1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2497596 Search Results

The upper reaches of the Alster, c.1834-35 (oil on paper mounted on board)
The upper reaches of the Alster, c.1834-35 (oil on paper mounted on board)

XKH150949: The upper reaches of the Alster, c.1834-35 (oil on paper mounted on board), Stuhlmann, Heinrich (1803-86) / Bridgeman Images

ID: XKH150949

The upper reaches of the Alster, c.1834-35 (oil on paper mounted on board)

Stuhlmann, Heinrich (1803-86)

Queen Anne's Gate, from 'Hugh Casson's London' (colour litho)
Queen Anne's Gate, from 'Hugh Casson's London' (colour litho)

CAS151000: Queen Anne's Gate, from 'Hugh Casson's London' (colour litho), Casson, Hugh (1910-99) / Bridgeman Images

ID: CAS151000

Queen Anne's Gate, from 'Hugh Casson's London' (colour litho)

Casson, Hugh (1910-99)

View from the Heilenberg Castle at Jugenheim on the Rhine, 1846 (oil on canvas)
View from the Heilenberg Castle at Jugenheim on the Rhine, 1846 (oil on canvas)

XKH150942: View from the Heilenberg Castle at Jugenheim on the Rhine, 1846 (oil on canvas), Schilbach, Heinrich (1798-1851) / Bridgeman Images

ID: XKH150942

View from the Heilenberg Castle at Jugenheim on the Rhine, 1846 (oil on canvas)

Schilbach, Heinrich (1798-1851)

Fashion plate from 'Journal des Dames et des Modes', 23rd March 1836 (coloured engraving)
Fashion plate from 'Journal des Dames et des Modes', 23rd March 1836 (coloured engraving)

XZL151122: Fashion plate from 'Journal des Dames et des Modes', 23rd March 1836 (coloured engraving), Lante, Louis-Marie (b.1789, fl.1824-39) (after) / Bridgeman Images

ID: XZL151122

Fashion plate from 'Journal des Dames et des Modes', 23rd March 1836 (coloured engraving)

Lante, Louis-Marie (b.1789, fl.1824-39) (after)

Surgeon's Hall (oil on canvas)
Surgeon's Hall (oil on canvas)

FFA151205: Surgeon's Hall (oil on canvas), Bellany, John (1942-2013) / Bridgeman Images

ID: FFA151205

Surgeon's Hall (oil on canvas)

Bellany, John (1942-2013)

Left panel of the triptych
Left panel of the triptych

FFA151245: Left panel of the triptych "Homage to John Knox", 1969 (oil on board), Bellany, John (1942-2013) / Bridgeman Images

ID: FFA151245

Left panel of the triptych "Homage to John Knox", 1969 (oil on board)

Bellany, John (1942-2013)

Portrait of Ferdinand Alvarez de Toledo Duke of Alva from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache on paper)
Portrait of Ferdinand Alvarez de Toledo Duke of Alva from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache on paper)

STC146724: Portrait of Ferdinand Alvarez de Toledo Duke of Alva from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache on paper), Essex, Sarah Countess of (d.1838) / Bridgeman Images

ID: STC146724

Portrait of Ferdinand Alvarez de Toledo Duke of Alva from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache on paper)

Essex, Sarah Countess of (d.1838)

Church of the Gesuati (Santa Maria del Rosario) built 1726-43 (photo)
Church of the Gesuati (Santa Maria del Rosario) built 1726-43 (photo)

SQ146906: Church of the Gesuati (Santa Maria del Rosario) built 1726-43 (photo), Massari, Giorgio (c.1686-1766) / Bridgeman Images

ID: SQ146906

Church of the Gesuati (Santa Maria del Rosario) built 1726-43 (photo)

Massari, Giorgio (c.1686-1766)

Portrait of Henry Grey (d.1554) Duke of Suffolk from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache on paper)
Portrait of Henry Grey (d.1554) Duke of Suffolk from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache on paper)

STC146712: Portrait of Henry Grey (d.1554) Duke of Suffolk from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache on paper), Essex, Sarah Countess of (d.1838) / Bridgeman Images

ID: STC146712

Portrait of Henry Grey (d.1554) Duke of Suffolk from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache on paper)

Essex, Sarah Countess of (d.1838)

Portrait of Charles I of England (1600-49) as Prince of Wales from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache on paper)
Portrait of Charles I of England (1600-49) as Prince of Wales from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache on paper)

STC146717: Portrait of Charles I of England (1600-49) as Prince of Wales from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache on paper), Essex, Sarah Countess of (d.1838) / Bridgeman Images

ID: STC146717

Portrait of Charles I of England (1600-49) as Prince of Wales from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache on paper)

Essex, Sarah Countess of (d.1838)

Portrait of Sir William Petre (c.1505-72) from 'Memoirs of the Court of Queen Elizabeth' after the portrait by Steven de Meulen (fl.1543-63), published in 1825 (w/c and gouache on paper)
Portrait of Sir William Petre (c.1505-72) from 'Memoirs of the Court of Queen Elizabeth' after the portrait by Steven de Meulen (fl.1543-63), published in 1825 (w/c and gouache on paper)

STC146743: Portrait of Sir William Petre (c.1505-72) from 'Memoirs of the Court of Queen Elizabeth' after the portrait by Steven de Meulen (fl.1543-63), published in 1825 (w/c and gouache on paper), Essex, Sarah Countess of (d.1838) / Bridgeman Images

ID: STC146743

Portrait of Sir William Petre (c.1505-72) from 'Memoirs of the Court of Queen Elizabeth' after the portrait by Steven de Meulen (fl.1543-63), published in 1825 (w/c and gouache on paper)

Essex, Sarah Countess of (d.1838)

Landscape at Esrom in Seeland, 1834 (oil on canvas)
Landscape at Esrom in Seeland, 1834 (oil on canvas)

XKH146790: Landscape at Esrom in Seeland, 1834 (oil on canvas), Gurlitt, Louis (1812-97) / Bridgeman Images

ID: XKH146790

Landscape at Esrom in Seeland, 1834 (oil on canvas)

Gurlitt, Louis (1812-97)

The Foundry of Precious Metals, pieces in the ceremonial collar of the Senior Member of the Goldsmiths of Ghent, illustration from 'Science and Literature in the Middle Ages and the Renaissance', written and engraved by Paul Lacroix, 1878 (engraving)
The Foundry of Precious Metals, pieces in the ceremonial collar of the Senior Member of the Goldsmiths of Ghent, illustration from 'Science and Literature in the Middle Ages and the Renaissance', written and engraved by Paul Lacroix, 1878 (engraving)

XJF147317: The Foundry of Precious Metals, pieces in the ceremonial collar of the Senior Member of the Goldsmiths of Ghent, illustration from 'Science and Literature in the Middle Ages and the Renaissance', written and engraved by Paul Lacroix, 1878 (engraving), English School, (19th century) / Bridgeman Images

ID: XJF147317

The Foundry of Precious Metals, pieces in the ceremonial collar of the Senior Member of the Goldsmiths of Ghent, illustration from 'Science and Literature in the Middle Ages and the Renaissance', written and engraved by Paul Lacroix, 1878 (engraving)

English School, (19th century)

The Bard, from the opera 'Bluebeard's Castle' by Bela Bartok (1881-1945) (gouache, watercolour and pencil on paper)
The Bard, from the opera 'Bluebeard's Castle' by Bela Bartok (1881-1945) (gouache, watercolour and pencil on paper)

XJL146853: The Bard, from the opera 'Bluebeard's Castle' by Bela Bartok (1881-1945) (gouache, watercolour and pencil on paper), Brunet, Maurice (b.1911) / Bridgeman Images

ID: XJL146853

The Bard, from the opera 'Bluebeard's Castle' by Bela Bartok (1881-1945) (gouache, watercolour and pencil on paper)

Brunet, Maurice (b.1911)

Lady and a Nursemaid Teaching a Child to Walk (woodblock print)
Lady and a Nursemaid Teaching a Child to Walk (woodblock print)

LMG144565: Lady and a Nursemaid Teaching a Child to Walk (woodblock print), Kitagawa, Utamaro (1753-1806) / Bridgeman Images

ID: LMG144565

Lady and a Nursemaid Teaching a Child to Walk (woodblock print)

Kitagawa, Utamaro (1753-1806)

Portrait of Edward VI (1537-53) King of England, aged about 14 from 'Memoirs of the Court of Queen Elizabeth' after a miniature in the Royal Collection by Nicholas Hilliard (1537-1619), published in 1825 (w/c and gouache on paper)
Portrait of Edward VI (1537-53) King of England, aged about 14 from 'Memoirs of the Court of Queen Elizabeth' after a miniature in the Royal Collection by Nicholas Hilliard (1537-1619), published in 1825 (w/c and gouache on paper)

STC146713: Portrait of Edward VI (1537-53) King of England, aged about 14 from 'Memoirs of the Court of Queen Elizabeth' after a miniature in the Royal Collection by Nicholas Hilliard (1537-1619), published in 1825 (w/c and gouache on paper), Essex, Sarah Countess of (d.1838) / Bridgeman Images

ID: STC146713

Portrait of Edward VI (1537-53) King of England, aged about 14 from 'Memoirs of the Court of Queen Elizabeth' after a miniature in the Royal Collection by Nicholas Hilliard (1537-1619), published in 1825 (w/c and gouache on paper)

Essex, Sarah Countess of (d.1838)

Bathsheba, 1552 (oil on canvas)
Bathsheba, 1552 (oil on canvas)

XKH146761: Bathsheba, 1552 (oil on canvas), Bordone, Paris (1500-71) / Bridgeman Images

ID: XKH146761

Bathsheba, 1552 (oil on canvas)

Bordone, Paris (1500-71)

Traditional houses in the old quarter (photo)
Traditional houses in the old quarter (photo)

RLP122206: Traditional houses in the old quarter (photo), Last, Roger / Bridgeman Images

ID: RLP122206

Traditional houses in the old quarter (photo)

Last, Roger

Relief of a Demon from the Palace of Ubud (photo)
Relief of a Demon from the Palace of Ubud (photo)

BAL121222: Relief of a Demon from the Palace of Ubud (photo) / Bridgeman Images

ID: BAL121222

Relief of a Demon from the Palace of Ubud (photo)

Cavalry Camp, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)
Cavalry Camp, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

STC122400: Cavalry Camp, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho), Simpson, William 'Crimea' (1823-99) / Bridgeman Images

ID: STC122400

Cavalry Camp, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

Simpson, William 'Crimea' (1823-99)

Ditch of the Malakoff, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)
Ditch of the Malakoff, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

STC122421: Ditch of the Malakoff, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho), Simpson, William 'Crimea' (1823-99) / Bridgeman Images

ID: STC122421

Ditch of the Malakoff, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

Simpson, William 'Crimea' (1823-99)

Sebastopol from the Rear of Fort Nicholas, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)
Sebastopol from the Rear of Fort Nicholas, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

STC122433: Sebastopol from the Rear of Fort Nicholas, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho), Simpson, William 'Crimea' (1823-99) / Bridgeman Images

ID: STC122433

Sebastopol from the Rear of Fort Nicholas, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

Simpson, William 'Crimea' (1823-99)

An Otter and an Owl Guarding their Catches (oil on copper)
An Otter and an Owl Guarding their Catches (oil on copper)

BAL121419: An Otter and an Owl Guarding their Catches (oil on copper), Kessel, Jan van, the Elder (1626-79) / Bridgeman Images

ID: BAL121419

An Otter and an Owl Guarding their Catches (oil on copper)

Kessel, Jan van, the Elder (1626-79)

Elegant Figures in Church, 1629 (oil on copper)
Elegant Figures in Church, 1629 (oil on copper)

JVH121454: Elegant Figures in Church, 1629 (oil on copper), Delen, Dirck van (1605-71) / Bridgeman Images

ID: JVH121454

Elegant Figures in Church, 1629 (oil on copper)

Delen, Dirck van (1605-71)

The Tiger Carries off Miao Shan, illustration from 'Myths and Legends in China', by Edward T.C. Werner, pub. by George G. Harrap & Co., 1922 (colour litho)
The Tiger Carries off Miao Shan, illustration from 'Myths and Legends in China', by Edward T.C. Werner, pub. by George G. Harrap & Co., 1922 (colour litho)

BAL122546: The Tiger Carries off Miao Shan, illustration from 'Myths and Legends in China', by Edward T.C. Werner, pub. by George G. Harrap & Co., 1922 (colour litho), English School, (20th century) / Bridgeman Images

ID: BAL122546

The Tiger Carries off Miao Shan, illustration from 'Myths and Legends in China', by Edward T.C. Werner, pub. by George G. Harrap & Co., 1922 (colour litho)

English School, (20th century)

Portrait of Vanda Weiner, 1916 (w/c on paper)
Portrait of Vanda Weiner, 1916 (w/c on paper)

XAB122148: Portrait of Vanda Weiner, 1916 (w/c on paper), Sorin, Savelij Abramovich (1878-1953) / Bridgeman Images

ID: XAB122148

Portrait of Vanda Weiner, 1916 (w/c on paper)

Sorin, Savelij Abramovich (1878-1953)

Kamiesch, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)
Kamiesch, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

STC122404: Kamiesch, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho), Simpson, William 'Crimea' (1823-99) / Bridgeman Images

ID: STC122404

Kamiesch, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

Simpson, William 'Crimea' (1823-99)

Edmond de Goncourt (1822-96) c.1892 (oil on canvas)
Edmond de Goncourt (1822-96) c.1892 (oil on canvas)

XIR122506: Edmond de Goncourt (1822-96) c.1892 (oil on canvas), Carriere, Eugene (1849-1906) / Bridgeman Images

ID: XIR122506

Edmond de Goncourt (1822-96) c.1892 (oil on canvas)

Carriere, Eugene (1849-1906)

Greetings Card (w/c on paper)
Greetings Card (w/c on paper)

REV121580: Greetings Card (w/c on paper), English School, (19th century) / Bridgeman Images

ID: REV121580

Greetings Card (w/c on paper)

English School, (19th century)

Exterior of the East Wing Extension, designed by I.M. Pei, 1978 (photo)
Exterior of the East Wing Extension, designed by I.M. Pei, 1978 (photo)

RLP121909: Exterior of the East Wing Extension, designed by I.M. Pei, 1978 (photo), Pei, Ieoh Ming (1917-2019) / Bridgeman Images

ID: RLP121909

Exterior of the East Wing Extension, designed by I.M. Pei, 1978 (photo)

Pei, Ieoh Ming (1917-2019)

Coastal Scene (oil on board)
Coastal Scene (oil on board)

WH122083: Coastal Scene (oil on board), Lavery, John (1856-1941) / Bridgeman Images

ID: WH122083

Coastal Scene (oil on board)

Lavery, John (1856-1941)

Portrait of Maxim Gorky (Aleksei Maksimovich Peshkov) (1868-1936), 1932 (oil on canvas)
Portrait of Maxim Gorky (Aleksei Maksimovich Peshkov) (1868-1936), 1932 (oil on canvas)

XAB122107: Portrait of Maxim Gorky (Aleksei Maksimovich Peshkov) (1868-1936), 1932 (oil on canvas), Korin, Pavel Dmitrievich (1892-1967) / Bridgeman Images

ID: XAB122107

Portrait of Maxim Gorky (Aleksei Maksimovich Peshkov) (1868-1936), 1932 (oil on canvas)

Korin, Pavel Dmitrievich (1892-1967)

Fr 12322 f.180v Plantain, marjoram and mandrake, from Livre des Simples Medecines, c.1520-30 (vellum)
Fr 12322 f.180v Plantain, marjoram and mandrake, from Livre des Simples Medecines, c.1520-30 (vellum)

REV122593: Fr 12322 f.180v Plantain, marjoram and mandrake, from Livre des Simples Medecines, c.1520-30 (vellum), French School, (16th century) / Bridgeman Images

ID: REV122593

Fr 12322 f.180v Plantain, marjoram and mandrake, from Livre des Simples Medecines, c.1520-30 (vellum)

French School, (16th century)

Mrs Ellison's Rage upon Finding herself Detected, from 'Amelia', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving)
Mrs Ellison's Rage upon Finding herself Detected, from 'Amelia', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving)

ABC122932: Mrs Ellison's Rage upon Finding herself Detected, from 'Amelia', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

ID: ABC122932

Mrs Ellison's Rage upon Finding herself Detected, from 'Amelia', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving)

Cruikshank, George (1792-1878)

Petalesharro, a Pawnee Brave, illustration from 'The Indian Tribes of North America, Vol.1', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)
Petalesharro, a Pawnee Brave, illustration from 'The Indian Tribes of North America, Vol.1', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)

BAL122948: Petalesharro, a Pawnee Brave, illustration from 'The Indian Tribes of North America, Vol.1', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho), American School, (19th century) / Bridgeman Images

ID: BAL122948

Petalesharro, a Pawnee Brave, illustration from 'The Indian Tribes of North America, Vol.1', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)

American School, (19th century)

Lamas in choral dress, from 'Grandeur and Supremacy of Peking', by Alphonse Hubrecht, 1928 (sepia photo)
Lamas in choral dress, from 'Grandeur and Supremacy of Peking', by Alphonse Hubrecht, 1928 (sepia photo)

BAL122568: Lamas in choral dress, from 'Grandeur and Supremacy of Peking', by Alphonse Hubrecht, 1928 (sepia photo), French School, (20th century) / Bridgeman Images

ID: BAL122568

Lamas in choral dress, from 'Grandeur and Supremacy of Peking', by Alphonse Hubrecht, 1928 (sepia photo)

French School, (20th century)


Back to top