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The war in Madagascar - Bombardment of Tamatave by the French Navy, 1885-1895 (engraving)
The war in Madagascar - Bombardment of Tamatave by the French Navy, 1885-1895 (engraving)

JLJ4632356: The war in Madagascar - Bombardment of Tamatave by the French Navy, 1885-1895 (engraving), Bombled, Louis Charles (1862-1927) / Bridgeman Images

Wall painting. Stone Age 5000-2000 BC.
Wall painting. Stone Age 5000-2000 BC.

LRI4633247: Wall painting. Stone Age 5000-2000 BC., Prehistoric / Bridgeman Images

Le plateau de Craonne dans l'Aisne, First World War (stereoscopic glass plate)
Le plateau de Craonne dans l'Aisne, First World War (stereoscopic glass plate)

JLJ4633314: Le plateau de Craonne dans l'Aisne, First World War (stereoscopic glass plate), Anonymous / Bridgeman Images

Greek Art: “” Cavalier Rampin”” marble head of the archaic period, From the acropolis of Athenes, 620-480 BC - Paris, musee du Louvre - The Rampin rider or Rampin horseman (detail) - Marble sculpture from the Acropolis of Athens, Archaic period, 620-480 BC - Louvre Museum, Paris
Greek Art: “” Cavalier Rampin”” marble head of the archaic period, From the acropolis of Athenes, 620-480 BC - Paris, musee du Louvre - The Rampin rider or Rampin horseman (detail) - Marble sculpture from the Acropolis of Athens, Archaic period, 620-480 BC - Louvre Museum, Paris

LRI4633340: Greek Art: “” Cavalier Rampin”” marble head of the archaic period, From the acropolis of Athenes, 620-480 BC - Paris, musee du Louvre - The Rampin rider or Rampin horseman (detail) - Marble sculpture from the Acropolis of Athens, Archaic period, 620-480 BC - Louvre Museum, Paris, Greek school, (7th century BC) / Bridgeman Images

In the sum at Assevillers, explosion of a 305 shell, First World War (stereoscopic glass plate)
In the sum at Assevillers, explosion of a 305 shell, First World War (stereoscopic glass plate)

JLJ4633395: In the sum at Assevillers, explosion of a 305 shell, First World War (stereoscopic glass plate), Anonymous / Bridgeman Images

The ruins of the village of Varennes en Argonne, First World War (stereoscopic glass plate)
The ruins of the village of Varennes en Argonne, First World War (stereoscopic glass plate)

JLJ4633664: The ruins of the village of Varennes en Argonne, First World War (stereoscopic glass plate), Anonymous / Bridgeman Images

The war in Madagascar - Hovas canons brought back to the French camp, 1885-1895 (engraving)
The war in Madagascar - Hovas canons brought back to the French camp, 1885-1895 (engraving)

JLJ4632718: The war in Madagascar - Hovas canons brought back to the French camp, 1885-1895 (engraving), Bombled, Louis Charles (1862-1927) / Bridgeman Images

The war in Madagascar - Attack of a military convoy by the Fahavolos, 1885-1895 (engraving)
The war in Madagascar - Attack of a military convoy by the Fahavolos, 1885-1895 (engraving)

JLJ4632776: The war in Madagascar - Attack of a military convoy by the Fahavolos, 1885-1895 (engraving), Bombled, Louis Charles (1862-1927) / Bridgeman Images

Bust of Pharaoh Akhenaton (Amenophis IV). 18th dynasty (1550-1295 BC). From Tell el Amarna. Paris, Louvre Museum
Bust of Pharaoh Akhenaton (Amenophis IV). 18th dynasty (1550-1295 BC). From Tell el Amarna. Paris, Louvre Museum

LRI4633555: Bust of Pharaoh Akhenaton (Amenophis IV). 18th dynasty (1550-1295 BC). From Tell el Amarna. Paris, Louvre Museum, Egyptian School / Bridgeman Images

German Brench of the Hindenburg Line, First World War (stereoscopic glass plate)
German Brench of the Hindenburg Line, First World War (stereoscopic glass plate)

JLJ4633605: German Brench of the Hindenburg Line, First World War (stereoscopic glass plate), Anonymous / Bridgeman Images

Egyptian antiquite: knife of Gebel El Arak (Gebel El-Arak). Carved ivory and flint blade. The handle is decorated with scenes inspired by the art of Mesopotamia. 3400 BC. Predynastic period. Paris, Musee du Louvre - Egyptian Antiquities: Gebel El Arak knife (Gebel el-Arak). Flint blade. The carved ivory handle is decorated with scenes showing the influence of the Mesopotamian art. 3400 BC. Pre-dynastic period. Louvre Museum, Paris, France
Egyptian antiquite: knife of Gebel El Arak (Gebel El-Arak). Carved ivory and flint blade. The handle is decorated with scenes inspired by the art of Mesopotamia. 3400 BC. Predynastic period. Paris, Musee du Louvre - Egyptian Antiquities: Gebel El Arak knife (Gebel el-Arak). Flint blade. The carved ivory handle is decorated with scenes showing the influence of the Mesopotamian art. 3400 BC. Pre-dynastic period. Louvre Museum, Paris, France

LRI4633651: Egyptian antiquite: knife of Gebel El Arak (Gebel El-Arak). Carved ivory and flint blade. The handle is decorated with scenes inspired by the art of Mesopotamia. 3400 BC. Predynastic period. Paris, Musee du Louvre - Egyptian Antiquities: Gebel El Arak knife (Gebel el-Arak). Flint blade. The carved ivory handle is decorated with scenes showing the influence of the Mesopotamian art. 3400 BC. Pre-dynastic period. Louvre Museum, Paris, France, Egyptian School / Bridgeman Images

Portrait of a Brigadier Hussard, c.1845 (lithograph)
Portrait of a Brigadier Hussard, c.1845 (lithograph)

JLJ4633726: Portrait of a Brigadier Hussard, c.1845 (lithograph), Rouffet, Jules (1863-1931) / Bridgeman Images

Belgium, the City of Nieuport, First World War (stereoscopic glass plate)
Belgium, the City of Nieuport, First World War (stereoscopic glass plate)

JLJ4633756: Belgium, the City of Nieuport, First World War (stereoscopic glass plate), Anonymous / Bridgeman Images

The new Opera (opera garnier) Paris, 1874 (lithograph)
The new Opera (opera garnier) Paris, 1874 (lithograph)

JLJ4633798: The new Opera (opera garnier) Paris, 1874 (lithograph), Anonymous / Bridgeman Images

The war in Madagascar - Hovas Tirailleurs attacking the military building a road in 1895, 1885-1895 (engraving)
The war in Madagascar - Hovas Tirailleurs attacking the military building a road in 1895, 1885-1895 (engraving)

JLJ4632975: The war in Madagascar - Hovas Tirailleurs attacking the military building a road in 1895, 1885-1895 (engraving), Bombled, Louis Charles (1862-1927) / Bridgeman Images

Carved rock: representations of daggers, oxen.
Carved rock: representations of daggers, oxen.

LRI4633014: Carved rock: representations of daggers, oxen., Prehistoric / Bridgeman Images

Carved rock: representations of deer, cattle.
Carved rock: representations of deer, cattle.

LRI4633037: Carved rock: representations of deer, cattle., Prehistoric / Bridgeman Images

Paris 1874: Boulevard des Capucines, 1874 (lithograph)
Paris 1874: Boulevard des Capucines, 1874 (lithograph)

JLJ4633843: Paris 1874: Boulevard des Capucines, 1874 (lithograph), Anonymous / Bridgeman Images

Portrait of the Senator of the Republic of Venice Angelo Memmo I Painting by Alessandro Longhi (1733-1813) 1770 Sun 181x143 cm Venice, Correr Museum
Portrait of the Senator of the Republic of Venice Angelo Memmo I Painting by Alessandro Longhi (1733-1813) 1770 Sun 181x143 cm Venice, Correr Museum

LRI4633883: Portrait of the Senator of the Republic of Venice Angelo Memmo I Painting by Alessandro Longhi (1733-1813) 1770 Sun 181x143 cm Venice, Correr Museum, Longhi, Alessandro (1733-1813) / Bridgeman Images

The sick woman Visit of the doctor taking the pulse of the sick Painting by Pietro Longhi (1702-1785) 1741 Dim 52x41 cm Venice, Ca'rezzonico, n 134
The sick woman Visit of the doctor taking the pulse of the sick Painting by Pietro Longhi (1702-1785) 1741 Dim 52x41 cm Venice, Ca'rezzonico, n 134

LRI4633902: The sick woman Visit of the doctor taking the pulse of the sick Painting by Pietro Longhi (1702-1785) 1741 Dim 52x41 cm Venice, Ca'rezzonico, n 134, Longhi, Pietro (c.1701-85) / Bridgeman Images

The school of work Painting by Pietro Longhi (1702-1785) 1752 Dim 62x50 cm Venice, Ca 'Rezzonico, n 1302
The school of work Painting by Pietro Longhi (1702-1785) 1752 Dim 62x50 cm Venice, Ca 'Rezzonico, n 1302

LRI4633943: The school of work Painting by Pietro Longhi (1702-1785) 1752 Dim 62x50 cm Venice, Ca 'Rezzonico, n 1302, Longhi, Pietro (c.1701-85) / Bridgeman Images

Representation of Eugenio di Savoia (1663-1736) said Prince Eugenio (Portrait of Prince Eugene of Savoy) Painting by Pietro Longhi (1702-1785) 1755 Dim 62x51 cm Ca 'Rezzonico Venice Italy
Representation of Eugenio di Savoia (1663-1736) said Prince Eugenio (Portrait of Prince Eugene of Savoy) Painting by Pietro Longhi (1702-1785) 1755 Dim 62x51 cm Ca 'Rezzonico Venice Italy

LRI4633959: Representation of Eugenio di Savoia (1663-1736) said Prince Eugenio (Portrait of Prince Eugene of Savoy) Painting by Pietro Longhi (1702-1785) 1755 Dim 62x51 cm Ca 'Rezzonico Venice Italy, Longhi, Pietro (c.1701-85) / Bridgeman Images

To taste it in the gardens of the Venetian estuary in Cartosa or the Vignole Two women in travel suits, one of them seasoned the salad. Painting by Pietro Longhi (1702-1785) 1759 approx. Sun. 62x50 cm venise, Ca 'Rezzonico, n. 1300
To taste it in the gardens of the Venetian estuary in Cartosa or the Vignole Two women in travel suits, one of them seasoned the salad. Painting by Pietro Longhi (1702-1785) 1759 approx. Sun. 62x50 cm venise, Ca 'Rezzonico, n. 1300

LRI4633978: To taste it in the gardens of the Venetian estuary in Cartosa or the Vignole Two women in travel suits, one of them seasoned the salad. Painting by Pietro Longhi (1702-1785) 1759 approx. Sun. 62x50 cm venise, Ca 'Rezzonico, n. 1300, Longhi, Pietro (c.1701-85) / Bridgeman Images

Feast of the fresco”” on the day of the ascension in Murano, Venice”” Abbey of San Cipriano on the right and church santo Stefano in the center, disappeared today (The feast of the “” Fresco” on the day of Ascension in Murano island, Venice) Painting by Joseph Heintz the young (1600-1678) Sun 115x205 cm Museo Correr Venice
Feast of the fresco”” on the day of the ascension in Murano, Venice”” Abbey of San Cipriano on the right and church santo Stefano in the center, disappeared today (The feast of the “” Fresco” on the day of Ascension in Murano island, Venice) Painting by Joseph Heintz the young (1600-1678) Sun 115x205 cm Museo Correr Venice

LRI4633880: Feast of the fresco”” on the day of the ascension in Murano, Venice”” Abbey of San Cipriano on the right and church santo Stefano in the center, disappeared today (The feast of the “” Fresco” on the day of Ascension in Murano island, Venice) Painting by Joseph Heintz the young (1600-1678) Sun 115x205 cm Museo Correr Venice, Heintz, Joseph the younger (c.1600-78) / Bridgeman Images

Il Ridotto (The Foyer) Painting by Pietro Longhi (1702-1785) 1750 Dim 96x131 cm Venice, Ca 'Rezzonico
Il Ridotto (The Foyer) Painting by Pietro Longhi (1702-1785) 1750 Dim 96x131 cm Venice, Ca 'Rezzonico

LRI4633942: Il Ridotto (The Foyer) Painting by Pietro Longhi (1702-1785) 1750 Dim 96x131 cm Venice, Ca 'Rezzonico, Longhi, Pietro (c.1701-85) / Bridgeman Images

Representation of Pope Clement XIII (1693-1769) with his nephew Ludovico Rezzonico and wife Faustina Savorgnan (Pope Clement XIII with his nephew Ludovico Rezzonico and his wife Faustina Savorgnan) Painting by Pietro Longhi (1702-1785) 1758-1762 Dim 52x50 cm Venice, Ca 'Rezzonico Ico, No. 403
Representation of Pope Clement XIII (1693-1769) with his nephew Ludovico Rezzonico and wife Faustina Savorgnan (Pope Clement XIII with his nephew Ludovico Rezzonico and his wife Faustina Savorgnan) Painting by Pietro Longhi (1702-1785) 1758-1762 Dim 52x50 cm Venice, Ca 'Rezzonico Ico, No. 403

LRI4633991: Representation of Pope Clement XIII (1693-1769) with his nephew Ludovico Rezzonico and wife Faustina Savorgnan (Pope Clement XIII with his nephew Ludovico Rezzonico and his wife Faustina Savorgnan) Painting by Pietro Longhi (1702-1785) 1758-1762 Dim 52x50 cm Venice, Ca 'Rezzonico Ico, No. 403, Longhi, Pietro (c.1701-85) / Bridgeman Images

The city of Marseille and its surroundings around 1885 -1890: the cathedrale under construction, 1885 (photo)
The city of Marseille and its surroundings around 1885 -1890: the cathedrale under construction, 1885 (photo)

JLJ4634015: The city of Marseille and its surroundings around 1885 -1890: the cathedrale under construction, 1885 (photo), Anonymous / Bridgeman Images

The hairdresser (The hairdresser) Painting by Pietro Longhi (1702-1785) 1760 approx. Dim 62x50 cm Venice, Ca 'Rezzonico
The hairdresser (The hairdresser) Painting by Pietro Longhi (1702-1785) 1760 approx. Dim 62x50 cm Venice, Ca 'Rezzonico

LRI4634050: The hairdresser (The hairdresser) Painting by Pietro Longhi (1702-1785) 1760 approx. Dim 62x50 cm Venice, Ca 'Rezzonico, Longhi, Pietro (c.1701-85) / Bridgeman Images

The standing wooden church of Borgund in Norway.
The standing wooden church of Borgund in Norway.

LBY4633214: The standing wooden church of Borgund in Norway. / Bridgeman Images

Engraved rock. Stone Age 5000-2000 BC
Engraved rock. Stone Age 5000-2000 BC

LRI4633227: Engraved rock. Stone Age 5000-2000 BC, Prehistoric / Bridgeman Images

Gothic Art: “” Angel”” Wood sculpture. 13th century Dim. 72 cm Paris, Louvre Museum
Gothic Art: “” Angel”” Wood sculpture. 13th century Dim. 72 cm Paris, Louvre Museum

LRI4633295: Gothic Art: “” Angel”” Wood sculpture. 13th century Dim. 72 cm Paris, Louvre Museum, Unknown Artist, (13th century) / Bridgeman Images

Roman Art: head of Roman Emperor Marc Aurele (120-180 AD) - Marble sculpture, 180 AD - Paris, musee du Louvre - Head of emperor Marcus Aurelius (120-180 AD) - Marble sculpture, Roman civilization, 180 AD - Louvre Museum, Paris
Roman Art: head of Roman Emperor Marc Aurele (120-180 AD) - Marble sculpture, 180 AD - Paris, musee du Louvre - Head of emperor Marcus Aurelius (120-180 AD) - Marble sculpture, Roman civilization, 180 AD - Louvre Museum, Paris

LRI4633404: Roman Art: head of Roman Emperor Marc Aurele (120-180 AD) - Marble sculpture, 180 AD - Paris, musee du Louvre - Head of emperor Marcus Aurelius (120-180 AD) - Marble sculpture, Roman civilization, 180 AD - Louvre Museum, Paris, Roman, (2nd century) / Bridgeman Images

Small glass amphora with inscriptions. 9th-10th century From Iraq. Dim. 8,9 cm Paris, Musee du Louvre
Small glass amphora with inscriptions. 9th-10th century From Iraq. Dim. 8,9 cm Paris, Musee du Louvre

LRI4633471: Small glass amphora with inscriptions. 9th-10th century From Iraq. Dim. 8,9 cm Paris, Musee du Louvre, Iraqi School (10th Century) / Bridgeman Images

The city of Marseille and its surroundings around 1885 -1890: Aqueduc de Roquefavour, 1885 (photo)
The city of Marseille and its surroundings around 1885 -1890: Aqueduc de Roquefavour, 1885 (photo)

JLJ4634137: The city of Marseille and its surroundings around 1885 -1890: Aqueduc de Roquefavour, 1885 (photo), Anonymous / Bridgeman Images

The town of Marseille and its surroundings around 1885 -1890: the castle of If and the islands, 1885 (photo)
The town of Marseille and its surroundings around 1885 -1890: the castle of If and the islands, 1885 (photo)

JLJ4634160: The town of Marseille and its surroundings around 1885 -1890: the castle of If and the islands, 1885 (photo), Anonymous / Bridgeman Images

Les Grands Journees de l'Hotel de Ville de Paris, On July 22, 1792, the homeland in danger (litho)
Les Grands Journees de l'Hotel de Ville de Paris, On July 22, 1792, the homeland in danger (litho)

JLJ4634207: Les Grands Journees de l'Hotel de Ville de Paris, On July 22, 1792, the homeland in danger (litho), Bombled, Louis Charles (1862-1927) / Bridgeman Images


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