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Portrait of Sergei Konstantinovich Zaryanko (1818-70) (oil on canvas)
Portrait of Sergei Konstantinovich Zaryanko (1818-70) (oil on canvas)

XAB137570: Portrait of Sergei Konstantinovich Zaryanko (1818-70) (oil on canvas), Kolesov, Aleksei Mikhailovich (1834-1902) / Bridgeman Images

ID: XAB137570

Portrait of Sergei Konstantinovich Zaryanko (1818-70) (oil on canvas)

Kolesov, Aleksei Mikhailovich (1834-1902)

Metropolitan Life Building, built c.1908 (photo)
Metropolitan Life Building, built c.1908 (photo)

SNG137811: Metropolitan Life Building, built c.1908 (photo) / Bridgeman Images

ID: SNG137811

Metropolitan Life Building, built c.1908 (photo)

Portrait Of A Lady And A Young Boy, Perhaps Anne Bonham And Her Son Hugh, 1635 (oil on canvas)
Portrait Of A Lady And A Young Boy, Perhaps Anne Bonham And Her Son Hugh, 1635 (oil on canvas)

CH137836: Portrait Of A Lady And A Young Boy, Perhaps Anne Bonham And Her Son Hugh, 1635 (oil on canvas), English School, (17th century) / Bridgeman Images

ID: CH137836

Portrait Of A Lady And A Young Boy, Perhaps Anne Bonham And Her Son Hugh, 1635 (oil on canvas)

English School, (17th century)

A Terrace in Posilipo (oil on panel)
A Terrace in Posilipo (oil on panel)

CH137842: A Terrace in Posilipo (oil on panel), Unterberger, Franz Richard (1838-1902) / Bridgeman Images

ID: CH137842

A Terrace in Posilipo (oil on panel)

Unterberger, Franz Richard (1838-1902)

Company of the Second Legion, in the Champ de Mars, 1836 (oil on canvas)
Company of the Second Legion, in the Champ de Mars, 1836 (oil on canvas)

CH137856: Company of the Second Legion, in the Champ de Mars, 1836 (oil on canvas), Masse, Auguste Antoine (b.1795) / Bridgeman Images

ID: CH137856

Company of the Second Legion, in the Champ de Mars, 1836 (oil on canvas)

Masse, Auguste Antoine (b.1795)

View of the Iconostasis, 1641 (photo) (see 137901 and 137902)
View of the Iconostasis, 1641 (photo) (see 137901 and 137902)

KAB137900: View of the Iconostasis, 1641 (photo) (see 137901 and 137902) / Bridgeman Images

ID: KAB137900

View of the Iconostasis, 1641 (photo) (see 137901 and 137902)

The Assumption of the Virgin (oil on canvas)
The Assumption of the Virgin (oil on canvas)

KAB137908: The Assumption of the Virgin (oil on canvas), Italian School, (16th century) / Bridgeman Images

ID: KAB137908

The Assumption of the Virgin (oil on canvas)

Italian School, (16th century)

View of the tympanum showing the stories of St. Martin and St. Nicholas, from the right portal of the South Porch, early 13th century (photo) (see 137912)
View of the tympanum showing the stories of St. Martin and St. Nicholas, from the right portal of the South Porch, early 13th century (photo) (see 137912)

PWI137911: View of the tympanum showing the stories of St. Martin and St. Nicholas, from the right portal of the South Porch, early 13th century (photo) (see 137912) / Bridgeman Images

ID: PWI137911

View of the tympanum showing the stories of St. Martin and St. Nicholas, from the right portal of the South Porch, early 13th century (photo) (see 137912)

Post-restoration panel No.V from the exterior pulpit of Prato Cathedral, 1438 (marble) (See also 137913-17 & 137919-20)
Post-restoration panel No.V from the exterior pulpit of Prato Cathedral, 1438 (marble) (See also 137913-17 & 137919-20)

KAB137918: Post-restoration panel No.V from the exterior pulpit of Prato Cathedral, 1438 (marble) (See also 137913-17 & 137919-20), Donatello (c.1386-1466) & Michelozzo, B. di (1396-1472) / Bridgeman Images

ID: KAB137918

Post-restoration panel No.V from the exterior pulpit of Prato Cathedral, 1438 (marble) (See also 137913-17 & 137919-20)

Donatello (c.1386-1466) & Michelozzo, B. di (1396-1472)

Post-restoration panel No.VII from the exterior pulpit of Prato Cathedral, 1438 (marble) (see also 137913-19)
Post-restoration panel No.VII from the exterior pulpit of Prato Cathedral, 1438 (marble) (see also 137913-19)

KAB137920: Post-restoration panel No.VII from the exterior pulpit of Prato Cathedral, 1438 (marble) (see also 137913-19), Donatello (c.1386-1466) & Michelozzo, B. di (1396-1472) / Bridgeman Images

ID: KAB137920

Post-restoration panel No.VII from the exterior pulpit of Prato Cathedral, 1438 (marble) (see also 137913-19)

Donatello (c.1386-1466) & Michelozzo, B. di (1396-1472)

Facade of the Duomo of Santa Maria Assunta, Pescia, Italy (photo)
Facade of the Duomo of Santa Maria Assunta, Pescia, Italy (photo)

KAB137929: Facade of the Duomo of Santa Maria Assunta, Pescia, Italy (photo) / Bridgeman Images

ID: KAB137929

Facade of the Duomo of Santa Maria Assunta, Pescia, Italy (photo)

Statue of an angel with a cross (marble)
Statue of an angel with a cross (marble)

KAB137935: Statue of an angel with a cross (marble), Ciceri, Giovanni Battista (fl.1693-1702) / Bridgeman Images

ID: KAB137935

Statue of an angel with a cross (marble)

Ciceri, Giovanni Battista (fl.1693-1702)

The Deposition of Christ, 1361 (wood)
The Deposition of Christ, 1361 (wood)

KAB137938: The Deposition of Christ, 1361 (wood), Italian School, (13th century) / Bridgeman Images

ID: KAB137938

The Deposition of Christ, 1361 (wood)

Italian School, (13th century)

The Life of the Virgin, fresco cycle from an apse chapel, 1400 (photo)
The Life of the Virgin, fresco cycle from an apse chapel, 1400 (photo)

KAB137939: The Life of the Virgin, fresco cycle from an apse chapel, 1400 (photo), Bicci di Lorenzo, (1373-1452) / Bridgeman Images

ID: KAB137939

The Life of the Virgin, fresco cycle from an apse chapel, 1400 (photo)

Bicci di Lorenzo, (1373-1452)

The Nativity, from the Life of the Virgin cycle in an apse chapel, 1400 (fresco)
The Nativity, from the Life of the Virgin cycle in an apse chapel, 1400 (fresco)

KAB137940: The Nativity, from the Life of the Virgin cycle in an apse chapel, 1400 (fresco), Bicci di Lorenzo, (1373-1452) / Bridgeman Images

ID: KAB137940

The Nativity, from the Life of the Virgin cycle in an apse chapel, 1400 (fresco)

Bicci di Lorenzo, (1373-1452)

Rabbit Woman, from 'Costume of Great Britain', published by William Miller, 1805 (colour litho)
Rabbit Woman, from 'Costume of Great Britain', published by William Miller, 1805 (colour litho)

STC137301: Rabbit Woman, from 'Costume of Great Britain', published by William Miller, 1805 (colour litho), Pyne, William Henry (1769-1843) / Bridgeman Images

ID: STC137301

Rabbit Woman, from 'Costume of Great Britain', published by William Miller, 1805 (colour litho)

Pyne, William Henry (1769-1843)

Coal Heavers, from 'Costume of Great Britain', published by William Miller, 1805 (colour litho)
Coal Heavers, from 'Costume of Great Britain', published by William Miller, 1805 (colour litho)

STC137307: Coal Heavers, from 'Costume of Great Britain', published by William Miller, 1805 (colour litho), Pyne, William Henry (1769-1843) / Bridgeman Images

ID: STC137307

Coal Heavers, from 'Costume of Great Britain', published by William Miller, 1805 (colour litho)

Pyne, William Henry (1769-1843)

British Fishermen, from 'Costume of Great Britain', published by William Miller, 1805 (colour litho)
British Fishermen, from 'Costume of Great Britain', published by William Miller, 1805 (colour litho)

STC137324: British Fishermen, from 'Costume of Great Britain', published by William Miller, 1805 (colour litho), Pyne, William Henry (1769-1843) / Bridgeman Images

ID: STC137324

British Fishermen, from 'Costume of Great Britain', published by William Miller, 1805 (colour litho)

Pyne, William Henry (1769-1843)

Mouth of the Seine, from 'Views on the Seine', engraved by Daniell Havell (1785-1826) published by R. Ackermann (1764-1834) 1821 (colour litho)
Mouth of the Seine, from 'Views on the Seine', engraved by Daniell Havell (1785-1826) published by R. Ackermann (1764-1834) 1821 (colour litho)

STC137346: Mouth of the Seine, from 'Views on the Seine', engraved by Daniell Havell (1785-1826) published by R. Ackermann (1764-1834) 1821 (colour litho), Gendall, John (1790-1865) (after) / Bridgeman Images

ID: STC137346

Mouth of the Seine, from 'Views on the Seine', engraved by Daniell Havell (1785-1826) published by R. Ackermann (1764-1834) 1821 (colour litho)

Gendall, John (1790-1865) (after)

Reproduction of a poster advertising 'Kuhnee' Agricultural Manufacturers, 1899 (colour litho)
Reproduction of a poster advertising 'Kuhnee' Agricultural Manufacturers, 1899 (colour litho)

STC137376: Reproduction of a poster advertising 'Kuhnee' Agricultural Manufacturers, 1899 (colour litho), Basch, Arpad (1873-1944) / Bridgeman Images

ID: STC137376

Reproduction of a poster advertising 'Kuhnee' Agricultural Manufacturers, 1899 (colour litho)

Basch, Arpad (1873-1944)

Reproduction of a poster advertising the 'Grand Theatre de L'Exposition', Palais des Enfants, Paris, 1889 (colour litho)
Reproduction of a poster advertising the 'Grand Theatre de L'Exposition', Palais des Enfants, Paris, 1889 (colour litho)

STC137386: Reproduction of a poster advertising the 'Grand Theatre de L'Exposition', Palais des Enfants, Paris, 1889 (colour litho), Cheret, Jules (1836-1932) / Bridgeman Images

ID: STC137386

Reproduction of a poster advertising the 'Grand Theatre de L'Exposition', Palais des Enfants, Paris, 1889 (colour litho)

Cheret, Jules (1836-1932)

A knight defeating 'Rot' which is embodied by a dragon, from 'Musaeum Hermeticum Reformatum' by Basil Valentine, 1678 (engraving) (b/w photo)
A knight defeating 'Rot' which is embodied by a dragon, from 'Musaeum Hermeticum Reformatum' by Basil Valentine, 1678 (engraving) (b/w photo)

XJF137403: A knight defeating 'Rot' which is embodied by a dragon, from 'Musaeum Hermeticum Reformatum' by Basil Valentine, 1678 (engraving) (b/w photo), Russian School (17th century) / Bridgeman Images

ID: XJF137403

A knight defeating 'Rot' which is embodied by a dragon, from 'Musaeum Hermeticum Reformatum' by Basil Valentine, 1678 (engraving) (b/w photo)

Russian School (17th century)

Portrait of Hernando Cortes (1485-1547) and his arms (engraving) (b/w photo)
Portrait of Hernando Cortes (1485-1547) and his arms (engraving) (b/w photo)

XJF137407: Portrait of Hernando Cortes (1485-1547) and his arms (engraving) (b/w photo), Spanish School, (16th century) / Bridgeman Images

ID: XJF137407

Portrait of Hernando Cortes (1485-1547) and his arms (engraving) (b/w photo)

Spanish School, (16th century)

The Goldsmith, 1718 (engraving) (b/w photo)
The Goldsmith, 1718 (engraving) (b/w photo)

XJF137473: The Goldsmith, 1718 (engraving) (b/w photo), Dutch School, (18th century) / Bridgeman Images

ID: XJF137473

The Goldsmith, 1718 (engraving) (b/w photo)

Dutch School, (18th century)

A Franciscan monk copying a manuscript (engraving) (b/w photo)
A Franciscan monk copying a manuscript (engraving) (b/w photo)

XJF137494: A Franciscan monk copying a manuscript (engraving) (b/w photo), German School, (16th century) / Bridgeman Images

ID: XJF137494

A Franciscan monk copying a manuscript (engraving) (b/w photo)

German School, (16th century)

Youth from a wedding procession, sketch for the ballet 'Orpheus', 1814 (gouache on paper)
Youth from a wedding procession, sketch for the ballet 'Orpheus', 1814 (gouache on paper)

XAB137553: Youth from a wedding procession, sketch for the ballet 'Orpheus', 1814 (gouache on paper), Bakst, Leon (1866-1924) / Bridgeman Images

ID: XAB137553

Youth from a wedding procession, sketch for the ballet 'Orpheus', 1814 (gouache on paper)

Bakst, Leon (1866-1924)

Drawing Room for Ivan Sergeyevich Turgenev's (1818-1883) play, 'A Month in the Country', 1910 (gouache on paper)
Drawing Room for Ivan Sergeyevich Turgenev's (1818-1883) play, 'A Month in the Country', 1910 (gouache on paper)

XAB137561: Drawing Room for Ivan Sergeyevich Turgenev's (1818-1883) play, 'A Month in the Country', 1910 (gouache on paper), Dobuzinsky, Mstislav Valerianovic (1875-1957) / Bridgeman Images

ID: XAB137561

Drawing Room for Ivan Sergeyevich Turgenev's (1818-1883) play, 'A Month in the Country', 1910 (gouache on paper)

Dobuzinsky, Mstislav Valerianovic (1875-1957)

Madonna and Child (painted wood)
Madonna and Child (painted wood)

KAB137947: Madonna and Child (painted wood) / Bridgeman Images

ID: KAB137947

Madonna and Child (painted wood)

A pair of candlesticks, 17th century (silver)
A pair of candlesticks, 17th century (silver)

KAB137953: A pair of candlesticks, 17th century (silver) / Bridgeman Images

ID: KAB137953

A pair of candlesticks, 17th century (silver)

A Musical Carriage, from Maximilian's Triumphal Procession, c.1516-18 (woodcut) (b/w photo)
A Musical Carriage, from Maximilian's Triumphal Procession, c.1516-18 (woodcut) (b/w photo)

XJF137975: A Musical Carriage, from Maximilian's Triumphal Procession, c.1516-18 (woodcut) (b/w photo), Burgkmair, Hans (c.1473-1531) / Bridgeman Images

ID: XJF137975

A Musical Carriage, from Maximilian's Triumphal Procession, c.1516-18 (woodcut) (b/w photo)

Burgkmair, Hans (c.1473-1531)

St. Catherine, engraved by Abraham Blooteling (1640-90) 1684 (litho) (b/w photo)
St. Catherine, engraved by Abraham Blooteling (1640-90) 1684 (litho) (b/w photo)

XJF137987: St. Catherine, engraved by Abraham Blooteling (1640-90) 1684 (litho) (b/w photo), Correggio, (Antonio Allegri) (c.1489-1534) (after) / Bridgeman Images

ID: XJF137987

St. Catherine, engraved by Abraham Blooteling (1640-90) 1684 (litho) (b/w photo)

Correggio, (Antonio Allegri) (c.1489-1534) (after)

The Chevalier St. George, Commonly Called 'The Pretender' (1688-1766) (engraving) (b/w photo)
The Chevalier St. George, Commonly Called 'The Pretender' (1688-1766) (engraving) (b/w photo)

XJF137989: The Chevalier St. George, Commonly Called 'The Pretender' (1688-1766) (engraving) (b/w photo), English School, (19th century) / Bridgeman Images

ID: XJF137989

The Chevalier St. George, Commonly Called 'The Pretender' (1688-1766) (engraving) (b/w photo)

English School, (19th century)

Portrait of Henry Stewart, Lord Darnley (1545-67) (engraving)
Portrait of Henry Stewart, Lord Darnley (1545-67) (engraving)

XJF137990: Portrait of Henry Stewart, Lord Darnley (1545-67) (engraving), English School, (19th century) / Bridgeman Images

ID: XJF137990

Portrait of Henry Stewart, Lord Darnley (1545-67) (engraving)

English School, (19th century)

The Sacred Heart of Christ, from the Boarding School Chapel, 1766 (oil on canvas)
The Sacred Heart of Christ, from the Boarding School Chapel, 1766 (oil on canvas)

KAB137998: The Sacred Heart of Christ, from the Boarding School Chapel, 1766 (oil on canvas), Varotti, Giuseppe (1715-80) / Bridgeman Images

ID: KAB137998

The Sacred Heart of Christ, from the Boarding School Chapel, 1766 (oil on canvas)

Varotti, Giuseppe (1715-80)

Reproduction of a poster advertising 'A Gaiety Girl', 1894 (colour litho) (see 4642)
Reproduction of a poster advertising 'A Gaiety Girl', 1894 (colour litho) (see 4642)

STC138563: Reproduction of a poster advertising 'A Gaiety Girl', 1894 (colour litho) (see 4642), Hardy, Dudley (1867-1922) / Bridgeman Images

ID: STC138563

Reproduction of a poster advertising 'A Gaiety Girl', 1894 (colour litho) (see 4642)

Hardy, Dudley (1867-1922)

Reproduction of a poster advertising the opera 'Helle', performed by the Academie Nationale de Musique, 1896 (colour litho)
Reproduction of a poster advertising the opera 'Helle', performed by the Academie Nationale de Musique, 1896 (colour litho)

STC138590: Reproduction of a poster advertising the opera 'Helle', performed by the Academie Nationale de Musique, 1896 (colour litho), Steinlen, Theophile Alexandre (1859-1923) / Bridgeman Images

ID: STC138590

Reproduction of a poster advertising the opera 'Helle', performed by the Academie Nationale de Musique, 1896 (colour litho)

Steinlen, Theophile Alexandre (1859-1923)


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