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Male character practicing martial art with a sword. Painted paper cutting or
Male character practicing martial art with a sword. Painted paper cutting or

LSE4322028: Male character practicing martial art with a sword. Painted paper cutting or "Jian Zhi", Chinese folk art, Pekin., Chinese School, (20th century) / Bridgeman Images

ID: LSE4322028

Male character practicing martial art with a sword. Painted paper cutting or "Jian Zhi", Chinese folk art, Pekin.

Chinese School, (20th century)

Tian'anmen, Porte de la Purete Celeste in Pekin (Beijing) in the 19th century. Engraving from a drawing by Taylor, from a photograph by Dr. Morache, in “” Le Tour du Monde, Nouveau journal des Voyages”, edited by Edouard Charton, Paris, 1876.
Tian'anmen, Porte de la Purete Celeste in Pekin (Beijing) in the 19th century. Engraving from a drawing by Taylor, from a photograph by Dr. Morache, in “” Le Tour du Monde, Nouveau journal des Voyages”, edited by Edouard Charton, Paris, 1876.

LSE4322335: Tian'anmen, Porte de la Purete Celeste in Pekin (Beijing) in the 19th century. Engraving from a drawing by Taylor, from a photograph by Dr. Morache, in “” Le Tour du Monde, Nouveau journal des Voyages”, edited by Edouard Charton, Paris, 1876., Taylor, T (fl.1850) / Bridgeman Images

ID: LSE4322335

Tian'anmen, Porte de la Purete Celeste in Pekin (Beijing) in the 19th century. Engraving from a drawing by Taylor, from a photograph by Dr. Morache, in “” Le Tour du Monde, Nouveau journal des Voyages”, edited by Edouard Charton, Paris, 1876.

Taylor, T (fl.1850)

Couple of Chinese notables from San Francisco (United States) in the 19th century. Engraving after a drawing by Ronjat, after a photograph, in “Le Tour du Monde, Nouveau journal des Voyages”, edited by Edouard Charton, Paris, 1876.
Couple of Chinese notables from San Francisco (United States) in the 19th century. Engraving after a drawing by Ronjat, after a photograph, in “Le Tour du Monde, Nouveau journal des Voyages”, edited by Edouard Charton, Paris, 1876.

LSE4322350: Couple of Chinese notables from San Francisco (United States) in the 19th century. Engraving after a drawing by Ronjat, after a photograph, in “Le Tour du Monde, Nouveau journal des Voyages”, edited by Edouard Charton, Paris, 1876., Ronjat, Etienne Antoine Eugene (b.1822) / Bridgeman Images

ID: LSE4322350

Couple of Chinese notables from San Francisco (United States) in the 19th century. Engraving after a drawing by Ronjat, after a photograph, in “Le Tour du Monde, Nouveau journal des Voyages”, edited by Edouard Charton, Paris, 1876.

Ronjat, Etienne Antoine Eugene (b.1822)

Scene of a cricket fight in China in the years 1870-1880. Engraving after a drawing by Ferdinandus, in “Le Tour du Monde, Nouveau journal des Voyages”, edited by Edouard Charton, Paris, 1882.
Scene of a cricket fight in China in the years 1870-1880. Engraving after a drawing by Ferdinandus, in “Le Tour du Monde, Nouveau journal des Voyages”, edited by Edouard Charton, Paris, 1882.

LSE4322412: Scene of a cricket fight in China in the years 1870-1880. Engraving after a drawing by Ferdinandus, in “Le Tour du Monde, Nouveau journal des Voyages”, edited by Edouard Charton, Paris, 1882., Ferdinandus, Alexandre (Avenet, Francois called) (1850-1888) / Bridgeman Images

ID: LSE4322412

Scene of a cricket fight in China in the years 1870-1880. Engraving after a drawing by Ferdinandus, in “Le Tour du Monde, Nouveau journal des Voyages”, edited by Edouard Charton, Paris, 1882.

Ferdinandus, Alexandre (Avenet, Francois called) (1850-1888)

Portrait of Paul Granier de Cassagnac (1842-1902), French political journalist. Cartoon by Gill, Paris.
Portrait of Paul Granier de Cassagnac (1842-1902), French political journalist. Cartoon by Gill, Paris.

LSE4321082: Portrait of Paul Granier de Cassagnac (1842-1902), French political journalist. Cartoon by Gill, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4321082

Portrait of Paul Granier de Cassagnac (1842-1902), French political journalist. Cartoon by Gill, Paris.

Gill, Andre (1840-85)

Caricature of Napoleon Eugene Louis Bonaparte (1856-1879), son of Napoleon III. Cover in “” L'Eclipse”” by Gill, March 29, 1874, Paris.
Caricature of Napoleon Eugene Louis Bonaparte (1856-1879), son of Napoleon III. Cover in “” L'Eclipse”” by Gill, March 29, 1874, Paris.

LSE4320531: Caricature of Napoleon Eugene Louis Bonaparte (1856-1879), son of Napoleon III. Cover in “” L'Eclipse”” by Gill, March 29, 1874, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4320531

Caricature of Napoleon Eugene Louis Bonaparte (1856-1879), son of Napoleon III. Cover in “” L'Eclipse”” by Gill, March 29, 1874, Paris.

Gill, Andre (1840-85)

Portrait of Guiseppe Garibaldi (1807-1882), Italian politician. Cartoon by Gill, in “Les Homme d'Today”, Paris, 1878.
Portrait of Guiseppe Garibaldi (1807-1882), Italian politician. Cartoon by Gill, in “Les Homme d'Today”, Paris, 1878.

LSE4321109: Portrait of Guiseppe Garibaldi (1807-1882), Italian politician. Cartoon by Gill, in “Les Homme d'Today”, Paris, 1878., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4321109

Portrait of Guiseppe Garibaldi (1807-1882), Italian politician. Cartoon by Gill, in “Les Homme d'Today”, Paris, 1878.

Gill, Andre (1840-85)

Painted pottery and doree, female figurine, Tang Dynasty (618-907), Shanghai National Museum. Photography, Leonard de Selva, China, 2006.
Painted pottery and doree, female figurine, Tang Dynasty (618-907), Shanghai National Museum. Photography, Leonard de Selva, China, 2006.

LSE4321257: Painted pottery and doree, female figurine, Tang Dynasty (618-907), Shanghai National Museum. Photography, Leonard de Selva, China, 2006., Chinese School, Tang Dynasty (618-907) / Bridgeman Images

ID: LSE4321257

Painted pottery and doree, female figurine, Tang Dynasty (618-907), Shanghai National Museum. Photography, Leonard de Selva, China, 2006.

Chinese School, Tang Dynasty (618-907)

Portrait of Benjamin Raspail (1823-1899), a French painter and politician, he was at the origin of the law making 14 July the national holiday. Cartoon by Gill, Paris.
Portrait of Benjamin Raspail (1823-1899), a French painter and politician, he was at the origin of the law making 14 July the national holiday. Cartoon by Gill, Paris.

LSE4322959: Portrait of Benjamin Raspail (1823-1899), a French painter and politician, he was at the origin of the law making 14 July the national holiday. Cartoon by Gill, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4322959

Portrait of Benjamin Raspail (1823-1899), a French painter and politician, he was at the origin of the law making 14 July the national holiday. Cartoon by Gill, Paris.

Gill, Andre (1840-85)

Portrait of Jules Roche (1841-1923), a French politician, he was depute and minister of trade and industry from 1890 to 1892. Cartoon by Gill, Paris.
Portrait of Jules Roche (1841-1923), a French politician, he was depute and minister of trade and industry from 1890 to 1892. Cartoon by Gill, Paris.

LSE4323015: Portrait of Jules Roche (1841-1923), a French politician, he was depute and minister of trade and industry from 1890 to 1892. Cartoon by Gill, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4323015

Portrait of Jules Roche (1841-1923), a French politician, he was depute and minister of trade and industry from 1890 to 1892. Cartoon by Gill, Paris.

Gill, Andre (1840-85)

A Parisian cafe between the two wars, drawing by Andre Dignimont (1891-1965), Eaux-forte in “Jesus la quaille” by Francis Carco (1886-1958), Edition Hazan, Paris, 1929.
A Parisian cafe between the two wars, drawing by Andre Dignimont (1891-1965), Eaux-forte in “Jesus la quaille” by Francis Carco (1886-1958), Edition Hazan, Paris, 1929.

LSE4323195: A Parisian cafe between the two wars, drawing by Andre Dignimont (1891-1965), Eaux-forte in “Jesus la quaille” by Francis Carco (1886-1958), Edition Hazan, Paris, 1929., Dignimont, Andre (1891-1965) / Bridgeman Images

ID: LSE4323195

A Parisian cafe between the two wars, drawing by Andre Dignimont (1891-1965), Eaux-forte in “Jesus la quaille” by Francis Carco (1886-1958), Edition Hazan, Paris, 1929.

Dignimont, Andre (1891-1965)

Nurse serving a hot drink to wounded soldiers of the First World War, drawing by Andre Dignimont (1891-1965), Eaux-forte in “” les innocents” by Francis Carco (1886-1958), Edition Hazan, Paris, 1930.
Nurse serving a hot drink to wounded soldiers of the First World War, drawing by Andre Dignimont (1891-1965), Eaux-forte in “” les innocents” by Francis Carco (1886-1958), Edition Hazan, Paris, 1930.

LSE4323217: Nurse serving a hot drink to wounded soldiers of the First World War, drawing by Andre Dignimont (1891-1965), Eaux-forte in “” les innocents” by Francis Carco (1886-1958), Edition Hazan, Paris, 1930., Dignimont, Andre (1891-1965) / Bridgeman Images

ID: LSE4323217

Nurse serving a hot drink to wounded soldiers of the First World War, drawing by Andre Dignimont (1891-1965), Eaux-forte in “” les innocents” by Francis Carco (1886-1958), Edition Hazan, Paris, 1930.

Dignimont, Andre (1891-1965)

The palace (Villa) Medicis a Rome, engraving in “” Picturesque Italy””, Amable Coste editor, 1836.
The palace (Villa) Medicis a Rome, engraving in “” Picturesque Italy””, Amable Coste editor, 1836.

LSE4323310: The palace (Villa) Medicis a Rome, engraving in “” Picturesque Italy””, Amable Coste editor, 1836., French School, (19th century) / Bridgeman Images

ID: LSE4323310

The palace (Villa) Medicis a Rome, engraving in “” Picturesque Italy””, Amable Coste editor, 1836.

French School, (19th century)

The deported Sovietic returning to their homeland, 1947 (photo)
The deported Sovietic returning to their homeland, 1947 (photo)

LSE4323356: The deported Sovietic returning to their homeland, 1947 (photo), Unknown photographer, (20th century) / Bridgeman Images

ID: LSE4323356

The deported Sovietic returning to their homeland, 1947 (photo)

Unknown photographer, (20th century)

An Algerian native brings the head of the bandit Ali Ould Chick, who had cleared Nemours's mail, for a bonus of 1500 francs, to the office of Marnia, a French military post built in 1844 in the department of Oran, on the border Algeria Morocco. Engraving in “” Le petit journal”” 17/10/1891. Selva's collection.
An Algerian native brings the head of the bandit Ali Ould Chick, who had cleared Nemours's mail, for a bonus of 1500 francs, to the office of Marnia, a French military post built in 1844 in the department of Oran, on the border Algeria Morocco. Engraving in “” Le petit journal”” 17/10/1891. Selva's collection.

LSE4323552: An Algerian native brings the head of the bandit Ali Ould Chick, who had cleared Nemours's mail, for a bonus of 1500 francs, to the office of Marnia, a French military post built in 1844 in the department of Oran, on the border Algeria Morocco. Engraving in “” Le petit journal”” 17/10/1891. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4323552

An Algerian native brings the head of the bandit Ali Ould Chick, who had cleared Nemours's mail, for a bonus of 1500 francs, to the office of Marnia, a French military post built in 1844 in the department of Oran, on the border Algeria Morocco. Engraving in “” Le petit journal”” 17/10/1891. Selva's collection.

Unknown Artist, (19th century)

Portrait of the Baron of Mohrenheim, Russian ambassador to France from 1884 to 1898. Engraving in “” Le petit journal”” 4/06/1892. Selva's collection.
Portrait of the Baron of Mohrenheim, Russian ambassador to France from 1884 to 1898. Engraving in “” Le petit journal”” 4/06/1892. Selva's collection.

LSE4323641: Portrait of the Baron of Mohrenheim, Russian ambassador to France from 1884 to 1898. Engraving in “” Le petit journal”” 4/06/1892. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4323641

Portrait of the Baron of Mohrenheim, Russian ambassador to France from 1884 to 1898. Engraving in “” Le petit journal”” 4/06/1892. Selva's collection.

Unknown Artist, (19th century)

Tsar Alexander III (1815-1894) dances the quadrille d'honneur at a feast given by the Count of Montebello, French ambassador to Russia. Engraving in “” Le petit journal”” 11/03/1893. Selva's collection.
Tsar Alexander III (1815-1894) dances the quadrille d'honneur at a feast given by the Count of Montebello, French ambassador to Russia. Engraving in “” Le petit journal”” 11/03/1893. Selva's collection.

LSE4323725: Tsar Alexander III (1815-1894) dances the quadrille d'honneur at a feast given by the Count of Montebello, French ambassador to Russia. Engraving in “” Le petit journal”” 11/03/1893. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4323725

Tsar Alexander III (1815-1894) dances the quadrille d'honneur at a feast given by the Count of Montebello, French ambassador to Russia. Engraving in “” Le petit journal”” 11/03/1893. Selva's collection.

Unknown Artist, (19th century)

The coup d'état on 14/04/1893 of Alexander I Obrenovic (1876-1903) proclaimed his majority and had the regents of Ristitch and Belimarkovich, as well as all the ministers of the former government. Engraving in “” Le petit journal”” 6/05/1893. Selva's collection.
The coup d'état on 14/04/1893 of Alexander I Obrenovic (1876-1903) proclaimed his majority and had the regents of Ristitch and Belimarkovich, as well as all the ministers of the former government. Engraving in “” Le petit journal”” 6/05/1893. Selva's collection.

LSE4323748: The coup d'état on 14/04/1893 of Alexander I Obrenovic (1876-1903) proclaimed his majority and had the regents of Ristitch and Belimarkovich, as well as all the ministers of the former government. Engraving in “” Le petit journal”” 6/05/1893. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4323748

The coup d'état on 14/04/1893 of Alexander I Obrenovic (1876-1903) proclaimed his majority and had the regents of Ristitch and Belimarkovich, as well as all the ministers of the former government. Engraving in “” Le petit journal”” 6/05/1893. Selva's collection.

Unknown Artist, (19th century)

The scaphandlers are looking for the corpses of the Cabo Machichaco and Alfonso III ships, which exploded in the port of Santander (Spain). Engraving in “” Le petit journal””/1893. Selva's collection.
The scaphandlers are looking for the corpses of the Cabo Machichaco and Alfonso III ships, which exploded in the port of Santander (Spain). Engraving in “” Le petit journal””/1893. Selva's collection.

LSE4323841: The scaphandlers are looking for the corpses of the Cabo Machichaco and Alfonso III ships, which exploded in the port of Santander (Spain). Engraving in “” Le petit journal””/1893. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4323841

The scaphandlers are looking for the corpses of the Cabo Machichaco and Alfonso III ships, which exploded in the port of Santander (Spain). Engraving in “” Le petit journal””/1893. Selva's collection.

Unknown Artist, (19th century)

A revolt aboard the building Ville de Saint Nazaire, which embarked from the Ile d'aix towards Guiana, 130 forcats and 170 relegues including many known anarchists (Leautier, Marpeaux, Catineau, Colombat...). Engraving in “” Le petit journal”” 10/09/1894. Selva's collection.
A revolt aboard the building Ville de Saint Nazaire, which embarked from the Ile d'aix towards Guiana, 130 forcats and 170 relegues including many known anarchists (Leautier, Marpeaux, Catineau, Colombat...). Engraving in “” Le petit journal”” 10/09/1894. Selva's collection.

LSE4323936: A revolt aboard the building Ville de Saint Nazaire, which embarked from the Ile d'aix towards Guiana, 130 forcats and 170 relegues including many known anarchists (Leautier, Marpeaux, Catineau, Colombat...). Engraving in “” Le petit journal”” 10/09/1894. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4323936

A revolt aboard the building Ville de Saint Nazaire, which embarked from the Ile d'aix towards Guiana, 130 forcats and 170 relegues including many known anarchists (Leautier, Marpeaux, Catineau, Colombat...). Engraving in “” Le petit journal”” 10/09/1894. Selva's collection.

Unknown Artist, (19th century)

Portrait of Arsene Houssaye (1815-1896), French man of letters. Caricature by Gill, Paris.
Portrait of Arsene Houssaye (1815-1896), French man of letters. Caricature by Gill, Paris.

LSE4322937: Portrait of Arsene Houssaye (1815-1896), French man of letters. Caricature by Gill, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4322937

Portrait of Arsene Houssaye (1815-1896), French man of letters. Caricature by Gill, Paris.

Gill, Andre (1840-85)

Portrait of Gustave Rivet (1848-1936), a French ensignant and politician, he was Senator of the Isere from 1903 to 1924. Cartoon by Gill, Paris.
Portrait of Gustave Rivet (1848-1936), a French ensignant and politician, he was Senator of the Isere from 1903 to 1924. Cartoon by Gill, Paris.

LSE4322960: Portrait of Gustave Rivet (1848-1936), a French ensignant and politician, he was Senator of the Isere from 1903 to 1924. Cartoon by Gill, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4322960

Portrait of Gustave Rivet (1848-1936), a French ensignant and politician, he was Senator of the Isere from 1903 to 1924. Cartoon by Gill, Paris.

Gill, Andre (1840-85)

Portrait of Arthur Arnould (1833-1895), a French journalist and politician, he actively participated in the Paris Commune. Cartoon by Gill, Paris.
Portrait of Arthur Arnould (1833-1895), a French journalist and politician, he actively participated in the Paris Commune. Cartoon by Gill, Paris.

LSE4323012: Portrait of Arthur Arnould (1833-1895), a French journalist and politician, he actively participated in the Paris Commune. Cartoon by Gill, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4323012

Portrait of Arthur Arnould (1833-1895), a French journalist and politician, he actively participated in the Paris Commune. Cartoon by Gill, Paris.

Gill, Andre (1840-85)

A young man, wanting to be photographed in the cage of a lion, gets devoured, despite the efforts of the tamer to hold the lion. Engraving in “” Le petit journal”” 29/09/1895. Selva's collection.
A young man, wanting to be photographed in the cage of a lion, gets devoured, despite the efforts of the tamer to hold the lion. Engraving in “” Le petit journal”” 29/09/1895. Selva's collection.

LSE4324117: A young man, wanting to be photographed in the cage of a lion, gets devoured, despite the efforts of the tamer to hold the lion. Engraving in “” Le petit journal”” 29/09/1895. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4324117

A young man, wanting to be photographed in the cage of a lion, gets devoured, despite the efforts of the tamer to hold the lion. Engraving in “” Le petit journal”” 29/09/1895. Selva's collection.

Unknown Artist, (19th century)

The suburbs of Teheran (present-day Iran). Drawing by Jules Laurens (1825-1901), to illustrate Arthur Gobineau's journey to Persia from 1855 to 1858. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
The suburbs of Teheran (present-day Iran). Drawing by Jules Laurens (1825-1901), to illustrate Arthur Gobineau's journey to Persia from 1855 to 1858. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324295: The suburbs of Teheran (present-day Iran). Drawing by Jules Laurens (1825-1901), to illustrate Arthur Gobineau's journey to Persia from 1855 to 1858. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., Laurens, Jules Joseph Augustin (1825-1901) / Bridgeman Images

ID: LSE4324295

The suburbs of Teheran (present-day Iran). Drawing by Jules Laurens (1825-1901), to illustrate Arthur Gobineau's journey to Persia from 1855 to 1858. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

Laurens, Jules Joseph Augustin (1825-1901)

Cartoon on England: French and Russian, has the entrance of an English pastry shop, laughing at English, in the Petrin, with its German ally, because English accumulates diplomatic problems, since the Venezuelan affair, which marks the diplomatic break between the United States and the United Kingdom, and then with the difficult transvaal relations. with the boers, settlers from south africa, of neerlandese origin, refractaries to the british authority. Engraving in “” Le petit journal”” 3/02/1896. Selva's collection.
Cartoon on England: French and Russian, has the entrance of an English pastry shop, laughing at English, in the Petrin, with its German ally, because English accumulates diplomatic problems, since the Venezuelan affair, which marks the diplomatic break between the United States and the United Kingdom, and then with the difficult transvaal relations. with the boers, settlers from south africa, of neerlandese origin, refractaries to the british authority. Engraving in “” Le petit journal”” 3/02/1896. Selva's collection.

LSE4324157: Cartoon on England: French and Russian, has the entrance of an English pastry shop, laughing at English, in the Petrin, with its German ally, because English accumulates diplomatic problems, since the Venezuelan affair, which marks the diplomatic break between the United States and the United Kingdom, and then with the difficult transvaal relations. with the boers, settlers from south africa, of neerlandese origin, refractaries to the british authority. Engraving in “” Le petit journal”” 3/02/1896. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4324157

Cartoon on England: French and Russian, has the entrance of an English pastry shop, laughing at English, in the Petrin, with its German ally, because English accumulates diplomatic problems, since the Venezuelan affair, which marks the diplomatic break between the United States and the United Kingdom, and then with the difficult transvaal relations. with the boers, settlers from south africa, of neerlandese origin, refractaries to the british authority. Engraving in “” Le petit journal”” 3/02/1896. Selva's collection.

Unknown Artist, (19th century)

Anarchist attack in Barcelona, bomb explosion in the procession leaving the church of Santa Maria, street nuevos cambios. Engraving in “” Le petit journal”” 21/06/1896. Selva's collection.
Anarchist attack in Barcelona, bomb explosion in the procession leaving the church of Santa Maria, street nuevos cambios. Engraving in “” Le petit journal”” 21/06/1896. Selva's collection.

LSE4324205: Anarchist attack in Barcelona, bomb explosion in the procession leaving the church of Santa Maria, street nuevos cambios. Engraving in “” Le petit journal”” 21/06/1896. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4324205

Anarchist attack in Barcelona, bomb explosion in the procession leaving the church of Santa Maria, street nuevos cambios. Engraving in “” Le petit journal”” 21/06/1896. Selva's collection.

Unknown Artist, (19th century)

An accident of a tank on a bench in Savoie, the vehicle overturns and the passengers are precipitated in Arly. Engraving in “” Le petit journal”” 2/08/1896. Selva's collection.
An accident of a tank on a bench in Savoie, the vehicle overturns and the passengers are precipitated in Arly. Engraving in “” Le petit journal”” 2/08/1896. Selva's collection.

LSE4324225: An accident of a tank on a bench in Savoie, the vehicle overturns and the passengers are precipitated in Arly. Engraving in “” Le petit journal”” 2/08/1896. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4324225

An accident of a tank on a bench in Savoie, the vehicle overturns and the passengers are precipitated in Arly. Engraving in “” Le petit journal”” 2/08/1896. Selva's collection.

Unknown Artist, (19th century)

Prostituee chasing a client, between the two wars, drawing by Andre Dignimont (1891-1965), etching in “Jesus la quaille” by Francis Carco (1886-1958), Hazan edition, Paris, 1929.
Prostituee chasing a client, between the two wars, drawing by Andre Dignimont (1891-1965), etching in “Jesus la quaille” by Francis Carco (1886-1958), Hazan edition, Paris, 1929.

LSE4323191: Prostituee chasing a client, between the two wars, drawing by Andre Dignimont (1891-1965), etching in “Jesus la quaille” by Francis Carco (1886-1958), Hazan edition, Paris, 1929., Dignimont, Andre (1891-1965) / Bridgeman Images

ID: LSE4323191

Prostituee chasing a client, between the two wars, drawing by Andre Dignimont (1891-1965), etching in “Jesus la quaille” by Francis Carco (1886-1958), Hazan edition, Paris, 1929.

Dignimont, Andre (1891-1965)

Robinson Crusoe on his chariot traine by six dogues, engraving inserted in “Les aventures de Robinson Crusoe” by Daniel Defoe (1660-1731), edition la librairie d'education, Paris 1838. Selva's collection.
Robinson Crusoe on his chariot traine by six dogues, engraving inserted in “Les aventures de Robinson Crusoe” by Daniel Defoe (1660-1731), edition la librairie d'education, Paris 1838. Selva's collection.

LSE4323395: Robinson Crusoe on his chariot traine by six dogues, engraving inserted in “Les aventures de Robinson Crusoe” by Daniel Defoe (1660-1731), edition la librairie d'education, Paris 1838. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4323395

Robinson Crusoe on his chariot traine by six dogues, engraving inserted in “Les aventures de Robinson Crusoe” by Daniel Defoe (1660-1731), edition la librairie d'education, Paris 1838. Selva's collection.

Unknown Artist, (19th century)

Commemoration of the Battle of Solferino, June 24, 1859, during the Italian campaign, victory of the army of Napoleon III (1808-1873) allied with the Sardinian army, against the Austrian army of Emperor Francois Joseph I (1830-1916), conflict of the promise made by Napoleon III to King Victor Emmanuel II of Savoy (Victor Manuel) (Vittorio Emanuele) (1820- 1878) to reunite Italy in exchange for the attachment of Nice and Savoy to the French territory. This battle mobilized nearly 220,000 soldiers, and is celebrated here by the figure of Colonel de Malleville (died 1859) whose bravery at the head of the 55th regiment led to a decisive victory. Engraving in “” Le petit journal”” 27/06/1891. Selva's collection.
Commemoration of the Battle of Solferino, June 24, 1859, during the Italian campaign, victory of the army of Napoleon III (1808-1873) allied with the Sardinian army, against the Austrian army of Emperor Francois Joseph I (1830-1916), conflict of the promise made by Napoleon III to King Victor Emmanuel II of Savoy (Victor Manuel) (Vittorio Emanuele) (1820- 1878) to reunite Italy in exchange for the attachment of Nice and Savoy to the French territory. This battle mobilized nearly 220,000 soldiers, and is celebrated here by the figure of Colonel de Malleville (died 1859) whose bravery at the head of the 55th regiment led to a decisive victory. Engraving in “” Le petit journal”” 27/06/1891. Selva's collection.

LSE4323507: Commemoration of the Battle of Solferino, June 24, 1859, during the Italian campaign, victory of the army of Napoleon III (1808-1873) allied with the Sardinian army, against the Austrian army of Emperor Francois Joseph I (1830-1916), conflict of the promise made by Napoleon III to King Victor Emmanuel II of Savoy (Victor Manuel) (Vittorio Emanuele) (1820- 1878) to reunite Italy in exchange for the attachment of Nice and Savoy to the French territory. This battle mobilized nearly 220,000 soldiers, and is celebrated here by the figure of Colonel de Malleville (died 1859) whose bravery at the head of the 55th regiment led to a decisive victory. Engraving in “” Le petit journal”” 27/06/1891. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4323507

Commemoration of the Battle of Solferino, June 24, 1859, during the Italian campaign, victory of the army of Napoleon III (1808-1873) allied with the Sardinian army, against the Austrian army of Emperor Francois Joseph I (1830-1916), conflict of the promise made by Napoleon III to King Victor Emmanuel II of Savoy (Victor Manuel) (Vittorio Emanuele) (1820- 1878) to reunite Italy in exchange for the attachment of Nice and Savoy to the French territory. This battle mobilized nearly 220,000 soldiers, and is celebrated here by the figure of Colonel de Malleville (died 1859) whose bravery at the head of the 55th regiment led to a decisive victory. Engraving in “” Le petit journal”” 27/06/1891. Selva's collection.

Unknown Artist, (19th century)

Portraits and costumes of the Emperor of Annam and his ministers, Cochinchine, drawing by Therond, to illustrate a unique correspondence with Cochinchine in 1859. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
Portraits and costumes of the Emperor of Annam and his ministers, Cochinchine, drawing by Therond, to illustrate a unique correspondence with Cochinchine in 1859. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324404: Portraits and costumes of the Emperor of Annam and his ministers, Cochinchine, drawing by Therond, to illustrate a unique correspondence with Cochinchine in 1859. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., Therond, Emile Theodore (b.1821) / Bridgeman Images

ID: LSE4324404

Portraits and costumes of the Emperor of Annam and his ministers, Cochinchine, drawing by Therond, to illustrate a unique correspondence with Cochinchine in 1859. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

Therond, Emile Theodore (b.1821)

View of the city of Marrakech (formerly Morocco), drawing by Auguste de Berard (1824-1881), to illustrate Mr.F. Schickler's journey to Morocco in 1860. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
View of the city of Marrakech (formerly Morocco), drawing by Auguste de Berard (1824-1881), to illustrate Mr.F. Schickler's journey to Morocco in 1860. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324441: View of the city of Marrakech (formerly Morocco), drawing by Auguste de Berard (1824-1881), to illustrate Mr.F. Schickler's journey to Morocco in 1860. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., Berard, Evremond de (19th century) (after) / Bridgeman Images

ID: LSE4324441

View of the city of Marrakech (formerly Morocco), drawing by Auguste de Berard (1824-1881), to illustrate Mr.F. Schickler's journey to Morocco in 1860. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

Berard, Evremond de (19th century) (after)

View of Melbourne (Australia), drawing by Lancelot, to illustrate the memories of a French squatter in Australia, in 1854-1859, by M. de Castella. Engraving in “” Le tour du monde”” 1861. Selva's collection.
View of Melbourne (Australia), drawing by Lancelot, to illustrate the memories of a French squatter in Australia, in 1854-1859, by M. de Castella. Engraving in “” Le tour du monde”” 1861. Selva's collection.

LSE4324522: View of Melbourne (Australia), drawing by Lancelot, to illustrate the memories of a French squatter in Australia, in 1854-1859, by M. de Castella. Engraving in “” Le tour du monde”” 1861. Selva's collection., Lancelot, Dieudonne Auguste (1822-94) / Bridgeman Images

ID: LSE4324522

View of Melbourne (Australia), drawing by Lancelot, to illustrate the memories of a French squatter in Australia, in 1854-1859, by M. de Castella. Engraving in “” Le tour du monde”” 1861. Selva's collection.

Lancelot, Dieudonne Auguste (1822-94)

A funeral scene in Calcutta (India), drawing to illustrate Count Emmanuel Andrasy's 1849 journey to the British Indies. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
A funeral scene in Calcutta (India), drawing to illustrate Count Emmanuel Andrasy's 1849 journey to the British Indies. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324401: A funeral scene in Calcutta (India), drawing to illustrate Count Emmanuel Andrasy's 1849 journey to the British Indies. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., French School, (19th century) / Bridgeman Images

ID: LSE4324401

A funeral scene in Calcutta (India), drawing to illustrate Count Emmanuel Andrasy's 1849 journey to the British Indies. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

French School, (19th century)

View of Quebec, drawing by Grandsire, to illustrate the voyages to North America in 1854-1855, by L. Deville. Engraving in “” Le tour du monde”” 1861. Selva's collection.
View of Quebec, drawing by Grandsire, to illustrate the voyages to North America in 1854-1855, by L. Deville. Engraving in “” Le tour du monde”” 1861. Selva's collection.

LSE4324557: View of Quebec, drawing by Grandsire, to illustrate the voyages to North America in 1854-1855, by L. Deville. Engraving in “” Le tour du monde”” 1861. Selva's collection., Grandsire, Pierre Eugene (1825-1905) / Bridgeman Images

ID: LSE4324557

View of Quebec, drawing by Grandsire, to illustrate the voyages to North America in 1854-1855, by L. Deville. Engraving in “” Le tour du monde”” 1861. Selva's collection.

Grandsire, Pierre Eugene (1825-1905)


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