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Musee Guimet, Musee national des arts asians, 6 place d'Iena in Paris 75016. Rehabilitation 2001, architects Henri and Bruno Gaudin. Photography 2001.
Musee Guimet, Musee national des arts asians, 6 place d'Iena in Paris 75016. Rehabilitation 2001, architects Henri and Bruno Gaudin. Photography 2001.

LBY4689187: Musee Guimet, Musee national des arts asians, 6 place d'Iena in Paris 75016. Rehabilitation 2001, architects Henri and Bruno Gaudin. Photography 2001., Gaudin, Henri (1933-2021) & Gaudin, Bruno (b.1970) / Bridgeman Images

The Virgin Has A Child Between Saint John The Baptist And Saint Mary Magdalene, 16th century (oil on wood)
The Virgin Has A Child Between Saint John The Baptist And Saint Mary Magdalene, 16th century (oil on wood)

JLJ4689343: The Virgin Has A Child Between Saint John The Baptist And Saint Mary Magdalene, 16th century (oil on wood), Cima da Conegliano, Giovanni Battista (c.1459-1517) / Bridgeman Images

Head of a man, terracotta. 4th century BC
Head of a man, terracotta. 4th century BC

LRI4689427: Head of a man, terracotta. 4th century BC, Etruscan, (4th century BC) / Bridgeman Images

View of Los Angeles and the Santa Monica Hills from The Getty Center, 1200 Getty Center Drive in Los Angeles, California (United States). Architect Richard Meier, 1984-1997. Photography 20/11/02.
View of Los Angeles and the Santa Monica Hills from The Getty Center, 1200 Getty Center Drive in Los Angeles, California (United States). Architect Richard Meier, 1984-1997. Photography 20/11/02.

TEC4689448: View of Los Angeles and the Santa Monica Hills from The Getty Center, 1200 Getty Center Drive in Los Angeles, California (United States). Architect Richard Meier, 1984-1997. Photography 20/11/02., Meier, Richard (b.1934) / Bridgeman Images

Terracotta pediment representing a man, 5th-4th century BC
Terracotta pediment representing a man, 5th-4th century BC

LRI4689460: Terracotta pediment representing a man, 5th-4th century BC, Etruscan, (4th century BC) / Bridgeman Images

The Getty Center, 1200 Getty Center Drive in Los Angeles, California (United States). Architect Richard Meier, 1984-1997. Photography 20/11/02.
The Getty Center, 1200 Getty Center Drive in Los Angeles, California (United States). Architect Richard Meier, 1984-1997. Photography 20/11/02.

TEC4689574: The Getty Center, 1200 Getty Center Drive in Los Angeles, California (United States). Architect Richard Meier, 1984-1997. Photography 20/11/02., Meier, Richard (b.1934) / Bridgeman Images

Gilted bronze ring, 7th century BC
Gilted bronze ring, 7th century BC

LRI4689621: Gilted bronze ring, 7th century BC, Etruscan, (7th century BC) / Bridgeman Images

Imperial War Museum in Manchester (United Kingdom). Architect Daniel Libeskind, 2002. Photography 2002.
Imperial War Museum in Manchester (United Kingdom). Architect Daniel Libeskind, 2002. Photography 2002.

LBY4689661: Imperial War Museum in Manchester (United Kingdom). Architect Daniel Libeskind, 2002. Photography 2002. / Bridgeman Images

Imperial War Museum in Manchester (United Kingdom). Architect Daniel Libeskind, 2002. Photography 2002.
Imperial War Museum in Manchester (United Kingdom). Architect Daniel Libeskind, 2002. Photography 2002.

LBY4689691: Imperial War Museum in Manchester (United Kingdom). Architect Daniel Libeskind, 2002. Photography 2002. / Bridgeman Images

The Getty Center, 1200 Getty Center Drive in Los Angeles, California (United States). Architect Richard Meier, 1984-1997. Photography 20/11/02.
The Getty Center, 1200 Getty Center Drive in Los Angeles, California (United States). Architect Richard Meier, 1984-1997. Photography 20/11/02.

TEC4689487: The Getty Center, 1200 Getty Center Drive in Los Angeles, California (United States). Architect Richard Meier, 1984-1997. Photography 20/11/02., Meier, Richard (b.1934) / Bridgeman Images

Musee d'art et industrie, 2 place Louis Comte in Saint Etienne (Loire). Architect Jean Michel Wilmotte, 2001. Photography 2001.
Musee d'art et industrie, 2 place Louis Comte in Saint Etienne (Loire). Architect Jean Michel Wilmotte, 2001. Photography 2001.

LBY4689571: Musee d'art et industrie, 2 place Louis Comte in Saint Etienne (Loire). Architect Jean Michel Wilmotte, 2001. Photography 2001. / Bridgeman Images

Man's torso, terracotta sculpture,  4th century BC
Man's torso, terracotta sculpture,  4th century BC

LRI4689720: Man's torso, terracotta sculpture, 4th century BC, Etruscan, (4th century BC) / Bridgeman Images

Start, tournament and death. Miniature of the Master Dit De Charles Du Maine, c.1450-1460 (miniature)
Start, tournament and death. Miniature of the Master Dit De Charles Du Maine, c.1450-1460 (miniature)

JLJ4689746: Start, tournament and death. Miniature of the Master Dit De Charles Du Maine, c.1450-1460 (miniature), Charles du Maine Master (active 1450-1460) / Bridgeman Images

Portrait Of Hector Berlioz (1803-1869), French Composer. detail, 19th century (oil on canvas)
Portrait Of Hector Berlioz (1803-1869), French Composer. detail, 19th century (oil on canvas)

JLJ4689782: Portrait Of Hector Berlioz (1803-1869), French Composer. detail, 19th century (oil on canvas), Gill, Andre (1840-85) / Bridgeman Images

To the pelvis, Mrs. Prat, 20th century (oil on canvas)
To the pelvis, Mrs. Prat, 20th century (oil on canvas)

JLJ4689825: To the pelvis, Mrs. Prat, 20th century (oil on canvas), Prat, Loys (1879-1934) / Bridgeman Images

Byzantine architecture: view of the central nave of the Basilica of San Marco in Venice. The apse bowl is visible with Christ Almighty (reworked in 1506), in the foreground the dome of Pentecote.
Byzantine architecture: view of the central nave of the Basilica of San Marco in Venice. The apse bowl is visible with Christ Almighty (reworked in 1506), in the foreground the dome of Pentecote.

LRI4689896: Byzantine architecture: view of the central nave of the Basilica of San Marco in Venice. The apse bowl is visible with Christ Almighty (reworked in 1506), in the foreground the dome of Pentecote., Byzantine / Bridgeman Images

Byzantine architecture: view of the dome with mosaics on a golden background (Romanesque and Byzantine style) illustrating Joseph's life. 1270-1280. Basilica San Marco (Basilica of San Marco) Venice
Byzantine architecture: view of the dome with mosaics on a golden background (Romanesque and Byzantine style) illustrating Joseph's life. 1270-1280. Basilica San Marco (Basilica of San Marco) Venice

LRI4689938: Byzantine architecture: view of the dome with mosaics on a golden background (Romanesque and Byzantine style) illustrating Joseph's life. 1270-1280. Basilica San Marco (Basilica of San Marco) Venice, Byzantine / Bridgeman Images

View of the dome with mosaics on a golden background (Romanesque and Byzantine style) illustrating the Ascension. In the pendants, the four evangelists. Saint Mark and Saint Mathieu redone in 1843-1864. The beginning of the 13th century. Basilica San Marco (Basilica of San Marco) Venice
View of the dome with mosaics on a golden background (Romanesque and Byzantine style) illustrating the Ascension. In the pendants, the four evangelists. Saint Mark and Saint Mathieu redone in 1843-1864. The beginning of the 13th century. Basilica San Marco (Basilica of San Marco) Venice

LRI4689954: View of the dome with mosaics on a golden background (Romanesque and Byzantine style) illustrating the Ascension. In the pendants, the four evangelists. Saint Mark and Saint Mathieu redone in 1843-1864. The beginning of the 13th century. Basilica San Marco (Basilica of San Marco) Venice, Veneto-Byzantine School, (13th century) / Bridgeman Images

Byzantine architecture: view of the central nave of the Basilica of San Marco in Venice. The apse bowl is visible with Christ Almighty (reworked in 1506) and the iconostasis separating the presbytery from the rest of the church, crown of statues made by Jacobello and Pier Paolo delle Masegne (late 14th century).
Byzantine architecture: view of the central nave of the Basilica of San Marco in Venice. The apse bowl is visible with Christ Almighty (reworked in 1506) and the iconostasis separating the presbytery from the rest of the church, crown of statues made by Jacobello and Pier Paolo delle Masegne (late 14th century).

LRI4689872: Byzantine architecture: view of the central nave of the Basilica of San Marco in Venice. The apse bowl is visible with Christ Almighty (reworked in 1506) and the iconostasis separating the presbytery from the rest of the church, crown of statues made by Jacobello and Pier Paolo delle Masegne (late 14th century)., Byzantine / Bridgeman Images

Byzantine architecture: view of the north transept (with dome dedicated to Saint John the Evangelist), with mosaic background representing the genealogical tree of the Virgin made by the Bianchini family. 1542-1551 Basilica di San Marco (Basilica of Saint Mark), Venice
Byzantine architecture: view of the north transept (with dome dedicated to Saint John the Evangelist), with mosaic background representing the genealogical tree of the Virgin made by the Bianchini family. 1542-1551 Basilica di San Marco (Basilica of Saint Mark), Venice

LRI4689887: Byzantine architecture: view of the north transept (with dome dedicated to Saint John the Evangelist), with mosaic background representing the genealogical tree of the Virgin made by the Bianchini family. 1542-1551 Basilica di San Marco (Basilica of Saint Mark), Venice, Byzantine / Bridgeman Images

Byzantine architecture: the Mascoli chapel, left transept decorees of mosaic on a golden background. 13th century. Basilica di San Marco (Basilica of San Marco), Venice
Byzantine architecture: the Mascoli chapel, left transept decorees of mosaic on a golden background. 13th century. Basilica di San Marco (Basilica of San Marco), Venice

LRI4690012: Byzantine architecture: the Mascoli chapel, left transept decorees of mosaic on a golden background. 13th century. Basilica di San Marco (Basilica of San Marco), Venice, Byzantine, (13th century) / Bridgeman Images

Cultural Centre Andre Malraux in Chambery, Savoie (73), Rhone Alpes (Rhone Alpes). Architecture by Mario Botta, 1988. Photography 1988
Cultural Centre Andre Malraux in Chambery, Savoie (73), Rhone Alpes (Rhone Alpes). Architecture by Mario Botta, 1988. Photography 1988

TEC4690063: Cultural Centre Andre Malraux in Chambery, Savoie (73), Rhone Alpes (Rhone Alpes). Architecture by Mario Botta, 1988. Photography 1988, Botta, Mario (b.1943) / Bridgeman Images

Byzantine architecture: view of the domes with mosaics on a golden background (Romanesque and Byzantine style) illustrating the Pentecote (1250-1300) and the Ascension (early 13th century). Basilica San Marco (Basilica of San Marco) Venice
Byzantine architecture: view of the domes with mosaics on a golden background (Romanesque and Byzantine style) illustrating the Pentecote (1250-1300) and the Ascension (early 13th century). Basilica San Marco (Basilica of San Marco) Venice

LRI4689972: Byzantine architecture: view of the domes with mosaics on a golden background (Romanesque and Byzantine style) illustrating the Pentecote (1250-1300) and the Ascension (early 13th century). Basilica San Marco (Basilica of San Marco) Venice, Byzantine, (13th century) / Bridgeman Images

Ancient Egyptian Art: loading grains on a boat painting on silt from the tomb of Ounou (1450 BC) (oil on canvas)
Ancient Egyptian Art: loading grains on a boat painting on silt from the tomb of Ounou (1450 BC) (oil on canvas)

JLJ4690014: Ancient Egyptian Art: loading grains on a boat painting on silt from the tomb of Ounou (1450 BC) (oil on canvas), Egyptian School / Bridgeman Images

Cultural Centre Andre Malraux in Chambery, Savoie (73), Rhone Alpes (Rhone Alpes). Architecture by Mario Botta, 1988. Photography 1988
Cultural Centre Andre Malraux in Chambery, Savoie (73), Rhone Alpes (Rhone Alpes). Architecture by Mario Botta, 1988. Photography 1988

TEC4690030: Cultural Centre Andre Malraux in Chambery, Savoie (73), Rhone Alpes (Rhone Alpes). Architecture by Mario Botta, 1988. Photography 1988, Botta, Mario (b.1943) / Bridgeman Images

Cultural Centre Andre Malraux in Chambery, Savoie (73), Rhone Alpes (Rhone Alpes). Architecture by Mario Botta, 1988. Photography 1988
Cultural Centre Andre Malraux in Chambery, Savoie (73), Rhone Alpes (Rhone Alpes). Architecture by Mario Botta, 1988. Photography 1988

TEC4690058: Cultural Centre Andre Malraux in Chambery, Savoie (73), Rhone Alpes (Rhone Alpes). Architecture by Mario Botta, 1988. Photography 1988, Botta, Mario (b.1943) / Bridgeman Images

Cultural Centre Andre Malraux in Chambery, Savoie (73), Rhone Alpes (Rhone Alpes). Architecture by Mario Botta, 1988. Photography 1988
Cultural Centre Andre Malraux in Chambery, Savoie (73), Rhone Alpes (Rhone Alpes). Architecture by Mario Botta, 1988. Photography 1988

TEC4690077: Cultural Centre Andre Malraux in Chambery, Savoie (73), Rhone Alpes (Rhone Alpes). Architecture by Mario Botta, 1988. Photography 1988, Botta, Mario (b.1943) / Bridgeman Images

Algerian, 19th century (oil on canvas)
Algerian, 19th century (oil on canvas)

JLJ4690130: Algerian, 19th century (oil on canvas), Corot, Jean Baptiste Camille (1796-1875) / Bridgeman Images

Cultural Centre Andre Malraux in Chambery, Savoie (73), Rhone Alpes (Rhone Alpes). Architecture by Mario Botta, 1988. Photography 1988
Cultural Centre Andre Malraux in Chambery, Savoie (73), Rhone Alpes (Rhone Alpes). Architecture by Mario Botta, 1988. Photography 1988

TEC4690078: Cultural Centre Andre Malraux in Chambery, Savoie (73), Rhone Alpes (Rhone Alpes). Architecture by Mario Botta, 1988. Photography 1988, Botta, Mario (b.1943) / Bridgeman Images

Museum of Modern Art in Fort Worth, Texas, USA. Architect Tadao Ando, 2002. Photography 2003.
Museum of Modern Art in Fort Worth, Texas, USA. Architect Tadao Ando, 2002. Photography 2003.

MDA4690133: Museum of Modern Art in Fort Worth, Texas, USA. Architect Tadao Ando, 2002. Photography 2003., Ando, Tadao (b.1941) / Bridgeman Images

Museum of Modern Art in Fort Worth, Texas, USA. Architect Tadao Ando, 2002. Photography 2003.
Museum of Modern Art in Fort Worth, Texas, USA. Architect Tadao Ando, 2002. Photography 2003.

MDA4690158: Museum of Modern Art in Fort Worth, Texas, USA. Architect Tadao Ando, 2002. Photography 2003., Ando, Tadao (b.1941) / Bridgeman Images

Museum of Modern Art in Fort Worth, Texas, USA. Architect Tadao Ando, 2002. Photography 2003.
Museum of Modern Art in Fort Worth, Texas, USA. Architect Tadao Ando, 2002. Photography 2003.

MDA4690184: Museum of Modern Art in Fort Worth, Texas, USA. Architect Tadao Ando, 2002. Photography 2003., Ando, Tadao (b.1941) / Bridgeman Images

Riverside, 19th century (oil on canvas)
Riverside, 19th century (oil on canvas)

JLJ4690196: Riverside, 19th century (oil on canvas), Carrand, Louis Hilaire (1821-1899) / Bridgeman Images

The Centre d'art contemporain, Le Plateau, FRAC Ile de France, 32 rue des Alouettes in Paris 75019. Architect Jean Marc Lalo, 2003. Photograph 2004.
The Centre d'art contemporain, Le Plateau, FRAC Ile de France, 32 rue des Alouettes in Paris 75019. Architect Jean Marc Lalo, 2003. Photograph 2004.

MDA4690309: The Centre d'art contemporain, Le Plateau, FRAC Ile de France, 32 rue des Alouettes in Paris 75019. Architect Jean Marc Lalo, 2003. Photograph 2004., Lalo, Jean-Marc (b.1962) / Bridgeman Images

The Centre d'art contemporain, Le Plateau, FRAC Ile de France, 32 rue des Alouettes in Paris 75019. Architect Jean Marc Lalo, 2003. Photograph 2004.
The Centre d'art contemporain, Le Plateau, FRAC Ile de France, 32 rue des Alouettes in Paris 75019. Architect Jean Marc Lalo, 2003. Photograph 2004.

MDA4690354: The Centre d'art contemporain, Le Plateau, FRAC Ile de France, 32 rue des Alouettes in Paris 75019. Architect Jean Marc Lalo, 2003. Photograph 2004., Lalo, Jean-Marc (b.1962) / Bridgeman Images

Christ represents among the Saints Peter, Paul, Leonard and John the Evangelist. 13th century (painting)
Christ represents among the Saints Peter, Paul, Leonard and John the Evangelist. 13th century (painting)

LRI4690083: Christ represents among the Saints Peter, Paul, Leonard and John the Evangelist. 13th century (painting), Italian School, (13th century) / Bridgeman Images


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