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Eros balancing two hearts, 1884 (colour litho)
Eros balancing two hearts, 1884 (colour litho)

DGC452089: Eros balancing two hearts, 1884 (colour litho), Crane, Walter (1845-1915) / Bridgeman Images

ID: DGC452089

Eros balancing two hearts, 1884 (colour litho)

Crane, Walter (1845-1915)

Christ nailed to the cross, c.1500 (fresco)
Christ nailed to the cross, c.1500 (fresco)

STF452211: Christ nailed to the cross, c.1500 (fresco), Austrian School / Bridgeman Images

ID: STF452211

Christ nailed to the cross, c.1500 (fresco)

Austrian School

The Last Judgement (fresco)
The Last Judgement (fresco)

STF452225: The Last Judgement (fresco), German School / Bridgeman Images

ID: STF452225

The Last Judgement (fresco)

German School

Relief of a married couple (marble)
Relief of a married couple (marble)

STF452265: Relief of a married couple (marble), Roman / Bridgeman Images

ID: STF452265

Relief of a married couple (marble)

Roman

Detail of a relief with a cupid harvesting grapes (marble)
Detail of a relief with a cupid harvesting grapes (marble)

STF452316: Detail of a relief with a cupid harvesting grapes (marble), Roman / Bridgeman Images

ID: STF452316

Detail of a relief with a cupid harvesting grapes (marble)

Roman

Sarcophagus of Marcus Aurelius Diodorus Zeuxion (stone)
Sarcophagus of Marcus Aurelius Diodorus Zeuxion (stone)

STF452398: Sarcophagus of Marcus Aurelius Diodorus Zeuxion (stone), Roman, (2nd century) / Bridgeman Images

ID: STF452398

Sarcophagus of Marcus Aurelius Diodorus Zeuxion (stone)

Roman, (2nd century)

Reproduction of a mural showing servants and musicians during a ceremony, from the Temple of Murals, Bonampak (wall painting)
Reproduction of a mural showing servants and musicians during a ceremony, from the Temple of Murals, Bonampak (wall painting)

JPC452448: Reproduction of a mural showing servants and musicians during a ceremony, from the Temple of Murals, Bonampak (wall painting), Mayan (after) / Bridgeman Images

ID: JPC452448

Reproduction of a mural showing servants and musicians during a ceremony, from the Temple of Murals, Bonampak (wall painting)

Mayan (after)

The Lost Path, 1852 (oil on canvas)
The Lost Path, 1852 (oil on canvas)

PNH452551: The Lost Path, 1852 (oil on canvas), Redgrave, Richard (1804-88) / Bridgeman Images

ID: PNH452551

The Lost Path, 1852 (oil on canvas)

Redgrave, Richard (1804-88)

Sketch for Lady Worsley, c.1776 (oil on canvas laid on panel) (see 679)
Sketch for Lady Worsley, c.1776 (oil on canvas laid on panel) (see 679)

PNH452567: Sketch for Lady Worsley, c.1776 (oil on canvas laid on panel) (see 679), Reynolds, Joshua (1723-92) / Bridgeman Images

ID: PNH452567

Sketch for Lady Worsley, c.1776 (oil on canvas laid on panel) (see 679)

Reynolds, Joshua (1723-92)

Young Girl Sewing, c.1865 (oil on canvas)
Young Girl Sewing, c.1865 (oil on canvas)

PNH452579: Young Girl Sewing, c.1865 (oil on canvas), Ribot, Auguste Theodule (1823-91) / Bridgeman Images

ID: PNH452579

Young Girl Sewing, c.1865 (oil on canvas)

Ribot, Auguste Theodule (1823-91)

Cattle Raising - Australia, 1927 (lithograph)
Cattle Raising - Australia, 1927 (lithograph)

MAN452961: Cattle Raising - Australia, 1927 (lithograph), Brown, Gregory (1887-1941) / Bridgeman Images

ID: MAN452961

Cattle Raising - Australia, 1927 (lithograph)

Brown, Gregory (1887-1941)

Zodiak from the tomb of Psammis in Thebes, New Kingdom, illustration from 'Six new illustrative plates of the researches and operations in Egypt and Nubia, by Giovanni Battista Belzoni, 1820 (litho)
Zodiak from the tomb of Psammis in Thebes, New Kingdom, illustration from 'Six new illustrative plates of the researches and operations in Egypt and Nubia, by Giovanni Battista Belzoni, 1820 (litho)

XOS452989: Zodiak from the tomb of Psammis in Thebes, New Kingdom, illustration from 'Six new illustrative plates of the researches and operations in Egypt and Nubia, by Giovanni Battista Belzoni, 1820 (litho), Hullmandel, Charles Joseph (1789-1850) / Bridgeman Images

ID: XOS452989

Zodiak from the tomb of Psammis in Thebes, New Kingdom, illustration from 'Six new illustrative plates of the researches and operations in Egypt and Nubia, by Giovanni Battista Belzoni, 1820 (litho)

Hullmandel, Charles Joseph (1789-1850)

Inside cover design of 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)
Inside cover design of 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)

DGC452001: Inside cover design of 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho), Crane, Walter (1845-1915) / Bridgeman Images

ID: DGC452001

Inside cover design of 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)

Crane, Walter (1845-1915)

'To All You Ladies now on land, we men at sea indite', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (see also 452018)
'To All You Ladies now on land, we men at sea indite', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (see also 452018)

DGC452019: 'To All You Ladies now on land, we men at sea indite', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (see also 452018), Crane, Walter (1845-1915) / Bridgeman Images

ID: DGC452019

'To All You Ladies now on land, we men at sea indite', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (see also 452018)

Crane, Walter (1845-1915)

'Now, Oh, Now, I Needs Must Part', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (detail of 452021)
'Now, Oh, Now, I Needs Must Part', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (detail of 452021)

DGC452022: 'Now, Oh, Now, I Needs Must Part', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (detail of 452021), Crane, Walter (1845-1915) / Bridgeman Images

ID: DGC452022

'Now, Oh, Now, I Needs Must Part', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (detail of 452021)

Crane, Walter (1845-1915)

'The Hunter in his Career', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)
'The Hunter in his Career', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)

DGC452035: 'The Hunter in his Career', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho), Crane, Walter (1845-1915) / Bridgeman Images

ID: DGC452035

'The Hunter in his Career', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)

Crane, Walter (1845-1915)

'We Be Three Poor Mariners', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)
'We Be Three Poor Mariners', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)

DGC452041: 'We Be Three Poor Mariners', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho), Crane, Walter (1845-1915) / Bridgeman Images

ID: DGC452041

'We Be Three Poor Mariners', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)

Crane, Walter (1845-1915)

'Come Lasses & Lads, get leave of your dads, away to the may-pole hie', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)
'Come Lasses & Lads, get leave of your dads, away to the may-pole hie', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)

DGC452059: 'Come Lasses & Lads, get leave of your dads, away to the may-pole hie', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho), Crane, Walter (1845-1915) / Bridgeman Images

ID: DGC452059

'Come Lasses & Lads, get leave of your dads, away to the may-pole hie', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)

Crane, Walter (1845-1915)

The death chamber of Bishop Wilhelm Emmanuel, Baron von Ketteler, in the Capuchin monastery of Burghausen (oil on canvas)
The death chamber of Bishop Wilhelm Emmanuel, Baron von Ketteler, in the Capuchin monastery of Burghausen (oil on canvas)

STF452193: The death chamber of Bishop Wilhelm Emmanuel, Baron von Ketteler, in the Capuchin monastery of Burghausen (oil on canvas), German School, (19th century) / Bridgeman Images

ID: STF452193

The death chamber of Bishop Wilhelm Emmanuel, Baron von Ketteler, in the Capuchin monastery of Burghausen (oil on canvas)

German School, (19th century)

St. George and the Dragon, c.1500 (fresco)
St. George and the Dragon, c.1500 (fresco)

STF452210: St. George and the Dragon, c.1500 (fresco), Austrian School / Bridgeman Images

ID: STF452210

St. George and the Dragon, c.1500 (fresco)

Austrian School

Sea goddess or a personification of the fertility of the sea (mosaic)
Sea goddess or a personification of the fertility of the sea (mosaic)

STF452267: Sea goddess or a personification of the fertility of the sea (mosaic), Roman / Bridgeman Images

ID: STF452267

Sea goddess or a personification of the fertility of the sea (mosaic)

Roman

Fragment of a coffered ceiling with theatre masks and rosettes (stone)
Fragment of a coffered ceiling with theatre masks and rosettes (stone)

STF452302: Fragment of a coffered ceiling with theatre masks and rosettes (stone), Roman / Bridgeman Images

ID: STF452302

Fragment of a coffered ceiling with theatre masks and rosettes (stone)

Roman

Portrait head of King Cophetua, c.1883-84 (oil on unprimed canvas)
Portrait head of King Cophetua, c.1883-84 (oil on unprimed canvas)

PNH452528: Portrait head of King Cophetua, c.1883-84 (oil on unprimed canvas), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

ID: PNH452528

Portrait head of King Cophetua, c.1883-84 (oil on unprimed canvas)

Burne-Jones, Edward Coley (1833-98)

Senufo mask, Bamana or Bambara culture, Western Sudan (wood encrusted with mud)
Senufo mask, Bamana or Bambara culture, Western Sudan (wood encrusted with mud)

PNH452547: Senufo mask, Bamana or Bambara culture, Western Sudan (wood encrusted with mud), African School / Bridgeman Images

ID: PNH452547

Senufo mask, Bamana or Bambara culture, Western Sudan (wood encrusted with mud)

African School

Still Life, 1861 (oil on canvas)
Still Life, 1861 (oil on canvas)

PNH452578: Still Life, 1861 (oil on canvas), Ribot, Auguste Theodule (1823-91) / Bridgeman Images

ID: PNH452578

Still Life, 1861 (oil on canvas)

Ribot, Auguste Theodule (1823-91)

Classical Head Study, c.1865 (oil on board)
Classical Head Study, c.1865 (oil on board)

PNH452598: Classical Head Study, c.1865 (oil on board), Richmond, William Blake (1842-1921) / Bridgeman Images

ID: PNH452598

Classical Head Study, c.1865 (oil on board)

Richmond, William Blake (1842-1921)

Untitled, from the series 'The UK Shows her Produce' [6321241] (lithograph)
Untitled, from the series 'The UK Shows her Produce' [6321241] (lithograph)

MAN452980: Untitled, from the series 'The UK Shows her Produce' [6321241] (lithograph), English School, (20th century) / Bridgeman Images

ID: MAN452980

Untitled, from the series 'The UK Shows her Produce' [6321241] (lithograph)

English School, (20th century)

Ryusa, c.1830-60 (see also 445184)
Ryusa, c.1830-60 (see also 445184)

PFR445185: Ryusa, c.1830-60 (see also 445184), Japanese School, (19th century) / Bridgeman Images

ID: PFR445185

Ryusa, c.1830-60 (see also 445184)

Japanese School, (19th century)

Nervous Malady, illustration from 'The Works of Hippocrates', 1934 (colour litho)
Nervous Malady, illustration from 'The Works of Hippocrates', 1934 (colour litho)

STC446020: Nervous Malady, illustration from 'The Works of Hippocrates', 1934 (colour litho), Kuhn-Regnier, Joseph (1873-1940) / Bridgeman Images

ID: STC446020

Nervous Malady, illustration from 'The Works of Hippocrates', 1934 (colour litho)

Kuhn-Regnier, Joseph (1873-1940)

Two men sitting next to the lintel of Barclay's Gate in the Western Wall of Temple Mount, Jerusalem, 1866 (b/w photo)
Two men sitting next to the lintel of Barclay's Gate in the Western Wall of Temple Mount, Jerusalem, 1866 (b/w photo)

PEF446173: Two men sitting next to the lintel of Barclay's Gate in the Western Wall of Temple Mount, Jerusalem, 1866 (b/w photo), Phillips, Sergeant Henry (fl.1866-67) / Bridgeman Images

ID: PEF446173

Two men sitting next to the lintel of Barclay's Gate in the Western Wall of Temple Mount, Jerusalem, 1866 (b/w photo)

Phillips, Sergeant Henry (fl.1866-67)

The so-called 'Minaret de la Fiancee' of the Great Umayyad Mosque at Damascus, c.1880-1900 (photochrom)
The so-called 'Minaret de la Fiancee' of the Great Umayyad Mosque at Damascus, c.1880-1900 (photochrom)

PEF446238: The so-called 'Minaret de la Fiancee' of the Great Umayyad Mosque at Damascus, c.1880-1900 (photochrom), Swiss Photographer, (19th century) / Bridgeman Images

ID: PEF446238

The so-called 'Minaret de la Fiancee' of the Great Umayyad Mosque at Damascus, c.1880-1900 (photochrom)

Swiss Photographer, (19th century)

Conrad Schick (right) at the Tomb of the Kings, Jerusalem, 1897 (b/w photo)
Conrad Schick (right) at the Tomb of the Kings, Jerusalem, 1897 (b/w photo)

PEF446272: Conrad Schick (right) at the Tomb of the Kings, Jerusalem, 1897 (b/w photo), Schoenecke, L. (fl.1897-98) / Bridgeman Images

ID: PEF446272

Conrad Schick (right) at the Tomb of the Kings, Jerusalem, 1897 (b/w photo)

Schoenecke, L. (fl.1897-98)

They Shall Beat Their Swords into Plowshares, from the series 'The Empire Stands for Peace' (lithograph)
They Shall Beat Their Swords into Plowshares, from the series 'The Empire Stands for Peace' (lithograph)

MAN464471: They Shall Beat Their Swords into Plowshares, from the series 'The Empire Stands for Peace' (lithograph), English School, (20th century) / Bridgeman Images

ID: MAN464471

They Shall Beat Their Swords into Plowshares, from the series 'The Empire Stands for Peace' (lithograph)

English School, (20th century)

Home Produce, from the series 'Home Gardens for Home Markets' (lithograph)
Home Produce, from the series 'Home Gardens for Home Markets' (lithograph)

MAN464515: Home Produce, from the series 'Home Gardens for Home Markets' (lithograph), Nash, Paul (1889-1946) / Bridgeman Images

ID: MAN464515

Home Produce, from the series 'Home Gardens for Home Markets' (lithograph)

Nash, Paul (1889-1946)

Windmill, from 'Encyclopedie' by M. Diderot and M. D'Alembert, published c.1750-1770 (engraving)
Windmill, from 'Encyclopedie' by M. Diderot and M. D'Alembert, published c.1750-1770 (engraving)

XJF465112: Windmill, from 'Encyclopedie' by M. Diderot and M. D'Alembert, published c.1750-1770 (engraving), Goussier, Louis-Jacques (1722-99) (after) / Bridgeman Images

ID: XJF465112

Windmill, from 'Encyclopedie' by M. Diderot and M. D'Alembert, published c.1750-1770 (engraving)

Goussier, Louis-Jacques (1722-99) (after)

Remains of Malling Abbey, Kent (engraving)
Remains of Malling Abbey, Kent (engraving)

XJF465115: Remains of Malling Abbey, Kent (engraving), English School, (19th century) / Bridgeman Images

ID: XJF465115

Remains of Malling Abbey, Kent (engraving)

English School, (19th century)


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