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France, Provence-Alpes-Cote d'Azur, Alpes-Maritimes (06), Menton: the city of Menton, 1885
France, Provence-Alpes-Cote d'Azur, Alpes-Maritimes (06), Menton: the city of Menton, 1885

LUX4705396: France, Provence-Alpes-Cote d'Azur, Alpes-Maritimes (06), Menton: the city of Menton, 1885 / Bridgeman Images

France, Provence-Alpes-Cote d'Azur, Alpes-Maritimes (06), Cannes: the villa of the towers in Cannes, 1885
France, Provence-Alpes-Cote d'Azur, Alpes-Maritimes (06), Cannes: the villa of the towers in Cannes, 1885

LUX4705442: France, Provence-Alpes-Cote d'Azur, Alpes-Maritimes (06), Cannes: the villa of the towers in Cannes, 1885 / Bridgeman Images

View of the living room in the apartments of Maria Brignole Sale De Ferrari, Duchess de Galliera (photography)
View of the living room in the apartments of Maria Brignole Sale De Ferrari, Duchess de Galliera (photography)

LRI4705526: View of the living room in the apartments of Maria Brignole Sale De Ferrari, Duchess de Galliera (photography), French School, (19th century) / Bridgeman Images

The singers Savino Monelli (Bertrando), Teresa Bellog (Isabella) and Filippo Galli (Tarabotto) in the opera semi-seria “” L'inganno felice”” (the happy stratageme””” by Gioacchino Rossini (1792-1826) 1824
The singers Savino Monelli (Bertrando), Teresa Bellog (Isabella) and Filippo Galli (Tarabotto) in the opera semi-seria “” L'inganno felice”” (the happy stratageme””” by Gioacchino Rossini (1792-1826) 1824

GIA4705589: The singers Savino Monelli (Bertrando), Teresa Bellog (Isabella) and Filippo Galli (Tarabotto) in the opera semi-seria “” L'inganno felice”” (the happy stratageme””” by Gioacchino Rossini (1792-1826) 1824, Unknown Artist, (19th century) / Bridgeman Images

Noch einmal betrachten wir abschiednehmend die hochragende Zitadelle von Kairo, lassen Ÿber die anmutigen Formen der Moschee Mohammed Alis unseren Blick schweifen, aber in unseren Herzen lebt eindringlicher das, was wir an kŸnstlerischen Offenbarungen wŠhrend unserer Reise durch das Wunderland am Nil in uns aufnehmen konnten. Die Kunst der €gypter ist alt und doch noch jung, so jung, dass selbst unsere moderne Kunst davon beeinflusst wurde. Unser Kunstgewerbe hat sogar bei der €gyptischen Ornamentik direkte Anleihen gemacht. €gypten in seiner nŸchternen Strenge ist uns und unserer Zeit viel verwandter geworden als das formenschšne Griechenland. Es ist interessant zu beobachten, unter wie verschiedenen Daseinsbedingungen so Šhnliche Formen der Anschauung und kŸnstlerischen Darstellung entstehen. Mit der Kunst wird das ganze Leben dieses alten Volkes uns wieder lebendig, seine Religion und seine Fragen an das Jenseits. Und damit taucht auch wieder das alte RŠtsel auf, das schon viele verschiedene Lšsungen fand, das RŠtsel der Bedeutung der Sphinx, deren Bild wohl auf Sie alle einen starken Eindruck gemacht hat. Sie hat ihre riesengrossen Augen geradeaus gerichtet, unbarmherzige, wissende Augen, die ohne zu antworten Ÿber den Fragenden hinwegstarrten in Leere oder in eine fremde, unsichtbare, ganz unbekannte Welt. Ein Wesen, das der Mensch schuf, der zitternd seine gršsste Frage stellte und in dieser Gestalt sein Bild des erbarmungslosen, Ÿberweltlichen, unnahbaren Geheimnisses aus dem Granit der WŸstenfelsen schlug.

Mšge deshalb dieser Vortrag Ihnen etwas mehr gewesen sein als eine mŸssige Stunde, mšge er in unserer Zeit der Verflachung anregen, uns den grossen Menschheitsfragen von Leben und Sterben, Gott und Fortleben nach dem Tode zuzuwenden. Egypt, Citadel of Cairo, Archive, Carl Simon, history, historical, Africa, Middle East
Noch einmal betrachten wir abschiednehmend die hochragende Zitadelle von Kairo, lassen Ÿber die anmutigen Formen der Moschee Mohammed Alis unseren Blick schweifen, aber in unseren Herzen lebt eindringlicher das, was wir an kŸnstlerischen Offenbarungen wŠhrend unserer Reise durch das Wunderland am Nil in uns aufnehmen konnten. Die Kunst der €gypter ist alt und doch noch jung, so jung, dass selbst unsere moderne Kunst davon beeinflusst wurde. Unser Kunstgewerbe hat sogar bei der €gyptischen Ornamentik direkte Anleihen gemacht. €gypten in seiner nŸchternen Strenge ist uns und unserer Zeit viel verwandter geworden als das formenschšne Griechenland. Es ist interessant zu beobachten, unter wie verschiedenen Daseinsbedingungen so Šhnliche Formen der Anschauung und kŸnstlerischen Darstellung entstehen. Mit der Kunst wird das ganze Leben dieses alten Volkes uns wieder lebendig, seine Religion und seine Fragen an das Jenseits. Und damit taucht auch wieder das alte RŠtsel auf, das schon viele verschiedene Lšsungen fand, das RŠtsel der Bedeutung der Sphinx, deren Bild wohl auf Sie alle einen starken Eindruck gemacht hat. Sie hat ihre riesengrossen Augen geradeaus gerichtet, unbarmherzige, wissende Augen, die ohne zu antworten Ÿber den Fragenden hinwegstarrten in Leere oder in eine fremde, unsichtbare, ganz unbekannte Welt. Ein Wesen, das der Mensch schuf, der zitternd seine gršsste Frage stellte und in dieser Gestalt sein Bild des erbarmungslosen, Ÿberweltlichen, unnahbaren Geheimnisses aus dem Granit der WŸstenfelsen schlug.

Mšge deshalb dieser Vortrag Ihnen etwas mehr gewesen sein als eine mŸssige Stunde, mšge er in unserer Zeit der Verflachung anregen, uns den grossen Menschheitsfragen von Leben und Sterben, Gott und Fortleben nach dem Tode zuzuwenden. Egypt, Citadel of Cairo, Archive, Carl Simon, history, historical, Africa, Middle East

UTD4705614: Noch einmal betrachten wir abschiednehmend die hochragende Zitadelle von Kairo, lassen Ÿber die anmutigen Formen der Moschee Mohammed Alis unseren Blick schweifen, aber in unseren Herzen lebt eindringlicher das, was wir an kŸnstlerischen Offenbarungen wŠhrend unserer Reise durch das Wunderland am Nil in uns aufnehmen konnten. Die Kunst der €gypter ist alt und doch noch jung, so jung, dass selbst unsere moderne Kunst davon beeinflusst wurde. Unser Kunstgewerbe hat sogar bei der €gyptischen Ornamentik direkte Anleihen gemacht. €gypten in seiner nŸchternen Strenge ist uns und unserer Zeit viel verwandter geworden als das formenschšne Griechenland. Es ist interessant zu beobachten, unter wie verschiedenen Daseinsbedingungen so Šhnliche Formen der Anschauung und kŸnstlerischen Darstellung entstehen. Mit der Kunst wird das ganze Leben dieses alten Volkes uns wieder lebendig, seine Religion und seine Fragen an das Jenseits. Und damit taucht auch wieder das alte RŠtsel auf, das schon viele verschiedene Lšsungen fand, das RŠtsel der Bedeutung der Sphinx, deren Bild wohl auf Sie alle einen starken Eindruck gemacht hat. Sie hat ihre riesengrossen Augen geradeaus gerichtet, unbarmherzige, wissende Augen, die ohne zu antworten Ÿber den Fragenden hinwegstarrten in Leere oder in eine fremde, unsichtbare, ganz unbekannte Welt. Ein Wesen, das der Mensch schuf, der zitternd seine gršsste Frage stellte und in dieser Gestalt sein Bild des erbarmungslosen, Ÿberweltlichen, unnahbaren Geheimnisses aus dem Granit der WŸstenfelsen schlug. Mšge deshalb dieser Vortrag Ihnen etwas mehr gewesen sein als eine mŸssige Stunde, mšge er in unserer Zeit der Verflachung anregen, uns den grossen Menschheitsfragen von Leben und Sterben, Gott und Fortleben nach dem Tode zuzuwenden. Egypt, Citadel of Cairo, Archive, Carl Simon, history, historical, Africa, Middle East, Simon, Carl (1873-1952) / Bridgeman Images

France, Provence-Alpes-Cote d'Azur, Bouches-du-Rhone (13), Marseille: Notre Dame de la Garde (Notre-Dame-de-la-Garde), also called the ' Bonne Mere', 1880
France, Provence-Alpes-Cote d'Azur, Bouches-du-Rhone (13), Marseille: Notre Dame de la Garde (Notre-Dame-de-la-Garde), also called the ' Bonne Mere', 1880

LUX4705602: France, Provence-Alpes-Cote d'Azur, Bouches-du-Rhone (13), Marseille: Notre Dame de la Garde (Notre-Dame-de-la-Garde), also called the ' Bonne Mere', 1880 / Bridgeman Images

United States of America, New York, view to the East River and Brooklyn Bridge, built 1883, image date: circa 1925. Carl Simon Archive
United States of America, New York, view to the East River and Brooklyn Bridge, built 1883, image date: circa 1925. Carl Simon Archive

UTD4705648: United States of America, New York, view to the East River and Brooklyn Bridge, built 1883, image date: circa 1925. Carl Simon Archive, Simon, Carl (1873-1952) / Bridgeman Images

France, Provence-Alpes-Cote d'Azur, Alpes-Maritimes (06), Roquebrune: Promenade de la Corniche in Roquebrune, 1885
France, Provence-Alpes-Cote d'Azur, Alpes-Maritimes (06), Roquebrune: Promenade de la Corniche in Roquebrune, 1885

LUX4705403: France, Provence-Alpes-Cote d'Azur, Alpes-Maritimes (06), Roquebrune: Promenade de la Corniche in Roquebrune, 1885 / Bridgeman Images

Carrousel Grand Louvre shopping gallery, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Ieoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. The shopping gallery of the Carousel with the inverted pyramid in the background. At the intersection of the main traffic axes, at the meeting point of the Napoleon court and the Carrousel courtyard, the inverted pyramid is a prism of glass, whose point stands at 1.40 metres from the ground. Conceived by Ieoh Ming Pei with Peter Rice, 1990-1993.
Carrousel Grand Louvre shopping gallery, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Ieoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. The shopping gallery of the Carousel with the inverted pyramid in the background. At the intersection of the main traffic axes, at the meeting point of the Napoleon court and the Carrousel courtyard, the inverted pyramid is a prism of glass, whose point stands at 1.40 metres from the ground. Conceived by Ieoh Ming Pei with Peter Rice, 1990-1993.

LBY4705415: Carrousel Grand Louvre shopping gallery, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Ieoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. The shopping gallery of the Carousel with the inverted pyramid in the background. At the intersection of the main traffic axes, at the meeting point of the Napoleon court and the Carrousel courtyard, the inverted pyramid is a prism of glass, whose point stands at 1.40 metres from the ground. Conceived by Ieoh Ming Pei with Peter Rice, 1990-1993., Pei, Ieoh Ming (1917-2019) & Macary, Michel (b.1936) & Wilmotte, Jean-Michel (b.1948) / Bridgeman Images

Carrousel Grand Louvre shopping gallery, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Ieoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. The shopping gallery of the Carousel with the inverted pyramid in the background. At the intersection of the main traffic axes, at the meeting point of the Napoleon court and the Carrousel courtyard, the inverted pyramid is a prism of glass, whose point stands at 1.40 metres from the ground. Conceived by Ieoh Ming Pei with Peter Rice, 1990-1993.
Carrousel Grand Louvre shopping gallery, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Ieoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. The shopping gallery of the Carousel with the inverted pyramid in the background. At the intersection of the main traffic axes, at the meeting point of the Napoleon court and the Carrousel courtyard, the inverted pyramid is a prism of glass, whose point stands at 1.40 metres from the ground. Conceived by Ieoh Ming Pei with Peter Rice, 1990-1993.

LBY4705438: Carrousel Grand Louvre shopping gallery, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Ieoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. The shopping gallery of the Carousel with the inverted pyramid in the background. At the intersection of the main traffic axes, at the meeting point of the Napoleon court and the Carrousel courtyard, the inverted pyramid is a prism of glass, whose point stands at 1.40 metres from the ground. Conceived by Ieoh Ming Pei with Peter Rice, 1990-1993., Pei, Ieoh Ming (1917-2019) & Macary, Michel (b.1936) & Wilmotte, Jean-Michel (b.1948) / Bridgeman Images

View of the living room in the apartments of Maria Brignole Sale De Ferrari, Duchess de Galliera (photography)
View of the living room in the apartments of Maria Brignole Sale De Ferrari, Duchess de Galliera (photography)

LRI4705523: View of the living room in the apartments of Maria Brignole Sale De Ferrari, Duchess de Galliera (photography), French School, (19th century) / Bridgeman Images

Der eigentliche Tempel ist schlichter und in den uns bekannten Formen gehalten. Herrlich ist seine Lage auf der Anhöhe im Angesicht des heiligen und lebensspendenden Nilstromes. Nun aber geht es weiter nach Norden. Wir fahren hoch über Luxor nach Kairo.

 Egypt, Kom Ombo, Africa, Middle East, history, historical, 1910s, 20th century, travel, Upper, Dopple Temple of Kom Ombo, ancient, architecture, religion, belief, art, artwork, building, column, pillar, river, Nile, minimum price: 50,-- licence, hand coloured glass slide
Der eigentliche Tempel ist schlichter und in den uns bekannten Formen gehalten. Herrlich ist seine Lage auf der Anhöhe im Angesicht des heiligen und lebensspendenden Nilstromes. Nun aber geht es weiter nach Norden. Wir fahren hoch über Luxor nach Kairo.

 Egypt, Kom Ombo, Africa, Middle East, history, historical, 1910s, 20th century, travel, Upper, Dopple Temple of Kom Ombo, ancient, architecture, religion, belief, art, artwork, building, column, pillar, river, Nile, minimum price: 50,-- licence, hand coloured glass slide

UTD4705571: Der eigentliche Tempel ist schlichter und in den uns bekannten Formen gehalten. Herrlich ist seine Lage auf der Anhöhe im Angesicht des heiligen und lebensspendenden Nilstromes. Nun aber geht es weiter nach Norden. Wir fahren hoch über Luxor nach Kairo. Egypt, Kom Ombo, Africa, Middle East, history, historical, 1910s, 20th century, travel, Upper, Dopple Temple of Kom Ombo, ancient, architecture, religion, belief, art, artwork, building, column, pillar, river, Nile, minimum price: 50,-- licence, hand coloured glass slide, Simon, Carl (1873-1952) / Bridgeman Images

Furniture decorated with the coat of arms of the Brignole Sale family, 19th century (photography)
Furniture decorated with the coat of arms of the Brignole Sale family, 19th century (photography)

LRI4705611: Furniture decorated with the coat of arms of the Brignole Sale family, 19th century (photography), Duban, Felix Louis Jacques (1797-1870) / Bridgeman Images

China, three Chinese men, image date: circa 1925, Carl Simon Archive
China, three Chinese men, image date: circa 1925, Carl Simon Archive

UTD4705640: China, three Chinese men, image date: circa 1925, Carl Simon Archive, Simon, Carl (1873-1952) / Bridgeman Images

View of the Pyramid du Louvre in Paris Grand Louvre, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Ieoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. The Richelieu passage with at the bottom the pyramid of the Louvre. Photography 1999.
View of the Pyramid du Louvre in Paris Grand Louvre, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Ieoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. The Richelieu passage with at the bottom the pyramid of the Louvre. Photography 1999.

OMG4705656: View of the Pyramid du Louvre in Paris Grand Louvre, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Ieoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. The Richelieu passage with at the bottom the pyramid of the Louvre. Photography 1999., Pei, Ieoh Ming (1917-2019) & Macary, Michel (b.1936) & Wilmotte, Jean-Michel (b.1948) / Bridgeman Images

Gilted bronze candlesticks, 19th century (photography)
Gilted bronze candlesticks, 19th century (photography)

LRI4705663: Gilted bronze candlesticks, 19th century (photography), Paillard, Victor (1805-1886) / Bridgeman Images

France, Provence-Alpes-Cote d'Azur, Bouches-du-Rhone (13), Marseille: le cours belsunce, 1885 - Joliette-Longchamp, Alcazar Delpierre every night, French tramway company
France, Provence-Alpes-Cote d'Azur, Bouches-du-Rhone (13), Marseille: le cours belsunce, 1885 - Joliette-Longchamp, Alcazar Delpierre every night, French tramway company

LUX4705633: France, Provence-Alpes-Cote d'Azur, Bouches-du-Rhone (13), Marseille: le cours belsunce, 1885 - Joliette-Longchamp, Alcazar Delpierre every night, French tramway company / Bridgeman Images

Detail of a piece of furniture decorated with the coat of arms of the Brignole Sale family, 19th century (photography)
Detail of a piece of furniture decorated with the coat of arms of the Brignole Sale family, 19th century (photography)

LRI4705647: Detail of a piece of furniture decorated with the coat of arms of the Brignole Sale family, 19th century (photography), Duban, Felix Louis Jacques (1797-1870) / Bridgeman Images

The pyramid of the Louvre in Paris Grand Louvre, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Ieoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. The Pyramid of the Louvre, lit at night, in the courtyard Napoleon, 1983-1989. Photography 1999
The pyramid of the Louvre in Paris Grand Louvre, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Ieoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. The Pyramid of the Louvre, lit at night, in the courtyard Napoleon, 1983-1989. Photography 1999

OMG4705664: The pyramid of the Louvre in Paris Grand Louvre, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Ieoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. The Pyramid of the Louvre, lit at night, in the courtyard Napoleon, 1983-1989. Photography 1999, Pei, Ieoh Ming (1917-2019) & Macary, Michel (b.1936) & Wilmotte, Jean-Michel (b.1948) / Bridgeman Images

France, Provence-Alpes-Cote d'Azur, Var (83), Toulon: Hospital Saint Mandrier, 1885 - shells photographs chinoiseries grand baze Clavel editor photographer quai de la consigne, Toulon
France, Provence-Alpes-Cote d'Azur, Var (83), Toulon: Hospital Saint Mandrier, 1885 - shells photographs chinoiseries grand baze Clavel editor photographer quai de la consigne, Toulon

LUX4705688: France, Provence-Alpes-Cote d'Azur, Var (83), Toulon: Hospital Saint Mandrier, 1885 - shells photographs chinoiseries grand baze Clavel editor photographer quai de la consigne, Toulon / Bridgeman Images

La Cour Puget (1989-1993) at the Musee du Louvre, Grand Louvre, Rue de Rivoli and Quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. Photography 22/07/09
La Cour Puget (1989-1993) at the Musee du Louvre, Grand Louvre, Rue de Rivoli and Quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. Photography 22/07/09

OMG4705720: La Cour Puget (1989-1993) at the Musee du Louvre, Grand Louvre, Rue de Rivoli and Quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. Photography 22/07/09, Pei, Ieoh Ming (1917-2019) & Macary, Michel (b.1936) & Wilmotte, Jean-Michel (b.1948) / Bridgeman Images

Italy, Florence, Basilica of Saint Mary of the Flower and the Bell Tower by Giotto, image date: circa 1910. Carl Simon Archive
Italy, Florence, Basilica of Saint Mary of the Flower and the Bell Tower by Giotto, image date: circa 1910. Carl Simon Archive

UTD4705724: Italy, Florence, Basilica of Saint Mary of the Flower and the Bell Tower by Giotto, image date: circa 1910. Carl Simon Archive, Simon, Carl (1873-1952) / Bridgeman Images

The Salle Les peintres de Louis XIII de l'Aile Richelieu (1989-1993) at the Musee du Louvre, Grand Louvre, Rue de Rivoli and Quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. Photography 22/07/09
The Salle Les peintres de Louis XIII de l'Aile Richelieu (1989-1993) at the Musee du Louvre, Grand Louvre, Rue de Rivoli and Quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. Photography 22/07/09

OMG4705735: The Salle Les peintres de Louis XIII de l'Aile Richelieu (1989-1993) at the Musee du Louvre, Grand Louvre, Rue de Rivoli and Quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. Photography 22/07/09, Pei, Ieoh Ming (1917-2019) & Macary, Michel (b.1936) & Wilmotte, Jean-Michel (b.1948) / Bridgeman Images

Italy, Florence, Baptistry of St. John, image date: circa 1910. Carl Simon Archive
Italy, Florence, Baptistry of St. John, image date: circa 1910. Carl Simon Archive

UTD4705773: Italy, Florence, Baptistry of St. John, image date: circa 1910. Carl Simon Archive, Simon, Carl (1873-1952) / Bridgeman Images

Detail of a piece of furniture decorated with the coat of arms of the Brignole Sale family, 19th century (photography)
Detail of a piece of furniture decorated with the coat of arms of the Brignole Sale family, 19th century (photography)

LRI4705686: Detail of a piece of furniture decorated with the coat of arms of the Brignole Sale family, 19th century (photography), Duban, Felix Louis Jacques (1797-1870) / Bridgeman Images

Principaut of Monaco, Prince's Palace and Condamine, 1885
Principaut of Monaco, Prince's Palace and Condamine, 1885

LUX4705897: Principaut of Monaco, Prince's Palace and Condamine, 1885 / Bridgeman Images

Currency of the Republic of Genes: 25 gold doppie coin. Diam. 52.5 mm. 1694. Back. Genes Musei di Strada Nuova (inv. 6457)
Currency of the Republic of Genes: 25 gold doppie coin. Diam. 52.5 mm. 1694. Back. Genes Musei di Strada Nuova (inv. 6457)

LRI4705983: Currency of the Republic of Genes: 25 gold doppie coin. Diam. 52.5 mm. 1694. Back. Genes Musei di Strada Nuova (inv. 6457), Italian School, (17th century) / Bridgeman Images

France, Provence-Alpes-Cote d'Azur, Alpes-Maritimes (06), Nice: Exotic gardens, 1885
France, Provence-Alpes-Cote d'Azur, Alpes-Maritimes (06), Nice: Exotic gardens, 1885

LUX4706014: France, Provence-Alpes-Cote d'Azur, Alpes-Maritimes (06), Nice: Exotic gardens, 1885 / Bridgeman Images

France, Rhone-Alpes, Haute-Savoie (74), Annecy: The port with boats and goods on the pier, 1875
France, Rhone-Alpes, Haute-Savoie (74), Annecy: The port with boats and goods on the pier, 1875

LUX4706101: France, Rhone-Alpes, Haute-Savoie (74), Annecy: The port with boats and goods on the pier, 1875 / Bridgeman Images

Currency of the Republic of Genes: 20 gold doppie. Diameter 58 mm. 1645. Front. Genes Musei di Strada Nuova (inv, M7097)
Currency of the Republic of Genes: 20 gold doppie. Diameter 58 mm. 1645. Front. Genes Musei di Strada Nuova (inv, M7097)

LRI4706164: Currency of the Republic of Genes: 20 gold doppie. Diameter 58 mm. 1645. Front. Genes Musei di Strada Nuova (inv, M7097), Italian School, (17th century) / Bridgeman Images

The Battle of Novara (Novara), March 23, 1849, between the Austrian troops of Joseph Radetzky and the Sardinian troops, marked the end of the first Italian war of independence. Anonymous painting. Milano Museo del Risorgimento
The Battle of Novara (Novara), March 23, 1849, between the Austrian troops of Joseph Radetzky and the Sardinian troops, marked the end of the first Italian war of independence. Anonymous painting. Milano Museo del Risorgimento

GIA4706196: The Battle of Novara (Novara), March 23, 1849, between the Austrian troops of Joseph Radetzky and the Sardinian troops, marked the end of the first Italian war of independence. Anonymous painting. Milano Museo del Risorgimento, Italian School, (19th century) / Bridgeman Images

France, Provence-Alpes-Cote d'Azur, Alpes-Maritimes (06), Nice: The entrance to the port, 1885
France, Provence-Alpes-Cote d'Azur, Alpes-Maritimes (06), Nice: The entrance to the port, 1885

LUX4705996: France, Provence-Alpes-Cote d'Azur, Alpes-Maritimes (06), Nice: The entrance to the port, 1885 / Bridgeman Images

Currency of the Republic of Genes: five gold doppie coin. Diam. 41 mm. 1652. Front. Genes Musei di Strada Nuova (inv. 6454)
Currency of the Republic of Genes: five gold doppie coin. Diam. 41 mm. 1652. Front. Genes Musei di Strada Nuova (inv. 6454)

LRI4706074: Currency of the Republic of Genes: five gold doppie coin. Diam. 41 mm. 1652. Front. Genes Musei di Strada Nuova (inv. 6454), Italian School, (17th century) / Bridgeman Images

France, Rhone-Alpes, Haute-Savoie (74), Annecy: The theatre and the promenade, 1875
France, Rhone-Alpes, Haute-Savoie (74), Annecy: The theatre and the promenade, 1875

LUX4706118: France, Rhone-Alpes, Haute-Savoie (74), Annecy: The theatre and the promenade, 1875 / Bridgeman Images

the arrest of the libertine Giacomo Casanova (1725-1798) adventurer and Italian writer. Engraving of the 19th century
the arrest of the libertine Giacomo Casanova (1725-1798) adventurer and Italian writer. Engraving of the 19th century

GIA4706158: the arrest of the libertine Giacomo Casanova (1725-1798) adventurer and Italian writer. Engraving of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

India, a boy next to a demon, image date: circa 1910. Carl Simon Archive
India, a boy next to a demon, image date: circa 1910. Carl Simon Archive

UTD4706177: India, a boy next to a demon, image date: circa 1910. Carl Simon Archive, Simon, Carl (1873-1952) / Bridgeman Images


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