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Reclamation for the margarine Astra, December 1953. These advertising inserts or text were as important as the image was conceived as short news or soap opera. What is now called storytelling. “” Margarine on my tartine? You're exaggerating!” With the recipe of Soubise lamb.
Reclamation for the margarine Astra, December 1953. These advertising inserts or text were as important as the image was conceived as short news or soap opera. What is now called storytelling. “” Margarine on my tartine? You're exaggerating!” With the recipe of Soubise lamb.

PCT4272772: Reclamation for the margarine Astra, December 1953. These advertising inserts or text were as important as the image was conceived as short news or soap opera. What is now called storytelling. “” Margarine on my tartine? You're exaggerating!” With the recipe of Soubise lamb. / Bridgeman Images

Narbonne. Women doing laundry in the Robine Canal. In the background, the Gilles-Aycelin keep (Gilles Aycelin) and the Cathedrale Saint-Just (Saint Just). Watercolour by Joseph Pennell illustrating Henry James's book “A little tour in France””, edition Heinemann 1900.
Narbonne. Women doing laundry in the Robine Canal. In the background, the Gilles-Aycelin keep (Gilles Aycelin) and the Cathedrale Saint-Just (Saint Just). Watercolour by Joseph Pennell illustrating Henry James's book “A little tour in France””, edition Heinemann 1900.

PCT4272027: Narbonne. Women doing laundry in the Robine Canal. In the background, the Gilles-Aycelin keep (Gilles Aycelin) and the Cathedrale Saint-Just (Saint Just). Watercolour by Joseph Pennell illustrating Henry James's book “A little tour in France””, edition Heinemann 1900., Pennell, Joseph (1858-1926) / Bridgeman Images

Postcard of love, sent on January 13, 1919 from Taranto (port of southern Italy) by Basil, a young Marseille sailor, to his fiancee Baptistine: “Dear little aimee, we will leave in an hour, before leaving I write you these two words in speed. I'm still healthy. Nothing yet. A thousand beaks on your cherished eyes. Your darling who loves you.” The legend of this Revenge 330 card says: “” On the edge of the waves, I love you (sic), you love me, let us love us: love gives us an appointment! “” In an open medallion on the facade of a beachfront house, a young sailor has pompom offers his heart to his beautiful against the background of the setting sun.
Postcard of love, sent on January 13, 1919 from Taranto (port of southern Italy) by Basil, a young Marseille sailor, to his fiancee Baptistine: “Dear little aimee, we will leave in an hour, before leaving I write you these two words in speed. I'm still healthy. Nothing yet. A thousand beaks on your cherished eyes. Your darling who loves you.” The legend of this Revenge 330 card says: “” On the edge of the waves, I love you (sic), you love me, let us love us: love gives us an appointment! “” In an open medallion on the facade of a beachfront house, a young sailor has pompom offers his heart to his beautiful against the background of the setting sun.

PCT4272077: Postcard of love, sent on January 13, 1919 from Taranto (port of southern Italy) by Basil, a young Marseille sailor, to his fiancee Baptistine: “Dear little aimee, we will leave in an hour, before leaving I write you these two words in speed. I'm still healthy. Nothing yet. A thousand beaks on your cherished eyes. Your darling who loves you.” The legend of this Revenge 330 card says: “” On the edge of the waves, I love you (sic), you love me, let us love us: love gives us an appointment! “” In an open medallion on the facade of a beachfront house, a young sailor has pompom offers his heart to his beautiful against the background of the setting sun., Unknown photographer, (20th century) / Bridgeman Images

Captain Spadassin (or Count Spadassin). The proper name of this Rabelaisian character of the Picrocholines Wars has become a common name: a spadassin is a man who wields the sword, more pejoratively a pawned assassin.
Captain Spadassin (or Count Spadassin). The proper name of this Rabelaisian character of the Picrocholines Wars has become a common name: a spadassin is a man who wields the sword, more pejoratively a pawned assassin.

PCT4272201: Captain Spadassin (or Count Spadassin). The proper name of this Rabelaisian character of the Picrocholines Wars has become a common name: a spadassin is a man who wields the sword, more pejoratively a pawned assassin. / Bridgeman Images

Photograph taken from the magazine 'Le nu ideal' 1905 (print)
Photograph taken from the magazine 'Le nu ideal' 1905 (print)

PCT4272243: Photograph taken from the magazine 'Le nu ideal' 1905 (print) / Bridgeman Images

An adventure by Alexandre Dumas pere (1802 - 1870) on a journey. Gallop through the streets of a city aboard a carriage drawn by a packed horse, Dumas escapes, like an addict, by clinging to a sign. Coppin engraving illustrating the book “Impressions de voyage”” (in Switzerland) 1855.
An adventure by Alexandre Dumas pere (1802 - 1870) on a journey. Gallop through the streets of a city aboard a carriage drawn by a packed horse, Dumas escapes, like an addict, by clinging to a sign. Coppin engraving illustrating the book “Impressions de voyage”” (in Switzerland) 1855.

PCT4272931: An adventure by Alexandre Dumas pere (1802 - 1870) on a journey. Gallop through the streets of a city aboard a carriage drawn by a packed horse, Dumas escapes, like an addict, by clinging to a sign. Coppin engraving illustrating the book “Impressions de voyage”” (in Switzerland) 1855. / Bridgeman Images

Care of the household: laundry. Protects school notebook at the beginning of the 20th century. 1) laundry tank in the countryside, in the fireplace - 2) laundry machine in the city - 3) rinsing in the river - 4) blue in the bucket.
Care of the household: laundry. Protects school notebook at the beginning of the 20th century. 1) laundry tank in the countryside, in the fireplace - 2) laundry machine in the city - 3) rinsing in the river - 4) blue in the bucket.

PCT4273015: Care of the household: laundry. Protects school notebook at the beginning of the 20th century. 1) laundry tank in the countryside, in the fireplace - 2) laundry machine in the city - 3) rinsing in the river - 4) blue in the bucket. / Bridgeman Images

Tarascon, the Tarasque. Monster - dragon - folklore - tradition. Postcard beginning 20th century after an ancient engraving.
Tarascon, the Tarasque. Monster - dragon - folklore - tradition. Postcard beginning 20th century after an ancient engraving.

PCT4272311: Tarascon, the Tarasque. Monster - dragon - folklore - tradition. Postcard beginning 20th century after an ancient engraving., Unknown Artist, (20th century) / Bridgeman Images

Nimes (Gard, Languedoc): the Magne Tower seen from the Fontaine Garden in 1888(engraving)
Nimes (Gard, Languedoc): the Magne Tower seen from the Fontaine Garden in 1888(engraving)

PCT4272336: Nimes (Gard, Languedoc): the Magne Tower seen from the Fontaine Garden in 1888(engraving), Pennell, Joseph (1858-1926) / Bridgeman Images

Excerpt from the Alphabet of the Child Jesus, edition Alfred Mame a Tours, 1929. Each page offers two large decorative lettrines, with their Christian entry (letter A as love, B as goodness... up to Z as zele). “The zele is the burning desire to make God known and to make him love”.
Excerpt from the Alphabet of the Child Jesus, edition Alfred Mame a Tours, 1929. Each page offers two large decorative lettrines, with their Christian entry (letter A as love, B as goodness... up to Z as zele). “The zele is the burning desire to make God known and to make him love”.

PCT4272479: Excerpt from the Alphabet of the Child Jesus, edition Alfred Mame a Tours, 1929. Each page offers two large decorative lettrines, with their Christian entry (letter A as love, B as goodness... up to Z as zele). “The zele is the burning desire to make God known and to make him love”. / Bridgeman Images

Lyrics and illustration of the song “Dans les prisons de Nantes”” - “”... la fille du geolier... le garcon fort alert, dans la Loir a jumte.”” - Extract from an album with images (vignettes) to paste chocolate Poulain. End of the 1950s (1950) early 1960s (1960). Illustrator not credited on the album.
Lyrics and illustration of the song “Dans les prisons de Nantes”” - “”... la fille du geolier... le garcon fort alert, dans la Loir a jumte.”” - Extract from an album with images (vignettes) to paste chocolate Poulain. End of the 1950s (1950) early 1960s (1960). Illustrator not credited on the album.

PCT4273202: Lyrics and illustration of the song “Dans les prisons de Nantes”” - “”... la fille du geolier... le garcon fort alert, dans la Loir a jumte.”” - Extract from an album with images (vignettes) to paste chocolate Poulain. End of the 1950s (1950) early 1960s (1960). Illustrator not credited on the album. / Bridgeman Images

Mother at home in 1900: laundry, cooking, education of children. The mother's spot is at home, the father earns the money, and the mother holds the household. Illustration by Louis Maitrejean (1895-1947). Extract from a book of moral for schoolchildren, early 20th century.
Mother at home in 1900: laundry, cooking, education of children. The mother's spot is at home, the father earns the money, and the mother holds the household. Illustration by Louis Maitrejean (1895-1947). Extract from a book of moral for schoolchildren, early 20th century.

PCT4272731: Mother at home in 1900: laundry, cooking, education of children. The mother's spot is at home, the father earns the money, and the mother holds the household. Illustration by Louis Maitrejean (1895-1947). Extract from a book of moral for schoolchildren, early 20th century. / Bridgeman Images

Reclamation for the margarine Astra, April 1954.
Reclamation for the margarine Astra, April 1954.

PCT4272777: Reclamation for the margarine Astra, April 1954. / Bridgeman Images

Cover of a children's tale book, early 20th century: Blue Beard. The cruel lord in front of his castle with his huge key (key) and, at the top of the tower, Sister Anne who sees nothing coming...
Cover of a children's tale book, early 20th century: Blue Beard. The cruel lord in front of his castle with his huge key (key) and, at the top of the tower, Sister Anne who sees nothing coming...

PCT4273779: Cover of a children's tale book, early 20th century: Blue Beard. The cruel lord in front of his castle with his huge key (key) and, at the top of the tower, Sister Anne who sees nothing coming..., Cartier, Patrice / Bridgeman Images

Pious image: episodes of the life of the Blessed Virgin (childhood youth - instruction). Saint Anne taught Mary as a child and taught her to read. In the background: visit of the Virgin to Saint Elizabeth. Engraving of the 19th century.
Pious image: episodes of the life of the Blessed Virgin (childhood youth - instruction). Saint Anne taught Mary as a child and taught her to read. In the background: visit of the Virgin to Saint Elizabeth. Engraving of the 19th century.

PCT4273878: Pious image: episodes of the life of the Blessed Virgin (childhood youth - instruction). Saint Anne taught Mary as a child and taught her to read. In the background: visit of the Virgin to Saint Elizabeth. Engraving of the 19th century. / Bridgeman Images

Accessories for painters and amateur painters (Sunday painter). Double page of the catalogue of the Manufacture des armes et cycles de Saint Etienne, beginning 20th century. Box, brush, easel, oil paint etc.
Accessories for painters and amateur painters (Sunday painter). Double page of the catalogue of the Manufacture des armes et cycles de Saint Etienne, beginning 20th century. Box, brush, easel, oil paint etc.

PCT4273481: Accessories for painters and amateur painters (Sunday painter). Double page of the catalogue of the Manufacture des armes et cycles de Saint Etienne, beginning 20th century. Box, brush, easel, oil paint etc., Unknown Artist, (20th century) / Bridgeman Images

Scapin's Furries. Moliere's theatre piece, act 2. This scene is one of the most often represented in the illustrations of the work. Argante, hiding behind Scapin, attends the threats of Silvestre, who shouts with his sword, “” By blood! By the head! if he were there, i would give him a sword in his belly. Who is this man?” Scapin: “It's not him, sir, it's not him.” The piece, first presented on 24 May 1671, was played 16 consecutive times. Engraving by Janet-Lange, popular Barba edition, 19th century.
Scapin's Furries. Moliere's theatre piece, act 2. This scene is one of the most often represented in the illustrations of the work. Argante, hiding behind Scapin, attends the threats of Silvestre, who shouts with his sword, “” By blood! By the head! if he were there, i would give him a sword in his belly. Who is this man?” Scapin: “It's not him, sir, it's not him.” The piece, first presented on 24 May 1671, was played 16 consecutive times. Engraving by Janet-Lange, popular Barba edition, 19th century.

PCT4273557: Scapin's Furries. Moliere's theatre piece, act 2. This scene is one of the most often represented in the illustrations of the work. Argante, hiding behind Scapin, attends the threats of Silvestre, who shouts with his sword, “” By blood! By the head! if he were there, i would give him a sword in his belly. Who is this man?” Scapin: “It's not him, sir, it's not him.” The piece, first presented on 24 May 1671, was played 16 consecutive times. Engraving by Janet-Lange, popular Barba edition, 19th century. / Bridgeman Images

Scapin's Furries. Moliere's theatre piece (comedy), act 3, final scene: Scapin, pretending to be hurt and dying, asks forgiveness to the people he offended. The piece, first presented on 24 May 1671, was played 16 consecutive times. Engraving by Janet-Lange, popular Barba edition, 19th century.
Scapin's Furries. Moliere's theatre piece (comedy), act 3, final scene: Scapin, pretending to be hurt and dying, asks forgiveness to the people he offended. The piece, first presented on 24 May 1671, was played 16 consecutive times. Engraving by Janet-Lange, popular Barba edition, 19th century.

PCT4273588: Scapin's Furries. Moliere's theatre piece (comedy), act 3, final scene: Scapin, pretending to be hurt and dying, asks forgiveness to the people he offended. The piece, first presented on 24 May 1671, was played 16 consecutive times. Engraving by Janet-Lange, popular Barba edition, 19th century. / Bridgeman Images

Epithelical cancer of the face (jaw). Engraving from “” Les Grands Ales et les Grands Remedes”” by Jules Rengade, 1889. From “The Principal Illnesses and Their Remedies” by Jules Rengade. (Paris, 1889).
Epithelical cancer of the face (jaw). Engraving from “” Les Grands Ales et les Grands Remedes”” by Jules Rengade, 1889. From “The Principal Illnesses and Their Remedies” by Jules Rengade. (Paris, 1889).

PCT4273599: Epithelical cancer of the face (jaw). Engraving from “” Les Grands Ales et les Grands Remedes”” by Jules Rengade, 1889. From “The Principal Illnesses and Their Remedies” by Jules Rengade. (Paris, 1889). / Bridgeman Images

Cover of the book “” Le temps mort”” by Claude Aveline, written under the pseudonym of Minervois during the German occupation and published clandestinely in 1944 by Aulard, clandestine printer of the Editions de Minuit.
Cover of the book “” Le temps mort”” by Claude Aveline, written under the pseudonym of Minervois during the German occupation and published clandestinely in 1944 by Aulard, clandestine printer of the Editions de Minuit.

PCT4272960: Cover of the book “” Le temps mort”” by Claude Aveline, written under the pseudonym of Minervois during the German occupation and published clandestinely in 1944 by Aulard, clandestine printer of the Editions de Minuit., Cartier, Patrice / Bridgeman Images

Case (trial) Teste. At the sitting of the Chamber of Peers on 12 July 1847, the son of Jean-Baptiste (Jean Baptiste) Teste (1780-1852) handed over to his father, a former minister of public works accused of corruption, a pistol with which he attempted to commit suicide. Engraving from “” Things seen”” by Victor Hugo.
Case (trial) Teste. At the sitting of the Chamber of Peers on 12 July 1847, the son of Jean-Baptiste (Jean Baptiste) Teste (1780-1852) handed over to his father, a former minister of public works accused of corruption, a pistol with which he attempted to commit suicide. Engraving from “” Things seen”” by Victor Hugo.

PCT4274148: Case (trial) Teste. At the sitting of the Chamber of Peers on 12 July 1847, the son of Jean-Baptiste (Jean Baptiste) Teste (1780-1852) handed over to his father, a former minister of public works accused of corruption, a pistol with which he attempted to commit suicide. Engraving from “” Things seen”” by Victor Hugo. / Bridgeman Images

Double portrait of Bernadette Soubirous, 19th century (photo)
Double portrait of Bernadette Soubirous, 19th century (photo)

PCT4274200: Double portrait of Bernadette Soubirous, 19th century (photo), French Photographer, (19th century) / Bridgeman Images

Canal du Midi (Canal des deux mers): the threshold of Naurouze, 1904 (postcard)
Canal du Midi (Canal des deux mers): the threshold of Naurouze, 1904 (postcard)

PCT4274354: Canal du Midi (Canal des deux mers): the threshold of Naurouze, 1904 (postcard), Unknown photographer, (20th century) / Bridgeman Images

Hunting on the river Teoghe, tributary of the Ngami. Hippo harpoon. Engraving by Gustave Dore illustrating “” les aventures et chasse du voyageur Charles-Jean Anderson dans l'Afrique Australe”, published in the journal “” Le tour du monde”, a new journal of voyages under the direction of Edouard Charton, 1860.
Hunting on the river Teoghe, tributary of the Ngami. Hippo harpoon. Engraving by Gustave Dore illustrating “” les aventures et chasse du voyageur Charles-Jean Anderson dans l'Afrique Australe”, published in the journal “” Le tour du monde”, a new journal of voyages under the direction of Edouard Charton, 1860.

PCT4273773: Hunting on the river Teoghe, tributary of the Ngami. Hippo harpoon. Engraving by Gustave Dore illustrating “” les aventures et chasse du voyageur Charles-Jean Anderson dans l'Afrique Australe”, published in the journal “” Le tour du monde”, a new journal of voyages under the direction of Edouard Charton, 1860., Dore, Gustave (1832-83) / Bridgeman Images

A couple of Jews praying at the wall of the Temple of Solomon in Jerusalem in 1856. Drawing by Bida pau in “” Le Tour du monde, nouveau journal des voyages””, edited by Edouard Charton, 1860.
A couple of Jews praying at the wall of the Temple of Solomon in Jerusalem in 1856. Drawing by Bida pau in “” Le Tour du monde, nouveau journal des voyages””, edited by Edouard Charton, 1860.

PCT4273815: A couple of Jews praying at the wall of the Temple of Solomon in Jerusalem in 1856. Drawing by Bida pau in “” Le Tour du monde, nouveau journal des voyages””, edited by Edouard Charton, 1860. / Bridgeman Images

Canal du Midi (Canal des deux mers) - Grand basin of Castelnaudary (Aude, Lauragais, Languedoc) - Boat pulling horses on towpath - View of the city - Engraving of the work of Baron Claude Joseph Finds “” General and Statistical Description of the Department of Aude””, edition Firmin Didot 1818.
Canal du Midi (Canal des deux mers) - Grand basin of Castelnaudary (Aude, Lauragais, Languedoc) - Boat pulling horses on towpath - View of the city - Engraving of the work of Baron Claude Joseph Finds “” General and Statistical Description of the Department of Aude””, edition Firmin Didot 1818.

PCT4273947: Canal du Midi (Canal des deux mers) - Grand basin of Castelnaudary (Aude, Lauragais, Languedoc) - Boat pulling horses on towpath - View of the city - Engraving of the work of Baron Claude Joseph Finds “” General and Statistical Description of the Department of Aude””, edition Firmin Didot 1818. / Bridgeman Images

Series of 3 postcards at the beginning of the 20th century illustrating the song “The return of the soldier””. A young soldier returns to his village and finds his old mother. Since it was common in this type of llustration, the characters are interpreted by children.
Series of 3 postcards at the beginning of the 20th century illustrating the song “The return of the soldier””. A young soldier returns to his village and finds his old mother. Since it was common in this type of llustration, the characters are interpreted by children.

PCT4273280: Series of 3 postcards at the beginning of the 20th century illustrating the song “The return of the soldier””. A young soldier returns to his village and finds his old mother. Since it was common in this type of llustration, the characters are interpreted by children. / Bridgeman Images

Cover of Eugene Sue's book 'Le Juif errant', 1936 (print)
Cover of Eugene Sue's book 'Le Juif errant', 1936 (print)

PCT4273354: Cover of Eugene Sue's book 'Le Juif errant', 1936 (print), Claudel, Louis (1895-1948) / Bridgeman Images

Railway between 1900 and 1910. Departure of the steam train at Saint Denis station (Aude) Railway workers pose proudly for the photographer around the locomotive. The driver even brought his wife near the machine. Detail of a postcard from the period.
Railway between 1900 and 1910. Departure of the steam train at Saint Denis station (Aude) Railway workers pose proudly for the photographer around the locomotive. The driver even brought his wife near the machine. Detail of a postcard from the period.

PCT4274058: Railway between 1900 and 1910. Departure of the steam train at Saint Denis station (Aude) Railway workers pose proudly for the photographer around the locomotive. The driver even brought his wife near the machine. Detail of a postcard from the period. / Bridgeman Images

Chateau de Roquefixade (Ariege, Cathar country) Photo by Patrice Cartier
Chateau de Roquefixade (Ariege, Cathar country) Photo by Patrice Cartier

PCT4270830: Chateau de Roquefixade (Ariege, Cathar country) Photo by Patrice Cartier, Cartier, Patrice / Bridgeman Images

Procession of the Feet-Dieu (Fete Dieu) around 1905 in Castelnaudary (Aude). Christ on the cross and the relics of Saints walk through the streets of the locality, to the sound of the drum.
Procession of the Feet-Dieu (Fete Dieu) around 1905 in Castelnaudary (Aude). Christ on the cross and the relics of Saints walk through the streets of the locality, to the sound of the drum.

PCT4270953: Procession of the Feet-Dieu (Fete Dieu) around 1905 in Castelnaudary (Aude). Christ on the cross and the relics of Saints walk through the streets of the locality, to the sound of the drum. / Bridgeman Images

Village religious feast around 1900 in Arzens (Aude): the procession of the Holy Epines.
Village religious feast around 1900 in Arzens (Aude): the procession of the Holy Epines.

PCT4270972: Village religious feast around 1900 in Arzens (Aude): the procession of the Holy Epines. / Bridgeman Images

Procession of the Tarasque to Tarascon. Colorful postcard (1907) from a Blanchin photograph.
Procession of the Tarasque to Tarascon. Colorful postcard (1907) from a Blanchin photograph.

PCT4272308: Procession of the Tarasque to Tarascon. Colorful postcard (1907) from a Blanchin photograph., Unknown photographer, (20th century) / Bridgeman Images

Illustration of the “Christmas Song” by Charles Dickens, beginning 20th century, illustration by G.W. Irwin. Old Ebenezer Scrooge meets a ghost in the cemetery, above his own grave
Illustration of the “Christmas Song” by Charles Dickens, beginning 20th century, illustration by G.W. Irwin. Old Ebenezer Scrooge meets a ghost in the cemetery, above his own grave

PCT4271644: Illustration of the “Christmas Song” by Charles Dickens, beginning 20th century, illustration by G.W. Irwin. Old Ebenezer Scrooge meets a ghost in the cemetery, above his own grave / Bridgeman Images

Floods in Paris, January-February 1910. The flood Seine covers Boulevard Haussmann, which is crossed by makeshift bridges. View taken on January 29 at square Louis XVI noye. Walnut postcard. One of the 5000 maps published on the occasion of this disaster.
Floods in Paris, January-February 1910. The flood Seine covers Boulevard Haussmann, which is crossed by makeshift bridges. View taken on January 29 at square Louis XVI noye. Walnut postcard. One of the 5000 maps published on the occasion of this disaster.

PCT4271838: Floods in Paris, January-February 1910. The flood Seine covers Boulevard Haussmann, which is crossed by makeshift bridges. View taken on January 29 at square Louis XVI noye. Walnut postcard. One of the 5000 maps published on the occasion of this disaster. / Bridgeman Images

Hair cutter in a village of Auvergne in the 19th century. Poor peasants sell their hair, which will be used to make hairpieces and wigs for the rich elegantes of the city. Engraving of the Universal Museum, 19th century.
Hair cutter in a village of Auvergne in the 19th century. Poor peasants sell their hair, which will be used to make hairpieces and wigs for the rich elegantes of the city. Engraving of the Universal Museum, 19th century.

PCT4271857: Hair cutter in a village of Auvergne in the 19th century. Poor peasants sell their hair, which will be used to make hairpieces and wigs for the rich elegantes of the city. Engraving of the Universal Museum, 19th century. / Bridgeman Images


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