2497596 Search Results
XEE4152634: Saints and saints hurrying at the door of Paradise - composition and engraving by Jacques Callot (1592-1635), Callot, Jacques (1592-1635) / Bridgeman Images
XEE4152747: Queen Catherine of Aragon, wife of Henry VIII (The Famous History of the Life of King Henry the Eighth) - Catherine of Aragon (The Famous History of the Life of King Henry the Eighth) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by the early London artists, enriched with critical and literary records”” 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”””, circa 1838, English School, (19th century) / Bridgeman Images
XEE4152770: Hero, daughter of Leonato (Much Ado About Nothing) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary records””” around 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838, English School, (19th century) / Bridgeman Images
XEE4153280: L'image du Pelerin - The pilgrim with his dog in front of a castle, illustration from an edition of the Opera of Johannes Gerson published 1514 (print), Unknown Artist, (16th century) / Bridgeman Images
XEE4153305: Portrait of Ben Mahi Ed Din Abd El Kader (Abd El-Kader) (1808 - 1883) ABDELKADER, Amir of Mascara, military and religious leader - engraving 1883, Unknown Artist, (19th century) / Bridgeman Images
XEE4153340: Portrait of Pierre Louis Manuel, French politician depute of the Seine at the National Convention., Unknown Artist / Bridgeman Images
XEE4152485: L'art Ogival a son declin - Notre-dame de Roscoff en bretagne - engraving of the 19th century din, Unknown Artist, (19th century) / Bridgeman Images
XEE4152523: The Louvre in Paris, project of Gian Lorenzo Bernini: elevation of the main facade facing the Seine - From “” Architecture francoise”” by Jacques-Francois Blondel - elevation de la principale facade cote Seine - project by Bernin - engraving by Jean Marot in “” Architecture francoise”” by Jacques-Francois Blondel, Marot, Jean (1619-79) / Bridgeman Images
XEE4152576: Risorgimento, Naples, 7 November 1860: entrance of Victor Emmanuel II (Victor-Emmanuel) (Vittorio Emanuele) (1820-1878), King of Italy, to the Royal Palace of Naples after the vote of the population accepting the attachment of Naples to the Kingdom of Italy. Engraving in “” Le Monde Illustré”” n°189 of 24 November 1860., French School, (19th century) / Bridgeman Images
XEE4152589: Portrait of Corneille Van Cleve French sculptor (1645-1732) engraving by Poilly after the painting by Joseph Vivien, Vivien, Joseph (1657-1734) (after) / Bridgeman Images
XEE4152623: Portrait of Nicolas de Largillierre (Largillier) (1656-1746) French painter engraving by Dupuis after the painting by Gueuslain, French School / Bridgeman Images
XEE4152800: Viola (“” La twelzieme nuit) (Twelfth Night) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by the early London artists, enriched with critical and literary notices””” around 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes,” circa 1838, English School, (19th century) / Bridgeman Images
XEE4152876: Lady Macbeth (Macbeth) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched by critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes””, circa 1838, English School, (19th century) / Bridgeman Images
XEE4152907: Imogene: daughter of Cymbeline - Imogen (Cymbeline) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by the early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838, English School, (19th century) / Bridgeman Images
XEE4152924: View of Mount Sibille (Paradise of Queen Sybille) (Double map of Mount Pilate and Mount Sibyl) - Antoine de La Sale (La Salle) French satirical writer of the 15th century., Unknown Artist, (15th century) / Bridgeman Images
XEE4153001: Architecture, Paris: views of the old bridge au Change (1639-1647) in 1660 and the new bridge built in 1860. Engraving in “” Le Monde Illustré”” n°184 of 20 October 1860., French School, (19th century) / Bridgeman Images
XEE4153048: The Sacrifice of Abraham - Sacrifice of Abraham - "Holy History" circa 1890 - color byHenri Grobet, Grobet, Henri (active c.1890) / Bridgeman Images
XEE4153071: The rebel angels were precipitated into hell - The good and bad angels - “Holy Histoire” circa 1890, Grobet, Henri (active c.1890) / Bridgeman Images
XEE4153442: Portrait of Chevalier de Bayard (Pierre Terrail, seigneur of Bayard) (1475-1524), French soldier., Unknown Artist, (19th century) / Bridgeman Images
XEE4153445: Mission saharienne Foureau Lamy (1898-1900 - “” Journal of the Route of a Corporal of Tirailleurs of the Saharan Mission (Mission Foureau-Lamy), 1898-1900: Sahara, Air, Sudan, Lake Chad, Chari, Congo - Author Sergeant Charles Guilleux - (Sergeant of the 1st Regiment of Algerian Tirailleurs) Author: Charles Guilleux (Sergeant of the 1st Regiment of Algerian Tirailleurs) 1904 - private collection, Anonymous / Bridgeman Images
XEE4153516: Pope Leo XIII (Leon XIII) The Pope's Episcopal Jubilee, His Holiness pronouncing the Benediction after the Jubilee Mass in St Peter's, Rome - Illustration for The Graphic, 4 March 1893., English School, (19th century) / Bridgeman Images
XEE4153543: Portrait of Chilperic II (c. 670 - 721), King of Neustria - CHILPERIC II king of the Franks - engraving from “Instruction sur l'Histoire de France”” by Charles Constant Le Tellier 1821, Unknown Artist, (19th century) / Bridgeman Images
XEE4153608: Portrait of Charles V the Sage (1338 - 1380) - Charles V the wise or Charles V the Sage, King of France from the House of Valois - engraving from “Instruction sur l'Histoire de France”” by Charles Constant Le Tellier 1821, Unknown Artist, (19th century) / Bridgeman Images
XEE4153640: View of Timbuktu (Mali) in the middle of the 19th century - Engraving in “” Picturesque Histoire des grands voyages au nineteenth century”””. 1877, Unknown Artist, (19th century) / Bridgeman Images
XEE4152743: Desdemona, from the play Othello, 1838 (drawing), English School, (19th century) / Bridgeman Images
XEE4152764: Julia (The Two Gentlemen of Verona) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by the early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838, English School, (19th century) / Bridgeman Images
XEE4152792: Mistress Ford (The Merry Wives of Windsor) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary records””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838, English School, (19th century) / Bridgeman Images
XEE4152835: Catherine of France, illustration from 'Gallery of the Women of Shakespeare...', c.1838 (engraving), English School, (19th century) / Bridgeman Images
XEE4152899: Miranda (The Tempest - La Tempete) in - “” Galerie des femmes de Shakespeare, collection of forty five serious portraits by the first artists of London, enriched by critical and literary notices””” around 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes””, circa 1838, English School, (19th century) / Bridgeman Images
XEE4152971: Frontispice of “The Comedy of Comedians, Poem of New Invention” by Georges de Scudery - 1635, Unknown Artist, (17th century) / Bridgeman Images
XEE4153128: View of the main gallery of the National Fire Centre of Vincennes, 1860. Engraving in “” Le Monde Illustré”” n°183 of 13 October 1860., French School, (19th century) / Bridgeman Images
XEE4153196: Declaration of Pillnitz - War of the First Coalition 1791 - 1797 , 1865-66 (engraving), Anonymous / Bridgeman Images
XEE4153292: Title page of “” Histoire des societes secretes, politiques et religieuses”” by Pierre Zaccone (1817-1895), Unknown Artist, (19th century) / Bridgeman Images
XEE4151189: Plan of Paris under the Merovingians - Engraving in “” Physical, civil and moral history of Paris: from the earliest historical times to the present day” by Jacques Antoine Dulaure, 1853, French School, (19th century) / Bridgeman Images
XEE4150114: Pierre Samuel du Pont de Nemours (1739-1817) entrepreneur and economist of French origin and American diplomat, Unknown Artist, (19th century) / Bridgeman Images
XEE4150226: View of the city of Aden, capital of Yemen, in 1861. Engraving in “” Le Monde Illustré”” n°242 of November 30, 1861., French School, (19th century) / Bridgeman Images
