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2491476 Search Results

Sappers destroying the Russian trenches (litho)
Sappers destroying the Russian trenches (litho)

IL1266252: Sappers destroying the Russian trenches (litho), Wollen, William Barnes (1857-1936) / Bridgeman Images

The French in the Malakoff 1855 AD (litho)
The French in the Malakoff 1855 AD (litho)

IL1266258: The French in the Malakoff 1855 AD (litho), Wollen, William Barnes (1857-1936) / Bridgeman Images

America's first national map, 1784 (hand-coloured engraving)
America's first national map, 1784 (hand-coloured engraving)

CH1268149: America's first national map, 1784 (hand-coloured engraving), Buell, Abel (1742-1822) / Bridgeman Images

The 12th Battalion, AIF, marching through the city prior to embarking for service overseas, Hobart, Tasmania, 14 October 1914 (b/w photo)
The 12th Battalion, AIF, marching through the city prior to embarking for service overseas, Hobart, Tasmania, 14 October 1914 (b/w photo)

MEM1268262: The 12th Battalion, AIF, marching through the city prior to embarking for service overseas, Hobart, Tasmania, 14 October 1914 (b/w photo), Beattie, John Watt (1859-1930) / Bridgeman Images

Australian 9.2 howitzer, 1918 (oil on canvas)
Australian 9.2 howitzer, 1918 (oil on canvas)

MEM1268310: Australian 9.2 howitzer, 1918 (oil on canvas), Longstaff, William Francis (1879-1953) / Bridgeman Images

Mont St Quentin, 1918 (oil on canvas)
Mont St Quentin, 1918 (oil on canvas)

MEM1268316: Mont St Quentin, 1918 (oil on canvas), Scott, James F. (1877-1932) / Bridgeman Images

Sentries at prisoners' tent, 1915 (pastel & gouache on grey laid paper mounted on buff paper)
Sentries at prisoners' tent, 1915 (pastel & gouache on grey laid paper mounted on buff paper)

MEM1268331: Sentries at prisoners' tent, 1915 (pastel & gouache on grey laid paper mounted on buff paper), Rae, Iso (1860-1940) / Bridgeman Images

Major-General Sir James Kempt, c.1824 (oil on canvas)
Major-General Sir James Kempt, c.1824 (oil on canvas)

NAM1268348: Major-General Sir James Kempt, c.1824 (oil on canvas), English School, (19th century) / Bridgeman Images

The Army and Navy representing the only interview between the Great Commanders, Wellington and Nelson!, c.1890 (colour litho)
The Army and Navy representing the only interview between the Great Commanders, Wellington and Nelson!, c.1890 (colour litho)

NAM1268369: The Army and Navy representing the only interview between the Great Commanders, Wellington and Nelson!, c.1890 (colour litho), English School, (19th century) / Bridgeman Images

Inscription for the tomb to be erected to the memory of the Marquis of Anglesea's leg, published by R. Harrild, c.1815 (coloured engraving)
Inscription for the tomb to be erected to the memory of the Marquis of Anglesea's leg, published by R. Harrild, c.1815 (coloured engraving)

NAM1268377: Inscription for the tomb to be erected to the memory of the Marquis of Anglesea's leg, published by R. Harrild, c.1815 (coloured engraving), Cruikshank, George (1792-1878) / Bridgeman Images

Boy at Marbles (Henry Cotman) 1808 (oil on canvas)
Boy at Marbles (Henry Cotman) 1808 (oil on canvas)

NCM94592: Boy at Marbles (Henry Cotman) 1808 (oil on canvas), Cotman, John Sell (1782-1842) / Bridgeman Images

Seated Figure, Ming Dynasty 16th-17th century (bronze and gilt)
Seated Figure, Ming Dynasty 16th-17th century (bronze and gilt)

PFR142550: Seated Figure, Ming Dynasty 16th-17th century (bronze and gilt), Chinese School / Bridgeman Images

A View of the Piazza San Marco, Venice (oil on panel)
A View of the Piazza San Marco, Venice (oil on panel)

RAF132005: A View of the Piazza San Marco, Venice (oil on panel), Tironi, Francesco (1750-1800) / Bridgeman Images

Allegorical Landscape Showing New York University, Washington Square, New York, 1836 (oil on canvas)
Allegorical Landscape Showing New York University, Washington Square, New York, 1836 (oil on canvas)

NYH142572: Allegorical Landscape Showing New York University, Washington Square, New York, 1836 (oil on canvas), Morse, Samuel Finley Breese (1791-1872) / Bridgeman Images

Sword Fitting, Edo period 1615-1868 (inlaid bronze) (for obverse see 1426240)
Sword Fitting, Edo period 1615-1868 (inlaid bronze) (for obverse see 1426240)

PFR142625: Sword Fitting, Edo period 1615-1868 (inlaid bronze) (for obverse see 1426240), Japanese School / Bridgeman Images

Sarcophagi and Sepulchres at the Head of the Harbour at Cacamo, from 'Views in the Ottoman Empire', published by Robert Bowyer (1758-1834) 1803 (aquatint)
Sarcophagi and Sepulchres at the Head of the Harbour at Cacamo, from 'Views in the Ottoman Empire', published by Robert Bowyer (1758-1834) 1803 (aquatint)

STC132684: Sarcophagi and Sepulchres at the Head of the Harbour at Cacamo, from 'Views in the Ottoman Empire', published by Robert Bowyer (1758-1834) 1803 (aquatint), Mayer, Luigi (1755-1803) (after) / Bridgeman Images

Heraldic Designs, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving)
Heraldic Designs, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving)

STC132687: Heraldic Designs, from 'Art and Industry', published by Delatre, Paris, 1857 (engraving), Albanis de Beaumont, Jean Francois (1753-1811) (after) / Bridgeman Images

Monuments Near Tortosa, in Syria, from 'Views in the Ottoman Dominions', 1810 (coloured aquatint)
Monuments Near Tortosa, in Syria, from 'Views in the Ottoman Dominions', 1810 (coloured aquatint)

STC132699: Monuments Near Tortosa, in Syria, from 'Views in the Ottoman Dominions', 1810 (coloured aquatint), Mayer, Luigi (fl.1776-92) / Bridgeman Images

A Pyramid outside Thebes, Egypt, from 'Entwurf einer historischen Architektur', 1721 (engraving)
A Pyramid outside Thebes, Egypt, from 'Entwurf einer historischen Architektur', 1721 (engraving)

STC132729: A Pyramid outside Thebes, Egypt, from 'Entwurf einer historischen Architektur', 1721 (engraving), Fischer von Erlach, Johann Bernhard (1656-1723) (after) / Bridgeman Images

Ruins of the Great Aqueduct at Carthage, from 'Entwurf einer historischen Architektur', 1721 (engraving)
Ruins of the Great Aqueduct at Carthage, from 'Entwurf einer historischen Architektur', 1721 (engraving)

STC132758: Ruins of the Great Aqueduct at Carthage, from 'Entwurf einer historischen Architektur', 1721 (engraving), Fischer von Erlach, Johann Bernhard (1656-1723) (after) / Bridgeman Images

Exterior of Clare Hall, Cambridge, from 'The History of Cambridge', engraved by J. Bluck (fl.1791-1831), pub. by R. Ackermann, 1815 (colour aquatint)
Exterior of Clare Hall, Cambridge, from 'The History of Cambridge', engraved by J. Bluck (fl.1791-1831), pub. by R. Ackermann, 1815 (colour aquatint)

STC132786: Exterior of Clare Hall, Cambridge, from 'The History of Cambridge', engraved by J. Bluck (fl.1791-1831), pub. by R. Ackermann, 1815 (colour aquatint), Pugin, Augustus Charles (1762-1832) (after) / Bridgeman Images

Portrait of Sir Walter Mildmay (1520?-1589), Founder of Emmanuel College, Cambridge, from 'The History of Cambridge', published by R. Ackermann, 1815 (colour aquatint)
Portrait of Sir Walter Mildmay (1520?-1589), Founder of Emmanuel College, Cambridge, from 'The History of Cambridge', published by R. Ackermann, 1815 (colour aquatint)

STC132795: Portrait of Sir Walter Mildmay (1520?-1589), Founder of Emmanuel College, Cambridge, from 'The History of Cambridge', published by R. Ackermann, 1815 (colour aquatint), English School, (16th century) (after) / Bridgeman Images

View of the Tunisian stand, at the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho)
View of the Tunisian stand, at the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho)

STC132849: View of the Tunisian stand, at the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho), English School, (19th century) / Bridgeman Images

View of the Sheffield Hardware stand and the Great Lane Works Exhibits at the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho)
View of the Sheffield Hardware stand and the Great Lane Works Exhibits at the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho)

STC132852: View of the Sheffield Hardware stand and the Great Lane Works Exhibits at the Great Exhibition of 1851, from Dickinson's Comprehensive Pictures (colour litho), English School, (19th century) / Bridgeman Images

Portrait of Prince Henry of Prussia (1726-1802), 1779 (engraving)
Portrait of Prince Henry of Prussia (1726-1802), 1779 (engraving)

XJF133372: Portrait of Prince Henry of Prussia (1726-1802), 1779 (engraving), Graff, Anton (1736-1813) (after) / Bridgeman Images

The A.D.C and the Goats, from 'The Leaguer of Ladysmith', 1900 (colour litho)
The A.D.C and the Goats, from 'The Leaguer of Ladysmith', 1900 (colour litho)

BAL143062: The A.D.C and the Goats, from 'The Leaguer of Ladysmith', 1900 (colour litho), Captain Clive Dixon (fl.1900) / Bridgeman Images

Boer picnic on Middle Hill disturbed by our howitzer, from 'The Leaguer of Ladysmith', 1900 (colour litho)
Boer picnic on Middle Hill disturbed by our howitzer, from 'The Leaguer of Ladysmith', 1900 (colour litho)

BAL143071: Boer picnic on Middle Hill disturbed by our howitzer, from 'The Leaguer of Ladysmith', 1900 (colour litho), Captain Clive Dixon (fl.1900) / Bridgeman Images

Portrait of Patrick Ruthven, Earl of Brentford (c.1573-1651) engraved by Richard Earlom (1743-1822) and Charles Turner (c.1773-1857) from 'Illustrious Characters in British History' (mezzotint)
Portrait of Patrick Ruthven, Earl of Brentford (c.1573-1651) engraved by Richard Earlom (1743-1822) and Charles Turner (c.1773-1857) from 'Illustrious Characters in British History' (mezzotint)

XJF143080: Portrait of Patrick Ruthven, Earl of Brentford (c.1573-1651) engraved by Richard Earlom (1743-1822) and Charles Turner (c.1773-1857) from 'Illustrious Characters in British History' (mezzotint), English School, (18th century) / Bridgeman Images

The Musical Union, publ. by Hanhart, 1851 (litho)
The Musical Union, publ. by Hanhart, 1851 (litho)

XJF143099: The Musical Union, publ. by Hanhart, 1851 (litho), Baugniet, Charles (1814-86) / Bridgeman Images

Views on board the Titanic, 1912 (b/w photo)
Views on board the Titanic, 1912 (b/w photo)

ILN143153: Views on board the Titanic, 1912 (b/w photo), English School, (20th century) / Bridgeman Images

Death and the Merchant, from 'The Dance of Death', engraved by Hans Lutzelburger, c.1538 (woodcut) (b/w photo)
Death and the Merchant, from 'The Dance of Death', engraved by Hans Lutzelburger, c.1538 (woodcut) (b/w photo)

XJF143246: Death and the Merchant, from 'The Dance of Death', engraved by Hans Lutzelburger, c.1538 (woodcut) (b/w photo), Holbein the Younger, Hans (1497/8-1543) (after) / Bridgeman Images

Picturesque view at the Temple of the Cross, Palenque, plate 20 from 'Ancient Monuments of Mexico', engraved by Hubert Clerget (1818-99) 1866 (litho)
Picturesque view at the Temple of the Cross, Palenque, plate 20 from 'Ancient Monuments of Mexico', engraved by Hubert Clerget (1818-99) 1866 (litho)

STC95300: Picturesque view at the Temple of the Cross, Palenque, plate 20 from 'Ancient Monuments of Mexico', engraved by Hubert Clerget (1818-99) 1866 (litho), Waldeck, Johann Friedrich Maximilian von (1766-1875) (after) / Bridgeman Images

June in a Surrey Village (Abinger Hammer) 1902 (oil on canvas)
June in a Surrey Village (Abinger Hammer) 1902 (oil on canvas)

MP95380: June in a Surrey Village (Abinger Hammer) 1902 (oil on canvas), Waite, Edward Wilkins (1854-1924) / Bridgeman Images

'Rhinoceros, drawn and wrote by William Twiddy who never had the use of hands or feet', June 1st 1744 (w/c on paper)
'Rhinoceros, drawn and wrote by William Twiddy who never had the use of hands or feet', June 1st 1744 (w/c on paper)

NCM95446: 'Rhinoceros, drawn and wrote by William Twiddy who never had the use of hands or feet', June 1st 1744 (w/c on paper), Twiddy, William (fl.1744) / Bridgeman Images

The Beauchamp-Proctor Family and Friends at Langley Park, Norfolk, 1749 (oil on canvas)
The Beauchamp-Proctor Family and Friends at Langley Park, Norfolk, 1749 (oil on canvas)

NCM95465: The Beauchamp-Proctor Family and Friends at Langley Park, Norfolk, 1749 (oil on canvas), Wootton, John (c.1682-1765) / Bridgeman Images

Detail of the Portal Columns from the Duomo, 1659-70 (photo)
Detail of the Portal Columns from the Duomo, 1659-70 (photo)

JFS133511: Detail of the Portal Columns from the Duomo, 1659-70 (photo), Zimbalo, Giuseppe (1622-1710) / Bridgeman Images


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