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Baritone opera singer Leonard Hermann-Leon (1814-1858) as Captain Roland in Les Mousquetaires de la Reine by Fromental Halevy, Theatre Royale de l'Opera Comique, 1854. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1854.
Baritone opera singer Leonard Hermann-Leon (1814-1858) as Captain Roland in Les Mousquetaires de la Reine by Fromental Halevy, Theatre Royale de l'Opera Comique, 1854. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1854.

FLO4631597: Baritone opera singer Leonard Hermann-Leon (1814-1858) as Captain Roland in Les Mousquetaires de la Reine by Fromental Halevy, Theatre Royale de l'Opera Comique, 1854. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1854. / Bridgeman Images

Egyptian bath, with a naked man being massaged, while another man rinsed his back and a third made oil heated. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Egyptian bath with naked male customer being massaged by one attendant in loincloth, while another pours water over his back and a third brings hot coals to heat oils. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Egyptian bath, with a naked man being massaged, while another man rinsed his back and a third made oil heated. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Egyptian bath with naked male customer being massaged by one attendant in loincloth, while another pours water over his back and a third brings hot coals to heat oils. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634912: Egyptian bath, with a naked man being massaged, while another man rinsed his back and a third made oil heated. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Egyptian bath with naked male customer being massaged by one attendant in loincloth, while another pours water over his back and a third brings hot coals to heat oils. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

Entertainment in an Egyptian harem: dancers and musicians, flutists and drummer, a man in a turban smokes the pipe, a woman gives him a cup, behind servants bring wine and food. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Entertainment in an Egyptian harem: women dancing, playing music on pipes and drums, while a man in a turban smokes a long tobacco pipe and is offered a drink by a woman. Servants bring wine and food. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Entertainment in an Egyptian harem: dancers and musicians, flutists and drummer, a man in a turban smokes the pipe, a woman gives him a cup, behind servants bring wine and food. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Entertainment in an Egyptian harem: women dancing, playing music on pipes and drums, while a man in a turban smokes a long tobacco pipe and is offered a drink by a woman. Servants bring wine and food. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634935: Entertainment in an Egyptian harem: dancers and musicians, flutists and drummer, a man in a turban smokes the pipe, a woman gives him a cup, behind servants bring wine and food. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Entertainment in an Egyptian harem: women dancing, playing music on pipes and drums, while a man in a turban smokes a long tobacco pipe and is offered a drink by a woman. Servants bring wine and food. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

Miss Judith or Judith Julie Bernat as Isabelle in La Grisette de Qualite, Theatre des Folies Dramatiques, 1844. Handcoloured lithograph after an illustration by Louis Lasalle from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.
Miss Judith or Judith Julie Bernat as Isabelle in La Grisette de Qualite, Theatre des Folies Dramatiques, 1844. Handcoloured lithograph after an illustration by Louis Lasalle from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.

FLO4632738: Miss Judith or Judith Julie Bernat as Isabelle in La Grisette de Qualite, Theatre des Folies Dramatiques, 1844. Handcoloured lithograph after an illustration by Louis Lasalle from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844. / Bridgeman Images

The Death of Josse de Halluyn, in the Battle of the Bridge of Comines (Flanders), 1382 (with panel decorating a fight between a falcon and a snake) - Lithograph after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - Sir Josse de Hallewin (killed) on the bridge at Comines, near Ghent, 1382 (Illuminated panel with hawk fighting snake in foliage) - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868
The Death of Josse de Halluyn, in the Battle of the Bridge of Comines (Flanders), 1382 (with panel decorating a fight between a falcon and a snake) - Lithograph after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - Sir Josse de Hallewin (killed) on the bridge at Comines, near Ghent, 1382 (Illuminated panel with hawk fighting snake in foliage) - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

FLO4630184: The Death of Josse de Halluyn, in the Battle of the Bridge of Comines (Flanders), 1382 (with panel decorating a fight between a falcon and a snake) - Lithograph after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - Sir Josse de Hallewin (killed) on the bridge at Comines, near Ghent, 1382 (Illuminated panel with hawk fighting snake in foliage) - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868 / Bridgeman Images

Pierre-Cheri Lafont in the role of Rafaello in A Fairy Tale (Un Conte de Fee) by Leuven/Lherie, Theatre des Varietes, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Pierre-Cheri Lafont in the role of Rafaello in A Fairy Tale (Un Conte de Fee) by Leuven/Lherie, Theatre des Varietes, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631266: Pierre-Cheri Lafont in the role of Rafaello in A Fairy Tale (Un Conte de Fee) by Leuven/Lherie, Theatre des Varietes, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

Red Roses (King Richard III). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.
Red Roses (King Richard III). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.

FLO4633775: Red Roses (King Richard III). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845. / Bridgeman Images

Ballet dancer Miss Maria Jacob in the pastiche opera Robert Bruce by Gioachino Rossini, Royal Academy of Music, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.
Ballet dancer Miss Maria Jacob in the pastiche opera Robert Bruce by Gioachino Rossini, Royal Academy of Music, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

FLO4632262: Ballet dancer Miss Maria Jacob in the pastiche opera Robert Bruce by Gioachino Rossini, Royal Academy of Music, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

David Douglas, Scottish plant hunter. Woodblock engraving from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1851.
David Douglas, Scottish plant hunter. Woodblock engraving from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1851.

FLO4630045: David Douglas, Scottish plant hunter. Woodblock engraving from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1851. / Bridgeman Images

Philip II of Burgundy, known as Philip the Hardi (1342-1404) and John I of Berry (1340-1416), hold the council as regents during the illness of Charles VI of France, known as the Good Aime or Le Fol (1368-1422) - Lithography based on the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissart (1337-1437 04), 1868 - Philip the Bold, Duke of Burgundy, and John, Duke of Berry, sitting in council as Regents during the illness of Charles VI the Mad of France - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868
Philip II of Burgundy, known as Philip the Hardi (1342-1404) and John I of Berry (1340-1416), hold the council as regents during the illness of Charles VI of France, known as the Good Aime or Le Fol (1368-1422) - Lithography based on the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissart (1337-1437 04), 1868 - Philip the Bold, Duke of Burgundy, and John, Duke of Berry, sitting in council as Regents during the illness of Charles VI the Mad of France - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

FLO4630470: Philip II of Burgundy, known as Philip the Hardi (1342-1404) and John I of Berry (1340-1416), hold the council as regents during the illness of Charles VI of France, known as the Good Aime or Le Fol (1368-1422) - Lithography based on the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissart (1337-1437 04), 1868 - Philip the Bold, Duke of Burgundy, and John, Duke of Berry, sitting in council as Regents during the illness of Charles VI the Mad of France - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868 / Bridgeman Images

English actress Madame Paul Ernest as the Marquise in Gentil Bernard, ou L'Art d'aimer, by Philippe-Francois Dumanoir and Clairville, Theatre des Varietes, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.
English actress Madame Paul Ernest as the Marquise in Gentil Bernard, ou L'Art d'aimer, by Philippe-Francois Dumanoir and Clairville, Theatre des Varietes, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

FLO4631761: English actress Madame Paul Ernest as the Marquise in Gentil Bernard, ou L'Art d'aimer, by Philippe-Francois Dumanoir and Clairville, Theatre des Varietes, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

Tenor singer Marius-Pierre Audran as Scipion in La Sirene by Daniel Auber and Eugene Scribe, Theatre Royal de l'Opera Comique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Tenor singer Marius-Pierre Audran as Scipion in La Sirene by Daniel Auber and Eugene Scribe, Theatre Royal de l'Opera Comique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4632794: Tenor singer Marius-Pierre Audran as Scipion in La Sirene by Daniel Auber and Eugene Scribe, Theatre Royal de l'Opera Comique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

A village on Buru Island, in the Molucca Archipelago (Indonesia). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Landscape scene showing a village, bridge, houses and natives on the island of Buro (Buru) in the Moluccas (Maluku), Indonesia. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
A village on Buru Island, in the Molucca Archipelago (Indonesia). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Landscape scene showing a village, bridge, houses and natives on the island of Buro (Buru) in the Moluccas (Maluku), Indonesia. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634223: A village on Buru Island, in the Molucca Archipelago (Indonesia). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Landscape scene showing a village, bridge, houses and natives on the island of Buro (Buru) in the Moluccas (Maluku), Indonesia. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

French actor Louis Lacressonniere as King Charles I in Les Mousquetaires by Alexandre Dumas, Theatre de l'Ambigu Comique, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
French actor Louis Lacressonniere as King Charles I in Les Mousquetaires by Alexandre Dumas, Theatre de l'Ambigu Comique, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631593: French actor Louis Lacressonniere as King Charles I in Les Mousquetaires by Alexandre Dumas, Theatre de l'Ambigu Comique, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

A bergere in the comic opera Les Musketeaires de la Reine by Fromental Halevy, Theatre Royal de l'Opera Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
A bergere in the comic opera Les Musketeaires de la Reine by Fromental Halevy, Theatre Royal de l'Opera Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631676: A bergere in the comic opera Les Musketeaires de la Reine by Fromental Halevy, Theatre Royal de l'Opera Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

Egyptian antiquite: knife of Gebel El Arak (Gebel El-Arak). Carved ivory and flint blade. The handle is decorated with scenes inspired by the art of Mesopotamia. 3400 BC. Predynastic period. Paris, Musee du Louvre - Egyptian Antiquities: Gebel El Arak knife (Gebel el-Arak). Flint blade. The carved ivory handle is decorated with scenes showing the influence of the Mesopotamian art. 3400 BC. Pre-dynastic period. Louvre Museum, Paris, France
Egyptian antiquite: knife of Gebel El Arak (Gebel El-Arak). Carved ivory and flint blade. The handle is decorated with scenes inspired by the art of Mesopotamia. 3400 BC. Predynastic period. Paris, Musee du Louvre - Egyptian Antiquities: Gebel El Arak knife (Gebel el-Arak). Flint blade. The carved ivory handle is decorated with scenes showing the influence of the Mesopotamian art. 3400 BC. Pre-dynastic period. Louvre Museum, Paris, France

LRI4633651: Egyptian antiquite: knife of Gebel El Arak (Gebel El-Arak). Carved ivory and flint blade. The handle is decorated with scenes inspired by the art of Mesopotamia. 3400 BC. Predynastic period. Paris, Musee du Louvre - Egyptian Antiquities: Gebel El Arak knife (Gebel el-Arak). Flint blade. The carved ivory handle is decorated with scenes showing the influence of the Mesopotamian art. 3400 BC. Pre-dynastic period. Louvre Museum, Paris, France, Egyptian School / Bridgeman Images

Bust of Pharaoh Akhenaton (Amenophis IV). 18th dynasty (1550-1295 BC). From Tell el Amarna. Paris, Louvre Museum
Bust of Pharaoh Akhenaton (Amenophis IV). 18th dynasty (1550-1295 BC). From Tell el Amarna. Paris, Louvre Museum

LRI4633555: Bust of Pharaoh Akhenaton (Amenophis IV). 18th dynasty (1550-1295 BC). From Tell el Amarna. Paris, Louvre Museum, Egyptian School / Bridgeman Images

Theater Bugaku mask, Nara period (645-794)
Theater Bugaku mask, Nara period (645-794)

LRI4630477: Theater Bugaku mask, Nara period (645-794), Japanese school, (7th century) / Bridgeman Images

Order of the Golden Fleece: Spanish Golden Fleece - Reduction of insignia belonging to Alfonso (Alfonso) XIII of Bourbon (1886-1941), King of Spain (1886-1931) - End of the 19th century - Gold and emals - H: 4.9 cm; W: 4.6 cm; Weight: 24 g - Private collection
Order of the Golden Fleece: Spanish Golden Fleece - Reduction of insignia belonging to Alfonso (Alfonso) XIII of Bourbon (1886-1941), King of Spain (1886-1931) - End of the 19th century - Gold and emals - H: 4.9 cm; W: 4.6 cm; Weight: 24 g - Private collection

LRI4630841: Order of the Golden Fleece: Spanish Golden Fleece - Reduction of insignia belonging to Alfonso (Alfonso) XIII of Bourbon (1886-1941), King of Spain (1886-1931) - End of the 19th century - Gold and emals - H: 4.9 cm; W: 4.6 cm; Weight: 24 g - Private collection, Anonymous / Bridgeman Images

Denmark - Order of Perfect Union: insignia - 18th century
Denmark - Order of Perfect Union: insignia - 18th century

LRI4631901: Denmark - Order of Perfect Union: insignia - 18th century, Anonymous / Bridgeman Images

United Kingdom - Order of the Jarretiere: Little Georges (former collection of the Dukes of Beaufort) - Oavers - Motto “” Honi est qui mal y think”” - Early 19th century - Gold and Emaux - H: 8.1 cm; W: 5.6 cm; Weight: 80 g - Private collection
United Kingdom - Order of the Jarretiere: Little Georges (former collection of the Dukes of Beaufort) - Oavers - Motto “” Honi est qui mal y think”” - Early 19th century - Gold and Emaux - H: 8.1 cm; W: 5.6 cm; Weight: 80 g - Private collection

LRI4630927: United Kingdom - Order of the Jarretiere: Little Georges (former collection of the Dukes of Beaufort) - Oavers - Motto “” Honi est qui mal y think”” - Early 19th century - Gold and Emaux - H: 8.1 cm; W: 5.6 cm; Weight: 80 g - Private collection, Anonymous / Bridgeman Images

United Kingdom - Order of the Garter: Little Georges - Motto “” Honi est qui mal Thought”” - Manufactured by John James Eddington (London) - Official model, 1826 - Gold - H 6.2 cm; W 3.8 cm; Weight: 30 g - Private collection
United Kingdom - Order of the Garter: Little Georges - Motto “” Honi est qui mal Thought”” - Manufactured by John James Eddington (London) - Official model, 1826 - Gold - H 6.2 cm; W 3.8 cm; Weight: 30 g - Private collection

LRI4630873: United Kingdom - Order of the Garter: Little Georges - Motto “” Honi est qui mal Thought”” - Manufactured by John James Eddington (London) - Official model, 1826 - Gold - H 6.2 cm; W 3.8 cm; Weight: 30 g - Private collection, Anonymous / Bridgeman Images

Flint ax blades, Jomon period 4500-3700 BC
Flint ax blades, Jomon period 4500-3700 BC

LRI4630370: Flint ax blades, Jomon period 4500-3700 BC, Japanese School / Bridgeman Images

Types and uniforms of the French Armee, First cover of the book
Types and uniforms of the French Armee, First cover of the book

JLJ4634683: Types and uniforms of the French Armee, First cover of the book "L'Armee Francaise (litho), Detaille, Jean-Baptiste Edouard (1848-1912) / Bridgeman Images

The Armee of the Loire, Battle at Chateaudun on October 18, 1870, the Germans attack by the Parc des Dams-Blanche, 1870 (engraving)
The Armee of the Loire, Battle at Chateaudun on October 18, 1870, the Germans attack by the Parc des Dams-Blanche, 1870 (engraving)

JLJ4631211: The Armee of the Loire, Battle at Chateaudun on October 18, 1870, the Germans attack by the Parc des Dams-Blanche, 1870 (engraving), Bombled, Louis Charles (1862-1927) / Bridgeman Images

Illustration for 'L'Armee de la Loire' by Eugene Sergent, dit Grenest, 19th century (engraving)
Illustration for 'L'Armee de la Loire' by Eugene Sergent, dit Grenest, 19th century (engraving)

JLJ4631707: Illustration for 'L'Armee de la Loire' by Eugene Sergent, dit Grenest, 19th century (engraving), Bombled, Louis Charles (1862-1927) / Bridgeman Images

The war in Madagascar - In Diego-Suarez, the French army demands oxen, 1885-1895 (engraving)
The war in Madagascar - In Diego-Suarez, the French army demands oxen, 1885-1895 (engraving)

JLJ4632560: The war in Madagascar - In Diego-Suarez, the French army demands oxen, 1885-1895 (engraving), Bombled, Louis Charles (1862-1927) / Bridgeman Images

The war in Madagascar - French soldiers sympathizing with Malagasy women, 1885-1895 (engraving)
The war in Madagascar - French soldiers sympathizing with Malagasy women, 1885-1895 (engraving)

JLJ4633213: The war in Madagascar - French soldiers sympathizing with Malagasy women, 1885-1895 (engraving), Bombled, Louis Charles (1862-1927) / Bridgeman Images

Types and uniforms of the French Armee of Captain Jules Richard: Line infantry: The barracks in 1885 (litho)
Types and uniforms of the French Armee of Captain Jules Richard: Line infantry: The barracks in 1885 (litho)

JLJ4634319: Types and uniforms of the French Armee of Captain Jules Richard: Line infantry: The barracks in 1885 (litho), Detaille, Jean-Baptiste Edouard (1848-1912) / Bridgeman Images

The war in Madagascar - Burial of a soldier at tsarasaotra in 1895, 1885-1895 (engraving)
The war in Madagascar - Burial of a soldier at tsarasaotra in 1895, 1885-1895 (engraving)

JLJ4632927: The war in Madagascar - Burial of a soldier at tsarasaotra in 1895, 1885-1895 (engraving), Bombled, Louis Charles (1862-1927) / Bridgeman Images

Types and Uniforms of the French Army: Trumpet of Dragons in Country Dress in 1885 (litho)
Types and Uniforms of the French Army: Trumpet of Dragons in Country Dress in 1885 (litho)

JLJ4634397: Types and Uniforms of the French Army: Trumpet of Dragons in Country Dress in 1885 (litho), Detaille, Jean-Baptiste Edouard (1848-1912) / Bridgeman Images

The Armee of the Loire, Star of the 6th Hussards, engaged during the battle of Toury in October 1870 (engraving)
The Armee of the Loire, Star of the 6th Hussards, engaged during the battle of Toury in October 1870 (engraving)

JLJ4631072: The Armee of the Loire, Star of the 6th Hussards, engaged during the battle of Toury in October 1870 (engraving), Bombled, Louis Charles (1862-1927) / Bridgeman Images

Types and Uniforms of the French Army: Zouaves: Drum in Country Dress in 1886 (litho)
Types and Uniforms of the French Army: Zouaves: Drum in Country Dress in 1886 (litho)

JLJ4634477: Types and Uniforms of the French Army: Zouaves: Drum in Country Dress in 1886 (litho), Detaille, Jean-Baptiste Edouard (1848-1912) / Bridgeman Images

Venetian cooks working in a kitchen Detail - Painting attributed to Gaspare Diziani (1698-1767), ensign of the art of cooks (Arte dei cuochi) Venice, Museo Correr
Venetian cooks working in a kitchen Detail - Painting attributed to Gaspare Diziani (1698-1767), ensign of the art of cooks (Arte dei cuochi) Venice, Museo Correr

LRI4633849: Venetian cooks working in a kitchen Detail - Painting attributed to Gaspare Diziani (1698-1767), ensign of the art of cooks (Arte dei cuochi) Venice, Museo Correr, Diziani, Gaspare (1689-1767) / Bridgeman Images

Illustration for 'L'Armee de la Loire' by Eugene Sergent, dit Grenest, 19th century (engraving)
Illustration for 'L'Armee de la Loire' by Eugene Sergent, dit Grenest, 19th century (engraving)

JLJ4631245: Illustration for 'L'Armee de la Loire' by Eugene Sergent, dit Grenest, 19th century (engraving), Bombled, Louis Charles (1862-1927) / Bridgeman Images

Les Grandes Journees de l'Hotel de Ville de Paris (litho)
Les Grandes Journees de l'Hotel de Ville de Paris (litho)

JLJ4634209: Les Grandes Journees de l'Hotel de Ville de Paris (litho), Bombled, Louis Charles (1862-1927) / Bridgeman Images


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