong water from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register, 1834, by Sydenham Edwards (1768-1819) - Valerian-leaved chelone, Chelone centranthifolia, Native to California - Handcoloured copperplate engraving by S. Watts after an illustration by Miss Drake, from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1834
Chelone (or Galane) has valerian leaves, native to California - S. Watts strong water from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register, 1834, by Sydenham Edwards (1768-1819) - Valerian-leaved chelone, Chelone centranthifolia, Native to California - Handcoloured copperplate engraving by S. Watts after an illustration by Miss Drake, from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1834

FLO4587662: Chelone (or Galane) has valerian leaves, native to California - S. Watts strong water from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register, 1834, by Sydenham Edwards (1768-1819) - Valerian-leaved chelone, Chelone centranthifolia, Native to California - Handcoloured copperplate engraving by S. Watts after an illustration by Miss Drake, from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1834, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Variete de Psoralea - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1835 - Large leatherroot, Hoita macrostachya (Long-spiked psoralea, Psoralea macrostachya) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1835
Variete de Psoralea - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1835 - Large leatherroot, Hoita macrostachya (Long-spiked psoralea, Psoralea macrostachya) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1835

FLO4587883: Variete de Psoralea - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1835 - Large leatherroot, Hoita macrostachya (Long-spiked psoralea, Psoralea macrostachya) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1835, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Azara Variete - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1835 - Toothed azara, Azara dentata - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,” London,” Dgway, 1835
Azara Variete - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1835 - Toothed azara, Azara dentata - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,” London,” Dgway, 1835

FLO4588015: Azara Variete - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1835 - Toothed azara, Azara dentata - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,” London,” Dgway, 1835, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Xerochrysum variete, endemic in Australia - Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1835 - Xerochrysum bicolor (Two-coloured helichrysum, Helichrysum bicolor) - Engraving by S. Drinks after an illustration by Miss from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1835
Xerochrysum variete, endemic in Australia - Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1835 - Xerochrysum bicolor (Two-coloured helichrysum, Helichrysum bicolor) - Engraving by S. Drinks after an illustration by Miss from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1835

FLO4588192: Xerochrysum variete, endemic in Australia - Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1835 - Xerochrysum bicolor (Two-coloured helichrysum, Helichrysum bicolor) - Engraving by S. Drinks after an illustration by Miss from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1835, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Cachiman or corossolier, leaves - Netted custard apple, Annona reticulata. Handcoloured copperplate engraving by Swan after an illustration by Rev. L. Guilding from Samuel Curtis's “” Botanical Magazine,” London, 1829.
Cachiman or corossolier, leaves - Netted custard apple, Annona reticulata. Handcoloured copperplate engraving by Swan after an illustration by Rev. L. Guilding from Samuel Curtis's “” Botanical Magazine,” London, 1829.

FLO4582129: Cachiman or corossolier, leaves - Netted custard apple, Annona reticulata. Handcoloured copperplate engraving by Swan after an illustration by Rev. L. Guilding from Samuel Curtis's “” Botanical Magazine,” London, 1829. / Bridgeman Images

Woolly Acacia from Australia - Hairy wattle or woolly-podded acacia, Acacia lanigera, native to Australia. Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis's “” Botanical Magazine,”” London, 1829.
Woolly Acacia from Australia - Hairy wattle or woolly-podded acacia, Acacia lanigera, native to Australia. Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis's “” Botanical Magazine,”” London, 1829.

FLO4582190: Woolly Acacia from Australia - Hairy wattle or woolly-podded acacia, Acacia lanigera, native to Australia. Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis's “” Botanical Magazine,”” London, 1829. / Bridgeman Images

Perennial Gaillarde - Common blanketflower or whole-coloured gaillardia, Gaillardia aristata. Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis's “” Botanical Magazine,”” London, 1829.
Perennial Gaillarde - Common blanketflower or whole-coloured gaillardia, Gaillardia aristata. Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis's “” Botanical Magazine,”” London, 1829.

FLO4582316: Perennial Gaillarde - Common blanketflower or whole-coloured gaillardia, Gaillardia aristata. Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis's “” Botanical Magazine,”” London, 1829. / Bridgeman Images

Thirty-hour clock with a larum and count wheel striking work. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1816.
Thirty-hour clock with a larum and count wheel striking work. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1816.

FLO4590980: Thirty-hour clock with a larum and count wheel striking work. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1816. / Bridgeman Images

Plate coinage equipment and copying machines. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Plate coinage equipment and copying machines. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591146: Plate coinage equipment and copying machines. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Anatomy of the human ear within the brain. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Anatomy of the human ear within the brain. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591518: Anatomy of the human ear within the brain. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Plans and views of magnetic compasse, including one nautical compasset set on a gyroscope. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808.
Plans and views of magnetic compasse, including one nautical compasset set on a gyroscope. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808.

FLO4591530: Plans and views of magnetic compasse, including one nautical compasset set on a gyroscope. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808. / Bridgeman Images

Plans and views of a variety of magnetic compasse. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808.
Plans and views of a variety of magnetic compasse. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808.

FLO4591536: Plans and views of a variety of magnetic compasse. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808. / Bridgeman Images

Dipping needle compassed made by Edward Nairne for the Board of Longitude based on plans for the Reverend John Mitchell, Rector of Thornhill, 1772. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.
Dipping needle compassed made by Edward Nairne for the Board of Longitude based on plans for the Reverend John Mitchell, Rector of Thornhill, 1772. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.

FLO4591577: Dipping needle compassed made by Edward Nairne for the Board of Longitude based on plans for the Reverend John Mitchell, Rector of Thornhill, 1772. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810. / Bridgeman Images

Gold fibula, 6th century BC
Gold fibula, 6th century BC

LRI4588336: Gold fibula, 6th century BC, Etruscan, (6th century BC) / Bridgeman Images

Thirteen gold loops, 4th century BC
Thirteen gold loops, 4th century BC

LRI4588386: Thirteen gold loops, 4th century BC, Etruscan, (4th century BC) / Bridgeman Images

Etruscan art: fibula (pins) in gold. 630 BC. From the grave of the Lictor (Littore) to Vetulonia (or Vetulonium). Dim. 21 cm Florence, Museo Archeologico
Etruscan art: fibula (pins) in gold. 630 BC. From the grave of the Lictor (Littore) to Vetulonia (or Vetulonium). Dim. 21 cm Florence, Museo Archeologico

LRI4588412: Etruscan art: fibula (pins) in gold. 630 BC. From the grave of the Lictor (Littore) to Vetulonia (or Vetulonium). Dim. 21 cm Florence, Museo Archeologico, Etruscan, (7th century BC) / Bridgeman Images

Clethra a oak leaf - Clethra mexicana (Oak-leaved clethra, Clethra quercifolia). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1842.
Clethra a oak leaf - Clethra mexicana (Oak-leaved clethra, Clethra quercifolia). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1842.

FLO4588418: Clethra a oak leaf - Clethra mexicana (Oak-leaved clethra, Clethra quercifolia). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1842. / Bridgeman Images

Etruscan civilization: gold brooch from the tomb of the Littore, Vetulonia, italy (Golden brooch) 630 BC Dim 20,7 cm Florence, museo archeologico
Etruscan civilization: gold brooch from the tomb of the Littore, Vetulonia, italy (Golden brooch) 630 BC Dim 20,7 cm Florence, museo archeologico

LRI4588457: Etruscan civilization: gold brooch from the tomb of the Littore, Vetulonia, italy (Golden brooch) 630 BC Dim 20,7 cm Florence, museo archeologico, Etruscan, (7th century BC) / Bridgeman Images


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