1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2497596 Search Results

Illustration of the tale “The terrible Raminagrobis and the mice””” character draws fables by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Illustration of the tale “The terrible Raminagrobis and the mice””” character draws fables by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404644: Illustration of the tale “The terrible Raminagrobis and the mice””” character draws fables by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4404644

Illustration of the tale “The terrible Raminagrobis and the mice””” character draws fables by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

Unknown Artist, (19th century)

The parents of the Little Poucet decided to abandon their children in the forest. Illustration of the tale “” Le Pepetit Poucet”” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The parents of the Little Poucet decided to abandon their children in the forest. Illustration of the tale “” Le Pepetit Poucet”” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404705: The parents of the Little Poucet decided to abandon their children in the forest. Illustration of the tale “” Le Pepetit Poucet”” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4404705

The parents of the Little Poucet decided to abandon their children in the forest. Illustration of the tale “” Le Pepetit Poucet”” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

Unknown Artist, (19th century)

Hunting Nandou cover of 'Journal des Voyages', 1900 (print)
Hunting Nandou cover of 'Journal des Voyages', 1900 (print)

XEE4404487: Hunting Nandou cover of 'Journal des Voyages', 1900 (print), French School, (20th century) / Bridgeman Images

ID: XEE4404487

Hunting Nandou cover of 'Journal des Voyages', 1900 (print)

French School, (20th century)

The good fee of Cinderella and Cinderella. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The good fee of Cinderella and Cinderella. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404551: The good fee of Cinderella and Cinderella. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4404551

The good fee of Cinderella and Cinderella. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

Unknown Artist, (19th century)

The cat forces the peasants to say that the field in which they mow the wheat belongs to the Marquis de Carabas. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The cat forces the peasants to say that the field in which they mow the wheat belongs to the Marquis de Carabas. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404574: The cat forces the peasants to say that the field in which they mow the wheat belongs to the Marquis de Carabas. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4404574

The cat forces the peasants to say that the field in which they mow the wheat belongs to the Marquis de Carabas. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

Unknown Artist, (19th century)

The children of the handler, who just died, share his property: donkey, mill and cat. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The children of the handler, who just died, share his property: donkey, mill and cat. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404582: The children of the handler, who just died, share his property: donkey, mill and cat. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4404582

The children of the handler, who just died, share his property: donkey, mill and cat. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

Unknown Artist, (19th century)

Cat traps a rabbit. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Cat traps a rabbit. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404599: Cat traps a rabbit. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4404599

Cat traps a rabbit. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

Unknown Artist, (19th century)

Judith et Holopherne. in “” El Culto de la Hermosura”” by Juan Justo Huguet, Molinas Hermanos editores, 1880 (volume 1) & 1881 (volume 2).
Judith et Holopherne. in “” El Culto de la Hermosura”” by Juan Justo Huguet, Molinas Hermanos editores, 1880 (volume 1) & 1881 (volume 2).

XEE4404633: Judith et Holopherne. in “” El Culto de la Hermosura”” by Juan Justo Huguet, Molinas Hermanos editores, 1880 (volume 1) & 1881 (volume 2)., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4404633

Judith et Holopherne. in “” El Culto de la Hermosura”” by Juan Justo Huguet, Molinas Hermanos editores, 1880 (volume 1) & 1881 (volume 2).

Unknown Artist, (19th century)

Little Red Riding Hood. Illustration of the tale “The Little Red Riding Hood” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Little Red Riding Hood. Illustration of the tale “The Little Red Riding Hood” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404709: Little Red Riding Hood. Illustration of the tale “The Little Red Riding Hood” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4404709

Little Red Riding Hood. Illustration of the tale “The Little Red Riding Hood” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

Unknown Artist, (19th century)

Little Poucet and his brothers lost in the forest abandoned by their parents. Illustration of the tale “” Le Pepetit Poucet”” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Little Poucet and his brothers lost in the forest abandoned by their parents. Illustration of the tale “” Le Pepetit Poucet”” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404722: Little Poucet and his brothers lost in the forest abandoned by their parents. Illustration of the tale “” Le Pepetit Poucet”” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4404722

Little Poucet and his brothers lost in the forest abandoned by their parents. Illustration of the tale “” Le Pepetit Poucet”” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

Unknown Artist, (19th century)

The ogre's wife opens the door to the Little Poucet and his brothers. Illustration of the tale “” Le Pepetit Poucet”” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The ogre's wife opens the door to the Little Poucet and his brothers. Illustration of the tale “” Le Pepetit Poucet”” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404704: The ogre's wife opens the door to the Little Poucet and his brothers. Illustration of the tale “” Le Pepetit Poucet”” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4404704

The ogre's wife opens the door to the Little Poucet and his brothers. Illustration of the tale “” Le Pepetit Poucet”” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

Unknown Artist, (19th century)

Sophonisbe wife of King Syphax and Queen of Numibie (235-203 BC). in “” El Culto de la Hermosura”” by Juan Justo Huguet, Molinas Hermanos editores, 1880 (volume 1) & 1881 (volume 2).
Sophonisbe wife of King Syphax and Queen of Numibie (235-203 BC). in “” El Culto de la Hermosura”” by Juan Justo Huguet, Molinas Hermanos editores, 1880 (volume 1) & 1881 (volume 2).

XEE4404710: Sophonisbe wife of King Syphax and Queen of Numibie (235-203 BC). in “” El Culto de la Hermosura”” by Juan Justo Huguet, Molinas Hermanos editores, 1880 (volume 1) & 1881 (volume 2)., Spanish School, (19th century) / Bridgeman Images

ID: XEE4404710

Sophonisbe wife of King Syphax and Queen of Numibie (235-203 BC). in “” El Culto de la Hermosura”” by Juan Justo Huguet, Molinas Hermanos editores, 1880 (volume 1) & 1881 (volume 2).

Spanish School, (19th century)

Omar, Muslim prince, making a declaration of love to Sancha Ona, Countess of Castile. in “El Culto de la Hermosura”” by Juan Justo Huguet, Molinas Hermanos editores, 1880 (volume 1) & 1881 (volume 2).
Omar, Muslim prince, making a declaration of love to Sancha Ona, Countess of Castile. in “El Culto de la Hermosura”” by Juan Justo Huguet, Molinas Hermanos editores, 1880 (volume 1) & 1881 (volume 2).

XEE4404746: Omar, Muslim prince, making a declaration of love to Sancha Ona, Countess of Castile. in “El Culto de la Hermosura”” by Juan Justo Huguet, Molinas Hermanos editores, 1880 (volume 1) & 1881 (volume 2)., Spanish School, (19th century) / Bridgeman Images

ID: XEE4404746

Omar, Muslim prince, making a declaration of love to Sancha Ona, Countess of Castile. in “El Culto de la Hermosura”” by Juan Justo Huguet, Molinas Hermanos editores, 1880 (volume 1) & 1881 (volume 2).

Spanish School, (19th century)

Horse racing at the Chantilly hypodrome in 1858.
Horse racing at the Chantilly hypodrome in 1858.

XEE4404829: Horse racing at the Chantilly hypodrome in 1858., French School, (19th century) / Bridgeman Images

ID: XEE4404829

Horse racing at the Chantilly hypodrome in 1858.

French School, (19th century)

One of the first drawing representing a Clavicord. Weimar 15th century.
One of the first drawing representing a Clavicord. Weimar 15th century.

XEE4404847: One of the first drawing representing a Clavicord. Weimar 15th century., German School, (15th century) / Bridgeman Images

ID: XEE4404847

One of the first drawing representing a Clavicord. Weimar 15th century.

German School, (15th century)

War 1914-1918: King Peter I of Serbia entered Belgrade in 1914 to celebrate the victorious Serbs who had driven the Austrians out of their territory, (print)
War 1914-1918: King Peter I of Serbia entered Belgrade in 1914 to celebrate the victorious Serbs who had driven the Austrians out of their territory, (print)

XEE4404876: War 1914-1918: King Peter I of Serbia entered Belgrade in 1914 to celebrate the victorious Serbs who had driven the Austrians out of their territory, (print), French School, (20th century) / Bridgeman Images

ID: XEE4404876

War 1914-1918: King Peter I of Serbia entered Belgrade in 1914 to celebrate the victorious Serbs who had driven the Austrians out of their territory, (print)

French School, (20th century)

Portrait of Napoleon III, Emperor of the French (1808-1873) 20th century (lead)
Portrait of Napoleon III, Emperor of the French (1808-1873) 20th century (lead)

XEE4404905: Portrait of Napoleon III, Emperor of the French (1808-1873) 20th century (lead), French School, (20th century) / Bridgeman Images

ID: XEE4404905

Portrait of Napoleon III, Emperor of the French (1808-1873) 20th century (lead)

French School, (20th century)

Little Red Riding Hood puts food for his grandmother on the huche. Illustration of the tale “The Little Red Riding Hood” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Little Red Riding Hood puts food for his grandmother on the huche. Illustration of the tale “The Little Red Riding Hood” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404729: Little Red Riding Hood puts food for his grandmother on the huche. Illustration of the tale “The Little Red Riding Hood” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4404729

Little Red Riding Hood puts food for his grandmother on the huche. Illustration of the tale “The Little Red Riding Hood” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

Unknown Artist, (19th century)

Cultural tourism: Chinese tourists in the lobby of the Louvre Museum in Paris under the pyramid. Photography, 2005. Architect of the pyramid: Ieoh Ming Pei.
Cultural tourism: Chinese tourists in the lobby of the Louvre Museum in Paris under the pyramid. Photography, 2005. Architect of the pyramid: Ieoh Ming Pei.

XEE4404762: Cultural tourism: Chinese tourists in the lobby of the Louvre Museum in Paris under the pyramid. Photography, 2005. Architect of the pyramid: Ieoh Ming Pei., Pei, Ieoh Ming (1917-2019) & Macary, Michel (b.1936) & Wilmotte, Jean-Michel (b.1948) / Bridgeman Images

ID: XEE4404762

Cultural tourism: Chinese tourists in the lobby of the Louvre Museum in Paris under the pyramid. Photography, 2005. Architect of the pyramid: Ieoh Ming Pei.

Pei, Ieoh Ming (1917-2019) & Macary, Michel (b.1936) & Wilmotte, Jean-Michel (b.1948)

Wissembourg, Alsace, France 1869: laying the first stone of the Israeli temple.
Wissembourg, Alsace, France 1869: laying the first stone of the Israeli temple.

XEE4404779: Wissembourg, Alsace, France 1869: laying the first stone of the Israeli temple., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4404779

Wissembourg, Alsace, France 1869: laying the first stone of the Israeli temple.

Unknown Artist, (19th century)

War 1914-1918: A French soldier saves the flag during the fighting in Alsace in 1914. ” La Grande Guerre
War 1914-1918: A French soldier saves the flag during the fighting in Alsace in 1914. ” La Grande Guerre

XEE4404860: War 1914-1918: A French soldier saves the flag during the fighting in Alsace in 1914. ” La Grande Guerre", book published in 1914 by Tolmer et Cie., French School, (20th century) / Bridgeman Images

ID: XEE4404860

War 1914-1918: A French soldier saves the flag during the fighting in Alsace in 1914. ” La Grande Guerre", book published in 1914 by Tolmer et Cie.

French School, (20th century)

Portrait of Pascal (Pasquale) Paoli (1725-1807), Patriote Corsica
Portrait of Pascal (Pasquale) Paoli (1725-1807), Patriote Corsica

XEE4404891: Portrait of Pascal (Pasquale) Paoli (1725-1807), Patriote Corsica, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4404891

Portrait of Pascal (Pasquale) Paoli (1725-1807), Patriote Corsica

Unknown Artist, (19th century)

Sappeurs Pompiersde Paris. The ladder's behind the scenes. Manoeuvring the ladder behind the scenes is the simplest. Weighing 34 kilos, 0m45 wide, having, redeployed, a height of 4 meters, it is in two planes, the uprights of the second being embedded in a double groove or slide practiced throughout the height of the uprights of the first. The second plane slides easily on the first and gives it a total height of 7m20.
Sappeurs Pompiersde Paris. The ladder's behind the scenes. Manoeuvring the ladder behind the scenes is the simplest. Weighing 34 kilos, 0m45 wide, having, redeployed, a height of 4 meters, it is in two planes, the uprights of the second being embedded in a double groove or slide practiced throughout the height of the uprights of the first. The second plane slides easily on the first and gives it a total height of 7m20.

XEE4404934: Sappeurs Pompiersde Paris. The ladder's behind the scenes. Manoeuvring the ladder behind the scenes is the simplest. Weighing 34 kilos, 0m45 wide, having, redeployed, a height of 4 meters, it is in two planes, the uprights of the second being embedded in a double groove or slide practiced throughout the height of the uprights of the first. The second plane slides easily on the first and gives it a total height of 7m20., French School, (19th century) / Bridgeman Images

ID: XEE4404934

Sappeurs Pompiersde Paris. The ladder's behind the scenes. Manoeuvring the ladder behind the scenes is the simplest. Weighing 34 kilos, 0m45 wide, having, redeployed, a height of 4 meters, it is in two planes, the uprights of the second being embedded in a double groove or slide practiced throughout the height of the uprights of the first. The second plane slides easily on the first and gives it a total height of 7m20.

French School, (19th century)

Othello and Desdemona in Venice. Illustration for “” Othello” by William Shakespeare.Act 4 scene 2.English engraving from 1801 by R.K Porter.
Othello and Desdemona in Venice. Illustration for “” Othello” by William Shakespeare.Act 4 scene 2.English engraving from 1801 by R.K Porter.

XEE4404968: Othello and Desdemona in Venice. Illustration for “” Othello” by William Shakespeare.Act 4 scene 2.English engraving from 1801 by R.K Porter., Porter, Robert Kerr (1777-1842) / Bridgeman Images

ID: XEE4404968

Othello and Desdemona in Venice. Illustration for “” Othello” by William Shakespeare.Act 4 scene 2.English engraving from 1801 by R.K Porter.

Porter, Robert Kerr (1777-1842)

The Corbin lost on the reef in the Maldives Islands on 1 July 1602. In “” General History of the Navy”” by Van Tenac, 1850
The Corbin lost on the reef in the Maldives Islands on 1 July 1602. In “” General History of the Navy”” by Van Tenac, 1850

XEE4404990: The Corbin lost on the reef in the Maldives Islands on 1 July 1602. In “” General History of the Navy”” by Van Tenac, 1850, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4404990

The Corbin lost on the reef in the Maldives Islands on 1 July 1602. In “” General History of the Navy”” by Van Tenac, 1850

Unknown Artist, (19th century)

Battle naval d'Ouessant in the 18th century disputed between the French and the English in 1778. in “Histoire générale de la Marine” by Van Tenac, 1850.
Battle naval d'Ouessant in the 18th century disputed between the French and the English in 1778. in “Histoire générale de la Marine” by Van Tenac, 1850.

XEE4405008: Battle naval d'Ouessant in the 18th century disputed between the French and the English in 1778. in “Histoire générale de la Marine” by Van Tenac, 1850., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4405008

Battle naval d'Ouessant in the 18th century disputed between the French and the English in 1778. in “Histoire générale de la Marine” by Van Tenac, 1850.

Unknown Artist, (19th century)

Portrait of Abraham de Fabert (1599-1662), Marechal of France.
Portrait of Abraham de Fabert (1599-1662), Marechal of France.

XEE4404875: Portrait of Abraham de Fabert (1599-1662), Marechal of France., French School, (19th century) / Bridgeman Images

ID: XEE4404875

Portrait of Abraham de Fabert (1599-1662), Marechal of France.

French School, (19th century)

Bombardement of Tangier by the Prince of Joinville. in “Histoire générale de la marine” by Van Tenac, 1850.
Bombardement of Tangier by the Prince of Joinville. in “Histoire générale de la marine” by Van Tenac, 1850.

XEE4405026: Bombardement of Tangier by the Prince of Joinville. in “Histoire générale de la marine” by Van Tenac, 1850., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4405026

Bombardement of Tangier by the Prince of Joinville. in “Histoire générale de la marine” by Van Tenac, 1850.

Unknown Artist, (19th century)

Portrait of a ship sign of the French navy. in “Histoire générale de la marine” by Van Tenac, 1850.
Portrait of a ship sign of the French navy. in “Histoire générale de la marine” by Van Tenac, 1850.

XEE4405013: Portrait of a ship sign of the French navy. in “Histoire générale de la marine” by Van Tenac, 1850., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4405013

Portrait of a ship sign of the French navy. in “Histoire générale de la marine” by Van Tenac, 1850.

Unknown Artist, (19th century)

Poster printed in 1914: Ohe the brave people... pour your gold we pour our blood well...
Poster printed in 1914: Ohe the brave people... pour your gold we pour our blood well...

XEE4405027: Poster printed in 1914: Ohe the brave people... pour your gold we pour our blood well..., French School, (20th century) / Bridgeman Images

ID: XEE4405027

Poster printed in 1914: Ohe the brave people... pour your gold we pour our blood well...

French School, (20th century)

Louis Auguste, Count of Bourmont (Maréchal de Bourmont) (1773-1846) in Algeria in 1830. in” L'Algerie ancienne et moderne”” by Léon Galibert. Italian edition in 1846 color.
Louis Auguste, Count of Bourmont (Maréchal de Bourmont) (1773-1846) in Algeria in 1830. in” L'Algerie ancienne et moderne”” by Léon Galibert. Italian edition in 1846 color.

XEE4405143: Louis Auguste, Count of Bourmont (Maréchal de Bourmont) (1773-1846) in Algeria in 1830. in” L'Algerie ancienne et moderne”” by Léon Galibert. Italian edition in 1846 color., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4405143

Louis Auguste, Count of Bourmont (Maréchal de Bourmont) (1773-1846) in Algeria in 1830. in” L'Algerie ancienne et moderne”” by Léon Galibert. Italian edition in 1846 color.

Unknown Artist, (19th century)

The city of Oran in Algeria in 1840. in” L'Algerie ancienne et moderne”” by Léon Galibert. Italian edition in 1846 color.
The city of Oran in Algeria in 1840. in” L'Algerie ancienne et moderne”” by Léon Galibert. Italian edition in 1846 color.

XEE4405170: The city of Oran in Algeria in 1840. in” L'Algerie ancienne et moderne”” by Léon Galibert. Italian edition in 1846 color., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4405170

The city of Oran in Algeria in 1840. in” L'Algerie ancienne et moderne”” by Léon Galibert. Italian edition in 1846 color.

Unknown Artist, (19th century)

Horseback Spahis. Engraving from 1844.
Horseback Spahis. Engraving from 1844.

XEE4405187: Horseback Spahis. Engraving from 1844., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4405187

Horseback Spahis. Engraving from 1844.

Unknown Artist, (19th century)

Louis Botha, general and statesman of South Africa.In
Louis Botha, general and statesman of South Africa.In

XEE4405224: Louis Botha, general and statesman of South Africa.In "Le Pelerin" 1900, Unknown Artist, (20th century) / Bridgeman Images

ID: XEE4405224

Louis Botha, general and statesman of South Africa.In "Le Pelerin" 1900

Unknown Artist, (20th century)

The profession of fortune tellers at the beginning of the 18th century.
The profession of fortune tellers at the beginning of the 18th century.

XEE4405288: The profession of fortune tellers at the beginning of the 18th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4405288

The profession of fortune tellers at the beginning of the 18th century.

Unknown Artist, (19th century)

Conquest of Algeria. Death of General Danrémont during the capture of Constantine. 13 October 1837. in” L'Algerie ancienne et moderne”” by Léon Galibert. Italian edition in 1846 color.
Conquest of Algeria. Death of General Danrémont during the capture of Constantine. 13 October 1837. in” L'Algerie ancienne et moderne”” by Léon Galibert. Italian edition in 1846 color.

XEE4405169: Conquest of Algeria. Death of General Danrémont during the capture of Constantine. 13 October 1837. in” L'Algerie ancienne et moderne”” by Léon Galibert. Italian edition in 1846 color., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4405169

Conquest of Algeria. Death of General Danrémont during the capture of Constantine. 13 October 1837. in” L'Algerie ancienne et moderne”” by Léon Galibert. Italian edition in 1846 color.

Unknown Artist, (19th century)


Back to top