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The Martyrdom of St Lawrence, c. 1525 (engraving)
The Martyrdom of St Lawrence, c. 1525 (engraving)

AMO1217340: The Martyrdom of St Lawrence, c. 1525 (engraving), Raimondi, Marcantonio (1480-1534) / Bridgeman Images

Neptune in his Chariot (Quos Ego), c.1530-1540 (bronze)
Neptune in his Chariot (Quos Ego), c.1530-1540 (bronze)

AMO1217344: Neptune in his Chariot (Quos Ego), c.1530-1540 (bronze), Bernardi, Giovanni (1494-1553) / Bridgeman Images

The Vale of Ffestiniog, Merionethshire (watercolour on paper)
The Vale of Ffestiniog, Merionethshire (watercolour on paper)

AMO1217356: The Vale of Ffestiniog, Merionethshire (watercolour on paper), Cox, David (1783-1859) / Bridgeman Images

Memento mori ring, 17th century (Gold)
Memento mori ring, 17th century (Gold)

AMO1217366: Memento mori ring, 17th century (Gold), Italian School, (17th century) / Bridgeman Images

Portrait of a Man, called Nicholas Fiske, 1651 (oil on canvas)
Portrait of a Man, called Nicholas Fiske, 1651 (oil on canvas)

AMO1217374: Portrait of a Man, called Nicholas Fiske, 1651 (oil on canvas), Neve, Cornelius de (c.1609-78) / Bridgeman Images

Thomas Parr, c. 1635 (oil on canvas)
Thomas Parr, c. 1635 (oil on canvas)

AMO1217376: Thomas Parr, c. 1635 (oil on canvas), British School, (17th century) / Bridgeman Images

Italianate Landscape with Muleteers (oil on canvas)
Italianate Landscape with Muleteers (oil on canvas)

AMO1217530: Italianate Landscape with Muleteers (oil on canvas), Both, Jan (c.1618-52) / Bridgeman Images

Portrait of Mrs Murray Marks, 1868 (red chalk on off-white paper)
Portrait of Mrs Murray Marks, 1868 (red chalk on off-white paper)

AMO1217571: Portrait of Mrs Murray Marks, 1868 (red chalk on off-white paper), Rossetti, Dante Gabriel Charles (1828-82) / Bridgeman Images

The Race Meeting, or The Gambler, 1853 (Pen and black ink on off-white paper)
The Race Meeting, or The Gambler, 1853 (Pen and black ink on off-white paper)

AMO1217572: The Race Meeting, or The Gambler, 1853 (Pen and black ink on off-white paper), Millais, John Everett (1829-96) / Bridgeman Images

Man crouching on a Hillock, 1848 - 1850 (black crayon on off-white paper, laid down on pale blue paper edged with three gold lines)
Man crouching on a Hillock, 1848 - 1850 (black crayon on off-white paper, laid down on pale blue paper edged with three gold lines)

AMO1217632: Man crouching on a Hillock, 1848 - 1850 (black crayon on off-white paper, laid down on pale blue paper edged with three gold lines), Millet, Jean-Francois (1814-75) / Bridgeman Images

The Cottage Garden, Fishpond, 1915 (oil on canvas)
The Cottage Garden, Fishpond, 1915 (oil on canvas)

AMO1217644: The Cottage Garden, Fishpond, 1915 (oil on canvas), Pissarro, Lucien (1863-1944) / Bridgeman Images

My Studio Garden, 1938 (oil on canvas)
My Studio Garden, 1938 (oil on canvas)

AMO1217647: My Studio Garden, 1938 (oil on canvas), Pissarro, Lucien (1863-1944) / Bridgeman Images

La Nouvelle Route, Cotignac, 1937 (oil on canvas)
La Nouvelle Route, Cotignac, 1937 (oil on canvas)

AMO1217655: La Nouvelle Route, Cotignac, 1937 (oil on canvas), Pissarro, Lucien (1863-1944) / Bridgeman Images

Peasant woman weeding the grass (pastel heightened in places with a pink wash)
Peasant woman weeding the grass (pastel heightened in places with a pink wash)

AMO1217669: Peasant woman weeding the grass (pastel heightened in places with a pink wash), Pissarro, Camille (1830-1903) / Bridgeman Images

The shepherdess of Eragny (tempera and pastel with traces of watercolour and pencil on grey paper)
The shepherdess of Eragny (tempera and pastel with traces of watercolour and pencil on grey paper)

AMO1217680: The shepherdess of Eragny (tempera and pastel with traces of watercolour and pencil on grey paper), Pissarro, Camille (1830-1903) / Bridgeman Images

L'Ile Lacroix, à Rouen, 1883 (drypoint, etching, metal brush and open bite)
L'Ile Lacroix, à Rouen, 1883 (drypoint, etching, metal brush and open bite)

AMO1217695: L'Ile Lacroix, à Rouen, 1883 (drypoint, etching, metal brush and open bite), Pissarro, Camille (1830-1903) / Bridgeman Images

Rue Saint-Lazare, Paris, 1897 (lithograph on zinc)
Rue Saint-Lazare, Paris, 1897 (lithograph on zinc)

AMO1217699: Rue Saint-Lazare, Paris, 1897 (lithograph on zinc), Pissarro, Camille (1830-1903) / Bridgeman Images

Old Mill at White Hill Point (watercolour and pencil)
Old Mill at White Hill Point (watercolour and pencil)

TW1215590: Old Mill at White Hill Point (watercolour and pencil), Brown, James Miller (fl.1882) / Bridgeman Images

Charity, late 17th century (oil on canvas)
Charity, late 17th century (oil on canvas)

AMO1216666: Charity, late 17th century (oil on canvas), Franco-Flemish School, (17th century) / Bridgeman Images

Temperance, late 17th century (oil on canvas)
Temperance, late 17th century (oil on canvas)

AMO1216670: Temperance, late 17th century (oil on canvas), Franco-Flemish School, (17th century) / Bridgeman Images

A Study for a Figure in an Adoration of the Magi (black chalk with pen and brown ink on white paper)
A Study for a Figure in an Adoration of the Magi (black chalk with pen and brown ink on white paper)

AMO1216677: A Study for a Figure in an Adoration of the Magi (black chalk with pen and brown ink on white paper), Perugino, Pietro (c.1445-1523) / Bridgeman Images

A Lute Player (pen and dark brown ink over black chalk on off-white paper)
A Lute Player (pen and dark brown ink over black chalk on off-white paper)

AMO1216679: A Lute Player (pen and dark brown ink over black chalk on off-white paper), Perugino, Pietro (c.1445-1523) / Bridgeman Images

Mrs Mounter at the breakfast Table, 1916 - 1917 (pen and black ink, partly scratched, squared in red ink)
Mrs Mounter at the breakfast Table, 1916 - 1917 (pen and black ink, partly scratched, squared in red ink)

AMO1217739: Mrs Mounter at the breakfast Table, 1916 - 1917 (pen and black ink, partly scratched, squared in red ink), Gilman, Harold (1876-1919) / Bridgeman Images

Misson-House, Gondokoro, from 'Journal of the discovery of the source of the Nile', 1864 (engraving)
Misson-House, Gondokoro, from 'Journal of the discovery of the source of the Nile', 1864 (engraving)

XJF1218166: Misson-House, Gondokoro, from 'Journal of the discovery of the source of the Nile', 1864 (engraving), Speke, John Hanning (1827-64) / Bridgeman Images

Quakers gathering in a London Meeting House, 1809 (aquatint)
Quakers gathering in a London Meeting House, 1809 (aquatint)

XJF1218177: Quakers gathering in a London Meeting House, 1809 (aquatint), Rowlandson, T.(1756-1827) & Pugin, A.C.(1762-1832) / Bridgeman Images

Henri-Robert Stewart, Lord Castlereagh (engraving)
Henri-Robert Stewart, Lord Castlereagh (engraving)

XIR1218245: Henri-Robert Stewart, Lord Castlereagh (engraving), French School, (19th century) / Bridgeman Images

General Bedeau (litho)
General Bedeau (litho)

XIR1218096: General Bedeau (litho), Roubaud, Benjamin (1811-47) / Bridgeman Images

Still life with fruit in a landscape, a hunting party beyond, 1859 (oil on canvas)
Still life with fruit in a landscape, a hunting party beyond, 1859 (oil on canvas)

CH1249192: Still life with fruit in a landscape, a hunting party beyond, 1859 (oil on canvas), Lance, George (1802-64) / Bridgeman Images

Front cover (colour litho)
Front cover (colour litho)

IL1218771: Front cover (colour litho), Cuneo, Cyrus (1879-1916) / Bridgeman Images

IL1218773: "We are down-hearted I don't think!" (litho), Cuneo, Cyrus (1879-1916) / Bridgeman Images

They bombed and bayoneted their way up the enemy trench (colour litho)
They bombed and bayoneted their way up the enemy trench (colour litho)

IL1218774: They bombed and bayoneted their way up the enemy trench (colour litho), Cuneo, Cyrus (1879-1916) / Bridgeman Images

I even felt their breath and felt heard their snuffing scent (colour litho)
I even felt their breath and felt heard their snuffing scent (colour litho)

IL1218786: I even felt their breath and felt heard their snuffing scent (colour litho), Noble, John Edwin (1876-1941) / Bridgeman Images

Putting his head a little down he came straight at me (colour litho)
Putting his head a little down he came straight at me (colour litho)

IL1218797: Putting his head a little down he came straight at me (colour litho), Noble, John Edwin (1876-1941) / Bridgeman Images

My companion coolly thrust one of his arms into  a wolf's mouth (colour litho)
My companion coolly thrust one of his arms into  a wolf's mouth (colour litho)

IL1218799: My companion coolly thrust one of his arms into a wolf's mouth (colour litho), Noble, John Edwin (1876-1941) / Bridgeman Images

Brave warriors and expert horsemen: Cossacks in pursuit of Hungarian cavalry (litho)
Brave warriors and expert horsemen: Cossacks in pursuit of Hungarian cavalry (litho)

IL1218820: Brave warriors and expert horsemen: Cossacks in pursuit of Hungarian cavalry (litho), Jankowski, C. T. (20th century) / Bridgeman Images

The fight in the cavern: It showed me Hands and his companion locked together in a deadly wrestle (colour litho)
The fight in the cavern: It showed me Hands and his companion locked together in a deadly wrestle (colour litho)

IL1218843: The fight in the cavern: It showed me Hands and his companion locked together in a deadly wrestle (colour litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images


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