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The Corbin lost on the reef in the Maldives Islands on 1 July 1602. In “” General History of the Navy”” by Van Tenac, 1850
The Corbin lost on the reef in the Maldives Islands on 1 July 1602. In “” General History of the Navy”” by Van Tenac, 1850

XEE4404990: The Corbin lost on the reef in the Maldives Islands on 1 July 1602. In “” General History of the Navy”” by Van Tenac, 1850, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4404990

The Corbin lost on the reef in the Maldives Islands on 1 July 1602. In “” General History of the Navy”” by Van Tenac, 1850

Unknown Artist, (19th century)

Othello and Desdemona in Venice. Illustration for “” Othello” by William Shakespeare.Act 4 scene 2.English engraving from 1801 by R.K Porter.
Othello and Desdemona in Venice. Illustration for “” Othello” by William Shakespeare.Act 4 scene 2.English engraving from 1801 by R.K Porter.

XEE4404968: Othello and Desdemona in Venice. Illustration for “” Othello” by William Shakespeare.Act 4 scene 2.English engraving from 1801 by R.K Porter., Porter, Robert Kerr (1777-1842) / Bridgeman Images

ID: XEE4404968

Othello and Desdemona in Venice. Illustration for “” Othello” by William Shakespeare.Act 4 scene 2.English engraving from 1801 by R.K Porter.

Porter, Robert Kerr (1777-1842)

Horse racing at the Chantilly hypodrome in 1858.
Horse racing at the Chantilly hypodrome in 1858.

XEE4404829: Horse racing at the Chantilly hypodrome in 1858., French School, (19th century) / Bridgeman Images

ID: XEE4404829

Horse racing at the Chantilly hypodrome in 1858.

French School, (19th century)

One of the first drawing representing a Clavicord. Weimar 15th century.
One of the first drawing representing a Clavicord. Weimar 15th century.

XEE4404847: One of the first drawing representing a Clavicord. Weimar 15th century., German School, (15th century) / Bridgeman Images

ID: XEE4404847

One of the first drawing representing a Clavicord. Weimar 15th century.

German School, (15th century)

War 1914-1918: A French soldier saves the flag during the fighting in Alsace in 1914. ” La Grande Guerre
War 1914-1918: A French soldier saves the flag during the fighting in Alsace in 1914. ” La Grande Guerre

XEE4404860: War 1914-1918: A French soldier saves the flag during the fighting in Alsace in 1914. ” La Grande Guerre", book published in 1914 by Tolmer et Cie., French School, (20th century) / Bridgeman Images

ID: XEE4404860

War 1914-1918: A French soldier saves the flag during the fighting in Alsace in 1914. ” La Grande Guerre", book published in 1914 by Tolmer et Cie.

French School, (20th century)

Cinderella dreams of a better life near the kitchen fireplace. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Cinderella dreams of a better life near the kitchen fireplace. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404547: Cinderella dreams of a better life near the kitchen fireplace. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4404547

Cinderella dreams of a better life near the kitchen fireplace. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

Unknown Artist, (19th century)

The good fee of Cinderella and Cinderella. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The good fee of Cinderella and Cinderella. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404551: The good fee of Cinderella and Cinderella. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4404551

The good fee of Cinderella and Cinderella. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

Unknown Artist, (19th century)

The cat forces the peasants to say that the field in which they mow the wheat belongs to the Marquis de Carabas. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The cat forces the peasants to say that the field in which they mow the wheat belongs to the Marquis de Carabas. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404574: The cat forces the peasants to say that the field in which they mow the wheat belongs to the Marquis de Carabas. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4404574

The cat forces the peasants to say that the field in which they mow the wheat belongs to the Marquis de Carabas. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

Unknown Artist, (19th century)

Cat traps a rabbit. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Cat traps a rabbit. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404599: Cat traps a rabbit. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4404599

Cat traps a rabbit. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

Unknown Artist, (19th century)

The Marquis of Carrabas marries the princess of the Kingdom. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The Marquis of Carrabas marries the princess of the Kingdom. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404561: The Marquis of Carrabas marries the princess of the Kingdom. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4404561

The Marquis of Carrabas marries the princess of the Kingdom. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

Unknown Artist, (19th century)

Illustration of the tale “Good Mom Sheep””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Illustration of the tale “Good Mom Sheep””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404617: Illustration of the tale “Good Mom Sheep””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4404617

Illustration of the tale “Good Mom Sheep””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

Unknown Artist, (19th century)

Little Red Riding Hood. Illustration of the tale “The Little Red Riding Hood” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Little Red Riding Hood. Illustration of the tale “The Little Red Riding Hood” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404709: Little Red Riding Hood. Illustration of the tale “The Little Red Riding Hood” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4404709

Little Red Riding Hood. Illustration of the tale “The Little Red Riding Hood” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

Unknown Artist, (19th century)

Little Red Riding Hood puts food for his grandmother on the huche. Illustration of the tale “The Little Red Riding Hood” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Little Red Riding Hood puts food for his grandmother on the huche. Illustration of the tale “The Little Red Riding Hood” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404729: Little Red Riding Hood puts food for his grandmother on the huche. Illustration of the tale “The Little Red Riding Hood” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4404729

Little Red Riding Hood puts food for his grandmother on the huche. Illustration of the tale “The Little Red Riding Hood” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

Unknown Artist, (19th century)

Omar, Muslim prince, making a declaration of love to Sancha Ona, Countess of Castile. in “El Culto de la Hermosura”” by Juan Justo Huguet, Molinas Hermanos editores, 1880 (volume 1) & 1881 (volume 2).
Omar, Muslim prince, making a declaration of love to Sancha Ona, Countess of Castile. in “El Culto de la Hermosura”” by Juan Justo Huguet, Molinas Hermanos editores, 1880 (volume 1) & 1881 (volume 2).

XEE4404746: Omar, Muslim prince, making a declaration of love to Sancha Ona, Countess of Castile. in “El Culto de la Hermosura”” by Juan Justo Huguet, Molinas Hermanos editores, 1880 (volume 1) & 1881 (volume 2)., Spanish School, (19th century) / Bridgeman Images

ID: XEE4404746

Omar, Muslim prince, making a declaration of love to Sancha Ona, Countess of Castile. in “El Culto de la Hermosura”” by Juan Justo Huguet, Molinas Hermanos editores, 1880 (volume 1) & 1881 (volume 2).

Spanish School, (19th century)

Wissembourg, Alsace, France 1869: laying the first stone of the Israeli temple.
Wissembourg, Alsace, France 1869: laying the first stone of the Israeli temple.

XEE4404779: Wissembourg, Alsace, France 1869: laying the first stone of the Israeli temple., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4404779

Wissembourg, Alsace, France 1869: laying the first stone of the Israeli temple.

Unknown Artist, (19th century)

Still Life of several turns records (turntables) for 33 and 45 laps.
Still Life of several turns records (turntables) for 33 and 45 laps.

RER4404830: Still Life of several turns records (turntables) for 33 and 45 laps. / Bridgeman Images

ID: RER4404830

Still Life of several turns records (turntables) for 33 and 45 laps.

War 1914-1918: King Peter I of Serbia entered Belgrade in 1914 to celebrate the victorious Serbs who had driven the Austrians out of their territory, (print)
War 1914-1918: King Peter I of Serbia entered Belgrade in 1914 to celebrate the victorious Serbs who had driven the Austrians out of their territory, (print)

XEE4404876: War 1914-1918: King Peter I of Serbia entered Belgrade in 1914 to celebrate the victorious Serbs who had driven the Austrians out of their territory, (print), French School, (20th century) / Bridgeman Images

ID: XEE4404876

War 1914-1918: King Peter I of Serbia entered Belgrade in 1914 to celebrate the victorious Serbs who had driven the Austrians out of their territory, (print)

French School, (20th century)

Portrait of Abraham de Fabert (1599-1662), Marechal of France.
Portrait of Abraham de Fabert (1599-1662), Marechal of France.

XEE4404875: Portrait of Abraham de Fabert (1599-1662), Marechal of France., French School, (19th century) / Bridgeman Images

ID: XEE4404875

Portrait of Abraham de Fabert (1599-1662), Marechal of France.

French School, (19th century)

Sappeurs Pompiersde Paris. The ladder's behind the scenes. Manoeuvring the ladder behind the scenes is the simplest. Weighing 34 kilos, 0m45 wide, having, redeployed, a height of 4 meters, it is in two planes, the uprights of the second being embedded in a double groove or slide practiced throughout the height of the uprights of the first. The second plane slides easily on the first and gives it a total height of 7m20.
Sappeurs Pompiersde Paris. The ladder's behind the scenes. Manoeuvring the ladder behind the scenes is the simplest. Weighing 34 kilos, 0m45 wide, having, redeployed, a height of 4 meters, it is in two planes, the uprights of the second being embedded in a double groove or slide practiced throughout the height of the uprights of the first. The second plane slides easily on the first and gives it a total height of 7m20.

XEE4404934: Sappeurs Pompiersde Paris. The ladder's behind the scenes. Manoeuvring the ladder behind the scenes is the simplest. Weighing 34 kilos, 0m45 wide, having, redeployed, a height of 4 meters, it is in two planes, the uprights of the second being embedded in a double groove or slide practiced throughout the height of the uprights of the first. The second plane slides easily on the first and gives it a total height of 7m20., French School, (19th century) / Bridgeman Images

ID: XEE4404934

Sappeurs Pompiersde Paris. The ladder's behind the scenes. Manoeuvring the ladder behind the scenes is the simplest. Weighing 34 kilos, 0m45 wide, having, redeployed, a height of 4 meters, it is in two planes, the uprights of the second being embedded in a double groove or slide practiced throughout the height of the uprights of the first. The second plane slides easily on the first and gives it a total height of 7m20.

French School, (19th century)

Portrait of Pascal (Pasquale) Paoli (1725-1807), Patriote Corsica
Portrait of Pascal (Pasquale) Paoli (1725-1807), Patriote Corsica

XEE4404891: Portrait of Pascal (Pasquale) Paoli (1725-1807), Patriote Corsica, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4404891

Portrait of Pascal (Pasquale) Paoli (1725-1807), Patriote Corsica

Unknown Artist, (19th century)

The presentation of Christ in the temple. Anonymous engraving from the middle of the 19th century.
The presentation of Christ in the temple. Anonymous engraving from the middle of the 19th century.

XEE4415092: The presentation of Christ in the temple. Anonymous engraving from the middle of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4415092

The presentation of Christ in the temple. Anonymous engraving from the middle of the 19th century.

Unknown Artist, (19th century)

Tour of Pisa. Italy. Postcard (lace edge). sd. first half of the 20th century.
Tour of Pisa. Italy. Postcard (lace edge). sd. first half of the 20th century.

XEE4415697: Tour of Pisa. Italy. Postcard (lace edge). sd. first half of the 20th century., Unknown Artist, (20th century) / Bridgeman Images

ID: XEE4415697

Tour of Pisa. Italy. Postcard (lace edge). sd. first half of the 20th century.

Unknown Artist, (20th century)

Scenes of battles. Louis XI gave a necklace to Raoul de Lannoi (1481), Combat de Therouanne (1480) and Marie de Bourgogne injured by a fall of a horse (1482). Engraving of the 19th century.
Scenes of battles. Louis XI gave a necklace to Raoul de Lannoi (1481), Combat de Therouanne (1480) and Marie de Bourgogne injured by a fall of a horse (1482). Engraving of the 19th century.

XEE4415362: Scenes of battles. Louis XI gave a necklace to Raoul de Lannoi (1481), Combat de Therouanne (1480) and Marie de Bourgogne injured by a fall of a horse (1482). Engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4415362

Scenes of battles. Louis XI gave a necklace to Raoul de Lannoi (1481), Combat de Therouanne (1480) and Marie de Bourgogne injured by a fall of a horse (1482). Engraving of the 19th century.

Unknown Artist, (19th century)

Le Kepi de Hubert (Louis-Hubert-Gonzalve) Lyautey (1854-1934) french marechal. Stella collection.
Le Kepi de Hubert (Louis-Hubert-Gonzalve) Lyautey (1854-1934) french marechal. Stella collection.

XEE4415502: Le Kepi de Hubert (Louis-Hubert-Gonzalve) Lyautey (1854-1934) french marechal. Stella collection. / Bridgeman Images

ID: XEE4415502

Le Kepi de Hubert (Louis-Hubert-Gonzalve) Lyautey (1854-1934) french marechal. Stella collection.

Puppet from Havelska March to Prague, Czech Republic. Photography 2009
Puppet from Havelska March to Prague, Czech Republic. Photography 2009

LTE4415925: Puppet from Havelska March to Prague, Czech Republic. Photography 2009 / Bridgeman Images

ID: LTE4415925

Puppet from Havelska March to Prague, Czech Republic. Photography 2009

Facade of the Church of the Madonna dell'Orto in Venice, Italian Religious Architecture, Construction of the 14th century., Venice, Italy.
Facade of the Church of the Madonna dell'Orto in Venice, Italian Religious Architecture, Construction of the 14th century., Venice, Italy.

YOU4418429: Facade of the Church of the Madonna dell'Orto in Venice, Italian Religious Architecture, Construction of the 14th century., Venice, Italy. / Bridgeman Images

ID: YOU4418429

Facade of the Church of the Madonna dell'Orto in Venice, Italian Religious Architecture, Construction of the 14th century., Venice, Italy.

View of the Puy en Velay from the Corneille rock, in the center the Cathedrale Notre Dame du Puy en Velay, designed from the 11th to the 13th century. Photography, KIM Youngtae, Le Puy-En-Velay, Haute Loire (Haute-Loire), Auvergne.
View of the Puy en Velay from the Corneille rock, in the center the Cathedrale Notre Dame du Puy en Velay, designed from the 11th to the 13th century. Photography, KIM Youngtae, Le Puy-En-Velay, Haute Loire (Haute-Loire), Auvergne.

YOU4418453: View of the Puy en Velay from the Corneille rock, in the center the Cathedrale Notre Dame du Puy en Velay, designed from the 11th to the 13th century. Photography, KIM Youngtae, Le Puy-En-Velay, Haute Loire (Haute-Loire), Auvergne. / Bridgeman Images

ID: YOU4418453

View of the Puy en Velay from the Corneille rock, in the center the Cathedrale Notre Dame du Puy en Velay, designed from the 11th to the 13th century. Photography, KIM Youngtae, Le Puy-En-Velay, Haute Loire (Haute-Loire), Auvergne.

Arc de Triomphe d'Orange, Roman architecture, civil construction dating from the 1st century. Photography, KIM Youngtae, Orange, Vaucluse, Provence-Alpes-Côte-d'Azur, France (Provence Alpes Cote d'Azur).
Arc de Triomphe d'Orange, Roman architecture, civil construction dating from the 1st century. Photography, KIM Youngtae, Orange, Vaucluse, Provence-Alpes-Côte-d'Azur, France (Provence Alpes Cote d'Azur).

YOU4418531: Arc de Triomphe d'Orange, Roman architecture, civil construction dating from the 1st century. Photography, KIM Youngtae, Orange, Vaucluse, Provence-Alpes-Côte-d'Azur, France (Provence Alpes Cote d'Azur). / Bridgeman Images

ID: YOU4418531

Arc de Triomphe d'Orange, Roman architecture, civil construction dating from the 1st century. Photography, KIM Youngtae, Orange, Vaucluse, Provence-Alpes-Côte-d'Azur, France (Provence Alpes Cote d'Azur).

Detail of the vault of the church of Jacobins in Toulouse, Palmier located in the absidal part, Meridional Gothic architecture, religious construction dating from 13th to 14th centuries., Toulouse, Haute-Garonne (Haute Garonne), Midi-Pyrenees (Midi Pyrenees), France
Detail of the vault of the church of Jacobins in Toulouse, Palmier located in the absidal part, Meridional Gothic architecture, religious construction dating from 13th to 14th centuries., Toulouse, Haute-Garonne (Haute Garonne), Midi-Pyrenees (Midi Pyrenees), France

YOU4418546: Detail of the vault of the church of Jacobins in Toulouse, Palmier located in the absidal part, Meridional Gothic architecture, religious construction dating from 13th to 14th centuries., Toulouse, Haute-Garonne (Haute Garonne), Midi-Pyrenees (Midi Pyrenees), France / Bridgeman Images

ID: YOU4418546

Detail of the vault of the church of Jacobins in Toulouse, Palmier located in the absidal part, Meridional Gothic architecture, religious construction dating from 13th to 14th centuries., Toulouse, Haute-Garonne (Haute Garonne), Midi-Pyrenees (Midi Pyrenees), France

View of the Pont des Arts and the Institut in Paris, the first metallic bridge crossing the Seine, built between 1801 and 1804, connecting the Palais de l'Institut de France and the courtyard square of the Palais du Louvre, the present bridge was rebuilt between 1981 and 1984 in the same way except for the modification of the number of arches. Photography, KIM Youngtae, Paris.
View of the Pont des Arts and the Institut in Paris, the first metallic bridge crossing the Seine, built between 1801 and 1804, connecting the Palais de l'Institut de France and the courtyard square of the Palais du Louvre, the present bridge was rebuilt between 1981 and 1984 in the same way except for the modification of the number of arches. Photography, KIM Youngtae, Paris.

YOU4418624: View of the Pont des Arts and the Institut in Paris, the first metallic bridge crossing the Seine, built between 1801 and 1804, connecting the Palais de l'Institut de France and the courtyard square of the Palais du Louvre, the present bridge was rebuilt between 1981 and 1984 in the same way except for the modification of the number of arches. Photography, KIM Youngtae, Paris. / Bridgeman Images

ID: YOU4418624

View of the Pont des Arts and the Institut in Paris, the first metallic bridge crossing the Seine, built between 1801 and 1804, connecting the Palais de l'Institut de France and the courtyard square of the Palais du Louvre, the present bridge was rebuilt between 1981 and 1984 in the same way except for the modification of the number of arches. Photography, KIM Youngtae, Paris.

Facade of the Church of Saint Vincent de Barsac, French religious architecture, construction dating from the 18th century. Photography, KIM Youngtae, Barsac, Gironde, Aquitaine.
Facade of the Church of Saint Vincent de Barsac, French religious architecture, construction dating from the 18th century. Photography, KIM Youngtae, Barsac, Gironde, Aquitaine.

YOU4418642: Facade of the Church of Saint Vincent de Barsac, French religious architecture, construction dating from the 18th century. Photography, KIM Youngtae, Barsac, Gironde, Aquitaine. / Bridgeman Images

ID: YOU4418642

Facade of the Church of Saint Vincent de Barsac, French religious architecture, construction dating from the 18th century. Photography, KIM Youngtae, Barsac, Gironde, Aquitaine.

Alexandre Auguste Ledru Rollin (Ledru-Rollin) (1807-1874), lawyer, French politician, candidate for the French presidential election of 1848, bronze sculpture by David d'Angers (1788-1856), installed at the tomb of the politician at the Pere Lachaise cemetery. Photography, KIM Youngtae, Paris.
Alexandre Auguste Ledru Rollin (Ledru-Rollin) (1807-1874), lawyer, French politician, candidate for the French presidential election of 1848, bronze sculpture by David d'Angers (1788-1856), installed at the tomb of the politician at the Pere Lachaise cemetery. Photography, KIM Youngtae, Paris.

YOU4418674: Alexandre Auguste Ledru Rollin (Ledru-Rollin) (1807-1874), lawyer, French politician, candidate for the French presidential election of 1848, bronze sculpture by David d'Angers (1788-1856), installed at the tomb of the politician at the Pere Lachaise cemetery. Photography, KIM Youngtae, Paris., David d'Angers, Pierre Jean (1788-1856) / Bridgeman Images

ID: YOU4418674

Alexandre Auguste Ledru Rollin (Ledru-Rollin) (1807-1874), lawyer, French politician, candidate for the French presidential election of 1848, bronze sculpture by David d'Angers (1788-1856), installed at the tomb of the politician at the Pere Lachaise cemetery. Photography, KIM Youngtae, Paris.

David d'Angers, Pierre Jean (1788-1856)

View of the Orleans rotunda at Parc Monceau in Paris, former office for granting the Barriere de Chartres du Mur des Farmers Generaux, built by architect Claude Nicolas Ledoux (1736-1806). Photography, KIM Youngtae, Paris.
View of the Orleans rotunda at Parc Monceau in Paris, former office for granting the Barriere de Chartres du Mur des Farmers Generaux, built by architect Claude Nicolas Ledoux (1736-1806). Photography, KIM Youngtae, Paris.

YOU4418897: View of the Orleans rotunda at Parc Monceau in Paris, former office for granting the Barriere de Chartres du Mur des Farmers Generaux, built by architect Claude Nicolas Ledoux (1736-1806). Photography, KIM Youngtae, Paris. / Bridgeman Images

ID: YOU4418897

View of the Orleans rotunda at Parc Monceau in Paris, former office for granting the Barriere de Chartres du Mur des Farmers Generaux, built by architect Claude Nicolas Ledoux (1736-1806). Photography, KIM Youngtae, Paris.

Persee holding the head of Meduse, marble sculpture by Antonio Canova (1757-1822), representnat the heros, son of Danae and Zeus in Greek mythology brandising the head of Meduse, the only mortal Gorgona. Photography, KIM Youngtae, Musee Pio Clementino, Vatican, Rome, Italy.
Persee holding the head of Meduse, marble sculpture by Antonio Canova (1757-1822), representnat the heros, son of Danae and Zeus in Greek mythology brandising the head of Meduse, the only mortal Gorgona. Photography, KIM Youngtae, Musee Pio Clementino, Vatican, Rome, Italy.

YOU4418720: Persee holding the head of Meduse, marble sculpture by Antonio Canova (1757-1822), representnat the heros, son of Danae and Zeus in Greek mythology brandising the head of Meduse, the only mortal Gorgona. Photography, KIM Youngtae, Musee Pio Clementino, Vatican, Rome, Italy., Canova, Antonio (1757-1822) / Bridgeman Images

ID: YOU4418720

Persee holding the head of Meduse, marble sculpture by Antonio Canova (1757-1822), representnat the heros, son of Danae and Zeus in Greek mythology brandising the head of Meduse, the only mortal Gorgona. Photography, KIM Youngtae, Musee Pio Clementino, Vatican, Rome, Italy.

Canova, Antonio (1757-1822)

Facade of the Basilica of San Giorgio Maggiore in Venice, Italian Renaissance Religious Architecture, Built between 16th and 17th by Andrea Palladio (1508-1580) and Simone Sorella (? -?). Photography. KIM Youngtae, Venice, Italy.
Facade of the Basilica of San Giorgio Maggiore in Venice, Italian Renaissance Religious Architecture, Built between 16th and 17th by Andrea Palladio (1508-1580) and Simone Sorella (? -?). Photography. KIM Youngtae, Venice, Italy.

YOU4418726: Facade of the Basilica of San Giorgio Maggiore in Venice, Italian Renaissance Religious Architecture, Built between 16th and 17th by Andrea Palladio (1508-1580) and Simone Sorella (? -?). Photography. KIM Youngtae, Venice, Italy. / Bridgeman Images

ID: YOU4418726

Facade of the Basilica of San Giorgio Maggiore in Venice, Italian Renaissance Religious Architecture, Built between 16th and 17th by Andrea Palladio (1508-1580) and Simone Sorella (? -?). Photography. KIM Youngtae, Venice, Italy.

Representation of Clio, muse of History, as a young girl crowned with laurels, holding in her hand a roll of papyrus to record historical facts (Clio (or Kleio), muse of History, crowned with laurels and holding a parchment scroll). From “Mythology of Youth” by Pierre Blanchard 1803.
Representation of Clio, muse of History, as a young girl crowned with laurels, holding in her hand a roll of papyrus to record historical facts (Clio (or Kleio), muse of History, crowned with laurels and holding a parchment scroll). From “Mythology of Youth” by Pierre Blanchard 1803.

XEE4417205: Representation of Clio, muse of History, as a young girl crowned with laurels, holding in her hand a roll of papyrus to record historical facts (Clio (or Kleio), muse of History, crowned with laurels and holding a parchment scroll). From “Mythology of Youth” by Pierre Blanchard 1803., French School, (19th century) / Bridgeman Images

ID: XEE4417205

Representation of Clio, muse of History, as a young girl crowned with laurels, holding in her hand a roll of papyrus to record historical facts (Clio (or Kleio), muse of History, crowned with laurels and holding a parchment scroll). From “Mythology of Youth” by Pierre Blanchard 1803.

French School, (19th century)


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