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View of the central nave with one of the two Chairs (1460-1466) of Donatello (1386-1466) of the church of San Lorenzo projected by Filippo Brunelleschi (1377-1446) (Interior of the church of st Lawrence with one of the two bronze pulpits by Donatello) 1460 Florence, Italy
View of the central nave with one of the two Chairs (1460-1466) of Donatello (1386-1466) of the church of San Lorenzo projected by Filippo Brunelleschi (1377-1446) (Interior of the church of st Lawrence with one of the two bronze pulpits by Donatello) 1460 Florence, Italy

LRI4583218: View of the central nave with one of the two Chairs (1460-1466) of Donatello (1386-1466) of the church of San Lorenzo projected by Filippo Brunelleschi (1377-1446) (Interior of the church of st Lawrence with one of the two bronze pulpits by Donatello) 1460 Florence, Italy, Donatello, (c.1386-1466) / Bridgeman Images

Chinese art: plate of the pink family decorated with birds and flowers (ceramic)
Chinese art: plate of the pink family decorated with birds and flowers (ceramic)

JLJ4583251: Chinese art: plate of the pink family decorated with birds and flowers (ceramic), Chinese School, (18th century) / Bridgeman Images

Renaissance: monuments in tribute to the illustrious figures, right nave of the Basilica Santa Croce designed by Arnolfo di Cambio (1245-1302/1310) (nave on the right of the Basilica santa croce) 1294 Basilica Santa Croce, Florence, Italy
Renaissance: monuments in tribute to the illustrious figures, right nave of the Basilica Santa Croce designed by Arnolfo di Cambio (1245-1302/1310) (nave on the right of the Basilica santa croce) 1294 Basilica Santa Croce, Florence, Italy

LRI4583328: Renaissance: monuments in tribute to the illustrious figures, right nave of the Basilica Santa Croce designed by Arnolfo di Cambio (1245-1302/1310) (nave on the right of the Basilica santa croce) 1294 Basilica Santa Croce, Florence, Italy, Cambio, Arnolfo di (c.1245-1310) / Bridgeman Images

View of the cappella maggiore of the church of Santa Croce, with fresco, early 14th century
View of the cappella maggiore of the church of Santa Croce, with fresco, early 14th century

LRI4583320: View of the cappella maggiore of the church of Santa Croce, with fresco, early 14th century, Italian School, (14th century) / Bridgeman Images

Galileo Galilei's tomb. Basilica of Santa Croce, Florence. Italy. 18th century
Galileo Galilei's tomb. Basilica of Santa Croce, Florence. Italy. 18th century

LRI4583409: Galileo Galilei's tomb. Basilica of Santa Croce, Florence. Italy. 18th century, Foggini, Giovanni Battista (1652-1725) / Bridgeman Images

Chateau de Chambord (Loir et Cher). From 1519 and for more than thirty years, 1800 workers worked in the construction of Chambord. If the shadow of Leonard de Vinci (Leonardo di ser Piero da Vinci, 1452-1519) friend of the king and official architect hovers on the surprising double-revolution staircase, the author of this strange, yet uninhabitable residence is unknown.
Chateau de Chambord (Loir et Cher). From 1519 and for more than thirty years, 1800 workers worked in the construction of Chambord. If the shadow of Leonard de Vinci (Leonardo di ser Piero da Vinci, 1452-1519) friend of the king and official architect hovers on the surprising double-revolution staircase, the author of this strange, yet uninhabitable residence is unknown.

LBY4583611: Chateau de Chambord (Loir et Cher). From 1519 and for more than thirty years, 1800 workers worked in the construction of Chambord. If the shadow of Leonard de Vinci (Leonardo di ser Piero da Vinci, 1452-1519) friend of the king and official architect hovers on the surprising double-revolution staircase, the author of this strange, yet uninhabitable residence is unknown., Boegly, Luc / Bridgeman Images

Marble pulpit with story of st Francis, 15th century
Marble pulpit with story of st Francis, 15th century

LRI4583421: Marble pulpit with story of st Francis, 15th century, Benedetto da Maiano (1442-97) / Bridgeman Images

The Colorium Tower in Dusseldorf (Germany). Architect William Allen Alsop, 2001.
The Colorium Tower in Dusseldorf (Germany). Architect William Allen Alsop, 2001.

TEC4583685: The Colorium Tower in Dusseldorf (Germany). Architect William Allen Alsop, 2001., Alsop, Wiliam (1947-2018) / Bridgeman Images

The lion and the snake, 1832 (bronze)
The lion and the snake, 1832 (bronze)

JLJ4584094: The lion and the snake, 1832 (bronze), Barye, Antoine Louis (1796-1875) / Bridgeman Images

Presentation of the temple and flight into Egypt, detail from the marble pulpit, 1266-1268
Presentation of the temple and flight into Egypt, detail from the marble pulpit, 1266-1268

LRI4584083: Presentation of the temple and flight into Egypt, detail from the marble pulpit, 1266-1268, Pisano, Nicola (c. 1220-84) / Bridgeman Images

Narni Bridge near Rome, 1826 (oil on canvas)
Narni Bridge near Rome, 1826 (oil on canvas)

JLJ4584195: Narni Bridge near Rome, 1826 (oil on canvas), Corot, Jean Baptiste Camille (1796-1875) / Bridgeman Images

Detail of the sculpted groups supporting the Chair made by Giovanni Pisano (1248-1314): the Church feeds her children (Detail of the sculptures supporting the marble pulpit, Church feeds her children) 1302-1311 Cathedrale de Pisa (Duomo di Pisa), Italy
Detail of the sculpted groups supporting the Chair made by Giovanni Pisano (1248-1314): the Church feeds her children (Detail of the sculptures supporting the marble pulpit, Church feeds her children) 1302-1311 Cathedrale de Pisa (Duomo di Pisa), Italy

LRI4584292: Detail of the sculpted groups supporting the Chair made by Giovanni Pisano (1248-1314): the Church feeds her children (Detail of the sculptures supporting the marble pulpit, Church feeds her children) 1302-1311 Cathedrale de Pisa (Duomo di Pisa), Italy, Pisano, Giovanni (c.1245-p.1314) / Bridgeman Images

Detail of the sculpted groups supporting the Chair realized by Giovanni Pisano (1248-1314): the Church nourishing its children (Detail of the sculptures supporting the marble pulpit, the Church feeds her children) 1302-1311 Cathedrale de Pisa (Duomo di Pisa), Italy
Detail of the sculpted groups supporting the Chair realized by Giovanni Pisano (1248-1314): the Church nourishing its children (Detail of the sculptures supporting the marble pulpit, the Church feeds her children) 1302-1311 Cathedrale de Pisa (Duomo di Pisa), Italy

LRI4584307: Detail of the sculpted groups supporting the Chair realized by Giovanni Pisano (1248-1314): the Church nourishing its children (Detail of the sculptures supporting the marble pulpit, the Church feeds her children) 1302-1311 Cathedrale de Pisa (Duomo di Pisa), Italy, Pisano, Giovanni (c.1245-p.1314) / Bridgeman Images

L'espace Peinture d'Antoine Chintreuil (1814, 1873) 1869 (oil on canvas)
L'espace Peinture d'Antoine Chintreuil (1814, 1873) 1869 (oil on canvas)

JLJ4584370: L'espace Peinture d'Antoine Chintreuil (1814, 1873) 1869 (oil on canvas), Chintreuil, Antoine (1814-73) / Bridgeman Images

Detail of the sculpted groups supporting the Chair realized by Giovanni Pisano (1248-1314): the Theologales Vertus (Detail of the sculptures supporting the marble pulpit, the Theological virtues) 1302-1311 Cathedrale de Pisa (Duomo di Pisa), Italy
Detail of the sculpted groups supporting the Chair realized by Giovanni Pisano (1248-1314): the Theologales Vertus (Detail of the sculptures supporting the marble pulpit, the Theological virtues) 1302-1311 Cathedrale de Pisa (Duomo di Pisa), Italy

LRI4584269: Detail of the sculpted groups supporting the Chair realized by Giovanni Pisano (1248-1314): the Theologales Vertus (Detail of the sculptures supporting the marble pulpit, the Theological virtues) 1302-1311 Cathedrale de Pisa (Duomo di Pisa), Italy, Pisano, Giovanni (c.1245-p.1314) / Bridgeman Images

Virgin and Child Lavis, 16th century
Virgin and Child Lavis, 16th century

JLJ4584301: Virgin and Child Lavis, 16th century, Dosio, Giovanantonio (1533-c.1609) / Bridgeman Images

The Death of St. Cecile Preparation drawing with brown ink for Santa Cecilia by Ventura di Arcangelo Salimbeni dit Bevilacqua (drawing)
The Death of St. Cecile Preparation drawing with brown ink for Santa Cecilia by Ventura di Arcangelo Salimbeni dit Bevilacqua (drawing)

JLJ4584236: The Death of St. Cecile Preparation drawing with brown ink for Santa Cecilia by Ventura di Arcangelo Salimbeni dit Bevilacqua (drawing), Salimbeni, Ventura di Arcangelo (1567/8-1613) / Bridgeman Images

Nativity, detail, 1302-1311 ( carved relief)
Nativity, detail, 1302-1311 ( carved relief)

LRI4584293: Nativity, detail, 1302-1311 ( carved relief), Pisano, Giovanni (c.1245-p.1314) / Bridgeman Images

The road from Jianguo to Pekin - China (c) Luc Boegly/Artedia/Leemage
The road from Jianguo to Pekin - China (c) Luc Boegly/Artedia/Leemage

LBY4584578: The road from Jianguo to Pekin - China (c) Luc Boegly/Artedia/Leemage / Bridgeman Images

View of the central nave (photography)
View of the central nave (photography)

LRI4584616: View of the central nave (photography), Italian School, (16th century) / Bridgeman Images

Saint Martin a horse sharing his coat with a beggar. Sculpture, 13th century
Saint Martin a horse sharing his coat with a beggar. Sculpture, 13th century

LRI4584728: Saint Martin a horse sharing his coat with a beggar. Sculpture, 13th century, Italian School, (13th century) / Bridgeman Images

La Cité internationale de la lace et de la fashion, 135 Quai du Commerce in Calais (Pas de Calais). Architects Alain Moatti and Henri Riviere, 2009. Photography 01/03/09.
La Cité internationale de la lace et de la fashion, 135 Quai du Commerce in Calais (Pas de Calais). Architects Alain Moatti and Henri Riviere, 2009. Photography 01/03/09.

MDA4584641: La Cité internationale de la lace et de la fashion, 135 Quai du Commerce in Calais (Pas de Calais). Architects Alain Moatti and Henri Riviere, 2009. Photography 01/03/09., Moatti, Alain (b.1957) & Riviere, Henri (1965-2010) / Bridgeman Images

The Assembly of the Virgin Russian Icon of 1560 (gold)
The Assembly of the Virgin Russian Icon of 1560 (gold)

JLJ4584642: The Assembly of the Virgin Russian Icon of 1560 (gold), Russian School, (16th century) / Bridgeman Images

Lying by Ilaria del Carretto (1379-1405), wife of Paolo Guinigi (1376-1432) Italian politician (Funerary monument of Ilaria del Carretto, wife of Paolo Guinigi) Marble sculpture by Jacopo della Quercia (1371/74-1438) 1406-1407 Lucca (Lucca), cathedrale San Martino, Italy
Lying by Ilaria del Carretto (1379-1405), wife of Paolo Guinigi (1376-1432) Italian politician (Funerary monument of Ilaria del Carretto, wife of Paolo Guinigi) Marble sculpture by Jacopo della Quercia (1371/74-1438) 1406-1407 Lucca (Lucca), cathedrale San Martino, Italy

LRI4584771: Lying by Ilaria del Carretto (1379-1405), wife of Paolo Guinigi (1376-1432) Italian politician (Funerary monument of Ilaria del Carretto, wife of Paolo Guinigi) Marble sculpture by Jacopo della Quercia (1371/74-1438) 1406-1407 Lucca (Lucca), cathedrale San Martino, Italy, Quercia, Jacopo della (c.1372-1438) / Bridgeman Images

Les roses, 19th century (painting)
Les roses, 19th century (painting)

JLJ4583436: Les roses, 19th century (painting), Fantin-Latour, Henri (1836-1904) / Bridgeman Images

Chapel of the Crucifix (ciborium), 1448
Chapel of the Crucifix (ciborium), 1448

LRI4583503: Chapel of the Crucifix (ciborium), 1448, Michelozzo di Bartolommeo (1396-1472) / Bridgeman Images

Detail of the decorations surrounding the marble trandola (photography)
Detail of the decorations surrounding the marble trandola (photography)

LRI4583528: Detail of the decorations surrounding the marble trandola (photography), Italian School / Bridgeman Images

Plaque representing the hunts of Louis XVI: the deer passes the Oise from the coast of Royallieu in sight of the town of Compiegne, 1781 (porcelain)
Plaque representing the hunts of Louis XVI: the deer passes the Oise from the coast of Royallieu in sight of the town of Compiegne, 1781 (porcelain)

JLJ4583606: Plaque representing the hunts of Louis XVI: the deer passes the Oise from the coast of Royallieu in sight of the town of Compiegne, 1781 (porcelain), Oudry, Jean-Baptiste (1686-1755) (after) / Bridgeman Images

Chateau de Chambord (Loir et Cher). From 1519 and for more than thirty years, 1800 workers worked in the construction of Chambord. If the shadow of Leonard de Vinci (Leonardo di ser Piero da Vinci, 1452-1519) friend of the king and official architect hovers on the surprising double-revolution staircase, the author of this strange, yet uninhabitable residence is unknown.
Chateau de Chambord (Loir et Cher). From 1519 and for more than thirty years, 1800 workers worked in the construction of Chambord. If the shadow of Leonard de Vinci (Leonardo di ser Piero da Vinci, 1452-1519) friend of the king and official architect hovers on the surprising double-revolution staircase, the author of this strange, yet uninhabitable residence is unknown.

LBY4583663: Chateau de Chambord (Loir et Cher). From 1519 and for more than thirty years, 1800 workers worked in the construction of Chambord. If the shadow of Leonard de Vinci (Leonardo di ser Piero da Vinci, 1452-1519) friend of the king and official architect hovers on the surprising double-revolution staircase, the author of this strange, yet uninhabitable residence is unknown., Boegly, Luc / Bridgeman Images

Sunset on the Island of Philae in Egypt, 1861 (painting)
Sunset on the Island of Philae in Egypt, 1861 (painting)

JLJ4583677: Sunset on the Island of Philae in Egypt, 1861 (painting), Lear, Edward (1812-88) / Bridgeman Images

Chateau de Chambord (Loir et Cher). From 1519 and for more than thirty years, 1800 workers worked in the construction of Chambord. If the shadow of Leonard de Vinci (Leonardo di ser Piero da Vinci, 1452-1519) friend of the king and official architect hovers on the surprising double-revolution staircase, the author of this strange, yet uninhabitable residence is unknown.
Chateau de Chambord (Loir et Cher). From 1519 and for more than thirty years, 1800 workers worked in the construction of Chambord. If the shadow of Leonard de Vinci (Leonardo di ser Piero da Vinci, 1452-1519) friend of the king and official architect hovers on the surprising double-revolution staircase, the author of this strange, yet uninhabitable residence is unknown.

LBY4583656: Chateau de Chambord (Loir et Cher). From 1519 and for more than thirty years, 1800 workers worked in the construction of Chambord. If the shadow of Leonard de Vinci (Leonardo di ser Piero da Vinci, 1452-1519) friend of the king and official architect hovers on the surprising double-revolution staircase, the author of this strange, yet uninhabitable residence is unknown., Boegly, Luc / Bridgeman Images

Air view of the Chateau de Chenonceau (Indre et Loire).
Air view of the Chateau de Chenonceau (Indre et Loire).

MDA4583681: Air view of the Chateau de Chenonceau (Indre et Loire)., Denance, Michel / Bridgeman Images

View of the Ice Room, early 19th century
View of the Ice Room, early 19th century

LRI4583860: View of the Ice Room, early 19th century, Sani, Paolo (fl.19th century) (studio of) / Bridgeman Images

View of a military camp in Prussia Engraving of 19th century (engraving)
View of a military camp in Prussia Engraving of 19th century (engraving)

JLJ4583900: View of a military camp in Prussia Engraving of 19th century (engraving), Unknown Artist, (19th century) / Bridgeman Images

Horse race going to the left at the time of start, 1824 (oil on canvas)
Horse race going to the left at the time of start, 1824 (oil on canvas)

JLJ4583961: Horse race going to the left at the time of start, 1824 (oil on canvas), Gericault, Theodore (1791-1824) / Bridgeman Images

The travel of the magi, detail from the Pulpit, 1266-1268
The travel of the magi, detail from the Pulpit, 1266-1268

LRI4584099: The travel of the magi, detail from the Pulpit, 1266-1268, Pisano, Nicola (c. 1220-84) / Bridgeman Images


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