STC429667:
Richard II suspending the duel between Hereford and Norfolk, illustration from David Hume's 'The History of England', pub. by R. Bowyer, London, 1812 (engraving), Tresham, Henry (1751-1814) (after) / Bridgeman Images
ID: STC429667
Richard II suspending the duel between Hereford and Norfolk, illustration from David Hume's 'The History of England', pub. by R. Bowyer, London, 1812 (engraving)
Tresham, Henry (1751-1814) (after)
STC439616:
The Drawing Room at 17 Grosvenor Place, London (b/w photo), English Photographer, (19th century) / Bridgeman Images
ID: STC439616
The Drawing Room at 17 Grosvenor Place, London (b/w photo)
English Photographer, (19th century)
STC439648:
Garden hall of a hotel, 1929 (colour litho), Stier, M. (fl.1929) / Bridgeman Images
ID: STC439648
Garden hall of a hotel, 1929 (colour litho)
Stier, M. (fl.1929)
STC439696:
Weavers, Hindoos, Delhi, from 'The People of India', by J. Forbes Watson, published 1868 (albumen print), English Photographer, (19th century) / Bridgeman Images
ID: STC439696
Weavers, Hindoos, Delhi, from 'The People of India', by J. Forbes Watson, published 1868 (albumen print)
English Photographer, (19th century)
STC439718:
Povindah, Itinerant Afghan Merchant, Soonnee Mahomedan in Gundapoor, Kohat, from 'The People of India', by J. Forbes Watson, published 1868 (albumen print), English Photographer, (19th century) / Bridgeman Images
ID: STC439718
Povindah, Itinerant Afghan Merchant, Soonnee Mahomedan in Gundapoor, Kohat, from 'The People of India', by J. Forbes Watson, published 1868 (albumen print)
English Photographer, (19th century)
STC439733:
Suroosatee Brahmin, Hindoo, Lahore, from 'The People of India', by J. Forbes Watson, published 1868 (albumen print), English Photographer, (19th century) / Bridgeman Images
ID: STC439733
Suroosatee Brahmin, Hindoo, Lahore, from 'The People of India', by J. Forbes Watson, published 1868 (albumen print)
English Photographer, (19th century)
WGL439822:
Sketch of John Flaxman, c.1810 (pencil & brown wash on off-white laid paper), Jackson, John (1778-1831) / Bridgeman Images
ID: WGL439822
Sketch of John Flaxman, c.1810 (pencil & brown wash on off-white laid paper)
Jackson, John (1778-1831)
WGL439831:
Mother and child, c.1860s-90s (pencil & black chalk with watercolour & heightening on buff paper), British School, (19th century) / Bridgeman Images
ID: WGL439831
Mother and child, c.1860s-90s (pencil & black chalk with watercolour & heightening on buff paper)
British School, (19th century)
WGL439837:
Head of a woman in profile wearing a wreath, c.1860s-90s (pencil with coloured chalks, black watercolour & gouache on paper), British School, (19th century) / Bridgeman Images
ID: WGL439837
Head of a woman in profile wearing a wreath, c.1860s-90s (pencil with coloured chalks, black watercolour & gouache on paper)
British School, (19th century)
WGL439840:
Head and shoulders of the Virgin, c.1860s-90s (pencil & black chalk with gum arabic on paper), British School, (19th century) / Bridgeman Images
ID: WGL439840
Head and shoulders of the Virgin, c.1860s-90s (pencil & black chalk with gum arabic on paper)
British School, (19th century)
IL439853:
'Loose thy hold from the boy, good wife', 1923 (colour litho), Hatherell, William (1855-1928) / Bridgeman Images
ID: IL439853
'Loose thy hold from the boy, good wife', 1923 (colour litho)
Hatherell, William (1855-1928)
XIR439925:
Saint Francis Revives the Unatoned Woman to Facilitate her Confession, detail of the group of women on the right, c.1297-99 (fresco), Giotto (Giotto di Bondone) (c.1266-1337) / Bridgeman Images
ID: XIR439925
Saint Francis Revives the Unatoned Woman to Facilitate her Confession, detail of the group of women on the right, c.1297-99 (fresco)
Giotto (Giotto di Bondone) (c.1266-1337)
LMG440304:
Cast of a hand, 1923 (plaster) (see also 440305), Thornycroft, William Hamo (1850-1925) / Bridgeman Images
ID: LMG440304
Cast of a hand, 1923 (plaster) (see also 440305)
Thornycroft, William Hamo (1850-1925)
LMG440367:
Venus, c.1817-20 (marble) (see also 440366 & 440368), Canova, Antonio (1757-1822) / Bridgeman Images
ID: LMG440367
Venus, c.1817-20 (marble) (see also 440366 & 440368)
Canova, Antonio (1757-1822)
CH440575:
Detail of The Northampton Vase, black figure neck amphora, probably Etruria, c.540 BC (ceramic) (see also 440538, 440539 and 440540), Greek school, (6th century BC) / Bridgeman Images
ID: CH440575
Detail of The Northampton Vase, black figure neck amphora, probably Etruria, c.540 BC (ceramic) (see also 440538, 440539 and 440540)
Greek school, (6th century BC)
XIR440629:
The Females Saints at the Tomb and the Resurrection, detail of the Mandore Player, 1330 (fresco), Oliver, Juan (14th century) / Bridgeman Images
ID: XIR440629
The Females Saints at the Tomb and the Resurrection, detail of the Mandore Player, 1330 (fresco)
Oliver, Juan (14th century)
XIR439918:
Choir Stalls, 15th century (wood), Italian School, (15th century) / Bridgeman Images
ID: XIR439918
Choir Stalls, 15th century (wood)
Italian School, (15th century)
XIR439957:
Fowers and Foliage, 1927 (oil on canvas), Gondouin, Emmanuel (1883-1934) / Bridgeman Images
ID: XIR439957
Fowers and Foliage, 1927 (oil on canvas)
Gondouin, Emmanuel (1883-1934)
XJF439976:
Marie Malibran, engraved by Richard James Lane, 1836 (litho), Chalon, Alfred-Edward (1780-1860) (after) / Bridgeman Images
ID: XJF439976
Marie Malibran, engraved by Richard James Lane, 1836 (litho)
Chalon, Alfred-Edward (1780-1860) (after)
XJF439982:
Title Page for 'Dekker his Dreame' by Thomas Dekker, published 1620 (engraving), English School, (17th century) / Bridgeman Images
ID: XJF439982
Title Page for 'Dekker his Dreame' by Thomas Dekker, published 1620 (engraving)
English School, (17th century)
HGP440103:
King Henry VI, detail from the rood screen, St Mary's Church, Kersey, Suffolk, UK (tempera on wood), English School, (15th century) / Bridgeman Images
ID: HGP440103
King Henry VI, detail from the rood screen, St Mary's Church, Kersey, Suffolk, UK (tempera on wood)
English School, (15th century)
WGL429865:
Landscape with windmill on hilly ground by the sea, c.1797-98 (watercolour with gum arabic over pencil on paper), Girtin, Thomas (1775-1802) / Bridgeman Images
ID: WGL429865
Landscape with windmill on hilly ground by the sea, c.1797-98 (watercolour with gum arabic over pencil on paper)
Girtin, Thomas (1775-1802)
HGP440152:
The Crucifixion (stone), Anglo-Saxon / Bridgeman Images
ID: HGP440152
The Crucifixion (stone)
Anglo-Saxon
AGN430005:
Arrival at the new park, Chateau d'Eu, 1846 (oil on canvas), Blanchard, Theophile (1820-49) / Bridgeman Images
ID: AGN430005
Arrival at the new park, Chateau d'Eu, 1846 (oil on canvas)
Blanchard, Theophile (1820-49)
LMG440200:
The Sea Star, c.1900 (bronze) (see also 440198-99), Sichel, Ernest Leopold (1862-1941) / Bridgeman Images
ID: LMG440200
The Sea Star, c.1900 (bronze) (see also 440198-99)
Sichel, Ernest Leopold (1862-1941)
CH430297:
Portrait of a lady, full length, seated, in a black dress with white ruff and cap, holding a handkerchief, with her son in a grey doublet and her daughter in a green dress, 1635 (oil on marouflaged panel), Keyser, Thomas de (1596/7-1667) / Bridgeman Images
ID: CH430297
Portrait of a lady, full length, seated, in a black dress with white ruff and cap, holding a handkerchief, with her son in a grey doublet and her daughter in a green dress, 1635 (oil on marouflaged panel)
Keyser, Thomas de (1596/7-1667)
LMG440209:
The Large Dancer, c.1911 (bronze) (see also 440207-08), Rodin, Auguste (1840-1917) / Bridgeman Images
ID: LMG440209
The Large Dancer, c.1911 (bronze) (see also 440207-08)
CH440554:
Detail of a Regence Boulle marquetry commode en tombeau, 18th - 19th century (ormolu, rosewood, brass & scarlet tortoiseshell) (see also 440553 and 440555), French School / Bridgeman Images
ID: CH440554
Detail of a Regence Boulle marquetry commode en tombeau, 18th - 19th century (ormolu, rosewood, brass & scarlet tortoiseshell) (see also 440553 and 440555)
French School
XIR430546:
Heads of people below the background wall, from the Raising of the Son of Theophilus, and St. Peter Enthroned as First Bishop of Antioch, c.1427 and c.1484-85 (fresco), Masaccio, T. (1401-28) & Lippi, F. (1457/8-1504) / Bridgeman Images
ID: XIR430546
Heads of people below the background wall, from the Raising of the Son of Theophilus, and St. Peter Enthroned as First Bishop of Antioch, c.1427 and c.1484-85 (fresco)
Masaccio, T. (1401-28) & Lippi, F. (1457/8-1504)
XIR430553:
Detail of the head of St. Peter, from the Raising of Tabitha, c.1427 (fresco), Masolino da Panicale, Tommaso (1383-c.1447) / Bridgeman Images
ID: XIR430553
Detail of the head of St. Peter, from the Raising of Tabitha, c.1427 (fresco)
Masolino da Panicale, Tommaso (1383-c.1447)
GHL430728:
View of buildings in Church Street, Hackney, c.1835 (pencil on paper), Dibdin, Thomas Colman (1810-93) / Bridgeman Images
ID: GHL430728
View of buildings in Church Street, Hackney, c.1835 (pencil on paper)
XJF440686:
Frontispiece and Title Page for 'Jure Divino: A Satyr' by Daniel Defoe, published 1706 (engraving), English School, (18th century) / Bridgeman Images
ID: XJF440686
Frontispiece and Title Page for 'Jure Divino: A Satyr' by Daniel Defoe, published 1706 (engraving)
English School, (18th century)
KDC441043:
Letter giving Rousseau's reasons for not writing further in support of French Protestants, written at Motiers, 15 July, 1764 (pen & ink on paper), Rousseau, Jean Jacques (1712-78) / Bridgeman Images
ID: KDC441043
Letter giving Rousseau's reasons for not writing further in support of French Protestants, written at Motiers, 15 July, 1764 (pen & ink on paper)
Rousseau, Jean Jacques (1712-78)
XJF441266:
The New Reading-Room, British Museum, published in 'The Illustrated London News', May 9 1857 (engraving), English School, (19th century) / Bridgeman Images
ID: XJF441266
The New Reading-Room, British Museum, published in 'The Illustrated London News', May 9 1857 (engraving)