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Byzantine architecture: view of the central nave of the Basilica of San Marco in Venice. The apse bowl is visible with Christ Almighty (reworked in 1506), in the foreground the dome of Pentecote.
Byzantine architecture: view of the central nave of the Basilica of San Marco in Venice. The apse bowl is visible with Christ Almighty (reworked in 1506), in the foreground the dome of Pentecote.

LRI4689896: Byzantine architecture: view of the central nave of the Basilica of San Marco in Venice. The apse bowl is visible with Christ Almighty (reworked in 1506), in the foreground the dome of Pentecote., Byzantine / Bridgeman Images

ID: LRI4689896

Byzantine architecture: view of the central nave of the Basilica of San Marco in Venice. The apse bowl is visible with Christ Almighty (reworked in 1506), in the foreground the dome of Pentecote.

Byzantine

Byzantine architecture: view of the dome with mosaics on a golden background (Romanesque and Byzantine style) illustrating Joseph's life. 1270-1280. Basilica San Marco (Basilica of San Marco) Venice
Byzantine architecture: view of the dome with mosaics on a golden background (Romanesque and Byzantine style) illustrating Joseph's life. 1270-1280. Basilica San Marco (Basilica of San Marco) Venice

LRI4689938: Byzantine architecture: view of the dome with mosaics on a golden background (Romanesque and Byzantine style) illustrating Joseph's life. 1270-1280. Basilica San Marco (Basilica of San Marco) Venice, Byzantine / Bridgeman Images

ID: LRI4689938

Byzantine architecture: view of the dome with mosaics on a golden background (Romanesque and Byzantine style) illustrating Joseph's life. 1270-1280. Basilica San Marco (Basilica of San Marco) Venice

Byzantine

View of the dome with mosaics on a golden background (Romanesque and Byzantine style) illustrating the Ascension. In the pendants, the four evangelists. Saint Mark and Saint Mathieu redone in 1843-1864. The beginning of the 13th century. Basilica San Marco (Basilica of San Marco) Venice
View of the dome with mosaics on a golden background (Romanesque and Byzantine style) illustrating the Ascension. In the pendants, the four evangelists. Saint Mark and Saint Mathieu redone in 1843-1864. The beginning of the 13th century. Basilica San Marco (Basilica of San Marco) Venice

LRI4689954: View of the dome with mosaics on a golden background (Romanesque and Byzantine style) illustrating the Ascension. In the pendants, the four evangelists. Saint Mark and Saint Mathieu redone in 1843-1864. The beginning of the 13th century. Basilica San Marco (Basilica of San Marco) Venice, Veneto-Byzantine School, (13th century) / Bridgeman Images

ID: LRI4689954

View of the dome with mosaics on a golden background (Romanesque and Byzantine style) illustrating the Ascension. In the pendants, the four evangelists. Saint Mark and Saint Mathieu redone in 1843-1864. The beginning of the 13th century. Basilica San Marco (Basilica of San Marco) Venice

Veneto-Byzantine School, (13th century)

Byzantine architecture: view of the central nave of the Basilica of San Marco in Venice. The apse bowl is visible with Christ Almighty (reworked in 1506) and the iconostasis separating the presbytery from the rest of the church, crown of statues made by Jacobello and Pier Paolo delle Masegne (late 14th century).
Byzantine architecture: view of the central nave of the Basilica of San Marco in Venice. The apse bowl is visible with Christ Almighty (reworked in 1506) and the iconostasis separating the presbytery from the rest of the church, crown of statues made by Jacobello and Pier Paolo delle Masegne (late 14th century).

LRI4689872: Byzantine architecture: view of the central nave of the Basilica of San Marco in Venice. The apse bowl is visible with Christ Almighty (reworked in 1506) and the iconostasis separating the presbytery from the rest of the church, crown of statues made by Jacobello and Pier Paolo delle Masegne (late 14th century)., Byzantine / Bridgeman Images

ID: LRI4689872

Byzantine architecture: view of the central nave of the Basilica of San Marco in Venice. The apse bowl is visible with Christ Almighty (reworked in 1506) and the iconostasis separating the presbytery from the rest of the church, crown of statues made by Jacobello and Pier Paolo delle Masegne (late 14th century).

Byzantine

Byzantine architecture: view of the north transept (with dome dedicated to Saint John the Evangelist), with mosaic background representing the genealogical tree of the Virgin made by the Bianchini family. 1542-1551 Basilica di San Marco (Basilica of Saint Mark), Venice
Byzantine architecture: view of the north transept (with dome dedicated to Saint John the Evangelist), with mosaic background representing the genealogical tree of the Virgin made by the Bianchini family. 1542-1551 Basilica di San Marco (Basilica of Saint Mark), Venice

LRI4689887: Byzantine architecture: view of the north transept (with dome dedicated to Saint John the Evangelist), with mosaic background representing the genealogical tree of the Virgin made by the Bianchini family. 1542-1551 Basilica di San Marco (Basilica of Saint Mark), Venice, Byzantine / Bridgeman Images

ID: LRI4689887

Byzantine architecture: view of the north transept (with dome dedicated to Saint John the Evangelist), with mosaic background representing the genealogical tree of the Virgin made by the Bianchini family. 1542-1551 Basilica di San Marco (Basilica of Saint Mark), Venice

Byzantine

Byzantine architecture: the Mascoli chapel, left transept decorees of mosaic on a golden background. 13th century. Basilica di San Marco (Basilica of San Marco), Venice
Byzantine architecture: the Mascoli chapel, left transept decorees of mosaic on a golden background. 13th century. Basilica di San Marco (Basilica of San Marco), Venice

LRI4690012: Byzantine architecture: the Mascoli chapel, left transept decorees of mosaic on a golden background. 13th century. Basilica di San Marco (Basilica of San Marco), Venice, Byzantine, (13th century) / Bridgeman Images

ID: LRI4690012

Byzantine architecture: the Mascoli chapel, left transept decorees of mosaic on a golden background. 13th century. Basilica di San Marco (Basilica of San Marco), Venice

Byzantine, (13th century)

Cultural Centre Andre Malraux in Chambery, Savoie (73), Rhone Alpes (Rhone Alpes). Architecture by Mario Botta, 1988. Photography 1988
Cultural Centre Andre Malraux in Chambery, Savoie (73), Rhone Alpes (Rhone Alpes). Architecture by Mario Botta, 1988. Photography 1988

TEC4690063: Cultural Centre Andre Malraux in Chambery, Savoie (73), Rhone Alpes (Rhone Alpes). Architecture by Mario Botta, 1988. Photography 1988, Botta, Mario (b.1943) / Bridgeman Images

ID: TEC4690063

Cultural Centre Andre Malraux in Chambery, Savoie (73), Rhone Alpes (Rhone Alpes). Architecture by Mario Botta, 1988. Photography 1988

Botta, Mario (b.1943)

Byzantine architecture: view of the domes with mosaics on a golden background (Romanesque and Byzantine style) illustrating the Pentecote (1250-1300) and the Ascension (early 13th century). Basilica San Marco (Basilica of San Marco) Venice
Byzantine architecture: view of the domes with mosaics on a golden background (Romanesque and Byzantine style) illustrating the Pentecote (1250-1300) and the Ascension (early 13th century). Basilica San Marco (Basilica of San Marco) Venice

LRI4689972: Byzantine architecture: view of the domes with mosaics on a golden background (Romanesque and Byzantine style) illustrating the Pentecote (1250-1300) and the Ascension (early 13th century). Basilica San Marco (Basilica of San Marco) Venice, Byzantine, (13th century) / Bridgeman Images

ID: LRI4689972

Byzantine architecture: view of the domes with mosaics on a golden background (Romanesque and Byzantine style) illustrating the Pentecote (1250-1300) and the Ascension (early 13th century). Basilica San Marco (Basilica of San Marco) Venice

Byzantine, (13th century)

Ancient Egyptian Art: loading grains on a boat painting on silt from the tomb of Ounou (1450 BC) (oil on canvas)
Ancient Egyptian Art: loading grains on a boat painting on silt from the tomb of Ounou (1450 BC) (oil on canvas)

JLJ4690014: Ancient Egyptian Art: loading grains on a boat painting on silt from the tomb of Ounou (1450 BC) (oil on canvas), Egyptian School / Bridgeman Images

ID: JLJ4690014

Ancient Egyptian Art: loading grains on a boat painting on silt from the tomb of Ounou (1450 BC) (oil on canvas)

Egyptian School

Cultural Centre Andre Malraux in Chambery, Savoie (73), Rhone Alpes (Rhone Alpes). Architecture by Mario Botta, 1988. Photography 1988
Cultural Centre Andre Malraux in Chambery, Savoie (73), Rhone Alpes (Rhone Alpes). Architecture by Mario Botta, 1988. Photography 1988

TEC4690030: Cultural Centre Andre Malraux in Chambery, Savoie (73), Rhone Alpes (Rhone Alpes). Architecture by Mario Botta, 1988. Photography 1988, Botta, Mario (b.1943) / Bridgeman Images

ID: TEC4690030

Cultural Centre Andre Malraux in Chambery, Savoie (73), Rhone Alpes (Rhone Alpes). Architecture by Mario Botta, 1988. Photography 1988

Botta, Mario (b.1943)

Cultural Centre Andre Malraux in Chambery, Savoie (73), Rhone Alpes (Rhone Alpes). Architecture by Mario Botta, 1988. Photography 1988
Cultural Centre Andre Malraux in Chambery, Savoie (73), Rhone Alpes (Rhone Alpes). Architecture by Mario Botta, 1988. Photography 1988

TEC4690058: Cultural Centre Andre Malraux in Chambery, Savoie (73), Rhone Alpes (Rhone Alpes). Architecture by Mario Botta, 1988. Photography 1988, Botta, Mario (b.1943) / Bridgeman Images

ID: TEC4690058

Cultural Centre Andre Malraux in Chambery, Savoie (73), Rhone Alpes (Rhone Alpes). Architecture by Mario Botta, 1988. Photography 1988

Botta, Mario (b.1943)

Cultural Centre Andre Malraux in Chambery, Savoie (73), Rhone Alpes (Rhone Alpes). Architecture by Mario Botta, 1988. Photography 1988
Cultural Centre Andre Malraux in Chambery, Savoie (73), Rhone Alpes (Rhone Alpes). Architecture by Mario Botta, 1988. Photography 1988

TEC4690077: Cultural Centre Andre Malraux in Chambery, Savoie (73), Rhone Alpes (Rhone Alpes). Architecture by Mario Botta, 1988. Photography 1988, Botta, Mario (b.1943) / Bridgeman Images

ID: TEC4690077

Cultural Centre Andre Malraux in Chambery, Savoie (73), Rhone Alpes (Rhone Alpes). Architecture by Mario Botta, 1988. Photography 1988

Botta, Mario (b.1943)

Algerian, 19th century (oil on canvas)
Algerian, 19th century (oil on canvas)

JLJ4690130: Algerian, 19th century (oil on canvas), Corot, Jean Baptiste Camille (1796-1875) / Bridgeman Images

ID: JLJ4690130

Algerian, 19th century (oil on canvas)

Corot, Jean Baptiste Camille (1796-1875)

Cultural Centre Andre Malraux in Chambery, Savoie (73), Rhone Alpes (Rhone Alpes). Architecture by Mario Botta, 1988. Photography 1988
Cultural Centre Andre Malraux in Chambery, Savoie (73), Rhone Alpes (Rhone Alpes). Architecture by Mario Botta, 1988. Photography 1988

TEC4690078: Cultural Centre Andre Malraux in Chambery, Savoie (73), Rhone Alpes (Rhone Alpes). Architecture by Mario Botta, 1988. Photography 1988, Botta, Mario (b.1943) / Bridgeman Images

ID: TEC4690078

Cultural Centre Andre Malraux in Chambery, Savoie (73), Rhone Alpes (Rhone Alpes). Architecture by Mario Botta, 1988. Photography 1988

Botta, Mario (b.1943)

Museum of Modern Art in Fort Worth, Texas, USA. Architect Tadao Ando, 2002. Photography 2003.
Museum of Modern Art in Fort Worth, Texas, USA. Architect Tadao Ando, 2002. Photography 2003.

MDA4690133: Museum of Modern Art in Fort Worth, Texas, USA. Architect Tadao Ando, 2002. Photography 2003., Ando, Tadao (b.1941) / Bridgeman Images

ID: MDA4690133

Museum of Modern Art in Fort Worth, Texas, USA. Architect Tadao Ando, 2002. Photography 2003.

Ando, Tadao (b.1941)

Museum of Modern Art in Fort Worth, Texas, USA. Architect Tadao Ando, 2002. Photography 2003.
Museum of Modern Art in Fort Worth, Texas, USA. Architect Tadao Ando, 2002. Photography 2003.

MDA4690158: Museum of Modern Art in Fort Worth, Texas, USA. Architect Tadao Ando, 2002. Photography 2003., Ando, Tadao (b.1941) / Bridgeman Images

ID: MDA4690158

Museum of Modern Art in Fort Worth, Texas, USA. Architect Tadao Ando, 2002. Photography 2003.

Ando, Tadao (b.1941)

Museum of Modern Art in Fort Worth, Texas, USA. Architect Tadao Ando, 2002. Photography 2003.
Museum of Modern Art in Fort Worth, Texas, USA. Architect Tadao Ando, 2002. Photography 2003.

MDA4690184: Museum of Modern Art in Fort Worth, Texas, USA. Architect Tadao Ando, 2002. Photography 2003., Ando, Tadao (b.1941) / Bridgeman Images

ID: MDA4690184

Museum of Modern Art in Fort Worth, Texas, USA. Architect Tadao Ando, 2002. Photography 2003.

Ando, Tadao (b.1941)

Riverside, 19th century (oil on canvas)
Riverside, 19th century (oil on canvas)

JLJ4690196: Riverside, 19th century (oil on canvas), Carrand, Louis Hilaire (1821-1899) / Bridgeman Images

ID: JLJ4690196

Riverside, 19th century (oil on canvas)

Carrand, Louis Hilaire (1821-1899)

The Centre d'art contemporain, Le Plateau, FRAC Ile de France, 32 rue des Alouettes in Paris 75019. Architect Jean Marc Lalo, 2003. Photograph 2004.
The Centre d'art contemporain, Le Plateau, FRAC Ile de France, 32 rue des Alouettes in Paris 75019. Architect Jean Marc Lalo, 2003. Photograph 2004.

MDA4690309: The Centre d'art contemporain, Le Plateau, FRAC Ile de France, 32 rue des Alouettes in Paris 75019. Architect Jean Marc Lalo, 2003. Photograph 2004., Lalo, Jean-Marc (b.1962) / Bridgeman Images

ID: MDA4690309

The Centre d'art contemporain, Le Plateau, FRAC Ile de France, 32 rue des Alouettes in Paris 75019. Architect Jean Marc Lalo, 2003. Photograph 2004.

Lalo, Jean-Marc (b.1962)

The Centre d'art contemporain, Le Plateau, FRAC Ile de France, 32 rue des Alouettes in Paris 75019. Architect Jean Marc Lalo, 2003. Photograph 2004.
The Centre d'art contemporain, Le Plateau, FRAC Ile de France, 32 rue des Alouettes in Paris 75019. Architect Jean Marc Lalo, 2003. Photograph 2004.

MDA4690354: The Centre d'art contemporain, Le Plateau, FRAC Ile de France, 32 rue des Alouettes in Paris 75019. Architect Jean Marc Lalo, 2003. Photograph 2004., Lalo, Jean-Marc (b.1962) / Bridgeman Images

ID: MDA4690354

The Centre d'art contemporain, Le Plateau, FRAC Ile de France, 32 rue des Alouettes in Paris 75019. Architect Jean Marc Lalo, 2003. Photograph 2004.

Lalo, Jean-Marc (b.1962)

Christ represents among the Saints Peter, Paul, Leonard and John the Evangelist. 13th century (painting)
Christ represents among the Saints Peter, Paul, Leonard and John the Evangelist. 13th century (painting)

LRI4690083: Christ represents among the Saints Peter, Paul, Leonard and John the Evangelist. 13th century (painting), Italian School, (13th century) / Bridgeman Images

ID: LRI4690083

Christ represents among the Saints Peter, Paul, Leonard and John the Evangelist. 13th century (painting)

Italian School, (13th century)

Museum of Modern Art in Fort Worth, Texas, USA. Architect Tadao Ando, 2002. Photography 2003.
Museum of Modern Art in Fort Worth, Texas, USA. Architect Tadao Ando, 2002. Photography 2003.

MDA4690134: Museum of Modern Art in Fort Worth, Texas, USA. Architect Tadao Ando, 2002. Photography 2003., Ando, Tadao (b.1941) / Bridgeman Images

ID: MDA4690134

Museum of Modern Art in Fort Worth, Texas, USA. Architect Tadao Ando, 2002. Photography 2003.

Ando, Tadao (b.1941)

The Centre d'art contemporain, Le Plateau, FRAC Ile de France, 32 rue des Alouettes in Paris 75019. Architect Jean Marc Lalo, 2003. Photograph 2004.
The Centre d'art contemporain, Le Plateau, FRAC Ile de France, 32 rue des Alouettes in Paris 75019. Architect Jean Marc Lalo, 2003. Photograph 2004.

MDA4690356: The Centre d'art contemporain, Le Plateau, FRAC Ile de France, 32 rue des Alouettes in Paris 75019. Architect Jean Marc Lalo, 2003. Photograph 2004., Lalo, Jean-Marc (b.1962) / Bridgeman Images

ID: MDA4690356

The Centre d'art contemporain, Le Plateau, FRAC Ile de France, 32 rue des Alouettes in Paris 75019. Architect Jean Marc Lalo, 2003. Photograph 2004.

Lalo, Jean-Marc (b.1962)

Joshua meets an angel. 1076 (bronze door tile)
Joshua meets an angel. 1076 (bronze door tile)

LRI4690364: Joshua meets an angel. 1076 (bronze door tile), Byzantine, (11th Century) / Bridgeman Images

ID: LRI4690364

Joshua meets an angel. 1076 (bronze door tile)

Byzantine, (11th Century)

The Centre d'art contemporain, Le Plateau, FRAC Ile de France, 32 rue des Alouettes in Paris 75019. Architect Jean Marc Lalo, 2003. Photograph 2004.
The Centre d'art contemporain, Le Plateau, FRAC Ile de France, 32 rue des Alouettes in Paris 75019. Architect Jean Marc Lalo, 2003. Photograph 2004.

MDA4690330: The Centre d'art contemporain, Le Plateau, FRAC Ile de France, 32 rue des Alouettes in Paris 75019. Architect Jean Marc Lalo, 2003. Photograph 2004., Lalo, Jean-Marc (b.1962) / Bridgeman Images

ID: MDA4690330

The Centre d'art contemporain, Le Plateau, FRAC Ile de France, 32 rue des Alouettes in Paris 75019. Architect Jean Marc Lalo, 2003. Photograph 2004.

Lalo, Jean-Marc (b.1962)

The Centre d'art contemporain, Le Plateau, FRAC Ile de France, 32 rue des Alouettes in Paris 75019. Architect Jean Marc Lalo, 2003. Photograph 2004.
The Centre d'art contemporain, Le Plateau, FRAC Ile de France, 32 rue des Alouettes in Paris 75019. Architect Jean Marc Lalo, 2003. Photograph 2004.

MDA4690346: The Centre d'art contemporain, Le Plateau, FRAC Ile de France, 32 rue des Alouettes in Paris 75019. Architect Jean Marc Lalo, 2003. Photograph 2004., Lalo, Jean-Marc (b.1962) / Bridgeman Images

ID: MDA4690346

The Centre d'art contemporain, Le Plateau, FRAC Ile de France, 32 rue des Alouettes in Paris 75019. Architect Jean Marc Lalo, 2003. Photograph 2004.

Lalo, Jean-Marc (b.1962)

Jesus Talking To The Doctors, 16th century (oil on canvas)
Jesus Talking To The Doctors, 16th century (oil on canvas)

JLJ4690352: Jesus Talking To The Doctors, 16th century (oil on canvas), Veronese, (Caliari, Paolo) (1528-88) / Bridgeman Images

ID: JLJ4690352

Jesus Talking To The Doctors, 16th century (oil on canvas)

Veronese, (Caliari, Paolo) (1528-88)

Chateau de Pescheuseul (Sarthe), 19th century (drawing)
Chateau de Pescheuseul (Sarthe), 19th century (drawing)

JLJ4690367: Chateau de Pescheuseul (Sarthe), 19th century (drawing), Wims, Baron de (19th century) / Bridgeman Images

ID: JLJ4690367

Chateau de Pescheuseul (Sarthe), 19th century (drawing)

Wims, Baron de (19th century)

La Cite du train, 2 Cite Alfred de Glehn to Mulhouse (Haut Rhin). Architects Sylvie de la Dure and Francois Seigneur, 2005. Photography 2005.
La Cite du train, 2 Cite Alfred de Glehn to Mulhouse (Haut Rhin). Architects Sylvie de la Dure and Francois Seigneur, 2005. Photography 2005.

MDA4690384: La Cite du train, 2 Cite Alfred de Glehn to Mulhouse (Haut Rhin). Architects Sylvie de la Dure and Francois Seigneur, 2005. Photography 2005., Dure, Sylvie de la & Seigneur, Francois (21st century) / Bridgeman Images

ID: MDA4690384

La Cite du train, 2 Cite Alfred de Glehn to Mulhouse (Haut Rhin). Architects Sylvie de la Dure and Francois Seigneur, 2005. Photography 2005.

Dure, Sylvie de la & Seigneur, Francois (21st century)

Geographic map of America. In
Geographic map of America. In

JLJ4690395: Geographic map of America. In "Le theatre du monde ou le nouvel atlas Amsterdam", 1635 (engraving), Blaeu, Willem (1571-1638) / Bridgeman Images

ID: JLJ4690395

Geographic map of America. In "Le theatre du monde ou le nouvel atlas Amsterdam", 1635 (engraving)

Blaeu, Willem (1571-1638)

La Halle du Toueur, Canal de Bourgogne to Pouilly in Auxois (Cote d'Or). Architects Shigeru Ban and Jean de Gastines, 2000-2005. Photography 06/06/05.
La Halle du Toueur, Canal de Bourgogne to Pouilly in Auxois (Cote d'Or). Architects Shigeru Ban and Jean de Gastines, 2000-2005. Photography 06/06/05.

MDA4690525: La Halle du Toueur, Canal de Bourgogne to Pouilly in Auxois (Cote d'Or). Architects Shigeru Ban and Jean de Gastines, 2000-2005. Photography 06/06/05., Ban,Shigeru (b.1957) & Gastines, Jean de (b.1957) / Bridgeman Images

ID: MDA4690525

La Halle du Toueur, Canal de Bourgogne to Pouilly in Auxois (Cote d'Or). Architects Shigeru Ban and Jean de Gastines, 2000-2005. Photography 06/06/05.

Ban,Shigeru (b.1957) & Gastines, Jean de (b.1957)

Institut du Canal de Bourgogne in Pouilly en Auxois (Cote d'Or). Architects Shigeru Ban and Jean de Gastines. Photography 06/06/05.
Institut du Canal de Bourgogne in Pouilly en Auxois (Cote d'Or). Architects Shigeru Ban and Jean de Gastines. Photography 06/06/05.

MDA4690601: Institut du Canal de Bourgogne in Pouilly en Auxois (Cote d'Or). Architects Shigeru Ban and Jean de Gastines. Photography 06/06/05., Ban,Shigeru (b.1957) & Gastines, Jean de (b.1957) / Bridgeman Images

ID: MDA4690601

Institut du Canal de Bourgogne in Pouilly en Auxois (Cote d'Or). Architects Shigeru Ban and Jean de Gastines. Photography 06/06/05.

Ban,Shigeru (b.1957) & Gastines, Jean de (b.1957)

August: a peasant wearing a Phrygian cap picks the grapes and crushes it in a bucket. The sign of the lion is representative. Mosaic of Pantaleone, priest and mosaic. 1163-1166. Central nave of the Cathedrale of Otranto (Otranto), Italy
August: a peasant wearing a Phrygian cap picks the grapes and crushes it in a bucket. The sign of the lion is representative. Mosaic of Pantaleone, priest and mosaic. 1163-1166. Central nave of the Cathedrale of Otranto (Otranto), Italy

LRI4690404: August: a peasant wearing a Phrygian cap picks the grapes and crushes it in a bucket. The sign of the lion is representative. Mosaic of Pantaleone, priest and mosaic. 1163-1166. Central nave of the Cathedrale of Otranto (Otranto), Italy, Pantaleon (12th century) / Bridgeman Images

ID: LRI4690404

August: a peasant wearing a Phrygian cap picks the grapes and crushes it in a bucket. The sign of the lion is representative. Mosaic of Pantaleone, priest and mosaic. 1163-1166. Central nave of the Cathedrale of Otranto (Otranto), Italy

Pantaleon (12th century)

La Cite du train, 2 Cite Alfred de Glehn to Mulhouse (Haut Rhin). Architects Sylvie de la Dure and Francois Seigneur, 2005. Photography 2005.
La Cite du train, 2 Cite Alfred de Glehn to Mulhouse (Haut Rhin). Architects Sylvie de la Dure and Francois Seigneur, 2005. Photography 2005.

MDA4690416: La Cite du train, 2 Cite Alfred de Glehn to Mulhouse (Haut Rhin). Architects Sylvie de la Dure and Francois Seigneur, 2005. Photography 2005., Dure, Sylvie de la & Seigneur, Francois (21st century) / Bridgeman Images

ID: MDA4690416

La Cite du train, 2 Cite Alfred de Glehn to Mulhouse (Haut Rhin). Architects Sylvie de la Dure and Francois Seigneur, 2005. Photography 2005.

Dure, Sylvie de la & Seigneur, Francois (21st century)

A Battleship Hurts, 19th century (oil on canvas)
A Battleship Hurts, 19th century (oil on canvas)

JLJ4690470: A Battleship Hurts, 19th century (oil on canvas), Gericault, Theodore (1791-1824) / Bridgeman Images

ID: JLJ4690470

A Battleship Hurts, 19th century (oil on canvas)

Gericault, Theodore (1791-1824)

La Halle du Toueur, Canal de Bourgogne to Pouilly in Auxois (Cote d'Or). Architects Shigeru Ban and Jean de Gastines, 2000-2005. Photography 06/06/05.
La Halle du Toueur, Canal de Bourgogne to Pouilly in Auxois (Cote d'Or). Architects Shigeru Ban and Jean de Gastines, 2000-2005. Photography 06/06/05.

MDA4690513: La Halle du Toueur, Canal de Bourgogne to Pouilly in Auxois (Cote d'Or). Architects Shigeru Ban and Jean de Gastines, 2000-2005. Photography 06/06/05., Ban,Shigeru (b.1957) & Gastines, Jean de (b.1957) / Bridgeman Images

ID: MDA4690513

La Halle du Toueur, Canal de Bourgogne to Pouilly in Auxois (Cote d'Or). Architects Shigeru Ban and Jean de Gastines, 2000-2005. Photography 06/06/05.

Ban,Shigeru (b.1957) & Gastines, Jean de (b.1957)


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