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2529617 Search Results

Venezia, Riva Schiavoni (coloured photo)
Venezia, Riva Schiavoni (coloured photo)

LLM3631088: Venezia, Riva Schiavoni (coloured photo), Italian Photographer, (19th century) / Bridgeman Images

Asbestos quarry (chromolitho)
Asbestos quarry (chromolitho)

LLM3631092: Asbestos quarry (chromolitho), English School, (20th century) / Bridgeman Images

Miner holing (chromolitho)
Miner holing (chromolitho)

LLM3631096: Miner holing (chromolitho), English School, (20th century) / Bridgeman Images

Open cast copper mine (chromolitho)
Open cast copper mine (chromolitho)

LLM3631102: Open cast copper mine (chromolitho), English School, (20th century) / Bridgeman Images

Diamond mine (chromolitho)
Diamond mine (chromolitho)

LLM3631103: Diamond mine (chromolitho), English School, (20th century) / Bridgeman Images

Cyanide vats (chromolitho)
Cyanide vats (chromolitho)

LLM3631112: Cyanide vats (chromolitho), English School, (20th century) / Bridgeman Images

Iron-ore mine (chromolitho)
Iron-ore mine (chromolitho)

LLM3631116: Iron-ore mine (chromolitho), English School, (20th century) / Bridgeman Images

Steam shovel at work (chromolitho)
Steam shovel at work (chromolitho)

LLM3631117: Steam shovel at work (chromolitho), English School, (20th century) / Bridgeman Images

Oil field on fire (chromolitho)
Oil field on fire (chromolitho)

LLM3631125: Oil field on fire (chromolitho), English School, (20th century) / Bridgeman Images

Mining rubies (chromolitho)
Mining rubies (chromolitho)

LLM3631129: Mining rubies (chromolitho), English School, (20th century) / Bridgeman Images

Turquoise mine (chromolitho)
Turquoise mine (chromolitho)

LLM3631140: Turquoise mine (chromolitho), English School, (20th century) / Bridgeman Images

None can clean their dress from stain, but some blemish will remain (engraving)
None can clean their dress from stain, but some blemish will remain (engraving)

LLM3631141: None can clean their dress from stain, but some blemish will remain (engraving), Leighton, John (1822-1912) / Bridgeman Images

Love takes possession of the mind insensibly (engraving)
Love takes possession of the mind insensibly (engraving)

LLM3631147: Love takes possession of the mind insensibly (engraving), Leighton, John (1822-1912) / Bridgeman Images

Play, but chastely (engraving)
Play, but chastely (engraving)

LLM3631153: Play, but chastely (engraving), Leighton, John (1822-1912) / Bridgeman Images

Each deplores his own lot (engraving)
Each deplores his own lot (engraving)

LLM3631157: Each deplores his own lot (engraving), Leighton, John (1822-1912) / Bridgeman Images

Enter not, or pass through (engraving)
Enter not, or pass through (engraving)

LLM3631173: Enter not, or pass through (engraving), Leighton, John (1822-1912) / Bridgeman Images

Who would learn to shave well, should first practise on a fool's beard (engraving)
Who would learn to shave well, should first practise on a fool's beard (engraving)

LLM3631180: Who would learn to shave well, should first practise on a fool's beard (engraving), Leighton, John (1822-1912) / Bridgeman Images

What the sow does, the little pigs must pay for (engraving)
What the sow does, the little pigs must pay for (engraving)

LLM3631182: What the sow does, the little pigs must pay for (engraving), Leighton, John (1822-1912) / Bridgeman Images

A whole mill to grind a peck of corn (engraving)
A whole mill to grind a peck of corn (engraving)

LLM3631185: A whole mill to grind a peck of corn (engraving), Leighton, John (1822-1912) / Bridgeman Images

The dogs and the bone (engraving)
The dogs and the bone (engraving)

LLM3631186: The dogs and the bone (engraving), Leighton, John (1822-1912) / Bridgeman Images

When the wolf comes, the oxen leave off fighting to unite in self-defence (engraving)
When the wolf comes, the oxen leave off fighting to unite in self-defence (engraving)

LLM3631188: When the wolf comes, the oxen leave off fighting to unite in self-defence (engraving), Leighton, John (1822-1912) / Bridgeman Images

While she weeps, she devours (engraving)
While she weeps, she devours (engraving)

LLM3631190: While she weeps, she devours (engraving), Leighton, John (1822-1912) / Bridgeman Images

Well set-off is half sold (engraving)
Well set-off is half sold (engraving)

LLM3631199: Well set-off is half sold (engraving), Leighton, John (1822-1912) / Bridgeman Images

One stroke fells not an oak (engraving)
One stroke fells not an oak (engraving)

LLM3631200: One stroke fells not an oak (engraving), Leighton, John (1822-1912) / Bridgeman Images

Hark! hark! the dogs bark (colour litho)
Hark! hark! the dogs bark (colour litho)

LLM3631201: Hark! hark! the dogs bark (colour litho), Greenaway, Kate (1846-1901) (after) / Bridgeman Images

Benedetto Marcello, 1686-1739, signature (engraving)
Benedetto Marcello, 1686-1739, signature (engraving)

LLM3632929: Benedetto Marcello, 1686-1739, signature (engraving), American School, (19th century) / Bridgeman Images

Heinrich (August) Marschner, 1796-1861 (engraving)
Heinrich (August) Marschner, 1796-1861 (engraving)

LLM3632934: Heinrich (August) Marschner, 1796-1861 (engraving), American School, (19th century) / Bridgeman Images

Jules (Emile Frederic) Massenet (engraving)
Jules (Emile Frederic) Massenet (engraving)

LLM3632940: Jules (Emile Frederic) Massenet (engraving), American School, (19th century) / Bridgeman Images

(Giuseppe) Saverio (Raffaele) Mercadante, 1795-1870 (engraving)
(Giuseppe) Saverio (Raffaele) Mercadante, 1795-1870 (engraving)

LLM3632949: (Giuseppe) Saverio (Raffaele) Mercadante, 1795-1870 (engraving), American School, (19th century) / Bridgeman Images

Gustav (Adolph) Merkel, 1827-1885 (engraving)
Gustav (Adolph) Merkel, 1827-1885 (engraving)

LLM3632950: Gustav (Adolph) Merkel, 1827-1885 (engraving), American School, (19th century) / Bridgeman Images

(Jakob Meyer Beer) known as Giacomo Meyerbeer, 1791 or 1794-1864, signature (engraving)
(Jakob Meyer Beer) known as Giacomo Meyerbeer, 1791 or 1794-1864, signature (engraving)

LLM3632955: (Jakob Meyer Beer) known as Giacomo Meyerbeer, 1791 or 1794-1864, signature (engraving), American School, (19th century) / Bridgeman Images

Ignaz Moscheles, 1794-1870 (engraving)
Ignaz Moscheles, 1794-1870 (engraving)

LLM3632969: Ignaz Moscheles, 1794-1870 (engraving), American School, (19th century) / Bridgeman Images

Felix Mottl (engraving)
Felix Mottl (engraving)

LLM3632973: Felix Mottl (engraving), American School, (19th century) / Bridgeman Images

Pietro Nardini, 1722-1793, signature (engraving)
Pietro Nardini, 1722-1793, signature (engraving)

LLM3632983: Pietro Nardini, 1722-1793, signature (engraving), American School, (19th century) / Bridgeman Images

Johann Gottlieb Naumann, 1741-1801, signature (engraving)
Johann Gottlieb Naumann, 1741-1801, signature (engraving)

LLM3632988: Johann Gottlieb Naumann, 1741-1801, signature (engraving), American School, (19th century) / Bridgeman Images

Jean Louis Nicode (engraving)
Jean Louis Nicode (engraving)

LLM3632993: Jean Louis Nicode (engraving), American School, (19th century) / Bridgeman Images


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