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Map of the Mediterranean Sea - Detail of the conquete of Tunis (Tunisia) - Tapestry by Francisco and Cornelius Van der Ggot (18th century), woven into the royal tapestry factory, mid-18th century, after the tapestry of the 16th century by Willem de Pannemaker - (Tunis Conquest, detail, tapestry by F. and C. Van der Ggot, mid 18th century) - Museum of Seville (Spain) -
Map of the Mediterranean Sea - Detail of the conquete of Tunis (Tunisia) - Tapestry by Francisco and Cornelius Van der Ggot (18th century), woven into the royal tapestry factory, mid-18th century, after the tapestry of the 16th century by Willem de Pannemaker - (Tunis Conquest, detail, tapestry by F. and C. Van der Ggot, mid 18th century) - Museum of Seville (Spain) -

LSE4317460: Map of the Mediterranean Sea - Detail of the conquete of Tunis (Tunisia) - Tapestry by Francisco and Cornelius Van der Ggot (18th century), woven into the royal tapestry factory, mid-18th century, after the tapestry of the 16th century by Willem de Pannemaker - (Tunis Conquest, detail, tapestry by F. and C. Van der Ggot, mid 18th century) - Museum of Seville (Spain) -, Vandergoten Canyuwell, Francisco Ignacio (1704-1774) / Bridgeman Images

ID: LSE4317460

Map of the Mediterranean Sea - Detail of the conquete of Tunis (Tunisia) - Tapestry by Francisco and Cornelius Van der Ggot (18th century), woven into the royal tapestry factory, mid-18th century, after the tapestry of the 16th century by Willem de Pannemaker - (Tunis Conquest, detail, tapestry by F. and C. Van der Ggot, mid 18th century) - Museum of Seville (Spain) -

Vandergoten Canyuwell, Francisco Ignacio (1704-1774)

Correspondence from the grave, Telemaque son of Ulysses writing to the President of the Republic. Drawing replacing a cartoon of Gill censuree. Cover in “” L'Eclipse”” by A. Humbert, November 19, 1871, Paris.
Correspondence from the grave, Telemaque son of Ulysses writing to the President of the Republic. Drawing replacing a cartoon of Gill censuree. Cover in “” L'Eclipse”” by A. Humbert, November 19, 1871, Paris.

LSE4319528: Correspondence from the grave, Telemaque son of Ulysses writing to the President of the Republic. Drawing replacing a cartoon of Gill censuree. Cover in “” L'Eclipse”” by A. Humbert, November 19, 1871, Paris., Humbert, Albert (1835-1886) / Bridgeman Images

ID: LSE4319528

Correspondence from the grave, Telemaque son of Ulysses writing to the President of the Republic. Drawing replacing a cartoon of Gill censuree. Cover in “” L'Eclipse”” by A. Humbert, November 19, 1871, Paris.

Humbert, Albert (1835-1886)

Detachee page of Mademoiselle X. Cover in “” L'Eclipse”” by Pepin, December 27, 1868, Paris.
Detachee page of Mademoiselle X. Cover in “” L'Eclipse”” by Pepin, December 27, 1868, Paris.

LSE4318730: Detachee page of Mademoiselle X. Cover in “” L'Eclipse”” by Pepin, December 27, 1868, Paris., Pepin, (fl.1880) / Bridgeman Images

ID: LSE4318730

Detachee page of Mademoiselle X. Cover in “” L'Eclipse”” by Pepin, December 27, 1868, Paris.

Pepin, (fl.1880)

Henri Charles Ferdinand of Bourbon d'Artois, (1820-1883), Duke of Bordeaux, Count of Chambord, pretending to the throne of France under the name of Henri V. Cover in “” L'Eclipse”” by Gill, October 1, 1871, Paris.
Henri Charles Ferdinand of Bourbon d'Artois, (1820-1883), Duke of Bordeaux, Count of Chambord, pretending to the throne of France under the name of Henri V. Cover in “” L'Eclipse”” by Gill, October 1, 1871, Paris.

LSE4319110: Henri Charles Ferdinand of Bourbon d'Artois, (1820-1883), Duke of Bordeaux, Count of Chambord, pretending to the throne of France under the name of Henri V. Cover in “” L'Eclipse”” by Gill, October 1, 1871, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4319110

Henri Charles Ferdinand of Bourbon d'Artois, (1820-1883), Duke of Bordeaux, Count of Chambord, pretending to the throne of France under the name of Henri V. Cover in “” L'Eclipse”” by Gill, October 1, 1871, Paris.

Gill, Andre (1840-85)

Portrait of the cochers, with a hitch in the courtyard of the Parisian home of Count Ducos. Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).
Portrait of the cochers, with a hitch in the courtyard of the Parisian home of Count Ducos. Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).

LSE4316162: Portrait of the cochers, with a hitch in the courtyard of the Parisian home of Count Ducos. Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913)., Ducos, Paul Emile Theodore (1849-1913) / Bridgeman Images

ID: LSE4316162

Portrait of the cochers, with a hitch in the courtyard of the Parisian home of Count Ducos. Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).

Ducos, Paul Emile Theodore (1849-1913)

The deer. Painting by Roger de La Fresnaye (1885-1925), oil on wood, 1921. French art, 20th century. Museum of Modern Art in Troyes.
The deer. Painting by Roger de La Fresnaye (1885-1925), oil on wood, 1921. French art, 20th century. Museum of Modern Art in Troyes.

LSE4315030: The deer. Painting by Roger de La Fresnaye (1885-1925), oil on wood, 1921. French art, 20th century. Museum of Modern Art in Troyes., La Fresnaye, Roger de (1885-1925) / Bridgeman Images

ID: LSE4315030

The deer. Painting by Roger de La Fresnaye (1885-1925), oil on wood, 1921. French art, 20th century. Museum of Modern Art in Troyes.

La Fresnaye, Roger de (1885-1925)

Head of the Goddess Junon - White marble sculpture, Roman period, Banasa (Morocco) - Musee d'Archeologie de Rabat, Morocco
Head of the Goddess Junon - White marble sculpture, Roman period, Banasa (Morocco) - Musee d'Archeologie de Rabat, Morocco

LSE4317773: Head of the Goddess Junon - White marble sculpture, Roman period, Banasa (Morocco) - Musee d'Archeologie de Rabat, Morocco, Roman / Bridgeman Images

ID: LSE4317773

Head of the Goddess Junon - White marble sculpture, Roman period, Banasa (Morocco) - Musee d'Archeologie de Rabat, Morocco

Roman

Portrait of Camille Schelter, actress in the role of Fanfan Benoiton. Cartoon by Gill, in “The Moon”, August 11, 1867.
Portrait of Camille Schelter, actress in the role of Fanfan Benoiton. Cartoon by Gill, in “The Moon”, August 11, 1867.

LSE4318363: Portrait of Camille Schelter, actress in the role of Fanfan Benoiton. Cartoon by Gill, in “The Moon”, August 11, 1867., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4318363

Portrait of Camille Schelter, actress in the role of Fanfan Benoiton. Cartoon by Gill, in “The Moon”, August 11, 1867.

Gill, Andre (1840-85)

Jean-Pons-Guillaume Viennet (1777-1868), French poet, playwright and politician. Cover in “” L'Eclipse”” by Gill, April 26, 1868, Paris.
Jean-Pons-Guillaume Viennet (1777-1868), French poet, playwright and politician. Cover in “” L'Eclipse”” by Gill, April 26, 1868, Paris.

LSE4318570: Jean-Pons-Guillaume Viennet (1777-1868), French poet, playwright and politician. Cover in “” L'Eclipse”” by Gill, April 26, 1868, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4318570

Jean-Pons-Guillaume Viennet (1777-1868), French poet, playwright and politician. Cover in “” L'Eclipse”” by Gill, April 26, 1868, Paris.

Gill, Andre (1840-85)

The Devil has four, political pamphlet redesigned by Mephistopheles (Mephisto) alias Wolff, Villemessant, Duchesne, Lockroy, and his cartoonist Benassit. Cover in “” L'Eclipse”” by Gill, October 25, 1868, Paris.
The Devil has four, political pamphlet redesigned by Mephistopheles (Mephisto) alias Wolff, Villemessant, Duchesne, Lockroy, and his cartoonist Benassit. Cover in “” L'Eclipse”” by Gill, October 25, 1868, Paris.

LSE4318657: The Devil has four, political pamphlet redesigned by Mephistopheles (Mephisto) alias Wolff, Villemessant, Duchesne, Lockroy, and his cartoonist Benassit. Cover in “” L'Eclipse”” by Gill, October 25, 1868, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4318657

The Devil has four, political pamphlet redesigned by Mephistopheles (Mephisto) alias Wolff, Villemessant, Duchesne, Lockroy, and his cartoonist Benassit. Cover in “” L'Eclipse”” by Gill, October 25, 1868, Paris.

Gill, Andre (1840-85)

The Reaper, a representation of Death. Cover in “” L'Eclipse”” by Gill, November 29, 1868, Paris.
The Reaper, a representation of Death. Cover in “” L'Eclipse”” by Gill, November 29, 1868, Paris.

LSE4318708: The Reaper, a representation of Death. Cover in “” L'Eclipse”” by Gill, November 29, 1868, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4318708

The Reaper, a representation of Death. Cover in “” L'Eclipse”” by Gill, November 29, 1868, Paris.

Gill, Andre (1840-85)

F. de Fontbouillant, director of Epargne. Cover in “” L'Eclipse”” by Gill, April 4, 1869, Paris.
F. de Fontbouillant, director of Epargne. Cover in “” L'Eclipse”” by Gill, April 4, 1869, Paris.

LSE4318774: F. de Fontbouillant, director of Epargne. Cover in “” L'Eclipse”” by Gill, April 4, 1869, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4318774

F. de Fontbouillant, director of Epargne. Cover in “” L'Eclipse”” by Gill, April 4, 1869, Paris.

Gill, Andre (1840-85)

The new phryne, according to a painting by Gerome, Phryne would be the Republique unveiled. in “” L'Eclipse”” by A. Le petit, September 3, 1871, Paris.
The new phryne, according to a painting by Gerome, Phryne would be the Republique unveiled. in “” L'Eclipse”” by A. Le petit, September 3, 1871, Paris.

LSE4319079: The new phryne, according to a painting by Gerome, Phryne would be the Republique unveiled. in “” L'Eclipse”” by A. Le petit, September 3, 1871, Paris., Le Petit, Alfred (1841-1909) / Bridgeman Images

ID: LSE4319079

The new phryne, according to a painting by Gerome, Phryne would be the Republique unveiled. in “” L'Eclipse”” by A. Le petit, September 3, 1871, Paris.

Le Petit, Alfred (1841-1909)

Portrait of Saint Pierre-Marie Chanel (Pierre Marie Chanel), Marist priest martyr in Oceania, who died in 1841. Engraving in
Portrait of Saint Pierre-Marie Chanel (Pierre Marie Chanel), Marist priest martyr in Oceania, who died in 1841. Engraving in

LSE4319124: Portrait of Saint Pierre-Marie Chanel (Pierre Marie Chanel), Marist priest martyr in Oceania, who died in 1841. Engraving in "Great album of images en couleur pour l'explanation du catechisme approves by his eminence Cardinal Perraud", by Abbe Mouterde, beginning 20th century. Private Collection, French School, (20th century) / Bridgeman Images

ID: LSE4319124

Portrait of Saint Pierre-Marie Chanel (Pierre Marie Chanel), Marist priest martyr in Oceania, who died in 1841. Engraving in "Great album of images en couleur pour l'explanation du catechisme approves by his eminence Cardinal Perraud", by Abbe Mouterde, beginning 20th century. Private Collection

French School, (20th century)

The coronation of Mary. Representation of the Holy Trinity: God, Jesus Christ and the dove of the Holy Spirit (Holy Spirit). Painting of the Master of the Passion of Lyversberger (active 1460-1490), oil on wood, early German art 15th century. Munich, Alte Pinakothek (Germany).
The coronation of Mary. Representation of the Holy Trinity: God, Jesus Christ and the dove of the Holy Spirit (Holy Spirit). Painting of the Master of the Passion of Lyversberger (active 1460-1490), oil on wood, early German art 15th century. Munich, Alte Pinakothek (Germany).

LSE4315094: The coronation of Mary. Representation of the Holy Trinity: God, Jesus Christ and the dove of the Holy Spirit (Holy Spirit). Painting of the Master of the Passion of Lyversberger (active 1460-1490), oil on wood, early German art 15th century. Munich, Alte Pinakothek (Germany)., Master of the Lyversberg Passion (c.1470-99) / Bridgeman Images

ID: LSE4315094

The coronation of Mary. Representation of the Holy Trinity: God, Jesus Christ and the dove of the Holy Spirit (Holy Spirit). Painting of the Master of the Passion of Lyversberger (active 1460-1490), oil on wood, early German art 15th century. Munich, Alte Pinakothek (Germany).

Master of the Lyversberg Passion (c.1470-99)

The doctor doing an enema to a patient - Satirical panel of Lisbon, first half 18th century (Physician - Satirical panel, first half 18th century) - Musee national des azulejos, Lisbon (Portugal)
The doctor doing an enema to a patient - Satirical panel of Lisbon, first half 18th century (Physician - Satirical panel, first half 18th century) - Musee national des azulejos, Lisbon (Portugal)

LSE4317201: The doctor doing an enema to a patient - Satirical panel of Lisbon, first half 18th century (Physician - Satirical panel, first half 18th century) - Musee national des azulejos, Lisbon (Portugal), Portuguese School, (18th century) / Bridgeman Images

ID: LSE4317201

The doctor doing an enema to a patient - Satirical panel of Lisbon, first half 18th century (Physician - Satirical panel, first half 18th century) - Musee national des azulejos, Lisbon (Portugal)

Portuguese School, (18th century)

Come on! , Judith-Paris addressed to Holoferne-Guillaume I. Cover in “” L'Eclipse”” by Gill, September 4, 1870, Paris.
Come on! , Judith-Paris addressed to Holoferne-Guillaume I. Cover in “” L'Eclipse”” by Gill, September 4, 1870, Paris.

LSE4319025: Come on! , Judith-Paris addressed to Holoferne-Guillaume I. Cover in “” L'Eclipse”” by Gill, September 4, 1870, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4319025

Come on! , Judith-Paris addressed to Holoferne-Guillaume I. Cover in “” L'Eclipse”” by Gill, September 4, 1870, Paris.

Gill, Andre (1840-85)

Geometric schema of a pyramid, Tin glazed earthenware, Lisbon second half of 18th century - Musee national des azulejos, Lisbon (Portugal)
Geometric schema of a pyramid, Tin glazed earthenware, Lisbon second half of 18th century - Musee national des azulejos, Lisbon (Portugal)

LSE4317219: Geometric schema of a pyramid, Tin glazed earthenware, Lisbon second half of 18th century - Musee national des azulejos, Lisbon (Portugal), Portuguese School, (18th century) / Bridgeman Images

ID: LSE4317219

Geometric schema of a pyramid, Tin glazed earthenware, Lisbon second half of 18th century - Musee national des azulejos, Lisbon (Portugal)

Portuguese School, (18th century)

Portrait of Charles Paul Jean Baptiste de Bourgevin de Vialart de Saint Morys (1772-1817), councillor to the Grand Chamber of the Parlement of Paris. Painting by Jean Baptiste Greuze (1725-1805), oil on wood. French Art, 18th century. Museum of Fine Arts of Nantes. Â
Portrait of Charles Paul Jean Baptiste de Bourgevin de Vialart de Saint Morys (1772-1817), councillor to the Grand Chamber of the Parlement of Paris. Painting by Jean Baptiste Greuze (1725-1805), oil on wood. French Art, 18th century. Museum of Fine Arts of Nantes. Â

LSE4315580: Portrait of Charles Paul Jean Baptiste de Bourgevin de Vialart de Saint Morys (1772-1817), councillor to the Grand Chamber of the Parlement of Paris. Painting by Jean Baptiste Greuze (1725-1805), oil on wood. French Art, 18th century. Museum of Fine Arts of Nantes. Â, Greuze, Jean Baptiste (1725-1805) / Bridgeman Images

ID: LSE4315580

Portrait of Charles Paul Jean Baptiste de Bourgevin de Vialart de Saint Morys (1772-1817), councillor to the Grand Chamber of the Parlement of Paris. Painting by Jean Baptiste Greuze (1725-1805), oil on wood. French Art, 18th century. Museum of Fine Arts of Nantes. Â

Greuze, Jean Baptiste (1725-1805)

Portrait of Lord Kitchener of Karthoum (1850-1916), English military.
Portrait of Lord Kitchener of Karthoum (1850-1916), English military.

LSE4315679: Portrait of Lord Kitchener of Karthoum (1850-1916), English military., Unknown photographer, (19th century) / Bridgeman Images

ID: LSE4315679

Portrait of Lord Kitchener of Karthoum (1850-1916), English military.

Unknown photographer, (19th century)

The emigrants, by Eugene Laermans (1864-1940), 1894 (oil on canvas)
The emigrants, by Eugene Laermans (1864-1940), 1894 (oil on canvas)

LSE4319751: The emigrants, by Eugene Laermans (1864-1940), 1894 (oil on canvas), Laermans, Eugene (1864-1940) / Bridgeman Images

ID: LSE4319751

The emigrants, by Eugene Laermans (1864-1940), 1894 (oil on canvas)

Laermans, Eugene (1864-1940)

Portrait of Pierre Poivre (1719-1786), French colonial administrator and agronomist. in “” Portraits des Hommes Useful”, 1833-1836.
Portrait of Pierre Poivre (1719-1786), French colonial administrator and agronomist. in “” Portraits des Hommes Useful”, 1833-1836.

LSE4318172: Portrait of Pierre Poivre (1719-1786), French colonial administrator and agronomist. in “” Portraits des Hommes Useful”, 1833-1836., French School, (19th century) / Bridgeman Images

ID: LSE4318172

Portrait of Pierre Poivre (1719-1786), French colonial administrator and agronomist. in “” Portraits des Hommes Useful”, 1833-1836.

French School, (19th century)

Former voto (ex voto) sailor, popular offer as a pledge of devotion and gratitude of the sailor surviving to the dangers of the sea coming from the Church of Carmine, Torre del Greco, near Naples 19th century Italy
Former voto (ex voto) sailor, popular offer as a pledge of devotion and gratitude of the sailor surviving to the dangers of the sea coming from the Church of Carmine, Torre del Greco, near Naples 19th century Italy

LSE4319635: Former voto (ex voto) sailor, popular offer as a pledge of devotion and gratitude of the sailor surviving to the dangers of the sea coming from the Church of Carmine, Torre del Greco, near Naples 19th century Italy, Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4319635

Former voto (ex voto) sailor, popular offer as a pledge of devotion and gratitude of the sailor surviving to the dangers of the sea coming from the Church of Carmine, Torre del Greco, near Naples 19th century Italy

Unknown Artist, (19th century)

Singerie, the marriage of the hens - Tile panel, circa 1665, from the old farm of Cadriceira, in Turcifal, Torres Vedras (Portugal) (The Chicken's wedding, Tile panel, circa 1665) - Musee national des azulejos, Lisbon (Portugal)
Singerie, the marriage of the hens - Tile panel, circa 1665, from the old farm of Cadriceira, in Turcifal, Torres Vedras (Portugal) (The Chicken's wedding, Tile panel, circa 1665) - Musee national des azulejos, Lisbon (Portugal)

LSE4317238: Singerie, the marriage of the hens - Tile panel, circa 1665, from the old farm of Cadriceira, in Turcifal, Torres Vedras (Portugal) (The Chicken's wedding, Tile panel, circa 1665) - Musee national des azulejos, Lisbon (Portugal), Portuguese School, (17th century) / Bridgeman Images

ID: LSE4317238

Singerie, the marriage of the hens - Tile panel, circa 1665, from the old farm of Cadriceira, in Turcifal, Torres Vedras (Portugal) (The Chicken's wedding, Tile panel, circa 1665) - Musee national des azulejos, Lisbon (Portugal)

Portuguese School, (17th century)

Cartoon by Emile Keratry (1832-1904), French politician. Cover in “” L'Eclipse”” by Job, October 10, 1869, Paris.
Cartoon by Emile Keratry (1832-1904), French politician. Cover in “” L'Eclipse”” by Job, October 10, 1869, Paris.

LSE4318881: Cartoon by Emile Keratry (1832-1904), French politician. Cover in “” L'Eclipse”” by Job, October 10, 1869, Paris., Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images

ID: LSE4318881

Cartoon by Emile Keratry (1832-1904), French politician. Cover in “” L'Eclipse”” by Job, October 10, 1869, Paris.

Job, pseudonym for Onfray de Breville, Jacques (1858-1931)

Portrait of Don Bernardo de Iriarte (1735-1814). Painting by Francisco de Goya (1746-1828), oil on canvas, 1797. Spanish art, 18th century. Strasbourg Museum of Fine Arts.
Portrait of Don Bernardo de Iriarte (1735-1814). Painting by Francisco de Goya (1746-1828), oil on canvas, 1797. Spanish art, 18th century. Strasbourg Museum of Fine Arts.

LSE4315753: Portrait of Don Bernardo de Iriarte (1735-1814). Painting by Francisco de Goya (1746-1828), oil on canvas, 1797. Spanish art, 18th century. Strasbourg Museum of Fine Arts., Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

ID: LSE4315753

Portrait of Don Bernardo de Iriarte (1735-1814). Painting by Francisco de Goya (1746-1828), oil on canvas, 1797. Spanish art, 18th century. Strasbourg Museum of Fine Arts.

Goya y Lucientes, Francisco Jose de (1746-1828)

Portrait of Henry IV (1553-1610), King of France (1589-1610) and Navarre (1572-1610). In “” Portraits of Useful Men””, 1833-1836.
Portrait of Henry IV (1553-1610), King of France (1589-1610) and Navarre (1572-1610). In “” Portraits of Useful Men””, 1833-1836.

LSE4317351: Portrait of Henry IV (1553-1610), King of France (1589-1610) and Navarre (1572-1610). In “” Portraits of Useful Men””, 1833-1836., French School, (19th century) / Bridgeman Images

ID: LSE4317351

Portrait of Henry IV (1553-1610), King of France (1589-1610) and Navarre (1572-1610). In “” Portraits of Useful Men””, 1833-1836.

French School, (19th century)

Assignat de fifty livres - Engraving by Pierre Didot (1760-1853), ink on paper, 1790 - Musee de l'imprimerie Lyon, France -
Assignat de fifty livres - Engraving by Pierre Didot (1760-1853), ink on paper, 1790 - Musee de l'imprimerie Lyon, France -

LSE4317372: Assignat de fifty livres - Engraving by Pierre Didot (1760-1853), ink on paper, 1790 - Musee de l'imprimerie Lyon, France -, Didot, Pierre (1760-1853) / Bridgeman Images

ID: LSE4317372

Assignat de fifty livres - Engraving by Pierre Didot (1760-1853), ink on paper, 1790 - Musee de l'imprimerie Lyon, France -

Didot, Pierre (1760-1853)

Felix Pyat (1810-1889), French lawyer, man of letters and politician. Cover in “” L'Eclipse”” by Gill, November 14, 1869, Paris.
Felix Pyat (1810-1889), French lawyer, man of letters and politician. Cover in “” L'Eclipse”” by Gill, November 14, 1869, Paris.

LSE4318904: Felix Pyat (1810-1889), French lawyer, man of letters and politician. Cover in “” L'Eclipse”” by Gill, November 14, 1869, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4318904

Felix Pyat (1810-1889), French lawyer, man of letters and politician. Cover in “” L'Eclipse”” by Gill, November 14, 1869, Paris.

Gill, Andre (1840-85)

Ernest Picard (1821-1877), French politician. Cover in “” L'Eclipse”” by Gill, June 11, 1870, Paris.
Ernest Picard (1821-1877), French politician. Cover in “” L'Eclipse”” by Gill, June 11, 1870, Paris.

LSE4318946: Ernest Picard (1821-1877), French politician. Cover in “” L'Eclipse”” by Gill, June 11, 1870, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4318946

Ernest Picard (1821-1877), French politician. Cover in “” L'Eclipse”” by Gill, June 11, 1870, Paris.

Gill, Andre (1840-85)

New Peacock, cartoon by William I (1797-1888), winner of the Franco-Prussian War. Cover in “” L'Eclipse”” by Gill, August 21, 1870, Paris.
New Peacock, cartoon by William I (1797-1888), winner of the Franco-Prussian War. Cover in “” L'Eclipse”” by Gill, August 21, 1870, Paris.

LSE4319000: New Peacock, cartoon by William I (1797-1888), winner of the Franco-Prussian War. Cover in “” L'Eclipse”” by Gill, August 21, 1870, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4319000

New Peacock, cartoon by William I (1797-1888), winner of the Franco-Prussian War. Cover in “” L'Eclipse”” by Gill, August 21, 1870, Paris.

Gill, Andre (1840-85)

Mrs. Vallotton in a dress. Painting by Felix Vallotton (1865-1925), Oil On Canvas, 1902. Art francais beginning 20th century. Staatsgalerie, Stuttgart (Germany).
Mrs. Vallotton in a dress. Painting by Felix Vallotton (1865-1925), Oil On Canvas, 1902. Art francais beginning 20th century. Staatsgalerie, Stuttgart (Germany).

LSE4315818: Mrs. Vallotton in a dress. Painting by Felix Vallotton (1865-1925), Oil On Canvas, 1902. Art francais beginning 20th century. Staatsgalerie, Stuttgart (Germany)., Vallotton, Felix Edouard (1865-1925) / Bridgeman Images

ID: LSE4315818

Mrs. Vallotton in a dress. Painting by Felix Vallotton (1865-1925), Oil On Canvas, 1902. Art francais beginning 20th century. Staatsgalerie, Stuttgart (Germany).

Vallotton, Felix Edouard (1865-1925)

Saint Christopher - Painting from the workshop of Brother Carlos (Flemish painter active between 1517 and 1544), oil on wood, circa 1530 (St Christopher, by the workshop of Friar Carlos (active between 1517-1544), oil on panel, circa 1530) - Musee d'Evora (Portugal)
Saint Christopher - Painting from the workshop of Brother Carlos (Flemish painter active between 1517 and 1544), oil on wood, circa 1530 (St Christopher, by the workshop of Friar Carlos (active between 1517-1544), oil on panel, circa 1530) - Musee d'Evora (Portugal)

LSE4317299: Saint Christopher - Painting from the workshop of Brother Carlos (Flemish painter active between 1517 and 1544), oil on wood, circa 1530 (St Christopher, by the workshop of Friar Carlos (active between 1517-1544), oil on panel, circa 1530) - Musee d'Evora (Portugal), Carlos, Taborda Vlame Frey (active 1517-1544) (worshop of) / Bridgeman Images

ID: LSE4317299

Saint Christopher - Painting from the workshop of Brother Carlos (Flemish painter active between 1517 and 1544), oil on wood, circa 1530 (St Christopher, by the workshop of Friar Carlos (active between 1517-1544), oil on panel, circa 1530) - Musee d'Evora (Portugal)

Carlos, Taborda Vlame Frey (active 1517-1544) (worshop of)

Angels carrying the Holy Shroud - Painting from the workshop of Frere Carlos (Flemish painter active between 1517-1544), oil on wood, circa 1520-1530 (Angels with the Saint Face, by the workshop of Friar Carlos, oil on panel, circa 1520-1530) - Musee d'Evora (Portugal)
Angels carrying the Holy Shroud - Painting from the workshop of Frere Carlos (Flemish painter active between 1517-1544), oil on wood, circa 1520-1530 (Angels with the Saint Face, by the workshop of Friar Carlos, oil on panel, circa 1520-1530) - Musee d'Evora (Portugal)

LSE4317311: Angels carrying the Holy Shroud - Painting from the workshop of Frere Carlos (Flemish painter active between 1517-1544), oil on wood, circa 1520-1530 (Angels with the Saint Face, by the workshop of Friar Carlos, oil on panel, circa 1520-1530) - Musee d'Evora (Portugal), Carlos, Taborda Vlame Frey, (fl.1517-40) / Bridgeman Images

ID: LSE4317311

Angels carrying the Holy Shroud - Painting from the workshop of Frere Carlos (Flemish painter active between 1517-1544), oil on wood, circa 1520-1530 (Angels with the Saint Face, by the workshop of Friar Carlos, oil on panel, circa 1520-1530) - Musee d'Evora (Portugal)

Carlos, Taborda Vlame Frey, (fl.1517-40)

The eagle and the roosters, according to the fable, the Napoleonic eagle holds France in its beak ready to release it to foxes with a rooster's head. Cover in “” L'Eclipse”” by Gill, July 8, 1870, Paris.
The eagle and the roosters, according to the fable, the Napoleonic eagle holds France in its beak ready to release it to foxes with a rooster's head. Cover in “” L'Eclipse”” by Gill, July 8, 1870, Paris.

LSE4318957: The eagle and the roosters, according to the fable, the Napoleonic eagle holds France in its beak ready to release it to foxes with a rooster's head. Cover in “” L'Eclipse”” by Gill, July 8, 1870, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4318957

The eagle and the roosters, according to the fable, the Napoleonic eagle holds France in its beak ready to release it to foxes with a rooster's head. Cover in “” L'Eclipse”” by Gill, July 8, 1870, Paris.

Gill, Andre (1840-85)

Portrait of Saint Bernard de Menthon (923-1009), archdeacon of Aosta and founder of the hospices of Saint Bernard. In “” Portraits of Useful Men””, 1833-1836.
Portrait of Saint Bernard de Menthon (923-1009), archdeacon of Aosta and founder of the hospices of Saint Bernard. In “” Portraits of Useful Men””, 1833-1836.

LSE4318188: Portrait of Saint Bernard de Menthon (923-1009), archdeacon of Aosta and founder of the hospices of Saint Bernard. In “” Portraits of Useful Men””, 1833-1836., Goutiere, Tony (1808-90) / Bridgeman Images

ID: LSE4318188

Portrait of Saint Bernard de Menthon (923-1009), archdeacon of Aosta and founder of the hospices of Saint Bernard. In “” Portraits of Useful Men””, 1833-1836.

Goutiere, Tony (1808-90)


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