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Old guitar player in Naples Painting by Emilio Sanganniglia (19th century) Mandatory mention: Collection foundation regards of Provence, Marseille
Old guitar player in Naples Painting by Emilio Sanganniglia (19th century) Mandatory mention: Collection foundation regards of Provence, Marseille

JEB4900980: Old guitar player in Naples Painting by Emilio Sanganniglia (19th century) Mandatory mention: Collection foundation regards of Provence, Marseille / Bridgeman Images

ID: JEB4900980

Old guitar player in Naples Painting by Emilio Sanganniglia (19th century) Mandatory mention: Collection foundation regards of Provence, Marseille

Artwork by Honore Daumier (1808-1879). Charivari dates from 1845: Serie LES PEANS DE JUSTICE. “” What boms me is that I am accused of 12 robberies! - There are twelve... much better... I will plead the monomania””” extract from the newspaper Le”” Charivari””, Musee des Beaux Arts, Palais Longchamp, Marseille Size cm 37,5x28
Artwork by Honore Daumier (1808-1879). Charivari dates from 1845: Serie LES PEANS DE JUSTICE. “” What boms me is that I am accused of 12 robberies! - There are twelve... much better... I will plead the monomania””” extract from the newspaper Le”” Charivari””, Musee des Beaux Arts, Palais Longchamp, Marseille Size cm 37,5x28

JEB4901364: Artwork by Honore Daumier (1808-1879). Charivari dates from 1845: Serie LES PEANS DE JUSTICE. “” What boms me is that I am accused of 12 robberies! - There are twelve... much better... I will plead the monomania””” extract from the newspaper Le”” Charivari””, Musee des Beaux Arts, Palais Longchamp, Marseille Size cm 37,5x28, Daumier, Honore (1808-79) / Bridgeman Images

ID: JEB4901364

Artwork by Honore Daumier (1808-1879). Charivari dates from 1845: Serie LES PEANS DE JUSTICE. “” What boms me is that I am accused of 12 robberies! - There are twelve... much better... I will plead the monomania””” extract from the newspaper Le”” Charivari””, Musee des Beaux Arts, Palais Longchamp, Marseille Size cm 37,5x28

Daumier, Honore (1808-79)

Artwork by Honore Daumier (1808-1879). Charivari dates from 1845: Serie LES PEANS DE JUSTICE. “” -My dear what do you want... we had misfortune... I couldn't prove your innocence this time... but your next flight I hope to be happier.””””” extract from the newspaper Le” Charivari”””, Musee des Beaux Arts, Palais Longchamp, Marseille Dim cm 37,5x28
Artwork by Honore Daumier (1808-1879). Charivari dates from 1845: Serie LES PEANS DE JUSTICE. “” -My dear what do you want... we had misfortune... I couldn't prove your innocence this time... but your next flight I hope to be happier.””””” extract from the newspaper Le” Charivari”””, Musee des Beaux Arts, Palais Longchamp, Marseille Dim cm 37,5x28

JEB4901452: Artwork by Honore Daumier (1808-1879). Charivari dates from 1845: Serie LES PEANS DE JUSTICE. “” -My dear what do you want... we had misfortune... I couldn't prove your innocence this time... but your next flight I hope to be happier.””””” extract from the newspaper Le” Charivari”””, Musee des Beaux Arts, Palais Longchamp, Marseille Dim cm 37,5x28, Daumier, Honore (1808-79) / Bridgeman Images

ID: JEB4901452

Artwork by Honore Daumier (1808-1879). Charivari dates from 1845: Serie LES PEANS DE JUSTICE. “” -My dear what do you want... we had misfortune... I couldn't prove your innocence this time... but your next flight I hope to be happier.””””” extract from the newspaper Le” Charivari”””, Musee des Beaux Arts, Palais Longchamp, Marseille Dim cm 37,5x28

Daumier, Honore (1808-79)

Pecheurs on the shore of the Ciotat Painting by Vincent Courdouan (1810-1893) 1882 Mandatory mention: Collection foundation regards of Provence, Marseille
Pecheurs on the shore of the Ciotat Painting by Vincent Courdouan (1810-1893) 1882 Mandatory mention: Collection foundation regards of Provence, Marseille

JEB4901748: Pecheurs on the shore of the Ciotat Painting by Vincent Courdouan (1810-1893) 1882 Mandatory mention: Collection foundation regards of Provence, Marseille / Bridgeman Images

ID: JEB4901748

Pecheurs on the shore of the Ciotat Painting by Vincent Courdouan (1810-1893) 1882 Mandatory mention: Collection foundation regards of Provence, Marseille

Hunting in an undergrowth Painting by Paul Francois Camoin (1816-1889) 19th century Mandatory mention: Collection foundation regards of Provence, Marseille
Hunting in an undergrowth Painting by Paul Francois Camoin (1816-1889) 19th century Mandatory mention: Collection foundation regards of Provence, Marseille

JEB4901892: Hunting in an undergrowth Painting by Paul Francois Camoin (1816-1889) 19th century Mandatory mention: Collection foundation regards of Provence, Marseille / Bridgeman Images

ID: JEB4901892

Hunting in an undergrowth Painting by Paul Francois Camoin (1816-1889) 19th century Mandatory mention: Collection foundation regards of Provence, Marseille

Still life with narguile Painting by Marc Alfred Chataud (1833-1908) Sun. 44x34 cm Mandatory mention: Collection foundation regards de Provence, Marseille
Still life with narguile Painting by Marc Alfred Chataud (1833-1908) Sun. 44x34 cm Mandatory mention: Collection foundation regards de Provence, Marseille

JEB4902015: Still life with narguile Painting by Marc Alfred Chataud (1833-1908) Sun. 44x34 cm Mandatory mention: Collection foundation regards de Provence, Marseille, Chataud, Marc-Alfred (b.1833-1908) / Bridgeman Images

ID: JEB4902015

Still life with narguile Painting by Marc Alfred Chataud (1833-1908) Sun. 44x34 cm Mandatory mention: Collection foundation regards de Provence, Marseille

Chataud, Marc-Alfred (b.1833-1908)

Portrait of Jean Conrad Hottinguer (1764-1841), founder of the Bank of the same name. Painting by Joseph Boze (1745-1826), 1788. Private collection, Paris.
Portrait of Jean Conrad Hottinguer (1764-1841), founder of the Bank of the same name. Painting by Joseph Boze (1745-1826), 1788. Private collection, Paris.

JEB4902500: Portrait of Jean Conrad Hottinguer (1764-1841), founder of the Bank of the same name. Painting by Joseph Boze (1745-1826), 1788. Private collection, Paris. / Bridgeman Images

ID: JEB4902500

Portrait of Jean Conrad Hottinguer (1764-1841), founder of the Bank of the same name. Painting by Joseph Boze (1745-1826), 1788. Private collection, Paris.

Portrait of Jean Paul Rabaut, dit Rabaut de Saint Etienne (1743-1793). Engraving by François-Joseph-Etienne Beisson (1760-1820), by Joseph Boze (1745-1826) 1789 Societe de l'Histoire du Protestantisme francais Paris (Dim in cm 39x28)
Portrait of Jean Paul Rabaut, dit Rabaut de Saint Etienne (1743-1793). Engraving by François-Joseph-Etienne Beisson (1760-1820), by Joseph Boze (1745-1826) 1789 Societe de l'Histoire du Protestantisme francais Paris (Dim in cm 39x28)

JEB4902620: Portrait of Jean Paul Rabaut, dit Rabaut de Saint Etienne (1743-1793). Engraving by François-Joseph-Etienne Beisson (1760-1820), by Joseph Boze (1745-1826) 1789 Societe de l'Histoire du Protestantisme francais Paris (Dim in cm 39x28) / Bridgeman Images

ID: JEB4902620

Portrait of Jean Paul Rabaut, dit Rabaut de Saint Etienne (1743-1793). Engraving by François-Joseph-Etienne Beisson (1760-1820), by Joseph Boze (1745-1826) 1789 Societe de l'Histoire du Protestantisme francais Paris (Dim in cm 39x28)

Beautes of the history of France, 1845 (lithograph)
Beautes of the history of France, 1845 (lithograph)

JEB4886039: Beautes of the history of France, 1845 (lithograph), Nadar, (Gaspard Felix Tournachon) (1820-1910) / Bridgeman Images

ID: JEB4886039

Beautes of the history of France, 1845 (lithograph)

Nadar, (Gaspard Felix Tournachon) (1820-1910)

The Holy Family. Painting by Reynaud Levieux (1613-1694). Oil on canvas, 1651. Musee Municipal, Villeneuve les Aviignons.
The Holy Family. Painting by Reynaud Levieux (1613-1694). Oil on canvas, 1651. Musee Municipal, Villeneuve les Aviignons.

JEB4886283: The Holy Family. Painting by Reynaud Levieux (1613-1694). Oil on canvas, 1651. Musee Municipal, Villeneuve les Aviignons. / Bridgeman Images

ID: JEB4886283

The Holy Family. Painting by Reynaud Levieux (1613-1694). Oil on canvas, 1651. Musee Municipal, Villeneuve les Aviignons.

The Deploration of Christ by the Angels Painting by Reynaud Levieux (1613-1694) 1651 Sun. 189x164 cm Musee Municipal de Villeneuve les Aviignons
The Deploration of Christ by the Angels Painting by Reynaud Levieux (1613-1694) 1651 Sun. 189x164 cm Musee Municipal de Villeneuve les Aviignons

JEB4886506: The Deploration of Christ by the Angels Painting by Reynaud Levieux (1613-1694) 1651 Sun. 189x164 cm Musee Municipal de Villeneuve les Aviignons / Bridgeman Images

ID: JEB4886506

The Deploration of Christ by the Angels Painting by Reynaud Levieux (1613-1694) 1651 Sun. 189x164 cm Musee Municipal de Villeneuve les Aviignons

In the evening on the terrace. Painting by Delphin Enjolras (1857-1945), Mention obligatory: Collection foundation regards de Provence. Marseille (cm 57x73) DR
In the evening on the terrace. Painting by Delphin Enjolras (1857-1945), Mention obligatory: Collection foundation regards de Provence. Marseille (cm 57x73) DR

JEB4887305: In the evening on the terrace. Painting by Delphin Enjolras (1857-1945), Mention obligatory: Collection foundation regards de Provence. Marseille (cm 57x73) DR, Enjolras, Delphin (1857-1945) / Bridgeman Images

ID: JEB4887305

In the evening on the terrace. Painting by Delphin Enjolras (1857-1945), Mention obligatory: Collection foundation regards de Provence. Marseille (cm 57x73) DR

Enjolras, Delphin (1857-1945)

Portrait of the painter Emile Loubon (1809-1863) by Gustave Ricard (1823-1873). Oil on canvas, 1856.
Portrait of the painter Emile Loubon (1809-1863) by Gustave Ricard (1823-1873). Oil on canvas, 1856.

JEB4887491: Portrait of the painter Emile Loubon (1809-1863) by Gustave Ricard (1823-1873). Oil on canvas, 1856., Loubon, Emile (1809-63) / Bridgeman Images

ID: JEB4887491

Portrait of the painter Emile Loubon (1809-1863) by Gustave Ricard (1823-1873). Oil on canvas, 1856.

Loubon, Emile (1809-63)

Madame Contencin on the terrace quai de Rive-Neuve in Marseille. Painting by Francois Marius Valere Bernard (1860-1936), Mention obligatory: Collection foundation regards of Provence, Marseille.
Madame Contencin on the terrace quai de Rive-Neuve in Marseille. Painting by Francois Marius Valere Bernard (1860-1936), Mention obligatory: Collection foundation regards of Provence, Marseille.

JEB4887740: Madame Contencin on the terrace quai de Rive-Neuve in Marseille. Painting by Francois Marius Valere Bernard (1860-1936), Mention obligatory: Collection foundation regards of Provence, Marseille., Bernard, Francois Marius Valere (1860-1936) / Bridgeman Images

ID: JEB4887740

Madame Contencin on the terrace quai de Rive-Neuve in Marseille. Painting by Francois Marius Valere Bernard (1860-1936), Mention obligatory: Collection foundation regards of Provence, Marseille.

Bernard, Francois Marius Valere (1860-1936)

Chip of the novel “” Ninety twenty thirteen” by Victor Hugo (1802-1885) 1872 Litterary House by Victor Hugo, Bievres
Chip of the novel “” Ninety twenty thirteen” by Victor Hugo (1802-1885) 1872 Litterary House by Victor Hugo, Bievres

JEB4888354: Chip of the novel “” Ninety twenty thirteen” by Victor Hugo (1802-1885) 1872 Litterary House by Victor Hugo, Bievres / Bridgeman Images

ID: JEB4888354

Chip of the novel “” Ninety twenty thirteen” by Victor Hugo (1802-1885) 1872 Litterary House by Victor Hugo, Bievres

View of the Galata Tower in Constantinople. Painting by Fabius Brest (1823-1900). Mandatory mention: Collection fondation regards de Provence, Marseille
View of the Galata Tower in Constantinople. Painting by Fabius Brest (1823-1900). Mandatory mention: Collection fondation regards de Provence, Marseille

JEB4888898: View of the Galata Tower in Constantinople. Painting by Fabius Brest (1823-1900). Mandatory mention: Collection fondation regards de Provence, Marseille, Brest, Fabius (1823-1900) / Bridgeman Images

ID: JEB4888898

View of the Galata Tower in Constantinople. Painting by Fabius Brest (1823-1900). Mandatory mention: Collection fondation regards de Provence, Marseille

Brest, Fabius (1823-1900)

Cavaliers. Engraving on paper by Jacques Callot (1592-1635). Dim: 24x29cm. Private collection
Cavaliers. Engraving on paper by Jacques Callot (1592-1635). Dim: 24x29cm. Private collection

JEB4889144: Cavaliers. Engraving on paper by Jacques Callot (1592-1635). Dim: 24x29cm. Private collection / Bridgeman Images

ID: JEB4889144

Cavaliers. Engraving on paper by Jacques Callot (1592-1635). Dim: 24x29cm. Private collection

Les GUEUX - Le beggar mangant engraving de 1632 a l'eau forte by Jacques Callot (1592-1635), Dim en cm 13,9x8,7 Collection privee.
Les GUEUX - Le beggar mangant engraving de 1632 a l'eau forte by Jacques Callot (1592-1635), Dim en cm 13,9x8,7 Collection privee.

JEB4889672: Les GUEUX - Le beggar mangant engraving de 1632 a l'eau forte by Jacques Callot (1592-1635), Dim en cm 13,9x8,7 Collection privee. / Bridgeman Images

ID: JEB4889672

Les GUEUX - Le beggar mangant engraving de 1632 a l'eau forte by Jacques Callot (1592-1635), Dim en cm 13,9x8,7 Collection privee.

THE GUEUX - The beggar rests on a stick engraving of 1632 with strong water by Jacques Callot (1592-1635), Dim in cm 13,9x8,7 Private collection.
THE GUEUX - The beggar rests on a stick engraving of 1632 with strong water by Jacques Callot (1592-1635), Dim in cm 13,9x8,7 Private collection.

JEB4889810: THE GUEUX - The beggar rests on a stick engraving of 1632 with strong water by Jacques Callot (1592-1635), Dim in cm 13,9x8,7 Private collection. / Bridgeman Images

ID: JEB4889810

THE GUEUX - The beggar rests on a stick engraving of 1632 with strong water by Jacques Callot (1592-1635), Dim in cm 13,9x8,7 Private collection.

Series “The Miseries and the Miseries of War” (also called “The Great Miseries of War”) evoking the Thirty Year War: Frontispice. Engraving on paper by Jacques Callot (1592-1635), 1633. Dim: 9,1x19,2cm. Private Collection
Series “The Miseries and the Miseries of War” (also called “The Great Miseries of War”) evoking the Thirty Year War: Frontispice. Engraving on paper by Jacques Callot (1592-1635), 1633. Dim: 9,1x19,2cm. Private Collection

JEB4890051: Series “The Miseries and the Miseries of War” (also called “The Great Miseries of War”) evoking the Thirty Year War: Frontispice. Engraving on paper by Jacques Callot (1592-1635), 1633. Dim: 9,1x19,2cm. Private Collection / Bridgeman Images

ID: JEB4890051

Series “The Miseries and the Miseries of War” (also called “The Great Miseries of War”) evoking the Thirty Year War: Frontispice. Engraving on paper by Jacques Callot (1592-1635), 1633. Dim: 9,1x19,2cm. Private Collection

Series “The Miseries and the Miseries of War” (also called “The Great Miseries of War”) evoking the Thirty-Year War: The Enrolement of Troops. Engraving on paper by Jacques Callot (1592-1635), 1633. Dim: 8,4x18,9cm. Private Collection
Series “The Miseries and the Miseries of War” (also called “The Great Miseries of War”) evoking the Thirty-Year War: The Enrolement of Troops. Engraving on paper by Jacques Callot (1592-1635), 1633. Dim: 8,4x18,9cm. Private Collection

JEB4890074: Series “The Miseries and the Miseries of War” (also called “The Great Miseries of War”) evoking the Thirty-Year War: The Enrolement of Troops. Engraving on paper by Jacques Callot (1592-1635), 1633. Dim: 8,4x18,9cm. Private Collection / Bridgeman Images

ID: JEB4890074

Series “The Miseries and the Miseries of War” (also called “The Great Miseries of War”) evoking the Thirty-Year War: The Enrolement of Troops. Engraving on paper by Jacques Callot (1592-1635), 1633. Dim: 8,4x18,9cm. Private Collection

Series “The Miseries and the Miseries of War” (also called “The Great Miseries of War”) evoking the Thirty Year War: The Distribution of Rewards. Engraving on paper by Jacques Callot (1592-1635), 1633. Dim: 8,3x18,8cm. Private Collection
Series “The Miseries and the Miseries of War” (also called “The Great Miseries of War”) evoking the Thirty Year War: The Distribution of Rewards. Engraving on paper by Jacques Callot (1592-1635), 1633. Dim: 8,3x18,8cm. Private Collection

JEB4890456: Series “The Miseries and the Miseries of War” (also called “The Great Miseries of War”) evoking the Thirty Year War: The Distribution of Rewards. Engraving on paper by Jacques Callot (1592-1635), 1633. Dim: 8,3x18,8cm. Private Collection / Bridgeman Images

ID: JEB4890456

Series “The Miseries and the Miseries of War” (also called “The Great Miseries of War”) evoking the Thirty Year War: The Distribution of Rewards. Engraving on paper by Jacques Callot (1592-1635), 1633. Dim: 8,3x18,8cm. Private Collection

Serie “” Balli di sfessania”” (also known as Curucucu or “” Les Dances””, “” Les Pants””, “” Les Polichinelles” or “” Dance of Defesses”): Cucurongna and Pernoualla. Characters of the commedia dell'arte. Engraving by Jacques Callot (1592-1635), circa 1622. Dim: 7,2x9,3cm. Strong water on paper. Private collection.
Serie “” Balli di sfessania”” (also known as Curucucu or “” Les Dances””, “” Les Pants””, “” Les Polichinelles” or “” Dance of Defesses”): Cucurongna and Pernoualla. Characters of the commedia dell'arte. Engraving by Jacques Callot (1592-1635), circa 1622. Dim: 7,2x9,3cm. Strong water on paper. Private collection.

JEB4890507: Serie “” Balli di sfessania”” (also known as Curucucu or “” Les Dances””, “” Les Pants””, “” Les Polichinelles” or “” Dance of Defesses”): Cucurongna and Pernoualla. Characters of the commedia dell'arte. Engraving by Jacques Callot (1592-1635), circa 1622. Dim: 7,2x9,3cm. Strong water on paper. Private collection. / Bridgeman Images

ID: JEB4890507

Serie “” Balli di sfessania”” (also known as Curucucu or “” Les Dances””, “” Les Pants””, “” Les Polichinelles” or “” Dance of Defesses”): Cucurongna and Pernoualla. Characters of the commedia dell'arte. Engraving by Jacques Callot (1592-1635), circa 1622. Dim: 7,2x9,3cm. Strong water on paper. Private collection.

Serie “” Balli di sfessania”” (also known as Curucucu or “” Les Dances””, “” Les Pants””, “” Les Polichinelles”” or “” Dance of Defesses”): Smaraolo Cornuto and Ratsa di Boio Characters of the commedia dell'arte. Engraving by Jacques Callot (1592-1635), circa 1622. Dim: 7,1x9,2cm. Strong water on paper. Private collection.
Serie “” Balli di sfessania”” (also known as Curucucu or “” Les Dances””, “” Les Pants””, “” Les Polichinelles”” or “” Dance of Defesses”): Smaraolo Cornuto and Ratsa di Boio Characters of the commedia dell'arte. Engraving by Jacques Callot (1592-1635), circa 1622. Dim: 7,1x9,2cm. Strong water on paper. Private collection.

JEB4890553: Serie “” Balli di sfessania”” (also known as Curucucu or “” Les Dances””, “” Les Pants””, “” Les Polichinelles”” or “” Dance of Defesses”): Smaraolo Cornuto and Ratsa di Boio Characters of the commedia dell'arte. Engraving by Jacques Callot (1592-1635), circa 1622. Dim: 7,1x9,2cm. Strong water on paper. Private collection. / Bridgeman Images

ID: JEB4890553

Serie “” Balli di sfessania”” (also known as Curucucu or “” Les Dances””, “” Les Pants””, “” Les Polichinelles”” or “” Dance of Defesses”): Smaraolo Cornuto and Ratsa di Boio Characters of the commedia dell'arte. Engraving by Jacques Callot (1592-1635), circa 1622. Dim: 7,1x9,2cm. Strong water on paper. Private collection.

Series “” Balli di sfessania””” (also known as Curucucu or “” Les Dances””, “” Les Pants””, “” Les Polichinelles” or “” Dance of Defesses”): Capitano Mala Gamba (Malagamba) and Capitano Bellavita (Bella Vita). Characters of the commedia dell'arte. Engraving by Jacques Callot (1592-1635), circa 1622. Dim: 7,4x9,6cm. Strong water on paper. Private collection.
Series “” Balli di sfessania””” (also known as Curucucu or “” Les Dances””, “” Les Pants””, “” Les Polichinelles” or “” Dance of Defesses”): Capitano Mala Gamba (Malagamba) and Capitano Bellavita (Bella Vita). Characters of the commedia dell'arte. Engraving by Jacques Callot (1592-1635), circa 1622. Dim: 7,4x9,6cm. Strong water on paper. Private collection.

JEB4890838: Series “” Balli di sfessania””” (also known as Curucucu or “” Les Dances””, “” Les Pants””, “” Les Polichinelles” or “” Dance of Defesses”): Capitano Mala Gamba (Malagamba) and Capitano Bellavita (Bella Vita). Characters of the commedia dell'arte. Engraving by Jacques Callot (1592-1635), circa 1622. Dim: 7,4x9,6cm. Strong water on paper. Private collection. / Bridgeman Images

ID: JEB4890838

Series “” Balli di sfessania””” (also known as Curucucu or “” Les Dances””, “” Les Pants””, “” Les Polichinelles” or “” Dance of Defesses”): Capitano Mala Gamba (Malagamba) and Capitano Bellavita (Bella Vita). Characters of the commedia dell'arte. Engraving by Jacques Callot (1592-1635), circa 1622. Dim: 7,4x9,6cm. Strong water on paper. Private collection.

Serie “” Balli di sfessania”” (also known as Curucucu or “” Les Dances””, “” Les Pants””, “” Les Polichinelles” or “” Dance of Defesses”): Fracischina (Franceschina) and Gian Farina (Gianfarina). Characters of the commedia dell'arte. Engraving by Jacques Callot (1592-1635), circa 1622. Dim: 7,3x9,3cm. Strong water on paper. Private collection.
Serie “” Balli di sfessania”” (also known as Curucucu or “” Les Dances””, “” Les Pants””, “” Les Polichinelles” or “” Dance of Defesses”): Fracischina (Franceschina) and Gian Farina (Gianfarina). Characters of the commedia dell'arte. Engraving by Jacques Callot (1592-1635), circa 1622. Dim: 7,3x9,3cm. Strong water on paper. Private collection.

JEB4890868: Serie “” Balli di sfessania”” (also known as Curucucu or “” Les Dances””, “” Les Pants””, “” Les Polichinelles” or “” Dance of Defesses”): Fracischina (Franceschina) and Gian Farina (Gianfarina). Characters of the commedia dell'arte. Engraving by Jacques Callot (1592-1635), circa 1622. Dim: 7,3x9,3cm. Strong water on paper. Private collection. / Bridgeman Images

ID: JEB4890868

Serie “” Balli di sfessania”” (also known as Curucucu or “” Les Dances””, “” Les Pants””, “” Les Polichinelles” or “” Dance of Defesses”): Fracischina (Franceschina) and Gian Farina (Gianfarina). Characters of the commedia dell'arte. Engraving by Jacques Callot (1592-1635), circa 1622. Dim: 7,3x9,3cm. Strong water on paper. Private collection.

Serie “” Balli di sfessania”” (also known as Curucucu or “” Les Dances””, “” Les Pants””, “” Les Polichinelles” or “” Dance of Defesses””): Bello Sguardo and Couiello. Characters of the commedia dell'arte. Engraving by Jacques Callot (1592-1635), circa 1622. Dim: 7,1x9,2cm. Strong water on paper. Private collection.
Serie “” Balli di sfessania”” (also known as Curucucu or “” Les Dances””, “” Les Pants””, “” Les Polichinelles” or “” Dance of Defesses””): Bello Sguardo and Couiello. Characters of the commedia dell'arte. Engraving by Jacques Callot (1592-1635), circa 1622. Dim: 7,1x9,2cm. Strong water on paper. Private collection.

JEB4890903: Serie “” Balli di sfessania”” (also known as Curucucu or “” Les Dances””, “” Les Pants””, “” Les Polichinelles” or “” Dance of Defesses””): Bello Sguardo and Couiello. Characters of the commedia dell'arte. Engraving by Jacques Callot (1592-1635), circa 1622. Dim: 7,1x9,2cm. Strong water on paper. Private collection. / Bridgeman Images

ID: JEB4890903

Serie “” Balli di sfessania”” (also known as Curucucu or “” Les Dances””, “” Les Pants””, “” Les Polichinelles” or “” Dance of Defesses””): Bello Sguardo and Couiello. Characters of the commedia dell'arte. Engraving by Jacques Callot (1592-1635), circa 1622. Dim: 7,1x9,2cm. Strong water on paper. Private collection.

Serie “” Balli di sfessania”” (also known as Curucucu or “” Les Dances””, “” Les Pants””, “” Les Polichinelles” or “” Dance of Defesses””): Razullo and Cucurucu. Characters of the commedia dell'arte. Engraving by Jacques Callot (1592-1635), circa 1622. Dim: 7,2x9,2cm. Strong water on paper. Private collection.
Serie “” Balli di sfessania”” (also known as Curucucu or “” Les Dances””, “” Les Pants””, “” Les Polichinelles” or “” Dance of Defesses””): Razullo and Cucurucu. Characters of the commedia dell'arte. Engraving by Jacques Callot (1592-1635), circa 1622. Dim: 7,2x9,2cm. Strong water on paper. Private collection.

JEB4890923: Serie “” Balli di sfessania”” (also known as Curucucu or “” Les Dances””, “” Les Pants””, “” Les Polichinelles” or “” Dance of Defesses””): Razullo and Cucurucu. Characters of the commedia dell'arte. Engraving by Jacques Callot (1592-1635), circa 1622. Dim: 7,2x9,2cm. Strong water on paper. Private collection. / Bridgeman Images

ID: JEB4890923

Serie “” Balli di sfessania”” (also known as Curucucu or “” Les Dances””, “” Les Pants””, “” Les Polichinelles” or “” Dance of Defesses””): Razullo and Cucurucu. Characters of the commedia dell'arte. Engraving by Jacques Callot (1592-1635), circa 1622. Dim: 7,2x9,2cm. Strong water on paper. Private collection.

Serie “” Balli di sfessania”” (also known as Curucucu or “” Les Dances””, “” Les Pants””, “” Les Polichinelles” or “” Dance of Defesses”): Signora Lucia (Madame Lucie) and Trastullo. Characters of the commedia dell'arte. Engraving by Jacques Callot (1592-1635), circa 1622. Dim: 7,5x9,6cm. Strong water on paper. Private collection.
Serie “” Balli di sfessania”” (also known as Curucucu or “” Les Dances””, “” Les Pants””, “” Les Polichinelles” or “” Dance of Defesses”): Signora Lucia (Madame Lucie) and Trastullo. Characters of the commedia dell'arte. Engraving by Jacques Callot (1592-1635), circa 1622. Dim: 7,5x9,6cm. Strong water on paper. Private collection.

JEB4890973: Serie “” Balli di sfessania”” (also known as Curucucu or “” Les Dances””, “” Les Pants””, “” Les Polichinelles” or “” Dance of Defesses”): Signora Lucia (Madame Lucie) and Trastullo. Characters of the commedia dell'arte. Engraving by Jacques Callot (1592-1635), circa 1622. Dim: 7,5x9,6cm. Strong water on paper. Private collection. / Bridgeman Images

ID: JEB4890973

Serie “” Balli di sfessania”” (also known as Curucucu or “” Les Dances””, “” Les Pants””, “” Les Polichinelles” or “” Dance of Defesses”): Signora Lucia (Madame Lucie) and Trastullo. Characters of the commedia dell'arte. Engraving by Jacques Callot (1592-1635), circa 1622. Dim: 7,5x9,6cm. Strong water on paper. Private collection.

View of the port of Cassis Watercolour by Emile Henry (1822-1920) Fondation regards de Provence, Marseille
View of the port of Cassis Watercolour by Emile Henry (1822-1920) Fondation regards de Provence, Marseille

JEB4891338: View of the port of Cassis Watercolour by Emile Henry (1822-1920) Fondation regards de Provence, Marseille, Henry, Emile (1822-1920) / Bridgeman Images

ID: JEB4891338

View of the port of Cassis Watercolour by Emile Henry (1822-1920) Fondation regards de Provence, Marseille

Henry, Emile (1822-1920)

Portrait of Arabe by A.L. Coulet. 1893. Oil on canvas. Mandatory mention: Collection fondation regards de Provence. Marseille.
Portrait of Arabe by A.L. Coulet. 1893. Oil on canvas. Mandatory mention: Collection fondation regards de Provence. Marseille.

JEB4891470: Portrait of Arabe by A.L. Coulet. 1893. Oil on canvas. Mandatory mention: Collection fondation regards de Provence. Marseille. / Bridgeman Images

ID: JEB4891470

Portrait of Arabe by A.L. Coulet. 1893. Oil on canvas. Mandatory mention: Collection fondation regards de Provence. Marseille.

Portrait of man age 31. Originally covered with another Portrait of Man in the 17th century. Anonymous Dutch painting, 1596. Oil on canvas. Dim: 61x49cm. Musee de l'hospice Saint-Roch, Issoudun. Mandatory mention:
Portrait of man age 31. Originally covered with another Portrait of Man in the 17th century. Anonymous Dutch painting, 1596. Oil on canvas. Dim: 61x49cm. Musee de l'hospice Saint-Roch, Issoudun. Mandatory mention:

JEB4892949: Portrait of man age 31. Originally covered with another Portrait of Man in the 17th century. Anonymous Dutch painting, 1596. Oil on canvas. Dim: 61x49cm. Musee de l'hospice Saint-Roch, Issoudun. Mandatory mention: / Bridgeman Images

ID: JEB4892949

Portrait of man age 31. Originally covered with another Portrait of Man in the 17th century. Anonymous Dutch painting, 1596. Oil on canvas. Dim: 61x49cm. Musee de l'hospice Saint-Roch, Issoudun. Mandatory mention:

La halte des horsemen Painting by Georges Washington (1827-1910) 1875 Mandatory mention: Collection foundation regards de Provence, Marseille
La halte des horsemen Painting by Georges Washington (1827-1910) 1875 Mandatory mention: Collection foundation regards de Provence, Marseille

JEB4893282: La halte des horsemen Painting by Georges Washington (1827-1910) 1875 Mandatory mention: Collection foundation regards de Provence, Marseille / Bridgeman Images

ID: JEB4893282

La halte des horsemen Painting by Georges Washington (1827-1910) 1875 Mandatory mention: Collection foundation regards de Provence, Marseille

Conversation of musicians or Musicians and monkeys. Painting by Jose Silbert (1862-1939) 1892 cm 81x100 Mandatory mention: Collection fondation regards de Provence Marseille
Conversation of musicians or Musicians and monkeys. Painting by Jose Silbert (1862-1939) 1892 cm 81x100 Mandatory mention: Collection fondation regards de Provence Marseille

JEB4893807: Conversation of musicians or Musicians and monkeys. Painting by Jose Silbert (1862-1939) 1892 cm 81x100 Mandatory mention: Collection fondation regards de Provence Marseille / Bridgeman Images

ID: JEB4893807

Conversation of musicians or Musicians and monkeys. Painting by Jose Silbert (1862-1939) 1892 cm 81x100 Mandatory mention: Collection fondation regards de Provence Marseille

Portulan realized by Augustin Roussin (17th century). Detail of Neptune 1630 Municipal Library of Marseille
Portulan realized by Augustin Roussin (17th century). Detail of Neptune 1630 Municipal Library of Marseille

JEB4878356: Portulan realized by Augustin Roussin (17th century). Detail of Neptune 1630 Municipal Library of Marseille / Bridgeman Images

ID: JEB4878356

Portulan realized by Augustin Roussin (17th century). Detail of Neptune 1630 Municipal Library of Marseille

Portulan realized by Augustin Roussin (17th century). Detail of coat of arms. 1630 Municipal library of Marseille
Portulan realized by Augustin Roussin (17th century). Detail of coat of arms. 1630 Municipal library of Marseille

JEB4878382: Portulan realized by Augustin Roussin (17th century). Detail of coat of arms. 1630 Municipal library of Marseille / Bridgeman Images

ID: JEB4878382

Portulan realized by Augustin Roussin (17th century). Detail of coat of arms. 1630 Municipal library of Marseille


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