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Daily life in Spain: a religious procession in a village, beg of 20th century (chromo)
Daily life in Spain: a religious procession in a village, beg of 20th century (chromo)

XEE4190648: Daily life in Spain: a religious procession in a village, beg of 20th century (chromo), French School, (20th century) / Bridgeman Images

ID: XEE4190648

Daily life in Spain: a religious procession in a village, beg of 20th century (chromo)

French School, (20th century)

Daily life in Spain: young Spanish couple moving on a mule's back on a mountain road, series on traditions and professions, beg of 0th century (chromo)
Daily life in Spain: young Spanish couple moving on a mule's back on a mountain road, series on traditions and professions, beg of 0th century (chromo)

XEE4190666: Daily life in Spain: young Spanish couple moving on a mule's back on a mountain road, series on traditions and professions, beg of 0th century (chromo), French School, (20th century) / Bridgeman Images

ID: XEE4190666

Daily life in Spain: young Spanish couple moving on a mule's back on a mountain road, series on traditions and professions, beg of 0th century (chromo)

French School, (20th century)

Entomology: representation of a long-head grasshopper, insect series, beg of 20th century (chromo)
Entomology: representation of a long-head grasshopper, insect series, beg of 20th century (chromo)

XEE4190678: Entomology: representation of a long-head grasshopper, insect series, beg of 20th century (chromo) / Bridgeman Images

ID: XEE4190678

Entomology: representation of a long-head grasshopper, insect series, beg of 20th century (chromo)

Architecture and engineering of bridges: representation of the Brest swing bridge, series on bridges, beg of 20th century (chromo)
Architecture and engineering of bridges: representation of the Brest swing bridge, series on bridges, beg of 20th century (chromo)

XEE4190731: Architecture and engineering of bridges: representation of the Brest swing bridge, series on bridges, beg of 20th century (chromo) / Bridgeman Images

ID: XEE4190731

Architecture and engineering of bridges: representation of the Brest swing bridge, series on bridges, beg of 20th century (chromo)

The chateaux of the Loire: the chateau of Chenonceaux , beg of 20th century (chromo)
The chateaux of the Loire: the chateau of Chenonceaux , beg of 20th century (chromo)

XEE4190794: The chateaux of the Loire: the chateau of Chenonceaux , beg of 20th century (chromo) / Bridgeman Images

ID: XEE4190794

The chateaux of the Loire: the chateau of Chenonceaux , beg of 20th century (chromo)

Advertising bookmark, representing a train, promoting the network of public railways serving Normandy, Brittany and South West. Annees 1910-1920 Private Collection
Advertising bookmark, representing a train, promoting the network of public railways serving Normandy, Brittany and South West. Annees 1910-1920 Private Collection

XEE4191031: Advertising bookmark, representing a train, promoting the network of public railways serving Normandy, Brittany and South West. Annees 1910-1920 Private Collection, Anonymous / Bridgeman Images

ID: XEE4191031

Advertising bookmark, representing a train, promoting the network of public railways serving Normandy, Brittany and South West. Annees 1910-1920 Private Collection

Anonymous

Illustration for the Tales written by Hans Christian Handersen, c.1945 (print)
Illustration for the Tales written by Hans Christian Handersen, c.1945 (print)

XEE4191214: Illustration for the Tales written by Hans Christian Handersen, c.1945 (print), Resignani, Angela (20th century) / Bridgeman Images

ID: XEE4191214

Illustration for the Tales written by Hans Christian Handersen, c.1945 (print)

Resignani, Angela (20th century)

We dance on a volcano. Words of Count Narcisse Achille de Salvand, 1915 (print)
We dance on a volcano. Words of Count Narcisse Achille de Salvand, 1915 (print)

XEE4191195: We dance on a volcano. Words of Count Narcisse Achille de Salvand, 1915 (print), Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images

ID: XEE4191195

We dance on a volcano. Words of Count Narcisse Achille de Salvand, 1915 (print)

Job, pseudonym for Onfray de Breville, Jacques (1858-1931)

Measurements of the maximum width of the head by the police prefecture according to the methods of Alphonse Bertillon (1853-1914) known as “Bertillonnage”. Engraving in “” La Nature””, 1883. Private collection.
Measurements of the maximum width of the head by the police prefecture according to the methods of Alphonse Bertillon (1853-1914) known as “Bertillonnage”. Engraving in “” La Nature””, 1883. Private collection.

XEE4191319: Measurements of the maximum width of the head by the police prefecture according to the methods of Alphonse Bertillon (1853-1914) known as “Bertillonnage”. Engraving in “” La Nature””, 1883. Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4191319

Measurements of the maximum width of the head by the police prefecture according to the methods of Alphonse Bertillon (1853-1914) known as “Bertillonnage”. Engraving in “” La Nature””, 1883. Private collection.

Unknown Artist, (19th century)

Still life of yellow, red and green peppers
Still life of yellow, red and green peppers

XEE4191382: Still life of yellow, red and green peppers / Bridgeman Images

ID: XEE4191382

Still life of yellow, red and green peppers

Characters of Karloo, Jonah, Rysoor, Blackcarmes, Duke of Alba, Rafaela and the sequel of the Duke of Alba in Act IV “The Death of the Ringer””. Scene of the Opera “” Homeland! “” by Sardou and Louis Gallet (1835-1898). Music by Emile Paladilhe (1844-1926). Engraving in “” Le monde illustrious””, 1887. Private collection.
Characters of Karloo, Jonah, Rysoor, Blackcarmes, Duke of Alba, Rafaela and the sequel of the Duke of Alba in Act IV “The Death of the Ringer””. Scene of the Opera “” Homeland! “” by Sardou and Louis Gallet (1835-1898). Music by Emile Paladilhe (1844-1926). Engraving in “” Le monde illustrious””, 1887. Private collection.

XEE4191444: Characters of Karloo, Jonah, Rysoor, Blackcarmes, Duke of Alba, Rafaela and the sequel of the Duke of Alba in Act IV “The Death of the Ringer””. Scene of the Opera “” Homeland! “” by Sardou and Louis Gallet (1835-1898). Music by Emile Paladilhe (1844-1926). Engraving in “” Le monde illustrious””, 1887. Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4191444

Characters of Karloo, Jonah, Rysoor, Blackcarmes, Duke of Alba, Rafaela and the sequel of the Duke of Alba in Act IV “The Death of the Ringer””. Scene of the Opera “” Homeland! “” by Sardou and Louis Gallet (1835-1898). Music by Emile Paladilhe (1844-1926). Engraving in “” Le monde illustrious””, 1887. Private collection.

Unknown Artist, (19th century)

Advertising for Geraudel tablets by pharmacist Arthur Geraudel against cough, 1887 (engraving)
Advertising for Geraudel tablets by pharmacist Arthur Geraudel against cough, 1887 (engraving)

XEE4191458: Advertising for Geraudel tablets by pharmacist Arthur Geraudel against cough, 1887 (engraving), Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4191458

Advertising for Geraudel tablets by pharmacist Arthur Geraudel against cough, 1887 (engraving)

Unknown Artist, (19th century)

And without any bad mood, the lady of Midi puts her elbow back on the table and her chin in her hand, 1886 (engraving)
And without any bad mood, the lady of Midi puts her elbow back on the table and her chin in her hand, 1886 (engraving)

XEE4191263: And without any bad mood, the lady of Midi puts her elbow back on the table and her chin in her hand, 1886 (engraving), Montegut, Louis (b.1855) / Bridgeman Images

ID: XEE4191263

And without any bad mood, the lady of Midi puts her elbow back on the table and her chin in her hand, 1886 (engraving)

Montegut, Louis (b.1855)

Gringoire, Quasimodo, La Esmeralda, La Sachette and Phoebus. Main characters in the theatre piece “” Notre Dame de Paris””, drama by Paul Meurice (1912-1979) by Victor Hugo (1802-1885) represented at the Theatre des Nations. Engraving in “” Le Monde illustrious””, 1886. Private collection.
Gringoire, Quasimodo, La Esmeralda, La Sachette and Phoebus. Main characters in the theatre piece “” Notre Dame de Paris””, drama by Paul Meurice (1912-1979) by Victor Hugo (1802-1885) represented at the Theatre des Nations. Engraving in “” Le Monde illustrious””, 1886. Private collection.

XEE4191268: Gringoire, Quasimodo, La Esmeralda, La Sachette and Phoebus. Main characters in the theatre piece “” Notre Dame de Paris””, drama by Paul Meurice (1912-1979) by Victor Hugo (1802-1885) represented at the Theatre des Nations. Engraving in “” Le Monde illustrious””, 1886. Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4191268

Gringoire, Quasimodo, La Esmeralda, La Sachette and Phoebus. Main characters in the theatre piece “” Notre Dame de Paris””, drama by Paul Meurice (1912-1979) by Victor Hugo (1802-1885) represented at the Theatre des Nations. Engraving in “” Le Monde illustrious””, 1886. Private collection.

Unknown Artist, (19th century)

Illustration for
Illustration for

XEE4191322: Illustration for "Trente ans de Paris" autobiographical collection by Alphonse Daude, 1886 (engraving), Montegut, Louis (b.1855) / Bridgeman Images

ID: XEE4191322

Illustration for "Trente ans de Paris" autobiographical collection by Alphonse Daude, 1886 (engraving)

Montegut, Louis (b.1855)

Illustration of the Arabian Nights tale
Illustration of the Arabian Nights tale

XEE4191700: Illustration of the Arabian Nights tale "Aladdin and the Wonderful Lamp", late 19th century (print), French School, (19th century) / Bridgeman Images

ID: XEE4191700

Illustration of the Arabian Nights tale "Aladdin and the Wonderful Lamp", late 19th century (print)

French School, (19th century)

Hunting in China: the cangue, an apparatus of torment (a kind of pillory) applies to infanticide mothers. Engraving in “” La Nature””, 1896. Private Collection
Hunting in China: the cangue, an apparatus of torment (a kind of pillory) applies to infanticide mothers. Engraving in “” La Nature””, 1896. Private Collection

XEE4191759: Hunting in China: the cangue, an apparatus of torment (a kind of pillory) applies to infanticide mothers. Engraving in “” La Nature””, 1896. Private Collection, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4191759

Hunting in China: the cangue, an apparatus of torment (a kind of pillory) applies to infanticide mothers. Engraving in “” La Nature””, 1896. Private Collection

Unknown Artist, (19th century)

View of the city of Mantua, Italy. engraving of 1859 in
View of the city of Mantua, Italy. engraving of 1859 in

XEE4191819: View of the city of Mantua, Italy. engraving of 1859 in "the galleries of Europe - Italy" by armengaud., Anonymous / Bridgeman Images

ID: XEE4191819

View of the city of Mantua, Italy. engraving of 1859 in "the galleries of Europe - Italy" by armengaud.

Anonymous

Portrait of Charles Marie, Count Denys of Damremont (1783-1837), French general. Engraving in “Les Illustrations De L'armee Francaise de 1789 a 1880””, 1881. Private Collection
Portrait of Charles Marie, Count Denys of Damremont (1783-1837), French general. Engraving in “Les Illustrations De L'armee Francaise de 1789 a 1880””, 1881. Private Collection

XEE4192420: Portrait of Charles Marie, Count Denys of Damremont (1783-1837), French general. Engraving in “Les Illustrations De L'armee Francaise de 1789 a 1880””, 1881. Private Collection, French School, (19th century) / Bridgeman Images

ID: XEE4192420

Portrait of Charles Marie, Count Denys of Damremont (1783-1837), French general. Engraving in “Les Illustrations De L'armee Francaise de 1789 a 1880””, 1881. Private Collection

French School, (19th century)

Chinese Compact: Magnetic statue of a Japanese magnetic car, in 658, this figure whose finger always points towards the south guided the courses and expeditions. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886.
Chinese Compact: Magnetic statue of a Japanese magnetic car, in 658, this figure whose finger always points towards the south guided the courses and expeditions. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886.

XEE4192152: Chinese Compact: Magnetic statue of a Japanese magnetic car, in 658, this figure whose finger always points towards the south guided the courses and expeditions. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886., French School, (19th century) / Bridgeman Images

ID: XEE4192152

Chinese Compact: Magnetic statue of a Japanese magnetic car, in 658, this figure whose finger always points towards the south guided the courses and expeditions. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886.

French School, (19th century)

Reception of the President of the Republic Adolphe Thiers at the Palais de l'Elysee. Engraving in “” L'Univers illustrious””, 1872. Private collection.
Reception of the President of the Republic Adolphe Thiers at the Palais de l'Elysee. Engraving in “” L'Univers illustrious””, 1872. Private collection.

XEE4192228: Reception of the President of the Republic Adolphe Thiers at the Palais de l'Elysee. Engraving in “” L'Univers illustrious””, 1872. Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4192228

Reception of the President of the Republic Adolphe Thiers at the Palais de l'Elysee. Engraving in “” L'Univers illustrious””, 1872. Private collection.

Unknown Artist, (19th century)

Portrait of Francois Claude Amour, Marquis de Bouille (1739-1800), French general. Engraving in “Les Illustrations De L'armee Francaise de 1789 a 1880””, 1881. Private Collection
Portrait of Francois Claude Amour, Marquis de Bouille (1739-1800), French general. Engraving in “Les Illustrations De L'armee Francaise de 1789 a 1880””, 1881. Private Collection

XEE4192388: Portrait of Francois Claude Amour, Marquis de Bouille (1739-1800), French general. Engraving in “Les Illustrations De L'armee Francaise de 1789 a 1880””, 1881. Private Collection, French School, (19th century) / Bridgeman Images

ID: XEE4192388

Portrait of Francois Claude Amour, Marquis de Bouille (1739-1800), French general. Engraving in “Les Illustrations De L'armee Francaise de 1789 a 1880””, 1881. Private Collection

French School, (19th century)

The wolf in the big mother's bed. Le petit chaperon rouge in “” Les Contes de Perrault””, Album pour les Enfants, illustrations by Maby, 1929. Private Collection
The wolf in the big mother's bed. Le petit chaperon rouge in “” Les Contes de Perrault””, Album pour les Enfants, illustrations by Maby, 1929. Private Collection

XEE4192474: The wolf in the big mother's bed. Le petit chaperon rouge in “” Les Contes de Perrault””, Album pour les Enfants, illustrations by Maby, 1929. Private Collection, Maby (fl.1926) / Bridgeman Images

ID: XEE4192474

The wolf in the big mother's bed. Le petit chaperon rouge in “” Les Contes de Perrault””, Album pour les Enfants, illustrations by Maby, 1929. Private Collection

Maby (fl.1926)

The King of France Louis XIII (1601-1643) is caught with migraine when he speaks to Queen Anne of Austria (1601-1666). Engraving from 1871 in “Histoire Des Cocus Celebres”” by Henry de Kock (1819-1892).
The King of France Louis XIII (1601-1643) is caught with migraine when he speaks to Queen Anne of Austria (1601-1666). Engraving from 1871 in “Histoire Des Cocus Celebres”” by Henry de Kock (1819-1892).

XEE4192649: The King of France Louis XIII (1601-1643) is caught with migraine when he speaks to Queen Anne of Austria (1601-1666). Engraving from 1871 in “Histoire Des Cocus Celebres”” by Henry de Kock (1819-1892)., French School, (19th century) / Bridgeman Images

ID: XEE4192649

The King of France Louis XIII (1601-1643) is caught with migraine when he speaks to Queen Anne of Austria (1601-1666). Engraving from 1871 in “Histoire Des Cocus Celebres”” by Henry de Kock (1819-1892).

French School, (19th century)

Don Juan discussed with Anne of Austria (1549-1580) his possible union with Prince Don Carlos (1545-1568), son of King Philip II of Spain (1527-1598). Engraving from 1871 in “Histoire Des Cocus Celebres”” by Henry de Kock (1819-1892).
Don Juan discussed with Anne of Austria (1549-1580) his possible union with Prince Don Carlos (1545-1568), son of King Philip II of Spain (1527-1598). Engraving from 1871 in “Histoire Des Cocus Celebres”” by Henry de Kock (1819-1892).

XEE4192677: Don Juan discussed with Anne of Austria (1549-1580) his possible union with Prince Don Carlos (1545-1568), son of King Philip II of Spain (1527-1598). Engraving from 1871 in “Histoire Des Cocus Celebres”” by Henry de Kock (1819-1892)., French School, (19th century) / Bridgeman Images

ID: XEE4192677

Don Juan discussed with Anne of Austria (1549-1580) his possible union with Prince Don Carlos (1545-1568), son of King Philip II of Spain (1527-1598). Engraving from 1871 in “Histoire Des Cocus Celebres”” by Henry de Kock (1819-1892).

French School, (19th century)

Country work: sowing barley in the Sarthe. A newspaper. Engraving in “” Le Monde Illustré””, March 13, 1886.
Country work: sowing barley in the Sarthe. A newspaper. Engraving in “” Le Monde Illustré””, March 13, 1886.

XEE4192830: Country work: sowing barley in the Sarthe. A newspaper. Engraving in “” Le Monde Illustré””, March 13, 1886., French School, (19th century) / Bridgeman Images

ID: XEE4192830

Country work: sowing barley in the Sarthe. A newspaper. Engraving in “” Le Monde Illustré””, March 13, 1886.

French School, (19th century)

Both prayed in the house of Cesar illustration by JAN STYKA for Henryk Sienkiewicz's novel “Quo Vadis”.
Both prayed in the house of Cesar illustration by JAN STYKA for Henryk Sienkiewicz's novel “Quo Vadis”.

XEE4190317: Both prayed in the house of Cesar illustration by JAN STYKA for Henryk Sienkiewicz's novel “Quo Vadis”., Styka, Jan (1858-1925) / Bridgeman Images

ID: XEE4190317

Both prayed in the house of Cesar illustration by JAN STYKA for Henryk Sienkiewicz's novel “Quo Vadis”.

Styka, Jan (1858-1925)

Daily life in ancient Egypt: grinding grain, beg of 20th century (chromo)
Daily life in ancient Egypt: grinding grain, beg of 20th century (chromo)

XEE4190516: Daily life in ancient Egypt: grinding grain, beg of 20th century (chromo) / Bridgeman Images

ID: XEE4190516

Daily life in ancient Egypt: grinding grain, beg of 20th century (chromo)

Bridge architecture: representation of the aqueduct bridge of Roquefavour in the Bouches du Rhone, series on bridges, beg of 20th century (chromo)
Bridge architecture: representation of the aqueduct bridge of Roquefavour in the Bouches du Rhone, series on bridges, beg of 20th century (chromo)

XEE4190733: Bridge architecture: representation of the aqueduct bridge of Roquefavour in the Bouches du Rhone, series on bridges, beg of 20th century (chromo) / Bridgeman Images

ID: XEE4190733

Bridge architecture: representation of the aqueduct bridge of Roquefavour in the Bouches du Rhone, series on bridges, beg of 20th century (chromo)

Bridge architecture and engineering: representation of the rocker bridge from Chicago to the United States, series on bridges, beg of 20th century (chromo)
Bridge architecture and engineering: representation of the rocker bridge from Chicago to the United States, series on bridges, beg of 20th century (chromo)

XEE4190753: Bridge architecture and engineering: representation of the rocker bridge from Chicago to the United States, series on bridges, beg of 20th century (chromo) / Bridgeman Images

ID: XEE4190753

Bridge architecture and engineering: representation of the rocker bridge from Chicago to the United States, series on bridges, beg of 20th century (chromo)

Cathedral of Milan, Italy. engraving of 1859 in
Cathedral of Milan, Italy. engraving of 1859 in

XEE4191817: Cathedral of Milan, Italy. engraving of 1859 in "the galleries of Europe - Italy" by armengaud., Anonymous / Bridgeman Images

ID: XEE4191817

Cathedral of Milan, Italy. engraving of 1859 in "the galleries of Europe - Italy" by armengaud.

Anonymous

Portrait of Daniele Crespi Italian painter. Engraving of 1859 in
Portrait of Daniele Crespi Italian painter. Engraving of 1859 in

XEE4191962: Portrait of Daniele Crespi Italian painter. Engraving of 1859 in "the galleries of Europe - Italy" by Armandaud., Anonymous / Bridgeman Images

ID: XEE4191962

Portrait of Daniele Crespi Italian painter. Engraving of 1859 in "the galleries of Europe - Italy" by Armandaud.

Anonymous

Portrait of Pier Francesco Mazzucchelli dit il Morazzone Italian painter. 1859
Portrait of Pier Francesco Mazzucchelli dit il Morazzone Italian painter. 1859

XEE4191963: Portrait of Pier Francesco Mazzucchelli dit il Morazzone Italian painter. 1859 "the galleries of Europe - Italy" by Armandaud., Anonymous / Bridgeman Images

ID: XEE4191963

Portrait of Pier Francesco Mazzucchelli dit il Morazzone Italian painter. 1859 "the galleries of Europe - Italy" by Armandaud.

Anonymous

The Electricite Exhibition in Vienna (Austria), an overview of the large rotunda illuminated by electric light. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et à l'industrie.” 1884.
The Electricite Exhibition in Vienna (Austria), an overview of the large rotunda illuminated by electric light. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et à l'industrie.” 1884.

XEE4192082: The Electricite Exhibition in Vienna (Austria), an overview of the large rotunda illuminated by electric light. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et à l'industrie.” 1884., French School, (19th century) / Bridgeman Images

ID: XEE4192082

The Electricite Exhibition in Vienna (Austria), an overview of the large rotunda illuminated by electric light. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et à l'industrie.” 1884.

French School, (19th century)

Box. Northwest India, circa 1650-1700. Wood, ivory. Musee du Louvre
Box. Northwest India, circa 1650-1700. Wood, ivory. Musee du Louvre

SYC4193793: Box. Northwest India, circa 1650-1700. Wood, ivory. Musee du Louvre / Bridgeman Images

ID: SYC4193793

Box. Northwest India, circa 1650-1700. Wood, ivory. Musee du Louvre

Jali has bows. North India, late 16th - early 17th century. Gres carved. Musee du Louvre
Jali has bows. North India, late 16th - early 17th century. Gres carved. Musee du Louvre

SYC4193826: Jali has bows. North India, late 16th - early 17th century. Gres carved. Musee du Louvre / Bridgeman Images

ID: SYC4193826

Jali has bows. North India, late 16th - early 17th century. Gres carved. Musee du Louvre


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