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An Algerian native brings the head of the bandit Ali Ould Chick, who had cleared Nemours's mail, for a bonus of 1500 francs, to the office of Marnia, a French military post built in 1844 in the department of Oran, on the border Algeria Morocco. Engraving in “” Le petit journal”” 17/10/1891. Selva's collection.
An Algerian native brings the head of the bandit Ali Ould Chick, who had cleared Nemours's mail, for a bonus of 1500 francs, to the office of Marnia, a French military post built in 1844 in the department of Oran, on the border Algeria Morocco. Engraving in “” Le petit journal”” 17/10/1891. Selva's collection.

LSE4323552: An Algerian native brings the head of the bandit Ali Ould Chick, who had cleared Nemours's mail, for a bonus of 1500 francs, to the office of Marnia, a French military post built in 1844 in the department of Oran, on the border Algeria Morocco. Engraving in “” Le petit journal”” 17/10/1891. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4323552

An Algerian native brings the head of the bandit Ali Ould Chick, who had cleared Nemours's mail, for a bonus of 1500 francs, to the office of Marnia, a French military post built in 1844 in the department of Oran, on the border Algeria Morocco. Engraving in “” Le petit journal”” 17/10/1891. Selva's collection.

Unknown Artist, (19th century)

Portrait of the Baron of Mohrenheim, Russian ambassador to France from 1884 to 1898. Engraving in “” Le petit journal”” 4/06/1892. Selva's collection.
Portrait of the Baron of Mohrenheim, Russian ambassador to France from 1884 to 1898. Engraving in “” Le petit journal”” 4/06/1892. Selva's collection.

LSE4323641: Portrait of the Baron of Mohrenheim, Russian ambassador to France from 1884 to 1898. Engraving in “” Le petit journal”” 4/06/1892. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4323641

Portrait of the Baron of Mohrenheim, Russian ambassador to France from 1884 to 1898. Engraving in “” Le petit journal”” 4/06/1892. Selva's collection.

Unknown Artist, (19th century)

Tsar Alexander III (1815-1894) dances the quadrille d'honneur at a feast given by the Count of Montebello, French ambassador to Russia. Engraving in “” Le petit journal”” 11/03/1893. Selva's collection.
Tsar Alexander III (1815-1894) dances the quadrille d'honneur at a feast given by the Count of Montebello, French ambassador to Russia. Engraving in “” Le petit journal”” 11/03/1893. Selva's collection.

LSE4323725: Tsar Alexander III (1815-1894) dances the quadrille d'honneur at a feast given by the Count of Montebello, French ambassador to Russia. Engraving in “” Le petit journal”” 11/03/1893. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4323725

Tsar Alexander III (1815-1894) dances the quadrille d'honneur at a feast given by the Count of Montebello, French ambassador to Russia. Engraving in “” Le petit journal”” 11/03/1893. Selva's collection.

Unknown Artist, (19th century)

The coup d'état on 14/04/1893 of Alexander I Obrenovic (1876-1903) proclaimed his majority and had the regents of Ristitch and Belimarkovich, as well as all the ministers of the former government. Engraving in “” Le petit journal”” 6/05/1893. Selva's collection.
The coup d'état on 14/04/1893 of Alexander I Obrenovic (1876-1903) proclaimed his majority and had the regents of Ristitch and Belimarkovich, as well as all the ministers of the former government. Engraving in “” Le petit journal”” 6/05/1893. Selva's collection.

LSE4323748: The coup d'état on 14/04/1893 of Alexander I Obrenovic (1876-1903) proclaimed his majority and had the regents of Ristitch and Belimarkovich, as well as all the ministers of the former government. Engraving in “” Le petit journal”” 6/05/1893. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4323748

The coup d'état on 14/04/1893 of Alexander I Obrenovic (1876-1903) proclaimed his majority and had the regents of Ristitch and Belimarkovich, as well as all the ministers of the former government. Engraving in “” Le petit journal”” 6/05/1893. Selva's collection.

Unknown Artist, (19th century)

The scaphandlers are looking for the corpses of the Cabo Machichaco and Alfonso III ships, which exploded in the port of Santander (Spain). Engraving in “” Le petit journal””/1893. Selva's collection.
The scaphandlers are looking for the corpses of the Cabo Machichaco and Alfonso III ships, which exploded in the port of Santander (Spain). Engraving in “” Le petit journal””/1893. Selva's collection.

LSE4323841: The scaphandlers are looking for the corpses of the Cabo Machichaco and Alfonso III ships, which exploded in the port of Santander (Spain). Engraving in “” Le petit journal””/1893. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4323841

The scaphandlers are looking for the corpses of the Cabo Machichaco and Alfonso III ships, which exploded in the port of Santander (Spain). Engraving in “” Le petit journal””/1893. Selva's collection.

Unknown Artist, (19th century)

A revolt aboard the building Ville de Saint Nazaire, which embarked from the Ile d'aix towards Guiana, 130 forcats and 170 relegues including many known anarchists (Leautier, Marpeaux, Catineau, Colombat...). Engraving in “” Le petit journal”” 10/09/1894. Selva's collection.
A revolt aboard the building Ville de Saint Nazaire, which embarked from the Ile d'aix towards Guiana, 130 forcats and 170 relegues including many known anarchists (Leautier, Marpeaux, Catineau, Colombat...). Engraving in “” Le petit journal”” 10/09/1894. Selva's collection.

LSE4323936: A revolt aboard the building Ville de Saint Nazaire, which embarked from the Ile d'aix towards Guiana, 130 forcats and 170 relegues including many known anarchists (Leautier, Marpeaux, Catineau, Colombat...). Engraving in “” Le petit journal”” 10/09/1894. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4323936

A revolt aboard the building Ville de Saint Nazaire, which embarked from the Ile d'aix towards Guiana, 130 forcats and 170 relegues including many known anarchists (Leautier, Marpeaux, Catineau, Colombat...). Engraving in “” Le petit journal”” 10/09/1894. Selva's collection.

Unknown Artist, (19th century)

Portrait of Arsene Houssaye (1815-1896), French man of letters. Caricature by Gill, Paris.
Portrait of Arsene Houssaye (1815-1896), French man of letters. Caricature by Gill, Paris.

LSE4322937: Portrait of Arsene Houssaye (1815-1896), French man of letters. Caricature by Gill, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4322937

Portrait of Arsene Houssaye (1815-1896), French man of letters. Caricature by Gill, Paris.

Gill, Andre (1840-85)

Portrait of Gustave Rivet (1848-1936), a French ensignant and politician, he was Senator of the Isere from 1903 to 1924. Cartoon by Gill, Paris.
Portrait of Gustave Rivet (1848-1936), a French ensignant and politician, he was Senator of the Isere from 1903 to 1924. Cartoon by Gill, Paris.

LSE4322960: Portrait of Gustave Rivet (1848-1936), a French ensignant and politician, he was Senator of the Isere from 1903 to 1924. Cartoon by Gill, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4322960

Portrait of Gustave Rivet (1848-1936), a French ensignant and politician, he was Senator of the Isere from 1903 to 1924. Cartoon by Gill, Paris.

Gill, Andre (1840-85)

Portrait of Arthur Arnould (1833-1895), a French journalist and politician, he actively participated in the Paris Commune. Cartoon by Gill, Paris.
Portrait of Arthur Arnould (1833-1895), a French journalist and politician, he actively participated in the Paris Commune. Cartoon by Gill, Paris.

LSE4323012: Portrait of Arthur Arnould (1833-1895), a French journalist and politician, he actively participated in the Paris Commune. Cartoon by Gill, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4323012

Portrait of Arthur Arnould (1833-1895), a French journalist and politician, he actively participated in the Paris Commune. Cartoon by Gill, Paris.

Gill, Andre (1840-85)

A young man, wanting to be photographed in the cage of a lion, gets devoured, despite the efforts of the tamer to hold the lion. Engraving in “” Le petit journal”” 29/09/1895. Selva's collection.
A young man, wanting to be photographed in the cage of a lion, gets devoured, despite the efforts of the tamer to hold the lion. Engraving in “” Le petit journal”” 29/09/1895. Selva's collection.

LSE4324117: A young man, wanting to be photographed in the cage of a lion, gets devoured, despite the efforts of the tamer to hold the lion. Engraving in “” Le petit journal”” 29/09/1895. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4324117

A young man, wanting to be photographed in the cage of a lion, gets devoured, despite the efforts of the tamer to hold the lion. Engraving in “” Le petit journal”” 29/09/1895. Selva's collection.

Unknown Artist, (19th century)

The suburbs of Teheran (present-day Iran). Drawing by Jules Laurens (1825-1901), to illustrate Arthur Gobineau's journey to Persia from 1855 to 1858. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
The suburbs of Teheran (present-day Iran). Drawing by Jules Laurens (1825-1901), to illustrate Arthur Gobineau's journey to Persia from 1855 to 1858. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324295: The suburbs of Teheran (present-day Iran). Drawing by Jules Laurens (1825-1901), to illustrate Arthur Gobineau's journey to Persia from 1855 to 1858. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., Laurens, Jules Joseph Augustin (1825-1901) / Bridgeman Images

ID: LSE4324295

The suburbs of Teheran (present-day Iran). Drawing by Jules Laurens (1825-1901), to illustrate Arthur Gobineau's journey to Persia from 1855 to 1858. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

Laurens, Jules Joseph Augustin (1825-1901)

Cartoon on England: French and Russian, has the entrance of an English pastry shop, laughing at English, in the Petrin, with its German ally, because English accumulates diplomatic problems, since the Venezuelan affair, which marks the diplomatic break between the United States and the United Kingdom, and then with the difficult transvaal relations. with the boers, settlers from south africa, of neerlandese origin, refractaries to the british authority. Engraving in “” Le petit journal”” 3/02/1896. Selva's collection.
Cartoon on England: French and Russian, has the entrance of an English pastry shop, laughing at English, in the Petrin, with its German ally, because English accumulates diplomatic problems, since the Venezuelan affair, which marks the diplomatic break between the United States and the United Kingdom, and then with the difficult transvaal relations. with the boers, settlers from south africa, of neerlandese origin, refractaries to the british authority. Engraving in “” Le petit journal”” 3/02/1896. Selva's collection.

LSE4324157: Cartoon on England: French and Russian, has the entrance of an English pastry shop, laughing at English, in the Petrin, with its German ally, because English accumulates diplomatic problems, since the Venezuelan affair, which marks the diplomatic break between the United States and the United Kingdom, and then with the difficult transvaal relations. with the boers, settlers from south africa, of neerlandese origin, refractaries to the british authority. Engraving in “” Le petit journal”” 3/02/1896. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4324157

Cartoon on England: French and Russian, has the entrance of an English pastry shop, laughing at English, in the Petrin, with its German ally, because English accumulates diplomatic problems, since the Venezuelan affair, which marks the diplomatic break between the United States and the United Kingdom, and then with the difficult transvaal relations. with the boers, settlers from south africa, of neerlandese origin, refractaries to the british authority. Engraving in “” Le petit journal”” 3/02/1896. Selva's collection.

Unknown Artist, (19th century)

Anarchist attack in Barcelona, bomb explosion in the procession leaving the church of Santa Maria, street nuevos cambios. Engraving in “” Le petit journal”” 21/06/1896. Selva's collection.
Anarchist attack in Barcelona, bomb explosion in the procession leaving the church of Santa Maria, street nuevos cambios. Engraving in “” Le petit journal”” 21/06/1896. Selva's collection.

LSE4324205: Anarchist attack in Barcelona, bomb explosion in the procession leaving the church of Santa Maria, street nuevos cambios. Engraving in “” Le petit journal”” 21/06/1896. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4324205

Anarchist attack in Barcelona, bomb explosion in the procession leaving the church of Santa Maria, street nuevos cambios. Engraving in “” Le petit journal”” 21/06/1896. Selva's collection.

Unknown Artist, (19th century)

An accident of a tank on a bench in Savoie, the vehicle overturns and the passengers are precipitated in Arly. Engraving in “” Le petit journal”” 2/08/1896. Selva's collection.
An accident of a tank on a bench in Savoie, the vehicle overturns and the passengers are precipitated in Arly. Engraving in “” Le petit journal”” 2/08/1896. Selva's collection.

LSE4324225: An accident of a tank on a bench in Savoie, the vehicle overturns and the passengers are precipitated in Arly. Engraving in “” Le petit journal”” 2/08/1896. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4324225

An accident of a tank on a bench in Savoie, the vehicle overturns and the passengers are precipitated in Arly. Engraving in “” Le petit journal”” 2/08/1896. Selva's collection.

Unknown Artist, (19th century)

Prostituee chasing a client, between the two wars, drawing by Andre Dignimont (1891-1965), etching in “Jesus la quaille” by Francis Carco (1886-1958), Hazan edition, Paris, 1929.
Prostituee chasing a client, between the two wars, drawing by Andre Dignimont (1891-1965), etching in “Jesus la quaille” by Francis Carco (1886-1958), Hazan edition, Paris, 1929.

LSE4323191: Prostituee chasing a client, between the two wars, drawing by Andre Dignimont (1891-1965), etching in “Jesus la quaille” by Francis Carco (1886-1958), Hazan edition, Paris, 1929., Dignimont, Andre (1891-1965) / Bridgeman Images

ID: LSE4323191

Prostituee chasing a client, between the two wars, drawing by Andre Dignimont (1891-1965), etching in “Jesus la quaille” by Francis Carco (1886-1958), Hazan edition, Paris, 1929.

Dignimont, Andre (1891-1965)

Robinson Crusoe on his chariot traine by six dogues, engraving inserted in “Les aventures de Robinson Crusoe” by Daniel Defoe (1660-1731), edition la librairie d'education, Paris 1838. Selva's collection.
Robinson Crusoe on his chariot traine by six dogues, engraving inserted in “Les aventures de Robinson Crusoe” by Daniel Defoe (1660-1731), edition la librairie d'education, Paris 1838. Selva's collection.

LSE4323395: Robinson Crusoe on his chariot traine by six dogues, engraving inserted in “Les aventures de Robinson Crusoe” by Daniel Defoe (1660-1731), edition la librairie d'education, Paris 1838. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4323395

Robinson Crusoe on his chariot traine by six dogues, engraving inserted in “Les aventures de Robinson Crusoe” by Daniel Defoe (1660-1731), edition la librairie d'education, Paris 1838. Selva's collection.

Unknown Artist, (19th century)

Commemoration of the Battle of Solferino, June 24, 1859, during the Italian campaign, victory of the army of Napoleon III (1808-1873) allied with the Sardinian army, against the Austrian army of Emperor Francois Joseph I (1830-1916), conflict of the promise made by Napoleon III to King Victor Emmanuel II of Savoy (Victor Manuel) (Vittorio Emanuele) (1820- 1878) to reunite Italy in exchange for the attachment of Nice and Savoy to the French territory. This battle mobilized nearly 220,000 soldiers, and is celebrated here by the figure of Colonel de Malleville (died 1859) whose bravery at the head of the 55th regiment led to a decisive victory. Engraving in “” Le petit journal”” 27/06/1891. Selva's collection.
Commemoration of the Battle of Solferino, June 24, 1859, during the Italian campaign, victory of the army of Napoleon III (1808-1873) allied with the Sardinian army, against the Austrian army of Emperor Francois Joseph I (1830-1916), conflict of the promise made by Napoleon III to King Victor Emmanuel II of Savoy (Victor Manuel) (Vittorio Emanuele) (1820- 1878) to reunite Italy in exchange for the attachment of Nice and Savoy to the French territory. This battle mobilized nearly 220,000 soldiers, and is celebrated here by the figure of Colonel de Malleville (died 1859) whose bravery at the head of the 55th regiment led to a decisive victory. Engraving in “” Le petit journal”” 27/06/1891. Selva's collection.

LSE4323507: Commemoration of the Battle of Solferino, June 24, 1859, during the Italian campaign, victory of the army of Napoleon III (1808-1873) allied with the Sardinian army, against the Austrian army of Emperor Francois Joseph I (1830-1916), conflict of the promise made by Napoleon III to King Victor Emmanuel II of Savoy (Victor Manuel) (Vittorio Emanuele) (1820- 1878) to reunite Italy in exchange for the attachment of Nice and Savoy to the French territory. This battle mobilized nearly 220,000 soldiers, and is celebrated here by the figure of Colonel de Malleville (died 1859) whose bravery at the head of the 55th regiment led to a decisive victory. Engraving in “” Le petit journal”” 27/06/1891. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4323507

Commemoration of the Battle of Solferino, June 24, 1859, during the Italian campaign, victory of the army of Napoleon III (1808-1873) allied with the Sardinian army, against the Austrian army of Emperor Francois Joseph I (1830-1916), conflict of the promise made by Napoleon III to King Victor Emmanuel II of Savoy (Victor Manuel) (Vittorio Emanuele) (1820- 1878) to reunite Italy in exchange for the attachment of Nice and Savoy to the French territory. This battle mobilized nearly 220,000 soldiers, and is celebrated here by the figure of Colonel de Malleville (died 1859) whose bravery at the head of the 55th regiment led to a decisive victory. Engraving in “” Le petit journal”” 27/06/1891. Selva's collection.

Unknown Artist, (19th century)

Portraits and costumes of the Emperor of Annam and his ministers, Cochinchine, drawing by Therond, to illustrate a unique correspondence with Cochinchine in 1859. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
Portraits and costumes of the Emperor of Annam and his ministers, Cochinchine, drawing by Therond, to illustrate a unique correspondence with Cochinchine in 1859. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324404: Portraits and costumes of the Emperor of Annam and his ministers, Cochinchine, drawing by Therond, to illustrate a unique correspondence with Cochinchine in 1859. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., Therond, Emile Theodore (b.1821) / Bridgeman Images

ID: LSE4324404

Portraits and costumes of the Emperor of Annam and his ministers, Cochinchine, drawing by Therond, to illustrate a unique correspondence with Cochinchine in 1859. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

Therond, Emile Theodore (b.1821)

View of the city of Marrakech (formerly Morocco), drawing by Auguste de Berard (1824-1881), to illustrate Mr.F. Schickler's journey to Morocco in 1860. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
View of the city of Marrakech (formerly Morocco), drawing by Auguste de Berard (1824-1881), to illustrate Mr.F. Schickler's journey to Morocco in 1860. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324441: View of the city of Marrakech (formerly Morocco), drawing by Auguste de Berard (1824-1881), to illustrate Mr.F. Schickler's journey to Morocco in 1860. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., Berard, Evremond de (19th century) (after) / Bridgeman Images

ID: LSE4324441

View of the city of Marrakech (formerly Morocco), drawing by Auguste de Berard (1824-1881), to illustrate Mr.F. Schickler's journey to Morocco in 1860. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

Berard, Evremond de (19th century) (after)

View of Melbourne (Australia), drawing by Lancelot, to illustrate the memories of a French squatter in Australia, in 1854-1859, by M. de Castella. Engraving in “” Le tour du monde”” 1861. Selva's collection.
View of Melbourne (Australia), drawing by Lancelot, to illustrate the memories of a French squatter in Australia, in 1854-1859, by M. de Castella. Engraving in “” Le tour du monde”” 1861. Selva's collection.

LSE4324522: View of Melbourne (Australia), drawing by Lancelot, to illustrate the memories of a French squatter in Australia, in 1854-1859, by M. de Castella. Engraving in “” Le tour du monde”” 1861. Selva's collection., Lancelot, Dieudonne Auguste (1822-94) / Bridgeman Images

ID: LSE4324522

View of Melbourne (Australia), drawing by Lancelot, to illustrate the memories of a French squatter in Australia, in 1854-1859, by M. de Castella. Engraving in “” Le tour du monde”” 1861. Selva's collection.

Lancelot, Dieudonne Auguste (1822-94)

A funeral scene in Calcutta (India), drawing to illustrate Count Emmanuel Andrasy's 1849 journey to the British Indies. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
A funeral scene in Calcutta (India), drawing to illustrate Count Emmanuel Andrasy's 1849 journey to the British Indies. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324401: A funeral scene in Calcutta (India), drawing to illustrate Count Emmanuel Andrasy's 1849 journey to the British Indies. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., French School, (19th century) / Bridgeman Images

ID: LSE4324401

A funeral scene in Calcutta (India), drawing to illustrate Count Emmanuel Andrasy's 1849 journey to the British Indies. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

French School, (19th century)

View of Quebec, drawing by Grandsire, to illustrate the voyages to North America in 1854-1855, by L. Deville. Engraving in “” Le tour du monde”” 1861. Selva's collection.
View of Quebec, drawing by Grandsire, to illustrate the voyages to North America in 1854-1855, by L. Deville. Engraving in “” Le tour du monde”” 1861. Selva's collection.

LSE4324557: View of Quebec, drawing by Grandsire, to illustrate the voyages to North America in 1854-1855, by L. Deville. Engraving in “” Le tour du monde”” 1861. Selva's collection., Grandsire, Pierre Eugene (1825-1905) / Bridgeman Images

ID: LSE4324557

View of Quebec, drawing by Grandsire, to illustrate the voyages to North America in 1854-1855, by L. Deville. Engraving in “” Le tour du monde”” 1861. Selva's collection.

Grandsire, Pierre Eugene (1825-1905)

The Marche Square and the Ahmet Khiaia Mosque in Baghdad, drawing by Eugene Flandin (1809-1876), to illustrate his journey to Mesopotamia in 1840-1842. Engraving in “” Le tour du monde”” 1861. Selva's collection.
The Marche Square and the Ahmet Khiaia Mosque in Baghdad, drawing by Eugene Flandin (1809-1876), to illustrate his journey to Mesopotamia in 1840-1842. Engraving in “” Le tour du monde”” 1861. Selva's collection.

LSE4324590: The Marche Square and the Ahmet Khiaia Mosque in Baghdad, drawing by Eugene Flandin (1809-1876), to illustrate his journey to Mesopotamia in 1840-1842. Engraving in “” Le tour du monde”” 1861. Selva's collection., Flandin, Eugene (1809-76) / Bridgeman Images

ID: LSE4324590

The Marche Square and the Ahmet Khiaia Mosque in Baghdad, drawing by Eugene Flandin (1809-1876), to illustrate his journey to Mesopotamia in 1840-1842. Engraving in “” Le tour du monde”” 1861. Selva's collection.

Flandin, Eugene (1809-76)

The sale of watermelons, drawing by Ferogio, to illustrate Naples and the Neapolitans, in 1861, by Marc Monnier (1829-1885). Engraving in “” Le tour du monde”” 1861. Selva's collection.
The sale of watermelons, drawing by Ferogio, to illustrate Naples and the Neapolitans, in 1861, by Marc Monnier (1829-1885). Engraving in “” Le tour du monde”” 1861. Selva's collection.

LSE4324602: The sale of watermelons, drawing by Ferogio, to illustrate Naples and the Neapolitans, in 1861, by Marc Monnier (1829-1885). Engraving in “” Le tour du monde”” 1861. Selva's collection., Ferogio, Francois Fortune Antoine (1805-88) (after) / Bridgeman Images

ID: LSE4324602

The sale of watermelons, drawing by Ferogio, to illustrate Naples and the Neapolitans, in 1861, by Marc Monnier (1829-1885). Engraving in “” Le tour du monde”” 1861. Selva's collection.

Ferogio, Francois Fortune Antoine (1805-88) (after)

Rescue of 2 soldiers of the 97th line regiment, on a border surveillance mission, victims of an avalanche caused by the melting of spring snow. Engraving in “” Le petit journal”” 14/05/1894. Selva's collection.
Rescue of 2 soldiers of the 97th line regiment, on a border surveillance mission, victims of an avalanche caused by the melting of spring snow. Engraving in “” Le petit journal”” 14/05/1894. Selva's collection.

LSE4323909: Rescue of 2 soldiers of the 97th line regiment, on a border surveillance mission, victims of an avalanche caused by the melting of spring snow. Engraving in “” Le petit journal”” 14/05/1894. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4323909

Rescue of 2 soldiers of the 97th line regiment, on a border surveillance mission, victims of an avalanche caused by the melting of spring snow. Engraving in “” Le petit journal”” 14/05/1894. Selva's collection.

Unknown Artist, (19th century)

Armaments at Toulon of the cruisers Dupetit-Thouars and Laperouse, and boarding of 15,000 troops, for an expedition to Madagascar, by decision of Theophile Delcasse (1852-1923) colonial minister. Engraving in “” Le petit journal”” 29/10/1894. Selva's collection.
Armaments at Toulon of the cruisers Dupetit-Thouars and Laperouse, and boarding of 15,000 troops, for an expedition to Madagascar, by decision of Theophile Delcasse (1852-1923) colonial minister. Engraving in “” Le petit journal”” 29/10/1894. Selva's collection.

LSE4323975: Armaments at Toulon of the cruisers Dupetit-Thouars and Laperouse, and boarding of 15,000 troops, for an expedition to Madagascar, by decision of Theophile Delcasse (1852-1923) colonial minister. Engraving in “” Le petit journal”” 29/10/1894. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4323975

Armaments at Toulon of the cruisers Dupetit-Thouars and Laperouse, and boarding of 15,000 troops, for an expedition to Madagascar, by decision of Theophile Delcasse (1852-1923) colonial minister. Engraving in “” Le petit journal”” 29/10/1894. Selva's collection.

Unknown Artist, (19th century)

Armee of terracotta warriors at the Museum of Soldiers and Terracotta Horses of the First Emperor Qin Shihuang (3rd century BC) in Xi'an. Photography, Leonard de Selva, China, 2006.
Armee of terracotta warriors at the Museum of Soldiers and Terracotta Horses of the First Emperor Qin Shihuang (3rd century BC) in Xi'an. Photography, Leonard de Selva, China, 2006.

LSE4321388: Armee of terracotta warriors at the Museum of Soldiers and Terracotta Horses of the First Emperor Qin Shihuang (3rd century BC) in Xi'an. Photography, Leonard de Selva, China, 2006., Chinese School, (3rd century AD) / Bridgeman Images

ID: LSE4321388

Armee of terracotta warriors at the Museum of Soldiers and Terracotta Horses of the First Emperor Qin Shihuang (3rd century BC) in Xi'an. Photography, Leonard de Selva, China, 2006.

Chinese School, (3rd century AD)

Draw children to celebrate President Mao (1893-1976). Propaganda illustration,
Draw children to celebrate President Mao (1893-1976). Propaganda illustration,

LSE4321509: Draw children to celebrate President Mao (1893-1976). Propaganda illustration, "Satirical Drawings”, Pekin, 1950. / Bridgeman Images

ID: LSE4321509

Draw children to celebrate President Mao (1893-1976). Propaganda illustration, "Satirical Drawings”, Pekin, 1950.

The Coreen people were victims of the US army during the 1950 Kree War. Illustration, in
The Coreen people were victims of the US army during the 1950 Kree War. Illustration, in

LSE4321516: The Coreen people were victims of the US army during the 1950 Kree War. Illustration, in "Satirical Drawings”, Pekin, 1950. / Bridgeman Images

ID: LSE4321516

The Coreen people were victims of the US army during the 1950 Kree War. Illustration, in "Satirical Drawings”, Pekin, 1950.

Young mom breastfeeding her baby. Illustration, in “Comment mieux nourish nos enfants”, Edition Le Journal de la Sante, Pekin, 1962.
Young mom breastfeeding her baby. Illustration, in “Comment mieux nourish nos enfants”, Edition Le Journal de la Sante, Pekin, 1962.

LSE4321604: Young mom breastfeeding her baby. Illustration, in “Comment mieux nourish nos enfants”, Edition Le Journal de la Sante, Pekin, 1962. / Bridgeman Images

ID: LSE4321604

Young mom breastfeeding her baby. Illustration, in “Comment mieux nourish nos enfants”, Edition Le Journal de la Sante, Pekin, 1962.

Drawing, mother warning her child of the danger of electrical sockets. Illustration, in “How to use electricity safely”, China, 1958.
Drawing, mother warning her child of the danger of electrical sockets. Illustration, in “How to use electricity safely”, China, 1958.

LSE4321667: Drawing, mother warning her child of the danger of electrical sockets. Illustration, in “How to use electricity safely”, China, 1958. / Bridgeman Images

ID: LSE4321667

Drawing, mother warning her child of the danger of electrical sockets. Illustration, in “How to use electricity safely”, China, 1958.

British Prime Minister Winston Churchill (1874-1965) visiting British Army troops in November 1939. Photography, in “Winston Churchill, prime minister”, New York, 1943.
British Prime Minister Winston Churchill (1874-1965) visiting British Army troops in November 1939. Photography, in “Winston Churchill, prime minister”, New York, 1943.

LSE4322464: British Prime Minister Winston Churchill (1874-1965) visiting British Army troops in November 1939. Photography, in “Winston Churchill, prime minister”, New York, 1943., Unknown photographer, (20th century) / Bridgeman Images

ID: LSE4322464

British Prime Minister Winston Churchill (1874-1965) visiting British Army troops in November 1939. Photography, in “Winston Churchill, prime minister”, New York, 1943.

Unknown photographer, (20th century)

Hua Ni, the heroine of
Hua Ni, the heroine of

LSE4322518: Hua Ni, the heroine of "The girl who sells flowers" leaves with sadness her blind sister, popular opera, North Korea. Popular propaganda illustration, Pyongyaong, 1973., Korean School (20th century) / Bridgeman Images

ID: LSE4322518

Hua Ni, the heroine of "The girl who sells flowers" leaves with sadness her blind sister, popular opera, North Korea. Popular propaganda illustration, Pyongyaong, 1973.

Korean School (20th century)

Introduction to the Corean language, excerpt from a 1949 adult learning book, Kree. Photography, Seoul National Museum, Republic of Korea, 2006.
Introduction to the Corean language, excerpt from a 1949 adult learning book, Kree. Photography, Seoul National Museum, Republic of Korea, 2006.

LSE4322534: Introduction to the Corean language, excerpt from a 1949 adult learning book, Kree. Photography, Seoul National Museum, Republic of Korea, 2006., Korean School (20th century) / Bridgeman Images

ID: LSE4322534

Introduction to the Corean language, excerpt from a 1949 adult learning book, Kree. Photography, Seoul National Museum, Republic of Korea, 2006.

Korean School (20th century)

Iron Buddha head, from the Goryeo period of the 10th century, from the monastery of Hasachang-dong, Hanam, Gyeonggi-do, Korea. Photography, Seoul National Museum, Republic of Korea, 2006.
Iron Buddha head, from the Goryeo period of the 10th century, from the monastery of Hasachang-dong, Hanam, Gyeonggi-do, Korea. Photography, Seoul National Museum, Republic of Korea, 2006.

LSE4322522: Iron Buddha head, from the Goryeo period of the 10th century, from the monastery of Hasachang-dong, Hanam, Gyeonggi-do, Korea. Photography, Seoul National Museum, Republic of Korea, 2006., Korean school, (10th century) / Bridgeman Images

ID: LSE4322522

Iron Buddha head, from the Goryeo period of the 10th century, from the monastery of Hasachang-dong, Hanam, Gyeonggi-do, Korea. Photography, Seoul National Museum, Republic of Korea, 2006.

Korean school, (10th century)

Go players in the streets of Pekin (Beijing) in the 19th century. Engraving after a drawing by Ronjat, after a photograph by Doctor Morache, in “Le Tour du Monde, Nouveau journal des Voyages”, edited by Edouard Charton, Paris, 1876.
Go players in the streets of Pekin (Beijing) in the 19th century. Engraving after a drawing by Ronjat, after a photograph by Doctor Morache, in “Le Tour du Monde, Nouveau journal des Voyages”, edited by Edouard Charton, Paris, 1876.

LSE4322340: Go players in the streets of Pekin (Beijing) in the 19th century. Engraving after a drawing by Ronjat, after a photograph by Doctor Morache, in “Le Tour du Monde, Nouveau journal des Voyages”, edited by Edouard Charton, Paris, 1876., Ronjat, Etienne Antoine Eugene (b.1822) / Bridgeman Images

ID: LSE4322340

Go players in the streets of Pekin (Beijing) in the 19th century. Engraving after a drawing by Ronjat, after a photograph by Doctor Morache, in “Le Tour du Monde, Nouveau journal des Voyages”, edited by Edouard Charton, Paris, 1876.

Ronjat, Etienne Antoine Eugene (b.1822)


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