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Entry of the Crusaders in Constantinople, 1841 (oil on canvas
Entry of the Crusaders in Constantinople, 1841 (oil on canvas

YOU4419833: Entry of the Crusaders in Constantinople, 1841 (oil on canvas, Delacroix, Ferdinand Victor Eugene (1798-1863) / Bridgeman Images

Chimere adorning the large porch of the courtyard of honor of the castle of Pierrefonds, Sculpture by Emmanuel Fremiet (1824-1910). Photography, KIM Youngtae, Pierrefonds, Oise, Picardie, France.
Chimere adorning the large porch of the courtyard of honor of the castle of Pierrefonds, Sculpture by Emmanuel Fremiet (1824-1910). Photography, KIM Youngtae, Pierrefonds, Oise, Picardie, France.

YOU4419902: Chimere adorning the large porch of the courtyard of honor of the castle of Pierrefonds, Sculpture by Emmanuel Fremiet (1824-1910). Photography, KIM Youngtae, Pierrefonds, Oise, Picardie, France., Fremiet, Emmanuel (1824-1910) / Bridgeman Images

Saint Francois in Estasy (oil on canvas)
Saint Francois in Estasy (oil on canvas)

YOU4420016: Saint Francois in Estasy (oil on canvas), Rubens, Peter Paul (1577-1640) / Bridgeman Images

Portrait of Georges Moore
Portrait of Georges Moore

YOU4420220: Portrait of Georges Moore, Blanche, Jacques-Emile (1861-1942) / Bridgeman Images

Giotto's Bell Tower or Campanile, Piazza del Duomo, Cattedrale di Santa Maria del Fiore, Florence, 1334-59
Giotto's Bell Tower or Campanile, Piazza del Duomo, Cattedrale di Santa Maria del Fiore, Florence, 1334-59

YOU4419721: Giotto's Bell Tower or Campanile, Piazza del Duomo, Cattedrale di Santa Maria del Fiore, Florence, 1334-59, Giotto (Giotto di Bondone) (c.1266-1337) / Bridgeman Images

Equestrian statue of Ferdinand I de Medicis (1549-1609), Grand Duke of Tuscany, son of Cosimo I of Medici and Eleonore of Toledo, During his stay in Rome as a cardinal, he founded the Villa Medicis. In 1587 he succeeded his brother in France, 1st of Medici, who died poisonous. Bronze sculpture Pietro Tacca (1577-1640), installed on Piazza della Santissima Annunziata in Florence. Photography, KIM Youngtae, Florence, Tuscany, Italy.
Equestrian statue of Ferdinand I de Medicis (1549-1609), Grand Duke of Tuscany, son of Cosimo I of Medici and Eleonore of Toledo, During his stay in Rome as a cardinal, he founded the Villa Medicis. In 1587 he succeeded his brother in France, 1st of Medici, who died poisonous. Bronze sculpture Pietro Tacca (1577-1640), installed on Piazza della Santissima Annunziata in Florence. Photography, KIM Youngtae, Florence, Tuscany, Italy.

YOU4419716: Equestrian statue of Ferdinand I de Medicis (1549-1609), Grand Duke of Tuscany, son of Cosimo I of Medici and Eleonore of Toledo, During his stay in Rome as a cardinal, he founded the Villa Medicis. In 1587 he succeeded his brother in France, 1st of Medici, who died poisonous. Bronze sculpture Pietro Tacca (1577-1640), installed on Piazza della Santissima Annunziata in Florence. Photography, KIM Youngtae, Florence, Tuscany, Italy., Tacca, Pietro (1577-1640) / Bridgeman Images

Bust of Sainte Beuve, Charles Augustin (1804-1869), literary critic, French writer, sculpture by Denys Puech (1854-1942), installed at the Jardin du Luxembourg in Paris. Photography, KIM Youngtae, Paris, France.
Bust of Sainte Beuve, Charles Augustin (1804-1869), literary critic, French writer, sculpture by Denys Puech (1854-1942), installed at the Jardin du Luxembourg in Paris. Photography, KIM Youngtae, Paris, France.

YOU4419882: Bust of Sainte Beuve, Charles Augustin (1804-1869), literary critic, French writer, sculpture by Denys Puech (1854-1942), installed at the Jardin du Luxembourg in Paris. Photography, KIM Youngtae, Paris, France., Puech, Denys (1854-1942) / Bridgeman Images

Les hommes sauves de la gueule du Leviathan, sculpture in oak from the southern Netherlands, dating from the 16th century. Photography, KIM Youngtae, Palais des beaux arts de Lille, Lille, France.
Les hommes sauves de la gueule du Leviathan, sculpture in oak from the southern Netherlands, dating from the 16th century. Photography, KIM Youngtae, Palais des beaux arts de Lille, Lille, France.

YOU4419984: Les hommes sauves de la gueule du Leviathan, sculpture in oak from the southern Netherlands, dating from the 16th century. Photography, KIM Youngtae, Palais des beaux arts de Lille, Lille, France. / Bridgeman Images

Angels bearing a soul, marble sculpture from Lombardy, Italy, dating from the 2nd half of the 14th century., Lyon, Musee des beaux arts de Lyon.
Angels bearing a soul, marble sculpture from Lombardy, Italy, dating from the 2nd half of the 14th century., Lyon, Musee des beaux arts de Lyon.

YOU4419452: Angels bearing a soul, marble sculpture from Lombardy, Italy, dating from the 2nd half of the 14th century., Lyon, Musee des beaux arts de Lyon. / Bridgeman Images

Fire of Lyon City Hall in 1674, oil painting on canvas, anonymous. Photography, KIM Youngtae, Lyon, Musee Gadagne.
Fire of Lyon City Hall in 1674, oil painting on canvas, anonymous. Photography, KIM Youngtae, Lyon, Musee Gadagne.

YOU4419482: Fire of Lyon City Hall in 1674, oil painting on canvas, anonymous. Photography, KIM Youngtae, Lyon, Musee Gadagne. / Bridgeman Images

First seal of Louis IX (Saint Louis), the figure sieging in majesty, 1226., Paris, Archives nationales.
First seal of Louis IX (Saint Louis), the figure sieging in majesty, 1226., Paris, Archives nationales.

YOU4419837: First seal of Louis IX (Saint Louis), the figure sieging in majesty, 1226., Paris, Archives nationales. / Bridgeman Images

Bust of Vittoria Colonna (1492-1547), Marquise de Pescaire, Italian woman of letters, friend of Michelangelo, marble sculpture by Maurice David de Gheest (active in the 19th century), produced circa 1889. Photography, KIM Youngtae, Palais des beaux arts de Lille, Lille, France.
Bust of Vittoria Colonna (1492-1547), Marquise de Pescaire, Italian woman of letters, friend of Michelangelo, marble sculpture by Maurice David de Gheest (active in the 19th century), produced circa 1889. Photography, KIM Youngtae, Palais des beaux arts de Lille, Lille, France.

YOU4419904: Bust of Vittoria Colonna (1492-1547), Marquise de Pescaire, Italian woman of letters, friend of Michelangelo, marble sculpture by Maurice David de Gheest (active in the 19th century), produced circa 1889. Photography, KIM Youngtae, Palais des beaux arts de Lille, Lille, France., Gheest, Maurice David Gabriel de (active 19th century) / Bridgeman Images

Bust of Sulpice Guillaume Chevalier, dit Gavarni (1804-1866), French draughtsman, lithographer, known notably for his illustrations of the Carnival of Paris, Sculpture by Denys Puech (1854-1942), installed at Place Saint Georges in Paris, Photography, KIM Youngtae, Paris.
Bust of Sulpice Guillaume Chevalier, dit Gavarni (1804-1866), French draughtsman, lithographer, known notably for his illustrations of the Carnival of Paris, Sculpture by Denys Puech (1854-1942), installed at Place Saint Georges in Paris, Photography, KIM Youngtae, Paris.

YOU4419892: Bust of Sulpice Guillaume Chevalier, dit Gavarni (1804-1866), French draughtsman, lithographer, known notably for his illustrations of the Carnival of Paris, Sculpture by Denys Puech (1854-1942), installed at Place Saint Georges in Paris, Photography, KIM Youngtae, Paris., Puech, Denys (1854-1942) / Bridgeman Images

The Lanslebourg Diligence, a scene illustrating the passage of the Savoy passes to the Piemont of a service, postal service and passenger transport to Turin. Oil painting on canvas by Louis Guy (1824-1888), made in 1857. Photography, KIM Youngtae, Musee des Beaux Arts de Chambery, Chambery, France.
The Lanslebourg Diligence, a scene illustrating the passage of the Savoy passes to the Piemont of a service, postal service and passenger transport to Turin. Oil painting on canvas by Louis Guy (1824-1888), made in 1857. Photography, KIM Youngtae, Musee des Beaux Arts de Chambery, Chambery, France.

YOU4419958: The Lanslebourg Diligence, a scene illustrating the passage of the Savoy passes to the Piemont of a service, postal service and passenger transport to Turin. Oil painting on canvas by Louis Guy (1824-1888), made in 1857. Photography, KIM Youngtae, Musee des Beaux Arts de Chambery, Chambery, France. / Bridgeman Images

Monument to Francis Garnier (1839-1873), explorer, French naval officer, bust realized by Denys Puech (1854-1942), Photography, KIM Youngtae, Paris.
Monument to Francis Garnier (1839-1873), explorer, French naval officer, bust realized by Denys Puech (1854-1942), Photography, KIM Youngtae, Paris.

YOU4419975: Monument to Francis Garnier (1839-1873), explorer, French naval officer, bust realized by Denys Puech (1854-1942), Photography, KIM Youngtae, Paris., Puech, Denys (1854-1942) / Bridgeman Images

Statue of Victor Hugo (1802-1885)
Statue of Victor Hugo (1802-1885)

YOU4420048: Statue of Victor Hugo (1802-1885), Marqueste, Laurent-Honore (1848-1920) / Bridgeman Images

Apollo winner of the snake Python (Detail) (1850 - 1851). Painting by Eugene Delacroix (1798 - 1863). Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris.
Apollo winner of the snake Python (Detail) (1850 - 1851). Painting by Eugene Delacroix (1798 - 1863). Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris.

ETI4397492: Apollo winner of the snake Python (Detail) (1850 - 1851). Painting by Eugene Delacroix (1798 - 1863). Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris. / Bridgeman Images

View of the ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris.
View of the ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris.

ETI4397522: View of the ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris. / Bridgeman Images

Portrait of Jacques Sarazin or Sarrazin (1588 - 1660) French classical sculptor.
Portrait of Jacques Sarazin or Sarrazin (1588 - 1660) French classical sculptor.

ETI4397224: Portrait of Jacques Sarazin or Sarrazin (1588 - 1660) French classical sculptor. / Bridgeman Images

View of the ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris.
View of the ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris.

ETI4397531: View of the ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris. / Bridgeman Images

Expedition from Egypt under the orders of Bonaparte, detail. Painting by Leon Cogniet (1794-1880), 1821. Ceiling of the Campana room, Musee du Louvre. There are the General Bonaparte (Napoleon I 1769-1821), Jean Baptiste Kleber (1753-1800) in a tent. Campaign (Expedition) of Egypt (1798-1801)
Expedition from Egypt under the orders of Bonaparte, detail. Painting by Leon Cogniet (1794-1880), 1821. Ceiling of the Campana room, Musee du Louvre. There are the General Bonaparte (Napoleon I 1769-1821), Jean Baptiste Kleber (1753-1800) in a tent. Campaign (Expedition) of Egypt (1798-1801)

ETI4397334: Expedition from Egypt under the orders of Bonaparte, detail. Painting by Leon Cogniet (1794-1880), 1821. Ceiling of the Campana room, Musee du Louvre. There are the General Bonaparte (Napoleon I 1769-1821), Jean Baptiste Kleber (1753-1800) in a tent. Campaign (Expedition) of Egypt (1798-1801) / Bridgeman Images

Spring or Zephyr and Flora crowning with flowers Cybele (Detail) (1780 - 1781). Painting by Antoine Francois (Antoine-Francois) Callet (1741 - 1823). Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris.
Spring or Zephyr and Flora crowning with flowers Cybele (Detail) (1780 - 1781). Painting by Antoine Francois (Antoine-Francois) Callet (1741 - 1823). Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris.

ETI4397422: Spring or Zephyr and Flora crowning with flowers Cybele (Detail) (1780 - 1781). Painting by Antoine Francois (Antoine-Francois) Callet (1741 - 1823). Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris. / Bridgeman Images

Apollo winner of the snake Python (Detail) (1850 - 1851). Painting by Eugene Delacroix (1798 - 1863). Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris.
Apollo winner of the snake Python (Detail) (1850 - 1851). Painting by Eugene Delacroix (1798 - 1863). Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris.

ETI4397474: Apollo winner of the snake Python (Detail) (1850 - 1851). Painting by Eugene Delacroix (1798 - 1863). Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris. / Bridgeman Images

L'Aurore (Detail) (1850). Painting by Charles Louis (Charles-Louis) Muller (Müller) (1815 - 1892). Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris.
L'Aurore (Detail) (1850). Painting by Charles Louis (Charles-Louis) Muller (Müller) (1815 - 1892). Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris.

ETI4397477: L'Aurore (Detail) (1850). Painting by Charles Louis (Charles-Louis) Muller (Müller) (1815 - 1892). Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris. / Bridgeman Images

Le Triomphe de la Terrre ou le Triomphe de Cybele (1850) (Detail). Painting by Joseph Benoit (Joseph - Benoit) Guichard (1806 - 1880). Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris.
Le Triomphe de la Terrre ou le Triomphe de Cybele (1850) (Detail). Painting by Joseph Benoit (Joseph - Benoit) Guichard (1806 - 1880). Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris.

ETI4397571: Le Triomphe de la Terrre ou le Triomphe de Cybele (1850) (Detail). Painting by Joseph Benoit (Joseph - Benoit) Guichard (1806 - 1880). Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris. / Bridgeman Images

Statue representing a lion. Sculpture from the Albani Collection. Rome, I century. Paris, Musee du Louvre.
Statue representing a lion. Sculpture from the Albani Collection. Rome, I century. Paris, Musee du Louvre.

ETI4397633: Statue representing a lion. Sculpture from the Albani Collection. Rome, I century. Paris, Musee du Louvre. / Bridgeman Images

View of the ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris.
View of the ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris.

ETI4397504: View of the ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris. / Bridgeman Images

The sign of the belier (Detail) (1663 - 1665). Sculpture by Balthazar Marsy (1628 - 1674) based on a drawing by Charles Le Brun (1619 - 1690). Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris.
The sign of the belier (Detail) (1663 - 1665). Sculpture by Balthazar Marsy (1628 - 1674) based on a drawing by Charles Le Brun (1619 - 1690). Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris.

ETI4397525: The sign of the belier (Detail) (1663 - 1665). Sculpture by Balthazar Marsy (1628 - 1674) based on a drawing by Charles Le Brun (1619 - 1690). Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris. / Bridgeman Images

Chimere ailee in limestone looking to the right from the choir of the former abbey church of Sainte-Genevieve in Paris (12th century). Musee du Louvre, Paris.
Chimere ailee in limestone looking to the right from the choir of the former abbey church of Sainte-Genevieve in Paris (12th century). Musee du Louvre, Paris.

ETI4397551: Chimere ailee in limestone looking to the right from the choir of the former abbey church of Sainte-Genevieve in Paris (12th century). Musee du Louvre, Paris. / Bridgeman Images

Stained glass windows of the Cathedrale Saint Etienne (Saint-Etienne).
Stained glass windows of the Cathedrale Saint Etienne (Saint-Etienne).

ETI4397610: Stained glass windows of the Cathedrale Saint Etienne (Saint-Etienne). / Bridgeman Images

Cartoon of the politics of the Second Empire (Bonapartiste Regime) directed by Napoleon III (Charles Louis Napoleon Bonaparte, dit Louis-Napoleon Bonaparte, 1808-1873). “Stamir, the police journalist.” Alexandre Stamirowski, dit Stamir, had published in his newspaper “L'Inflexible”, a slanderous article accusing Henri Rochefort (1831-1913) of fraud. Illustration by Andre Gill, La Lanterne, July 11, 1868. Engraving in “” Napoleon dernier: Les Lanternes de l'Empire”” (Volume 1, volume 1), reedition of 1880-1881 of 75 issues of the newspaper “” La Lanterne “” published by Henri Rochefort (1831-1913) between 30/05/1868 and 29/10/1869 at the Anti-Clerical Librairie. Private collection.
Cartoon of the politics of the Second Empire (Bonapartiste Regime) directed by Napoleon III (Charles Louis Napoleon Bonaparte, dit Louis-Napoleon Bonaparte, 1808-1873). “Stamir, the police journalist.” Alexandre Stamirowski, dit Stamir, had published in his newspaper “L'Inflexible”, a slanderous article accusing Henri Rochefort (1831-1913) of fraud. Illustration by Andre Gill, La Lanterne, July 11, 1868. Engraving in “” Napoleon dernier: Les Lanternes de l'Empire”” (Volume 1, volume 1), reedition of 1880-1881 of 75 issues of the newspaper “” La Lanterne “” published by Henri Rochefort (1831-1913) between 30/05/1868 and 29/10/1869 at the Anti-Clerical Librairie. Private collection.

JOC4401035: Cartoon of the politics of the Second Empire (Bonapartiste Regime) directed by Napoleon III (Charles Louis Napoleon Bonaparte, dit Louis-Napoleon Bonaparte, 1808-1873). “Stamir, the police journalist.” Alexandre Stamirowski, dit Stamir, had published in his newspaper “L'Inflexible”, a slanderous article accusing Henri Rochefort (1831-1913) of fraud. Illustration by Andre Gill, La Lanterne, July 11, 1868. Engraving in “” Napoleon dernier: Les Lanternes de l'Empire”” (Volume 1, volume 1), reedition of 1880-1881 of 75 issues of the newspaper “” La Lanterne “” published by Henri Rochefort (1831-1913) between 30/05/1868 and 29/10/1869 at the Anti-Clerical Librairie. Private collection. / Bridgeman Images

Cartoon of the politics of the Second Empire (Bonapartiste Regime) directed by Napoleon III (Charles Louis Napoleon Bonaparte, dit Louis-Napoleon Bonaparte, 1808-1873). “France still has its watch.” The precise commentary that if the servants of Napoleon III have not yet completely abandoned it, “it is that France (...) still has its watch””, and after having almost completely devalised it, they nourish the secret hope of taking it down completely””. Illustration by Andre Gill, La Lanterne, October 10, 1868. Engraving in “” Napoleon dernier: Les Lanternes de l'Empire”” (Volume 1, volume 2), reedition of 1880-1881 of 75 issues of the newspaper “” La Lanterne “” published by Henri Rochefort (1831-1913) between 30/05/1868 and 29/10/1869 at the Anti-Clerical Librairie. Private collection.
Cartoon of the politics of the Second Empire (Bonapartiste Regime) directed by Napoleon III (Charles Louis Napoleon Bonaparte, dit Louis-Napoleon Bonaparte, 1808-1873). “France still has its watch.” The precise commentary that if the servants of Napoleon III have not yet completely abandoned it, “it is that France (...) still has its watch””, and after having almost completely devalised it, they nourish the secret hope of taking it down completely””. Illustration by Andre Gill, La Lanterne, October 10, 1868. Engraving in “” Napoleon dernier: Les Lanternes de l'Empire”” (Volume 1, volume 2), reedition of 1880-1881 of 75 issues of the newspaper “” La Lanterne “” published by Henri Rochefort (1831-1913) between 30/05/1868 and 29/10/1869 at the Anti-Clerical Librairie. Private collection.

JOC4401061: Cartoon of the politics of the Second Empire (Bonapartiste Regime) directed by Napoleon III (Charles Louis Napoleon Bonaparte, dit Louis-Napoleon Bonaparte, 1808-1873). “France still has its watch.” The precise commentary that if the servants of Napoleon III have not yet completely abandoned it, “it is that France (...) still has its watch””, and after having almost completely devalised it, they nourish the secret hope of taking it down completely””. Illustration by Andre Gill, La Lanterne, October 10, 1868. Engraving in “” Napoleon dernier: Les Lanternes de l'Empire”” (Volume 1, volume 2), reedition of 1880-1881 of 75 issues of the newspaper “” La Lanterne “” published by Henri Rochefort (1831-1913) between 30/05/1868 and 29/10/1869 at the Anti-Clerical Librairie. Private collection. / Bridgeman Images

Cartoon of the politics of the Second Empire (Bonapartiste Regime) directed by Napoleon III (Charles Louis Napoleon Bonaparte, dit Louis-Napoleon Bonaparte, 1808-1873). “” Dussoubs, representative of the people, kills on a barricade, in the December coup d'état.”” Denis Dussoubs (1814-1851), a lawyer and brother of the Republican depute Gaston Dussoubs had gone to the barricades to represent his sick brother. He was killed there, like Depute Baudin. Illustration by Frid'Rick, La Lanterne, November 27, 1868. Engraving in “” Napoleon dernier: Les Lanternes de l'Empire”” (Volume 1, volume 2), reedition of 1880-1881 of 75 issues of the newspaper “” La Lanterne “” published by Henri Rochefort (1831-1913) between 30/05/1868 and 29/10/1869 at the Anti-Clerical Librairie. Private collection.
Cartoon of the politics of the Second Empire (Bonapartiste Regime) directed by Napoleon III (Charles Louis Napoleon Bonaparte, dit Louis-Napoleon Bonaparte, 1808-1873). “” Dussoubs, representative of the people, kills on a barricade, in the December coup d'état.”” Denis Dussoubs (1814-1851), a lawyer and brother of the Republican depute Gaston Dussoubs had gone to the barricades to represent his sick brother. He was killed there, like Depute Baudin. Illustration by Frid'Rick, La Lanterne, November 27, 1868. Engraving in “” Napoleon dernier: Les Lanternes de l'Empire”” (Volume 1, volume 2), reedition of 1880-1881 of 75 issues of the newspaper “” La Lanterne “” published by Henri Rochefort (1831-1913) between 30/05/1868 and 29/10/1869 at the Anti-Clerical Librairie. Private collection.

JOC4401075: Cartoon of the politics of the Second Empire (Bonapartiste Regime) directed by Napoleon III (Charles Louis Napoleon Bonaparte, dit Louis-Napoleon Bonaparte, 1808-1873). “” Dussoubs, representative of the people, kills on a barricade, in the December coup d'état.”” Denis Dussoubs (1814-1851), a lawyer and brother of the Republican depute Gaston Dussoubs had gone to the barricades to represent his sick brother. He was killed there, like Depute Baudin. Illustration by Frid'Rick, La Lanterne, November 27, 1868. Engraving in “” Napoleon dernier: Les Lanternes de l'Empire”” (Volume 1, volume 2), reedition of 1880-1881 of 75 issues of the newspaper “” La Lanterne “” published by Henri Rochefort (1831-1913) between 30/05/1868 and 29/10/1869 at the Anti-Clerical Librairie. Private collection. / Bridgeman Images

Cartoon of the politics of the Second Empire (Bonapartiste Regime) directed by Napoleon III (Charles Louis Napoleon Bonaparte, dit Louis-Napoleon Bonaparte, 1808-1873). “A barn drummer misfortune having had, at the time of the draw, the dark vein of bringing the number 7”: according to the conscription system, the one who draws the wrong number must complete 7 years of service, unless he can pay a replacement. La Lanterne, July 4, 1868. Engraving in “” Napoleon dernier: Les Lanternes de l'Empire”” (Volume 1, vol1), reedition of 1880-1881 of 75 issues of the newspaper “” La Lanterne “” published by Henri Rochefort (1831-1913) between 30/05/1868 and 29/10/1869 at the Anti-Clerical Librairie. Private collection.
Cartoon of the politics of the Second Empire (Bonapartiste Regime) directed by Napoleon III (Charles Louis Napoleon Bonaparte, dit Louis-Napoleon Bonaparte, 1808-1873). “A barn drummer misfortune having had, at the time of the draw, the dark vein of bringing the number 7”: according to the conscription system, the one who draws the wrong number must complete 7 years of service, unless he can pay a replacement. La Lanterne, July 4, 1868. Engraving in “” Napoleon dernier: Les Lanternes de l'Empire”” (Volume 1, vol1), reedition of 1880-1881 of 75 issues of the newspaper “” La Lanterne “” published by Henri Rochefort (1831-1913) between 30/05/1868 and 29/10/1869 at the Anti-Clerical Librairie. Private collection.

JOC4401040: Cartoon of the politics of the Second Empire (Bonapartiste Regime) directed by Napoleon III (Charles Louis Napoleon Bonaparte, dit Louis-Napoleon Bonaparte, 1808-1873). “A barn drummer misfortune having had, at the time of the draw, the dark vein of bringing the number 7”: according to the conscription system, the one who draws the wrong number must complete 7 years of service, unless he can pay a replacement. La Lanterne, July 4, 1868. Engraving in “” Napoleon dernier: Les Lanternes de l'Empire”” (Volume 1, vol1), reedition of 1880-1881 of 75 issues of the newspaper “” La Lanterne “” published by Henri Rochefort (1831-1913) between 30/05/1868 and 29/10/1869 at the Anti-Clerical Librairie. Private collection. / Bridgeman Images

Cartoon of the politics of the Second Empire (Bonapartiste Regime) directed by Napoleon III (Charles Louis Napoleon Bonaparte, dit Louis-Napoleon Bonaparte, 1808-1873). “How the empire protected its letters”
Cartoon of the politics of the Second Empire (Bonapartiste Regime) directed by Napoleon III (Charles Louis Napoleon Bonaparte, dit Louis-Napoleon Bonaparte, 1808-1873). “How the empire protected its letters”

JOC4401062: Cartoon of the politics of the Second Empire (Bonapartiste Regime) directed by Napoleon III (Charles Louis Napoleon Bonaparte, dit Louis-Napoleon Bonaparte, 1808-1873). “How the empire protected its letters” / Bridgeman Images

Cartoon of the politics of the Second Empire (Bonapartiste Regime) directed by Napoleon III (Charles Louis Napoleon Bonaparte, dit Louis-Napoleon Bonaparte, 1808-1873). “Monsignor Sibour”. Marie Dominique Sibour (1792-1857). Organiser of the “Te deum” celebrating the coup d'état on January 1, 1852. The cartoonist, like Hugo in Chatiments, plays on the Sibour/ciboire analogy, here filled with the blood of the victims of 2 December.
Cartoon of the politics of the Second Empire (Bonapartiste Regime) directed by Napoleon III (Charles Louis Napoleon Bonaparte, dit Louis-Napoleon Bonaparte, 1808-1873). “Monsignor Sibour”. Marie Dominique Sibour (1792-1857). Organiser of the “Te deum” celebrating the coup d'état on January 1, 1852. The cartoonist, like Hugo in Chatiments, plays on the Sibour/ciboire analogy, here filled with the blood of the victims of 2 December.

JOC4401115: Cartoon of the politics of the Second Empire (Bonapartiste Regime) directed by Napoleon III (Charles Louis Napoleon Bonaparte, dit Louis-Napoleon Bonaparte, 1808-1873). “Monsignor Sibour”. Marie Dominique Sibour (1792-1857). Organiser of the “Te deum” celebrating the coup d'état on January 1, 1852. The cartoonist, like Hugo in Chatiments, plays on the Sibour/ciboire analogy, here filled with the blood of the victims of 2 December. / Bridgeman Images


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