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Monument to Alexandre Dumas Pere, the readers, 1883 (detail) (stone & bronze)
Monument to Alexandre Dumas Pere, the readers, 1883 (detail) (stone & bronze)

XIR287762: Monument to Alexandre Dumas Pere, the readers, 1883 (detail) (stone & bronze), Dore, Gustave (1832-83) / Bridgeman Images

ID: XIR287762

Monument to Alexandre Dumas Pere, the readers, 1883 (detail) (stone & bronze)

Dore, Gustave (1832-83)

Cup stand made up of three ibexes, front view, c.1750 BC (bronze & gold) (see also 286954)
Cup stand made up of three ibexes, front view, c.1750 BC (bronze & gold) (see also 286954)

XIR286953: Cup stand made up of three ibexes, front view, c.1750 BC (bronze & gold) (see also 286954), Mesopotamian / Bridgeman Images

ID: XIR286953

Cup stand made up of three ibexes, front view, c.1750 BC (bronze & gold) (see also 286954)

Mesopotamian

'And none but Bromian can hear...', plate 6 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)
'And none but Bromian can hear...', plate 6 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)

XYC285512: 'And none but Bromian can hear...', plate 6 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC285512

'And none but Bromian can hear...', plate 6 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)

Blake, William (1757-1827)

Henri Bonaventure Monnier, 19th century (lithograph)
Henri Bonaventure Monnier, 19th century (lithograph)

XIR287647: Henri Bonaventure Monnier, 19th century (lithograph), Gavarni, Paul (1804-66) / Bridgeman Images

ID: XIR287647

Henri Bonaventure Monnier, 19th century (lithograph)

Gavarni, Paul (1804-66)

Funerary relief of Jarhai, from Palmyra, Syria (marble)
Funerary relief of Jarhai, from Palmyra, Syria (marble)

XIR286970: Funerary relief of Jarhai, from Palmyra, Syria (marble), Syrian School (3rd century AD) / Bridgeman Images

ID: XIR286970

Funerary relief of Jarhai, from Palmyra, Syria (marble)

Syrian School (3rd century AD)

Illustration from 'The Sorrows of Werther' by Johann Wolfgang Goethe (1749-1832) engraved by E. Deghent (engraving)
Illustration from 'The Sorrows of Werther' by Johann Wolfgang Goethe (1749-1832) engraved by E. Deghent (engraving)

XIR287211: Illustration from 'The Sorrows of Werther' by Johann Wolfgang Goethe (1749-1832) engraved by E. Deghent (engraving), Moreau, Jean Michel the Younger (1741-1814) (after) / Bridgeman Images

ID: XIR287211

Illustration from 'The Sorrows of Werther' by Johann Wolfgang Goethe (1749-1832) engraved by E. Deghent (engraving)

Moreau, Jean Michel the Younger (1741-1814) (after)

View, Polar Region (w/c & graphite on paper)
View, Polar Region (w/c & graphite on paper)

XYC286288: View, Polar Region (w/c & graphite on paper), Smith, Charles Hamilton (1776-1859) / Bridgeman Images

ID: XYC286288

View, Polar Region (w/c & graphite on paper)

Smith, Charles Hamilton (1776-1859)

Riders, Figures and a Dog (pen and ink on paper)
Riders, Figures and a Dog (pen and ink on paper)

XYC286493: Riders, Figures and a Dog (pen and ink on paper), Ross, Thomas (fl.1730-45) / Bridgeman Images

ID: XYC286493

Riders, Figures and a Dog (pen and ink on paper)

Ross, Thomas (fl.1730-45)

View of the Maternite Port-Royal, the cloister, 1905 (watercolour on paper)
View of the Maternite Port-Royal, the cloister, 1905 (watercolour on paper)

XIR287082: View of the Maternite Port-Royal, the cloister, 1905 (watercolour on paper), Waterneau, Herminie (d.1913) / Bridgeman Images

ID: XIR287082

View of the Maternite Port-Royal, the cloister, 1905 (watercolour on paper)

Waterneau, Herminie (d.1913)

The Long Boat of the Messenger attacked by Natives (w/c)
The Long Boat of the Messenger attacked by Natives (w/c)

XCF285112: The Long Boat of the Messenger attacked by Natives (w/c), Baines, Thomas (1820-75) / Bridgeman Images

ID: XCF285112

The Long Boat of the Messenger attacked by Natives (w/c)

Baines, Thomas (1820-75)

Packing in Cases for Europe (gouache on paper)
Packing in Cases for Europe (gouache on paper)

XCF285127: Packing in Cases for Europe (gouache on paper), Chinese School, (19th century) / Bridgeman Images

ID: XCF285127

Packing in Cases for Europe (gouache on paper)

Chinese School, (19th century)

Hyde Park Corner (pen & ink with wash and graphite on paper)
Hyde Park Corner (pen & ink with wash and graphite on paper)

XYC288943: Hyde Park Corner (pen & ink with wash and graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XYC288943

Hyde Park Corner (pen & ink with wash and graphite on paper)

Rowlandson, Thomas (1756-1827)

Tivoli, 1777 (w/c over graphite on paper)
Tivoli, 1777 (w/c over graphite on paper)

XYC288947: Tivoli, 1777 (w/c over graphite on paper), Jones, Thomas (1743-1803) / Bridgeman Images

ID: XYC288947

Tivoli, 1777 (w/c over graphite on paper)

Jones, Thomas (1743-1803)

A View of the Tiber with Rome in the Distance, c.1770-80 (oil on canvas)
A View of the Tiber with Rome in the Distance, c.1770-80 (oil on canvas)

XYC288961: A View of the Tiber with Rome in the Distance, c.1770-80 (oil on canvas), Wilson, Richard (1713/14-82) / Bridgeman Images

ID: XYC288961

A View of the Tiber with Rome in the Distance, c.1770-80 (oil on canvas)

Wilson, Richard (1713/14-82)

Gothic Conservatory, 1832 (colour engraving)
Gothic Conservatory, 1832 (colour engraving)

XCF285180: Gothic Conservatory, 1832 (colour engraving), English School, (19th century) / Bridgeman Images

ID: XCF285180

Gothic Conservatory, 1832 (colour engraving)

English School, (19th century)

The London Conference, 1832 (lithograph)
The London Conference, 1832 (lithograph)

XIR287268: The London Conference, 1832 (lithograph), Daumier, Honore (1808-79) / Bridgeman Images

ID: XIR287268

The London Conference, 1832 (lithograph)

Daumier, Honore (1808-79)

Page from a printed boook (woodcut)
Page from a printed boook (woodcut)

XCF286462: Page from a printed boook (woodcut), German School / Bridgeman Images

ID: XCF286462

Page from a printed boook (woodcut)

German School

Christ Disputing with the Doctors, c.1660's (oil on canvas)
Christ Disputing with the Doctors, c.1660's (oil on canvas)

XCF285137: Christ Disputing with the Doctors, c.1660's (oil on canvas), Preti, Gregorio (c.1603-72) / Bridgeman Images

ID: XCF285137

Christ Disputing with the Doctors, c.1660's (oil on canvas)

Preti, Gregorio (c.1603-72)

Homes of Victor Hugo, the lounge at Hauteville house in Guernsey, the armchair of the ancestor, engraved by Fortune Louis Meaulle (1844-1901) (engraving)
Homes of Victor Hugo, the lounge at Hauteville house in Guernsey, the armchair of the ancestor, engraved by Fortune Louis Meaulle (1844-1901) (engraving)

XIR287088: Homes of Victor Hugo, the lounge at Hauteville house in Guernsey, the armchair of the ancestor, engraved by Fortune Louis Meaulle (1844-1901) (engraving), Gosselin, Charles (1834-92) (after) / Bridgeman Images

ID: XIR287088

Homes of Victor Hugo, the lounge at Hauteville house in Guernsey, the armchair of the ancestor, engraved by Fortune Louis Meaulle (1844-1901) (engraving)

Gosselin, Charles (1834-92) (after)

View of the Maternite Port-Royal, 1905 (watercolour on paper)
View of the Maternite Port-Royal, 1905 (watercolour on paper)

XIR287081: View of the Maternite Port-Royal, 1905 (watercolour on paper), Waterneau, Herminie (d.1913) / Bridgeman Images

ID: XIR287081

View of the Maternite Port-Royal, 1905 (watercolour on paper)

Waterneau, Herminie (d.1913)

Groves of Versailles. View of the water parterre and the cabinets of animals, with priestesses preparing a sacrifice for Venus (oil on canvas)
Groves of Versailles. View of the water parterre and the cabinets of animals, with priestesses preparing a sacrifice for Venus (oil on canvas)

XIR288983: Groves of Versailles. View of the water parterre and the cabinets of animals, with priestesses preparing a sacrifice for Venus (oil on canvas), Cotelle, Jean the Younger (1642-1708) / Bridgeman Images

ID: XIR288983

Groves of Versailles. View of the water parterre and the cabinets of animals, with priestesses preparing a sacrifice for Venus (oil on canvas)

Cotelle, Jean the Younger (1642-1708)

Charles Varlet, known as La Grange, in the role of Dom Juan from 'Don Juan, or Le Festin de Pierre' by Jean-Baptiste Poquelin Moliere (1622-73) 1875 (engraving)
Charles Varlet, known as La Grange, in the role of Dom Juan from 'Don Juan, or Le Festin de Pierre' by Jean-Baptiste Poquelin Moliere (1622-73) 1875 (engraving)

XIR287015: Charles Varlet, known as La Grange, in the role of Dom Juan from 'Don Juan, or Le Festin de Pierre' by Jean-Baptiste Poquelin Moliere (1622-73) 1875 (engraving), Hillemacher, Frederic Desire (1811-86) / Bridgeman Images

ID: XIR287015

Charles Varlet, known as La Grange, in the role of Dom Juan from 'Don Juan, or Le Festin de Pierre' by Jean-Baptiste Poquelin Moliere (1622-73) 1875 (engraving)

Hillemacher, Frederic Desire (1811-86)

City of Strasbourg (stone)
City of Strasbourg (stone)

XIR287771: City of Strasbourg (stone), Pradier, James (Jean-Jacques) (1790-1852) / Bridgeman Images

ID: XIR287771

City of Strasbourg (stone)

Pradier, James (Jean-Jacques) (1790-1852)

Figures with a Wagon and Horses, 18th century (pen & ink on paper)
Figures with a Wagon and Horses, 18th century (pen & ink on paper)

XYC286492: Figures with a Wagon and Horses, 18th century (pen & ink on paper), Ross, Thomas (fl.1730-45) / Bridgeman Images

ID: XYC286492

Figures with a Wagon and Horses, 18th century (pen & ink on paper)

Ross, Thomas (fl.1730-45)

A paper mill, illustration from the 'Encyclopedie des Sciences et Metiers' by Denis Diderot (1713-84) engraved by Robert Benard (fl.1734) published c.1770 (engraving)
A paper mill, illustration from the 'Encyclopedie des Sciences et Metiers' by Denis Diderot (1713-84) engraved by Robert Benard (fl.1734) published c.1770 (engraving)

XIR287233: A paper mill, illustration from the 'Encyclopedie des Sciences et Metiers' by Denis Diderot (1713-84) engraved by Robert Benard (fl.1734) published c.1770 (engraving), Goussier, Louis-Jacques (1722-99) (after) / Bridgeman Images

ID: XIR287233

A paper mill, illustration from the 'Encyclopedie des Sciences et Metiers' by Denis Diderot (1713-84) engraved by Robert Benard (fl.1734) published c.1770 (engraving)

Goussier, Louis-Jacques (1722-99) (after)

Cart pulled by two oxen at Mandalay, Burma, c.1885 (albumen print from a glass negative)
Cart pulled by two oxen at Mandalay, Burma, c.1885 (albumen print from a glass negative)

XIR287027: Cart pulled by two oxen at Mandalay, Burma, c.1885 (albumen print from a glass negative), English Photographer, (19th century) / Bridgeman Images

ID: XIR287027

Cart pulled by two oxen at Mandalay, Burma, c.1885 (albumen print from a glass negative)

English Photographer, (19th century)

Perfect Harmony (oil on canvas)
Perfect Harmony (oil on canvas)

XCF285190: Perfect Harmony (oil on canvas), Watteau, Jean Antoine (1684-1721) (after) / Bridgeman Images

ID: XCF285190

Perfect Harmony (oil on canvas)

Watteau, Jean Antoine (1684-1721) (after)

Madonna of the Shadow or Virgin and Child between Saint Dominic, Cosmas, Damien, Mark, John the Evangelist, Thomas of Aquinas, Laurence and Pierre the martyr (from left to right) (detail of Saint John the Evangelist) (fresco)
Madonna of the Shadow or Virgin and Child between Saint Dominic, Cosmas, Damien, Mark, John the Evangelist, Thomas of Aquinas, Laurence and Pierre the martyr (from left to right) (detail of Saint John the Evangelist) (fresco)

XIR900564: Madonna of the Shadow or Virgin and Child between Saint Dominic, Cosmas, Damien, Mark, John the Evangelist, Thomas of Aquinas, Laurence and Pierre the martyr (from left to right) (detail of Saint John the Evangelist) (fresco), Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455) / Bridgeman Images

ID: XIR900564

Madonna of the Shadow or Virgin and Child between Saint Dominic, Cosmas, Damien, Mark, John the Evangelist, Thomas of Aquinas, Laurence and Pierre the martyr (from left to right) (detail of Saint John the Evangelist) (fresco)

Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455)

Portrait of an Unknown Man, c.1480-90 (oil on oak-wood)
Portrait of an Unknown Man, c.1480-90 (oil on oak-wood)

XIR900535: Portrait of an Unknown Man, c.1480-90 (oil on oak-wood) , Memling, Hans (c.1433-94) / Bridgeman Images

ID: XIR900535

Portrait of an Unknown Man, c.1480-90 (oil on oak-wood)

Memling, Hans (c.1433-94)

A monk trepanning (oil on canvas)
A monk trepanning (oil on canvas)

XIR901457: A monk trepanning (oil on canvas), Seghers, Daniel (1590-1661) (attr. to) / Bridgeman Images

ID: XIR901457

A monk trepanning (oil on canvas)

Seghers, Daniel (1590-1661) (attr. to)

Portrait of the Antoine Thomas (member of the French Academy), 18th century (oil on canvas)
Portrait of the Antoine Thomas (member of the French Academy), 18th century (oil on canvas)

XIR901299: Portrait of the Antoine Thomas (member of the French Academy), 18th century (oil on canvas), Duplessis, Joseph Siffred (1725-1802) / Bridgeman Images

ID: XIR901299

Portrait of the Antoine Thomas (member of the French Academy), 18th century (oil on canvas)

Duplessis, Joseph Siffred (1725-1802)

Partially Nude Woman Bathing, 18th century (black, red and white chalk on paper)
Partially Nude Woman Bathing, 18th century (black, red and white chalk on paper)

XIR902417: Partially Nude Woman Bathing, 18th century (black, red and white chalk on paper), Boucher, Francois (1703-70) / Bridgeman Images

ID: XIR902417

Partially Nude Woman Bathing, 18th century (black, red and white chalk on paper)

Boucher, Francois (1703-70)

Saint John of Patmos, 16th century (oil on panel)
Saint John of Patmos, 16th century (oil on panel)

XIR902442: Saint John of Patmos, 16th century (oil on panel), Isenbrandt or Isenbrant, Adriaen (c.1490-1551) / Bridgeman Images

ID: XIR902442

Saint John of Patmos, 16th century (oil on panel)

Isenbrandt or Isenbrant, Adriaen (c.1490-1551)

Caricature of Aristide Bruant in
Caricature of Aristide Bruant in

XIR903855: Caricature of Aristide Bruant in "Les Hommes d'Aujourd'hui" (lithograph), Steinlen, Theophile Alexandre (1859-1923) / Bridgeman Images

ID: XIR903855

Caricature of Aristide Bruant in "Les Hommes d'Aujourd'hui" (lithograph)

Steinlen, Theophile Alexandre (1859-1923)

Elmina Castle, Guinea (watercolour on paper)
Elmina Castle, Guinea (watercolour on paper)

XIR901647: Elmina Castle, Guinea (watercolour on paper), French School, (18th century) / Bridgeman Images

ID: XIR901647

Elmina Castle, Guinea (watercolour on paper)

French School, (18th century)

The Flagellants (oil on canvas)
The Flagellants (oil on canvas)

XIR900617: The Flagellants (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) (attr. to) / Bridgeman Images

ID: XIR900617

The Flagellants (oil on canvas)

Goya y Lucientes, Francisco Jose de (1746-1828) (attr. to)


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