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'The Mermaid', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (detail of 452042)
'The Mermaid', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (detail of 452042)

DGC452043: 'The Mermaid', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (detail of 452042), Crane, Walter (1845-1915) / Bridgeman Images

ID: DGC452043

'The Mermaid', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (detail of 452042)

Crane, Walter (1845-1915)

'My Lady Greensleeves', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (detail of 452044)
'My Lady Greensleeves', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (detail of 452044)

DGC452045: 'My Lady Greensleeves', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (detail of 452044), Crane, Walter (1845-1915) / Bridgeman Images

ID: DGC452045

'My Lady Greensleeves', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (detail of 452044)

Crane, Walter (1845-1915)

'How Should I Your True Love Know?', Ophelia's song from 'Hamlet', Act IV, Scene 5, illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)
'How Should I Your True Love Know?', Ophelia's song from 'Hamlet', Act IV, Scene 5, illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)

DGC452048: 'How Should I Your True Love Know?', Ophelia's song from 'Hamlet', Act IV, Scene 5, illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho), Crane, Walter (1845-1915) / Bridgeman Images

ID: DGC452048

'How Should I Your True Love Know?', Ophelia's song from 'Hamlet', Act IV, Scene 5, illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)

Crane, Walter (1845-1915)

'How Should I Your True Love Know?', Ophelia's song from 'Hamlet', Act IV, Scene 5, illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (detail of 452048)
'How Should I Your True Love Know?', Ophelia's song from 'Hamlet', Act IV, Scene 5, illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (detail of 452048)

DGC452049: 'How Should I Your True Love Know?', Ophelia's song from 'Hamlet', Act IV, Scene 5, illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (detail of 452048), Crane, Walter (1845-1915) / Bridgeman Images

ID: DGC452049

'How Should I Your True Love Know?', Ophelia's song from 'Hamlet', Act IV, Scene 5, illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (detail of 452048)

Crane, Walter (1845-1915)

'Since First I Saw Your Face', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (detail of 452051)
'Since First I Saw Your Face', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (detail of 452051)

DGC452052: 'Since First I Saw Your Face', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (detail of 452051), Crane, Walter (1845-1915) / Bridgeman Images

ID: DGC452052

'Since First I Saw Your Face', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (detail of 452051)

Crane, Walter (1845-1915)

'Come Lasses & Lads, get leave of your dads, away to the may-pole hie', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)
'Come Lasses & Lads, get leave of your dads, away to the may-pole hie', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)

DGC452059: 'Come Lasses & Lads, get leave of your dads, away to the may-pole hie', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho), Crane, Walter (1845-1915) / Bridgeman Images

ID: DGC452059

'Come Lasses & Lads, get leave of your dads, away to the may-pole hie', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)

Crane, Walter (1845-1915)

Eros balancing two hearts, 1884 (colour litho)
Eros balancing two hearts, 1884 (colour litho)

DGC452089: Eros balancing two hearts, 1884 (colour litho), Crane, Walter (1845-1915) / Bridgeman Images

ID: DGC452089

Eros balancing two hearts, 1884 (colour litho)

Crane, Walter (1845-1915)

The Calling of St Matthew, 1530s (oil on panel)
The Calling of St Matthew, 1530s (oil on panel)

ROC452140: The Calling of St Matthew, 1530s (oil on panel), Mertens, Jan the Younger (c.1470-c.1527) / Bridgeman Images

ID: ROC452140

The Calling of St Matthew, 1530s (oil on panel)

Mertens, Jan the Younger (c.1470-c.1527)

On Windsor Terrace, c.1760 (pen & w/c over pencil)
On Windsor Terrace, c.1760 (pen & w/c over pencil)

ROC452162: On Windsor Terrace, c.1760 (pen & w/c over pencil), Sandby, Paul (1725-1809) / Bridgeman Images

ID: ROC452162

On Windsor Terrace, c.1760 (pen & w/c over pencil)

Sandby, Paul (1725-1809)

Red-billed toucan, pomegranate (double form), common crane, meadow saffron or autumn crocus with caterpillar of buff-tip moth, vine branch, scarlet macaw, mona monkey, filbert or hazel nuts, caterpillar of cabbage white butterfly, and common frog, c.1650-82 (w/c on paper)
Red-billed toucan, pomegranate (double form), common crane, meadow saffron or autumn crocus with caterpillar of buff-tip moth, vine branch, scarlet macaw, mona monkey, filbert or hazel nuts, caterpillar of cabbage white butterfly, and common frog, c.1650-82 (w/c on paper)

ROC452166: Red-billed toucan, pomegranate (double form), common crane, meadow saffron or autumn crocus with caterpillar of buff-tip moth, vine branch, scarlet macaw, mona monkey, filbert or hazel nuts, caterpillar of cabbage white butterfly, and common frog, c.1650-82 (w/c on paper), Marshal, Alexander (c.1625-82) / Bridgeman Images

ID: ROC452166

Red-billed toucan, pomegranate (double form), common crane, meadow saffron or autumn crocus with caterpillar of buff-tip moth, vine branch, scarlet macaw, mona monkey, filbert or hazel nuts, caterpillar of cabbage white butterfly, and common frog, c.1650-82 (w/c on paper)

Marshal, Alexander (c.1625-82)

Lotus dish, Buddhist Monastery, North India (wall painting)
Lotus dish, Buddhist Monastery, North India (wall painting)

STF452170: Lotus dish, Buddhist Monastery, North India (wall painting), Indian School / Bridgeman Images

ID: STF452170

Lotus dish, Buddhist Monastery, North India (wall painting)

Indian School

Dharamsala, prayer mills of Tiibetan Buddhism, Himachal Pradesh, India (photo)
Dharamsala, prayer mills of Tiibetan Buddhism, Himachal Pradesh, India (photo)

STF452177: Dharamsala, prayer mills of Tiibetan Buddhism, Himachal Pradesh, India (photo) / Bridgeman Images

ID: STF452177

Dharamsala, prayer mills of Tiibetan Buddhism, Himachal Pradesh, India (photo)

Buddhist votive tablets, Ladakh, India (photo)
Buddhist votive tablets, Ladakh, India (photo)

STF452179: Buddhist votive tablets, Ladakh, India (photo) / Bridgeman Images

ID: STF452179

Buddhist votive tablets, Ladakh, India (photo)

Boddhisattva Manjushri (Buddha of wisdom) with the sword of knowledge, Ladakh, India (photo)
Boddhisattva Manjushri (Buddha of wisdom) with the sword of knowledge, Ladakh, India (photo)

STF452181: Boddhisattva Manjushri (Buddha of wisdom) with the sword of knowledge, Ladakh, India (photo) / Bridgeman Images

ID: STF452181

Boddhisattva Manjushri (Buddha of wisdom) with the sword of knowledge, Ladakh, India (photo)

Altar showing the last supper, Rodengo, Italy (photo)
Altar showing the last supper, Rodengo, Italy (photo)

STF452188: Altar showing the last supper, Rodengo, Italy (photo) / Bridgeman Images

ID: STF452188

Altar showing the last supper, Rodengo, Italy (photo)

The death chamber of Bishop Wilhelm Emmanuel, Baron von Ketteler, in the Capuchin monastery of Burghausen (oil on canvas)
The death chamber of Bishop Wilhelm Emmanuel, Baron von Ketteler, in the Capuchin monastery of Burghausen (oil on canvas)

STF452193: The death chamber of Bishop Wilhelm Emmanuel, Baron von Ketteler, in the Capuchin monastery of Burghausen (oil on canvas), German School, (19th century) / Bridgeman Images

ID: STF452193

The death chamber of Bishop Wilhelm Emmanuel, Baron von Ketteler, in the Capuchin monastery of Burghausen (oil on canvas)

German School, (19th century)

Roman aqueduct, Mainz, Germany (photo)
Roman aqueduct, Mainz, Germany (photo)

STF452201: Roman aqueduct, Mainz, Germany (photo) / Bridgeman Images

ID: STF452201

Roman aqueduct, Mainz, Germany (photo)

Detail of the Adoration of the Magi, c.1500 (fresco)
Detail of the Adoration of the Magi, c.1500 (fresco)

STF452209: Detail of the Adoration of the Magi, c.1500 (fresco), Austrian School / Bridgeman Images

ID: STF452209

Detail of the Adoration of the Magi, c.1500 (fresco)

Austrian School

St. George and the Dragon, c.1500 (fresco)
St. George and the Dragon, c.1500 (fresco)

STF452210: St. George and the Dragon, c.1500 (fresco), Austrian School / Bridgeman Images

ID: STF452210

St. George and the Dragon, c.1500 (fresco)

Austrian School

Christ nailed to the cross, c.1500 (fresco)
Christ nailed to the cross, c.1500 (fresco)

STF452211: Christ nailed to the cross, c.1500 (fresco), Austrian School / Bridgeman Images

ID: STF452211

Christ nailed to the cross, c.1500 (fresco)

Austrian School

Reconstruction of a four naved longhouse with stable, Bronze Age, c.1500 BC, Archaeological Open-air Museum, Oerlinghausen, Germany (photo)
Reconstruction of a four naved longhouse with stable, Bronze Age, c.1500 BC, Archaeological Open-air Museum, Oerlinghausen, Germany (photo)

STF452223: Reconstruction of a four naved longhouse with stable, Bronze Age, c.1500 BC, Archaeological Open-air Museum, Oerlinghausen, Germany (photo) / Bridgeman Images

ID: STF452223

Reconstruction of a four naved longhouse with stable, Bronze Age, c.1500 BC, Archaeological Open-air Museum, Oerlinghausen, Germany (photo)

The Last Judgement (fresco)
The Last Judgement (fresco)

STF452225: The Last Judgement (fresco), German School / Bridgeman Images

ID: STF452225

The Last Judgement (fresco)

German School

Pentecost (fresco)
Pentecost (fresco)

STF452226: Pentecost (fresco), German School / Bridgeman Images

ID: STF452226

Pentecost (fresco)

German School

Detail of latrines at the sea baths, Sabratha, Libya (photo)
Detail of latrines at the sea baths, Sabratha, Libya (photo)

STF452237: Detail of latrines at the sea baths, Sabratha, Libya (photo) / Bridgeman Images

ID: STF452237

Detail of latrines at the sea baths, Sabratha, Libya (photo)

Old Berber granary castle of Qasr al-Haj, Nafusah mountains, Libya (photo)
Old Berber granary castle of Qasr al-Haj, Nafusah mountains, Libya (photo)

STF452240: Old Berber granary castle of Qasr al-Haj, Nafusah mountains, Libya (photo) / Bridgeman Images

ID: STF452240

Old Berber granary castle of Qasr al-Haj, Nafusah mountains, Libya (photo)

View of the entrance to the Macellum, Leptis Magna, Libya (photo)
View of the entrance to the Macellum, Leptis Magna, Libya (photo)

STF452253: View of the entrance to the Macellum, Leptis Magna, Libya (photo) / Bridgeman Images

ID: STF452253

View of the entrance to the Macellum, Leptis Magna, Libya (photo)

View of the Macellum, Leptis Magna, Libya (photo)
View of the Macellum, Leptis Magna, Libya (photo)

STF452254: View of the Macellum, Leptis Magna, Libya (photo) / Bridgeman Images

ID: STF452254

View of the Macellum, Leptis Magna, Libya (photo)

Relief of a married couple (marble)
Relief of a married couple (marble)

STF452265: Relief of a married couple (marble), Roman / Bridgeman Images

ID: STF452265

Relief of a married couple (marble)

Roman

Sea goddess or a personification of the fertility of the sea (mosaic)
Sea goddess or a personification of the fertility of the sea (mosaic)

STF452267: Sea goddess or a personification of the fertility of the sea (mosaic), Roman / Bridgeman Images

ID: STF452267

Sea goddess or a personification of the fertility of the sea (mosaic)

Roman

The Dynasty of Colours: Sincerity, 2009 (oil, lacquer & jute on wood)
The Dynasty of Colours: Sincerity, 2009 (oil, lacquer & jute on wood)

STF452276: The Dynasty of Colours: Sincerity, 2009 (oil, lacquer & jute on wood), Xiaobai Su (b.1949) / Bridgeman Images

ID: STF452276

The Dynasty of Colours: Sincerity, 2009 (oil, lacquer & jute on wood)

Xiaobai Su (b.1949)

The Dynasty of Colours: Seduction of White, 2009 (oil, lacquer & jute on canvas)
The Dynasty of Colours: Seduction of White, 2009 (oil, lacquer & jute on canvas)

STF452278: The Dynasty of Colours: Seduction of White, 2009 (oil, lacquer & jute on canvas), Xiaobai Su (b.1949) / Bridgeman Images

ID: STF452278

The Dynasty of Colours: Seduction of White, 2009 (oil, lacquer & jute on canvas)

Xiaobai Su (b.1949)

The Dynasty of Colours: The Middle Way II, 2006 (oil, lacquer & jute on wood)
The Dynasty of Colours: The Middle Way II, 2006 (oil, lacquer & jute on wood)

STF452281: The Dynasty of Colours: The Middle Way II, 2006 (oil, lacquer & jute on wood), Xiaobai Su (b.1949) / Bridgeman Images

ID: STF452281

The Dynasty of Colours: The Middle Way II, 2006 (oil, lacquer & jute on wood)

Xiaobai Su (b.1949)

The Dynasty of Colours: Red Over Black, 2009 (oil, lacquer & jute on wood)
The Dynasty of Colours: Red Over Black, 2009 (oil, lacquer & jute on wood)

STF452284: The Dynasty of Colours: Red Over Black, 2009 (oil, lacquer & jute on wood), Xiaobai Su (b.1949) / Bridgeman Images

ID: STF452284

The Dynasty of Colours: Red Over Black, 2009 (oil, lacquer & jute on wood)

Xiaobai Su (b.1949)

The Dynasty of Colours: Homage to Yellow, 2009 (oil, lacquer & jute on wood)
The Dynasty of Colours: Homage to Yellow, 2009 (oil, lacquer & jute on wood)

STF452288: The Dynasty of Colours: Homage to Yellow, 2009 (oil, lacquer & jute on wood), Xiaobai Su (b.1949) / Bridgeman Images

ID: STF452288

The Dynasty of Colours: Homage to Yellow, 2009 (oil, lacquer & jute on wood)

Xiaobai Su (b.1949)

The Dynasty of Colours: Wise Rule, 2009 (oil, lacquer & jute on canvas)
The Dynasty of Colours: Wise Rule, 2009 (oil, lacquer & jute on canvas)

STF452292: The Dynasty of Colours: Wise Rule, 2009 (oil, lacquer & jute on canvas), Xiaobai Su (b.1949) / Bridgeman Images

ID: STF452292

The Dynasty of Colours: Wise Rule, 2009 (oil, lacquer & jute on canvas)

Xiaobai Su (b.1949)

The Dynasty of Colours, 2009 (oil, lacquer & jute on wood) (detail)
The Dynasty of Colours, 2009 (oil, lacquer & jute on wood) (detail)

STF452294: The Dynasty of Colours, 2009 (oil, lacquer & jute on wood) (detail), Xiaobai Su (b.1949) / Bridgeman Images

ID: STF452294

The Dynasty of Colours, 2009 (oil, lacquer & jute on wood) (detail)

Xiaobai Su (b.1949)


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