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Augustus punishing the concussionaries. The Roman Emperor Augustus (Octavian or Octavian, 63 BC-14 AD) punishing officials stealing the money of the empire. Drawing by Michel Francois Dandre Bardon (Michel-Francois Dandre-Bardon, 1700-1783), 1726. Black chalk and brown wash enhances white. Dim: 26x70cm. Musee Granet, Aix en Provence.
Augustus punishing the concussionaries. The Roman Emperor Augustus (Octavian or Octavian, 63 BC-14 AD) punishing officials stealing the money of the empire. Drawing by Michel Francois Dandre Bardon (Michel-Francois Dandre-Bardon, 1700-1783), 1726. Black chalk and brown wash enhances white. Dim: 26x70cm. Musee Granet, Aix en Provence.

JEB4859966: Augustus punishing the concussionaries. The Roman Emperor Augustus (Octavian or Octavian, 63 BC-14 AD) punishing officials stealing the money of the empire. Drawing by Michel Francois Dandre Bardon (Michel-Francois Dandre-Bardon, 1700-1783), 1726. Black chalk and brown wash enhances white. Dim: 26x70cm. Musee Granet, Aix en Provence. / Bridgeman Images

ID: JEB4859966

Augustus punishing the concussionaries. The Roman Emperor Augustus (Octavian or Octavian, 63 BC-14 AD) punishing officials stealing the money of the empire. Drawing by Michel Francois Dandre Bardon (Michel-Francois Dandre-Bardon, 1700-1783), 1726. Black chalk and brown wash enhances white. Dim: 26x70cm. Musee Granet, Aix en Provence.

Illustration of Achille Lemot (1846-1909) in Le Pelerin, 31/12/05 - Compliments of the year that goes away - Religion Faith, Catholic Catholicism - Combes Emile (1835-1921), Devil, Time (Allegory of)
Illustration of Achille Lemot (1846-1909) in Le Pelerin, 31/12/05 - Compliments of the year that goes away - Religion Faith, Catholic Catholicism - Combes Emile (1835-1921), Devil, Time (Allegory of)

ICA4858865: Illustration of Achille Lemot (1846-1909) in Le Pelerin, 31/12/05 - Compliments of the year that goes away - Religion Faith, Catholic Catholicism - Combes Emile (1835-1921), Devil, Time (Allegory of), Lemot, Achille (1846-1909) / Bridgeman Images

ID: ICA4858865

Illustration of Achille Lemot (1846-1909) in Le Pelerin, 31/12/05 - Compliments of the year that goes away - Religion Faith, Catholic Catholicism - Combes Emile (1835-1921), Devil, Time (Allegory of)

Lemot, Achille (1846-1909)

Combat weapon or war machines: Catapult used in the seats of the Greek army during battles. Colouring engraving of the 19th century.
Combat weapon or war machines: Catapult used in the seats of the Greek army during battles. Colouring engraving of the 19th century.

NWI4858886: Combat weapon or war machines: Catapult used in the seats of the Greek army during battles. Colouring engraving of the 19th century. / Bridgeman Images

ID: NWI4858886

Combat weapon or war machines: Catapult used in the seats of the Greek army during battles. Colouring engraving of the 19th century.

World War I: victory parade on the Champs Elysees avenue, 14th July 1919, the banners of the cavalry of the French army”” Illustration by Raymond de la Neziere in “” Our-glories-nationales” 1920 Collection privee DR
World War I: victory parade on the Champs Elysees avenue, 14th July 1919, the banners of the cavalry of the French army”” Illustration by Raymond de la Neziere in “” Our-glories-nationales” 1920 Collection privee DR

ELD4859083: World War I: victory parade on the Champs Elysees avenue, 14th July 1919, the banners of the cavalry of the French army”” Illustration by Raymond de la Neziere in “” Our-glories-nationales” 1920 Collection privee DR, Neziere, Raymond de la (1865-1953) / Bridgeman Images

ID: ELD4859083

World War I: victory parade on the Champs Elysees avenue, 14th July 1919, the banners of the cavalry of the French army”” Illustration by Raymond de la Neziere in “” Our-glories-nationales” 1920 Collection privee DR

Neziere, Raymond de la (1865-1953)

View of the Pyramid of Dachour. Drawing by Pascal Coste (1787-1879) Museum of Mediterranean Archeology, Marseille
View of the Pyramid of Dachour. Drawing by Pascal Coste (1787-1879) Museum of Mediterranean Archeology, Marseille

JEB4859115: View of the Pyramid of Dachour. Drawing by Pascal Coste (1787-1879) Museum of Mediterranean Archeology, Marseille, Coste, Pascal Xavier (1787-1879) (after) / Bridgeman Images

ID: JEB4859115

View of the Pyramid of Dachour. Drawing by Pascal Coste (1787-1879) Museum of Mediterranean Archeology, Marseille

Coste, Pascal Xavier (1787-1879) (after)

Le Pilori (Mailly), number 6, circa 1870 - Illustration by Mailly (1829-?) : Skull Executioner - Second Empire, War 1870-1871 - Cassagnac Granier de - Scatology
Le Pilori (Mailly), number 6, circa 1870 - Illustration by Mailly (1829-?) : Skull Executioner - Second Empire, War 1870-1871 - Cassagnac Granier de - Scatology

ICA4860292: Le Pilori (Mailly), number 6, circa 1870 - Illustration by Mailly (1829-?) : Skull Executioner - Second Empire, War 1870-1871 - Cassagnac Granier de - Scatology / Bridgeman Images

ID: ICA4860292

Le Pilori (Mailly), number 6, circa 1870 - Illustration by Mailly (1829-?) : Skull Executioner - Second Empire, War 1870-1871 - Cassagnac Granier de - Scatology

Cover of “” The Ruy Blas””, 1912_11_16 (engraving)
Cover of “” The Ruy Blas””, 1912_11_16 (engraving)

ICA4859295: Cover of “” The Ruy Blas””, 1912_11_16 (engraving), Berger, Rene (1878-1954) / Bridgeman Images

ID: ICA4859295

Cover of “” The Ruy Blas””, 1912_11_16 (engraving)

Berger, Rene (1878-1954)

L'atelier. Drawing by Sam Berger aka Sam Szafran (b. 1934), 1972. Charcoal on paper. Size: 79x58cm. Musee Cantini, Marseille.
L'atelier. Drawing by Sam Berger aka Sam Szafran (b. 1934), 1972. Charcoal on paper. Size: 79x58cm. Musee Cantini, Marseille.

JEB4859330: L'atelier. Drawing by Sam Berger aka Sam Szafran (b. 1934), 1972. Charcoal on paper. Size: 79x58cm. Musee Cantini, Marseille., Szafran, Sam (1934-2019) / Bridgeman Images

ID: JEB4859330

L'atelier. Drawing by Sam Berger aka Sam Szafran (b. 1934), 1972. Charcoal on paper. Size: 79x58cm. Musee Cantini, Marseille.

Szafran, Sam (1934-2019)

Illustration by Achille Lemot (1846-1909) in Le Pelerin, 30/10/04 - Income tax will work - Taxpayer, Mouton - Animalisation
Illustration by Achille Lemot (1846-1909) in Le Pelerin, 30/10/04 - Income tax will work - Taxpayer, Mouton - Animalisation

ICA4855925: Illustration by Achille Lemot (1846-1909) in Le Pelerin, 30/10/04 - Income tax will work - Taxpayer, Mouton - Animalisation, Lemot, Achille (1846-1909) / Bridgeman Images

ID: ICA4855925

Illustration by Achille Lemot (1846-1909) in Le Pelerin, 30/10/04 - Income tax will work - Taxpayer, Mouton - Animalisation

Lemot, Achille (1846-1909)

First World War: representation of the Grosse Bertha, German canon bombing Paris in 1918 (BIG BERTHA M42, German gun used to bombard Paris from over 100 km away in 1918 - Its gauge was 210 mm and was 34 m long - It was manufactured by Krupp, whose daughter was named the piece and designed by the engineer RAUSENBERGER) - Illustration in “” Mon history of the Great War”” by Olivier d'Arc, 1919 Collection privee
First World War: representation of the Grosse Bertha, German canon bombing Paris in 1918 (BIG BERTHA M42, German gun used to bombard Paris from over 100 km away in 1918 - Its gauge was 210 mm and was 34 m long - It was manufactured by Krupp, whose daughter was named the piece and designed by the engineer RAUSENBERGER) - Illustration in “” Mon history of the Great War”” by Olivier d'Arc, 1919 Collection privee

ELD4856039: First World War: representation of the Grosse Bertha, German canon bombing Paris in 1918 (BIG BERTHA M42, German gun used to bombard Paris from over 100 km away in 1918 - Its gauge was 210 mm and was 34 m long - It was manufactured by Krupp, whose daughter was named the piece and designed by the engineer RAUSENBERGER) - Illustration in “” Mon history of the Great War”” by Olivier d'Arc, 1919 Collection privee / Bridgeman Images

ID: ELD4856039

First World War: representation of the Grosse Bertha, German canon bombing Paris in 1918 (BIG BERTHA M42, German gun used to bombard Paris from over 100 km away in 1918 - Its gauge was 210 mm and was 34 m long - It was manufactured by Krupp, whose daughter was named the piece and designed by the engineer RAUSENBERGER) - Illustration in “” Mon history of the Great War”” by Olivier d'Arc, 1919 Collection privee

Illustration of Achille Lemot (1846-1909) in Le Pelerin, 20/11/04 - Extract from the manifesto vote by the Great Orient - Antimaconism Freemaking, Great Orient of France - Urn
Illustration of Achille Lemot (1846-1909) in Le Pelerin, 20/11/04 - Extract from the manifesto vote by the Great Orient - Antimaconism Freemaking, Great Orient of France - Urn

ICA4856041: Illustration of Achille Lemot (1846-1909) in Le Pelerin, 20/11/04 - Extract from the manifesto vote by the Great Orient - Antimaconism Freemaking, Great Orient of France - Urn, Lemot, Achille (1846-1909) / Bridgeman Images

ID: ICA4856041

Illustration of Achille Lemot (1846-1909) in Le Pelerin, 20/11/04 - Extract from the manifesto vote by the Great Orient - Antimaconism Freemaking, Great Orient of France - Urn

Lemot, Achille (1846-1909)

Le Pelerin, 27/11/04 - A revolutionary and greatly ridiculous walk of the socialist firefighters of Brest - Social, Demonstration, Brittany, Socialism, Brest - Firefighters
Le Pelerin, 27/11/04 - A revolutionary and greatly ridiculous walk of the socialist firefighters of Brest - Social, Demonstration, Brittany, Socialism, Brest - Firefighters

ICA4856084: Le Pelerin, 27/11/04 - A revolutionary and greatly ridiculous walk of the socialist firefighters of Brest - Social, Demonstration, Brittany, Socialism, Brest - Firefighters / Bridgeman Images

ID: ICA4856084

Le Pelerin, 27/11/04 - A revolutionary and greatly ridiculous walk of the socialist firefighters of Brest - Social, Demonstration, Brittany, Socialism, Brest - Firefighters

Mussels dealer on the ground in Marseille. Photography beginning of the 20th century. Municipal Archives of Marseille Inv 64 ii 36
Mussels dealer on the ground in Marseille. Photography beginning of the 20th century. Municipal Archives of Marseille Inv 64 ii 36

JEB4856133: Mussels dealer on the ground in Marseille. Photography beginning of the 20th century. Municipal Archives of Marseille Inv 64 ii 36, Unknown photographer, (20th century) / Bridgeman Images

ID: JEB4856133

Mussels dealer on the ground in Marseille. Photography beginning of the 20th century. Municipal Archives of Marseille Inv 64 ii 36

Unknown photographer, (20th century)

Architecture and Art of Antiquity: Ruins of the Great Temple of Karnak, site of the city of Thebes, ancient Egypt. Engraving of the 19th century.
Architecture and Art of Antiquity: Ruins of the Great Temple of Karnak, site of the city of Thebes, ancient Egypt. Engraving of the 19th century.

NWI4856167: Architecture and Art of Antiquity: Ruins of the Great Temple of Karnak, site of the city of Thebes, ancient Egypt. Engraving of the 19th century. / Bridgeman Images

ID: NWI4856167

Architecture and Art of Antiquity: Ruins of the Great Temple of Karnak, site of the city of Thebes, ancient Egypt. Engraving of the 19th century.

Illustration of Eugene Damblans (1865-1945) in Le Pelerin, 18/12/04 - Collegians and students of Paris demonstrate, at the place of the pyramids, in honor of Joan of Arc - Paris, Architecture Urbanisme, Repression, Crowd, Fighting, Righting - Jeanne d'Arc, Policeman, Lyceen student, collegian
Illustration of Eugene Damblans (1865-1945) in Le Pelerin, 18/12/04 - Collegians and students of Paris demonstrate, at the place of the pyramids, in honor of Joan of Arc - Paris, Architecture Urbanisme, Repression, Crowd, Fighting, Righting - Jeanne d'Arc, Policeman, Lyceen student, collegian

ICA4856224: Illustration of Eugene Damblans (1865-1945) in Le Pelerin, 18/12/04 - Collegians and students of Paris demonstrate, at the place of the pyramids, in honor of Joan of Arc - Paris, Architecture Urbanisme, Repression, Crowd, Fighting, Righting - Jeanne d'Arc, Policeman, Lyceen student, collegian, Damblans, Eugene (1865-1945) / Bridgeman Images

ID: ICA4856224

Illustration of Eugene Damblans (1865-1945) in Le Pelerin, 18/12/04 - Collegians and students of Paris demonstrate, at the place of the pyramids, in honor of Joan of Arc - Paris, Architecture Urbanisme, Repression, Crowd, Fighting, Righting - Jeanne d'Arc, Policeman, Lyceen student, collegian

Damblans, Eugene (1865-1945)

Shellfish merchants on the port of Marseille. Photography beginning of the 20th century. Municipal Archives of Marseille Inv 65 ii 5
Shellfish merchants on the port of Marseille. Photography beginning of the 20th century. Municipal Archives of Marseille Inv 65 ii 5

JEB4856126: Shellfish merchants on the port of Marseille. Photography beginning of the 20th century. Municipal Archives of Marseille Inv 65 ii 5, Unknown photographer, (20th century) / Bridgeman Images

ID: JEB4856126

Shellfish merchants on the port of Marseille. Photography beginning of the 20th century. Municipal Archives of Marseille Inv 65 ii 5

Unknown photographer, (20th century)

Fish merchants chatting on the port of Marseille. Photography beginning of the 20th century. Municipal Archives of Marseille inv 65 ii 16
Fish merchants chatting on the port of Marseille. Photography beginning of the 20th century. Municipal Archives of Marseille inv 65 ii 16

JEB4856181: Fish merchants chatting on the port of Marseille. Photography beginning of the 20th century. Municipal Archives of Marseille inv 65 ii 16, Unknown photographer, (20th century) / Bridgeman Images

ID: JEB4856181

Fish merchants chatting on the port of Marseille. Photography beginning of the 20th century. Municipal Archives of Marseille inv 65 ii 16

Unknown photographer, (20th century)

Poster for Marseille trams. Anonymous. Municipal Archives, Marseille 20th century
Poster for Marseille trams. Anonymous. Municipal Archives, Marseille 20th century

JEB4856343: Poster for Marseille trams. Anonymous. Municipal Archives, Marseille 20th century, Unknown Artist, (20th century) / Bridgeman Images

ID: JEB4856343

Poster for Marseille trams. Anonymous. Municipal Archives, Marseille 20th century

Unknown Artist, (20th century)

Cretan war: the trial of Francesco Morosini after the siege of Candia, accused of cowardice and treason on his return to Venice, 1670 Illustration of Tancredi Scarpelli (1866-1937) from “Storia d'Italia”” (History of Italy) by Paolo Giudici, 1930 Private Collection
Cretan war: the trial of Francesco Morosini after the siege of Candia, accused of cowardice and treason on his return to Venice, 1670 Illustration of Tancredi Scarpelli (1866-1937) from “Storia d'Italia”” (History of Italy) by Paolo Giudici, 1930 Private Collection

ELD4856407: Cretan war: the trial of Francesco Morosini after the siege of Candia, accused of cowardice and treason on his return to Venice, 1670 Illustration of Tancredi Scarpelli (1866-1937) from “Storia d'Italia”” (History of Italy) by Paolo Giudici, 1930 Private Collection, Scarpelli, Tancredi (1866-1937) / Bridgeman Images

ID: ELD4856407

Cretan war: the trial of Francesco Morosini after the siege of Candia, accused of cowardice and treason on his return to Venice, 1670 Illustration of Tancredi Scarpelli (1866-1937) from “Storia d'Italia”” (History of Italy) by Paolo Giudici, 1930 Private Collection

Scarpelli, Tancredi (1866-1937)

Interior of the Municipal Library of Marseille. Photography beginning of the 20th century. Municipal Archives of Marseille Inv Fonds 1 - 804.
Interior of the Municipal Library of Marseille. Photography beginning of the 20th century. Municipal Archives of Marseille Inv Fonds 1 - 804.

JEB4856421: Interior of the Municipal Library of Marseille. Photography beginning of the 20th century. Municipal Archives of Marseille Inv Fonds 1 - 804., Unknown photographer, (20th century) / Bridgeman Images

ID: JEB4856421

Interior of the Municipal Library of Marseille. Photography beginning of the 20th century. Municipal Archives of Marseille Inv Fonds 1 - 804.

Unknown photographer, (20th century)

Don Quixote and Sancho Panza. Illustration from the novel by Miguel Cervantes Don Quixote de la Mancha (El ingenioso Hidalgo Don Quijote de la Mancha). Painting by Honore Daumier (1808-1879). Oil on canvas. Sun. 24x31 Musee des Beaux Arts, Palais Longchamp. Marseilles
Don Quixote and Sancho Panza. Illustration from the novel by Miguel Cervantes Don Quixote de la Mancha (El ingenioso Hidalgo Don Quijote de la Mancha). Painting by Honore Daumier (1808-1879). Oil on canvas. Sun. 24x31 Musee des Beaux Arts, Palais Longchamp. Marseilles

JEB4856442: Don Quixote and Sancho Panza. Illustration from the novel by Miguel Cervantes Don Quixote de la Mancha (El ingenioso Hidalgo Don Quijote de la Mancha). Painting by Honore Daumier (1808-1879). Oil on canvas. Sun. 24x31 Musee des Beaux Arts, Palais Longchamp. Marseilles, Daumier, Honore (1808-79) / Bridgeman Images

ID: JEB4856442

Don Quixote and Sancho Panza. Illustration from the novel by Miguel Cervantes Don Quixote de la Mancha (El ingenioso Hidalgo Don Quijote de la Mancha). Painting by Honore Daumier (1808-1879). Oil on canvas. Sun. 24x31 Musee des Beaux Arts, Palais Longchamp. Marseilles

Daumier, Honore (1808-79)

Etude pour un portrait de Leon Werth (1878-1955) - Work by Andre Albert (1869-1954), India ink on paper (24x32 cm), 1917 - Musee de l'hospice Saint Roch, Issoudun - Mention obligatoire
Etude pour un portrait de Leon Werth (1878-1955) - Work by Andre Albert (1869-1954), India ink on paper (24x32 cm), 1917 - Musee de l'hospice Saint Roch, Issoudun - Mention obligatoire

JEB4856474: Etude pour un portrait de Leon Werth (1878-1955) - Work by Andre Albert (1869-1954), India ink on paper (24x32 cm), 1917 - Musee de l'hospice Saint Roch, Issoudun - Mention obligatoire, Albert, Andre (1869-1954) / Bridgeman Images

ID: JEB4856474

Etude pour un portrait de Leon Werth (1878-1955) - Work by Andre Albert (1869-1954), India ink on paper (24x32 cm), 1917 - Musee de l'hospice Saint Roch, Issoudun - Mention obligatoire

Albert, Andre (1869-1954)

Charles Emmanuel III at the battle of Guastalla in 1734, 1930s (litho)
Charles Emmanuel III at the battle of Guastalla in 1734, 1930s (litho)

ELD4856518: Charles Emmanuel III at the battle of Guastalla in 1734, 1930s (litho) / Bridgeman Images

ID: ELD4856518

Charles Emmanuel III at the battle of Guastalla in 1734, 1930s (litho)

Invasion of the Barbarians: Rollon (av. 890-between 925 and 933), Viking chief at the origin of the Duche de Normandy, attacked Paris on board a drakkar on the Seine in 885. Colourful engraving of the 19th century.
Invasion of the Barbarians: Rollon (av. 890-between 925 and 933), Viking chief at the origin of the Duche de Normandy, attacked Paris on board a drakkar on the Seine in 885. Colourful engraving of the 19th century.

NWI4856608: Invasion of the Barbarians: Rollon (av. 890-between 925 and 933), Viking chief at the origin of the Duche de Normandy, attacked Paris on board a drakkar on the Seine in 885. Colourful engraving of the 19th century. / Bridgeman Images

ID: NWI4856608

Invasion of the Barbarians: Rollon (av. 890-between 925 and 933), Viking chief at the origin of the Duche de Normandy, attacked Paris on board a drakkar on the Seine in 885. Colourful engraving of the 19th century.

Cover of “” La Baionnette””, Satirique en Couleurs, 1917_5_10: War of 14 -18, Aviation - Illustration by Marcel Capy (1865-1941)
Cover of “” La Baionnette””, Satirique en Couleurs, 1917_5_10: War of 14 -18, Aviation - Illustration by Marcel Capy (1865-1941)

ICA4856418: Cover of “” La Baionnette””, Satirique en Couleurs, 1917_5_10: War of 14 -18, Aviation - Illustration by Marcel Capy (1865-1941), Capy, Marcel Amable O.L. (d.c.1930) / Bridgeman Images

ID: ICA4856418

Cover of “” La Baionnette””, Satirique en Couleurs, 1917_5_10: War of 14 -18, Aviation - Illustration by Marcel Capy (1865-1941)

Capy, Marcel Amable O.L. (d.c.1930)

Le port de Martigues - Artwork by Maurice de Vlaminck (1876-1958), xylogravure (34x41,5 cm) - Musee de l'hospice Saint Roch, Issoudun - Mandatory mention
Le port de Martigues - Artwork by Maurice de Vlaminck (1876-1958), xylogravure (34x41,5 cm) - Musee de l'hospice Saint Roch, Issoudun - Mandatory mention

JEB4856628: Le port de Martigues - Artwork by Maurice de Vlaminck (1876-1958), xylogravure (34x41,5 cm) - Musee de l'hospice Saint Roch, Issoudun - Mandatory mention, Vlaminck, Maurice de (1876-1958) / Bridgeman Images

ID: JEB4856628

Le port de Martigues - Artwork by Maurice de Vlaminck (1876-1958), xylogravure (34x41,5 cm) - Musee de l'hospice Saint Roch, Issoudun - Mandatory mention

Vlaminck, Maurice de (1876-1958)

Costume of Antiquity: Soldier of the Roman army in antiquite armor with shields, helmet and horn. Colour engraving of the 19th century.
Costume of Antiquity: Soldier of the Roman army in antiquite armor with shields, helmet and horn. Colour engraving of the 19th century.

NWI4856707: Costume of Antiquity: Soldier of the Roman army in antiquite armor with shields, helmet and horn. Colour engraving of the 19th century. / Bridgeman Images

ID: NWI4856707

Costume of Antiquity: Soldier of the Roman army in antiquite armor with shields, helmet and horn. Colour engraving of the 19th century.

Illustration of Achille Lemot (1846-1909) in Le Pelerin, 12/02/05 - Choice of a career - Automobile, Anti-Parliamentarism, Chamber of Deputes Hemicycle, Socialism - Depute - Fat/skinny
Illustration of Achille Lemot (1846-1909) in Le Pelerin, 12/02/05 - Choice of a career - Automobile, Anti-Parliamentarism, Chamber of Deputes Hemicycle, Socialism - Depute - Fat/skinny

ICA4856747: Illustration of Achille Lemot (1846-1909) in Le Pelerin, 12/02/05 - Choice of a career - Automobile, Anti-Parliamentarism, Chamber of Deputes Hemicycle, Socialism - Depute - Fat/skinny, Lemot, Achille (1846-1909) / Bridgeman Images

ID: ICA4856747

Illustration of Achille Lemot (1846-1909) in Le Pelerin, 12/02/05 - Choice of a career - Automobile, Anti-Parliamentarism, Chamber of Deputes Hemicycle, Socialism - Depute - Fat/skinny

Lemot, Achille (1846-1909)

Portrait of man by Marcellino Jece. 19th century painting. Musee du Vieux Marseille.
Portrait of man by Marcellino Jece. 19th century painting. Musee du Vieux Marseille.

JEB4856765: Portrait of man by Marcellino Jece. 19th century painting. Musee du Vieux Marseille. / Bridgeman Images

ID: JEB4856765

Portrait of man by Marcellino Jece. 19th century painting. Musee du Vieux Marseille.

Illustration of Eugene Damblans (1865-1945) in Le Pelerin, 05/03/05 - General Kuropatkin, commander-in-chief of the Russian Armea in Manchuria, receiving the report of one of his lieutenants - Russia, Armea, Manchuria, Russian-Japanese War, Snow - General Generals, Cossacks, Kuropatkin Alexei (1848-1925)
Illustration of Eugene Damblans (1865-1945) in Le Pelerin, 05/03/05 - General Kuropatkin, commander-in-chief of the Russian Armea in Manchuria, receiving the report of one of his lieutenants - Russia, Armea, Manchuria, Russian-Japanese War, Snow - General Generals, Cossacks, Kuropatkin Alexei (1848-1925)

ICA4856800: Illustration of Eugene Damblans (1865-1945) in Le Pelerin, 05/03/05 - General Kuropatkin, commander-in-chief of the Russian Armea in Manchuria, receiving the report of one of his lieutenants - Russia, Armea, Manchuria, Russian-Japanese War, Snow - General Generals, Cossacks, Kuropatkin Alexei (1848-1925), Damblans, Eugene (1865-1945) / Bridgeman Images

ID: ICA4856800

Illustration of Eugene Damblans (1865-1945) in Le Pelerin, 05/03/05 - General Kuropatkin, commander-in-chief of the Russian Armea in Manchuria, receiving the report of one of his lieutenants - Russia, Armea, Manchuria, Russian-Japanese War, Snow - General Generals, Cossacks, Kuropatkin Alexei (1848-1925)

Damblans, Eugene (1865-1945)

Illustration by Achille Lemot (1846-1909) in Le Pelerin, 02/04/05 - The separation of Church and State - Antimaconism Freemaking, Religion Faith, Cathedrale Churches, Catholic Catholicism - Separation of Church and State, Removal of crosses - Briand Aristide
Illustration by Achille Lemot (1846-1909) in Le Pelerin, 02/04/05 - The separation of Church and State - Antimaconism Freemaking, Religion Faith, Cathedrale Churches, Catholic Catholicism - Separation of Church and State, Removal of crosses - Briand Aristide

ICA4857003: Illustration by Achille Lemot (1846-1909) in Le Pelerin, 02/04/05 - The separation of Church and State - Antimaconism Freemaking, Religion Faith, Cathedrale Churches, Catholic Catholicism - Separation of Church and State, Removal of crosses - Briand Aristide, Lemot, Achille (1846-1909) / Bridgeman Images

ID: ICA4857003

Illustration by Achille Lemot (1846-1909) in Le Pelerin, 02/04/05 - The separation of Church and State - Antimaconism Freemaking, Religion Faith, Cathedrale Churches, Catholic Catholicism - Separation of Church and State, Removal of crosses - Briand Aristide

Lemot, Achille (1846-1909)

Untitled. Drawing by Zao Wou-Ki (Wou Ki, Wouki or Wo Ki, born 1920 or 1921-2013), 2007. India ink on paper. Size: 71x213.5cm. Musee de l'hospice Saint-Roch, Issoudun. Obligatory mention
Untitled. Drawing by Zao Wou-Ki (Wou Ki, Wouki or Wo Ki, born 1920 or 1921-2013), 2007. India ink on paper. Size: 71x213.5cm. Musee de l'hospice Saint-Roch, Issoudun. Obligatory mention

JEB4857075: Untitled. Drawing by Zao Wou-Ki (Wou Ki, Wouki or Wo Ki, born 1920 or 1921-2013), 2007. India ink on paper. Size: 71x213.5cm. Musee de l'hospice Saint-Roch, Issoudun. Obligatory mention, Zao Wou-Ki (1921-2013) / Bridgeman Images

ID: JEB4857075

Untitled. Drawing by Zao Wou-Ki (Wou Ki, Wouki or Wo Ki, born 1920 or 1921-2013), 2007. India ink on paper. Size: 71x213.5cm. Musee de l'hospice Saint-Roch, Issoudun. Obligatory mention

Zao Wou-Ki (1921-2013)

View of the Vallee of Saint Pons (drawing)
View of the Vallee of Saint Pons (drawing)

JEB4855812: View of the Vallee of Saint Pons (drawing), Constantin d'Aix (Jean Antoine) (1756-1844) / Bridgeman Images

ID: JEB4855812

View of the Vallee of Saint Pons (drawing)

Constantin d'Aix (Jean Antoine) (1756-1844)

Bridge built on boats by the Persian armees of Xerxes I known as the Great (or Assuerus I, ca. 519-465 BC), member of the Routeenides dynasty, on Hellespont (detroit of the Dardanelles) to invade the territory of Greece, 480 BC. Colourful engraving of the 19th century.
Bridge built on boats by the Persian armees of Xerxes I known as the Great (or Assuerus I, ca. 519-465 BC), member of the Routeenides dynasty, on Hellespont (detroit of the Dardanelles) to invade the territory of Greece, 480 BC. Colourful engraving of the 19th century.

NWI4855952: Bridge built on boats by the Persian armees of Xerxes I known as the Great (or Assuerus I, ca. 519-465 BC), member of the Routeenides dynasty, on Hellespont (detroit of the Dardanelles) to invade the territory of Greece, 480 BC. Colourful engraving of the 19th century. / Bridgeman Images

ID: NWI4855952

Bridge built on boats by the Persian armees of Xerxes I known as the Great (or Assuerus I, ca. 519-465 BC), member of the Routeenides dynasty, on Hellespont (detroit of the Dardanelles) to invade the territory of Greece, 480 BC. Colourful engraving of the 19th century.

Military battle during the Second Punic War under the rule of Hannibal (Annibal) between Carthage and Rome: the army uses blinds elephants and tanks. Coloured engraving of the 19th century.
Military battle during the Second Punic War under the rule of Hannibal (Annibal) between Carthage and Rome: the army uses blinds elephants and tanks. Coloured engraving of the 19th century.

NWI4856067: Military battle during the Second Punic War under the rule of Hannibal (Annibal) between Carthage and Rome: the army uses blinds elephants and tanks. Coloured engraving of the 19th century. / Bridgeman Images

ID: NWI4856067

Military battle during the Second Punic War under the rule of Hannibal (Annibal) between Carthage and Rome: the army uses blinds elephants and tanks. Coloured engraving of the 19th century.

Le Pilori (Mailly), number 12, circa 1870 - Illustration by Mailly (1829-?) : Girl pimp supplier of Cain - Second Empire, War 1870-1871 - Become Adrien Marie
Le Pilori (Mailly), number 12, circa 1870 - Illustration by Mailly (1829-?) : Girl pimp supplier of Cain - Second Empire, War 1870-1871 - Become Adrien Marie

ICA4860412: Le Pilori (Mailly), number 12, circa 1870 - Illustration by Mailly (1829-?) : Girl pimp supplier of Cain - Second Empire, War 1870-1871 - Become Adrien Marie / Bridgeman Images

ID: ICA4860412

Le Pilori (Mailly), number 12, circa 1870 - Illustration by Mailly (1829-?) : Girl pimp supplier of Cain - Second Empire, War 1870-1871 - Become Adrien Marie


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