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Portrait of Drouet d'Erlon, Marshal of France (1765-1844) - in “” L'Histoire de France”” by Henri Martin, 19th century.
Portrait of Drouet d'Erlon, Marshal of France (1765-1844) - in “” L'Histoire de France”” by Henri Martin, 19th century.

XEE4116776: Portrait of Drouet d'Erlon, Marshal of France (1765-1844) - in “” L'Histoire de France”” by Henri Martin, 19th century., French School, (19th century) / Bridgeman Images

ID: XEE4116776

Portrait of Drouet d'Erlon, Marshal of France (1765-1844) - in “” L'Histoire de France”” by Henri Martin, 19th century.

French School, (19th century)

Old street scene in Paris: blind beggar on the bridge of the arts. Engraving by Jean Henry Marlet (1771-1847) in “” Les Tableaux de Paris””, series of 72 prints, late 19th century.
Old street scene in Paris: blind beggar on the bridge of the arts. Engraving by Jean Henry Marlet (1771-1847) in “” Les Tableaux de Paris””, series of 72 prints, late 19th century.

LSE4109893: Old street scene in Paris: blind beggar on the bridge of the arts. Engraving by Jean Henry Marlet (1771-1847) in “” Les Tableaux de Paris””, series of 72 prints, late 19th century., Marlet, Jean Henri (1771-1847) / Bridgeman Images

ID: LSE4109893

Old street scene in Paris: blind beggar on the bridge of the arts. Engraving by Jean Henry Marlet (1771-1847) in “” Les Tableaux de Paris””, series of 72 prints, late 19th century.

Marlet, Jean Henri (1771-1847)

Minerve writing Human Rights
Minerve writing Human Rights

LSE4109950: Minerve writing Human Rights, Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4109950

Minerve writing Human Rights

Unknown Artist, (19th century)

News - Little bonhomme vit encore!. Caricature about Rochefort standing in a grave.
News - Little bonhomme vit encore!. Caricature about Rochefort standing in a grave.

LSE4110068: News - Little bonhomme vit encore!. Caricature about Rochefort standing in a grave., French School, (19th century) / Bridgeman Images

ID: LSE4110068

News - Little bonhomme vit encore!. Caricature about Rochefort standing in a grave.

French School, (19th century)

Preparation of Blessed Food and Drink; William between Odo of Bayquex and Robert de Mortain, Bayeux Tapestry (wool embroidery on linen)
Preparation of Blessed Food and Drink; William between Odo of Bayquex and Robert de Mortain, Bayeux Tapestry (wool embroidery on linen)

LSE4110087: Preparation of Blessed Food and Drink; William between Odo of Bayquex and Robert de Mortain, Bayeux Tapestry (wool embroidery on linen), English School, (11th century) / Bridgeman Images

ID: LSE4110087

Preparation of Blessed Food and Drink; William between Odo of Bayquex and Robert de Mortain, Bayeux Tapestry (wool embroidery on linen)

English School, (11th century)

Charge against Necker - Frontispice in “” Supplement à la vie privée et ministère èrielle de M. Necker, Directeur général des Finances”” by un citoyen, ed. Pellet, Genève, 1790
Charge against Necker - Frontispice in “” Supplement à la vie privée et ministère èrielle de M. Necker, Directeur général des Finances”” by un citoyen, ed. Pellet, Genève, 1790

LSE4110120: Charge against Necker - Frontispice in “” Supplement à la vie privée et ministère èrielle de M. Necker, Directeur général des Finances”” by un citoyen, ed. Pellet, Genève, 1790, Unknown artist, (18th century) / Bridgeman Images

ID: LSE4110120

Charge against Necker - Frontispice in “” Supplement à la vie privée et ministère èrielle de M. Necker, Directeur général des Finances”” by un citoyen, ed. Pellet, Genève, 1790

Unknown artist, (18th century)

Cartoon on the Paris Commune: “The Easter Eggs of Parisians” year 1871.
Cartoon on the Paris Commune: “The Easter Eggs of Parisians” year 1871.

LSE4109914: Cartoon on the Paris Commune: “The Easter Eggs of Parisians” year 1871., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4109914

Cartoon on the Paris Commune: “The Easter Eggs of Parisians” year 1871.

Unknown Artist, (19th century)

Gentilhomme declaring his love to a lady languishing on a shepherdess - in “” Les francaises ou 34 examples chosen in the current mores suitable to lead daughters, wives, mothers”” by Restif de La Bretonne (1734-1806), ill. by Binet, Neufchatel, 1786
Gentilhomme declaring his love to a lady languishing on a shepherdess - in “” Les francaises ou 34 examples chosen in the current mores suitable to lead daughters, wives, mothers”” by Restif de La Bretonne (1734-1806), ill. by Binet, Neufchatel, 1786

LSE4110126: Gentilhomme declaring his love to a lady languishing on a shepherdess - in “” Les francaises ou 34 examples chosen in the current mores suitable to lead daughters, wives, mothers”” by Restif de La Bretonne (1734-1806), ill. by Binet, Neufchatel, 1786, Binet, Louis (1744-c.1800) (after) / Bridgeman Images

ID: LSE4110126

Gentilhomme declaring his love to a lady languishing on a shepherdess - in “” Les francaises ou 34 examples chosen in the current mores suitable to lead daughters, wives, mothers”” by Restif de La Bretonne (1734-1806), ill. by Binet, Neufchatel, 1786

Binet, Louis (1744-c.1800) (after)

During the strike of maritime registrants: an emigrant camp on the docks of Le Havre - in 'Le Petit Journal' of 16/06/1907
During the strike of maritime registrants: an emigrant camp on the docks of Le Havre - in 'Le Petit Journal' of 16/06/1907

LSE4110026: During the strike of maritime registrants: an emigrant camp on the docks of Le Havre - in 'Le Petit Journal' of 16/06/1907, French School, (20th century) / Bridgeman Images

ID: LSE4110026

During the strike of maritime registrants: an emigrant camp on the docks of Le Havre - in 'Le Petit Journal' of 16/06/1907

French School, (20th century)

Paris Pacified 1871 - As a measure of order and personal safety, every resident of Paris can only go out with two candles. Cartoon about the Commune.
Paris Pacified 1871 - As a measure of order and personal safety, every resident of Paris can only go out with two candles. Cartoon about the Commune.

LSE4110058: Paris Pacified 1871 - As a measure of order and personal safety, every resident of Paris can only go out with two candles. Cartoon about the Commune., French School, (19th century) / Bridgeman Images

ID: LSE4110058

Paris Pacified 1871 - As a measure of order and personal safety, every resident of Paris can only go out with two candles. Cartoon about the Commune.

French School, (19th century)

Cartoon: “” A disciple of Brusssais, or the application of leeches””, 19th century
Cartoon: “” A disciple of Brusssais, or the application of leeches””, 19th century

LSE4110079: Cartoon: “” A disciple of Brusssais, or the application of leeches””, 19th century, Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4110079

Cartoon: “” A disciple of Brusssais, or the application of leeches””, 19th century

Unknown Artist, (19th century)

Portrait of Condorcet - in “” Le Plutarque Français””.
Portrait of Condorcet - in “” Le Plutarque Français””.

LSE4110096: Portrait of Condorcet - in “” Le Plutarque Français””., French School, (19th century) / Bridgeman Images

ID: LSE4110096

Portrait of Condorcet - in “” Le Plutarque Français””.

French School, (19th century)

Portrait of Georges Clémenceau - dess. by Sem (1863 - 1934), in “” Fantasio”” of 01/02/1918, no. 265
Portrait of Georges Clémenceau - dess. by Sem (1863 - 1934), in “” Fantasio”” of 01/02/1918, no. 265

LSE4108990: Portrait of Georges Clémenceau - dess. by Sem (1863 - 1934), in “” Fantasio”” of 01/02/1918, no. 265, Sem (Georges Goursat) (1863-1934) / Bridgeman Images

ID: LSE4108990

Portrait of Georges Clémenceau - dess. by Sem (1863 - 1934), in “” Fantasio”” of 01/02/1918, no. 265

Sem (Georges Goursat) (1863-1934)

Comedy drawing on Darwin's theory - in “London Sketchbook”, 1874.
Comedy drawing on Darwin's theory - in “London Sketchbook”, 1874.

LSE4110317: Comedy drawing on Darwin's theory - in “London Sketchbook”, 1874., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4110317

Comedy drawing on Darwin's theory - in “London Sketchbook”, 1874.

Unknown Artist, (19th century)

Cover of
Cover of

LSE4109310: Cover of "Gil Blas" for "A part of the Campaign" by Guy de Maupassant. 14/08/1892., French School, (19th century) / Bridgeman Images

ID: LSE4109310

Cover of "Gil Blas" for "A part of the Campaign" by Guy de Maupassant. 14/08/1892.

French School, (19th century)

List of balloons released from Paris during the siege of 1870-1871
List of balloons released from Paris during the siege of 1870-1871

LSE4110400: List of balloons released from Paris during the siege of 1870-1871 / Bridgeman Images

ID: LSE4110400

List of balloons released from Paris during the siege of 1870-1871

The Ark of Noe after the Deluge (ceramic)
The Ark of Noe after the Deluge (ceramic)

LSE4110417: The Ark of Noe after the Deluge (ceramic), Unknown Artist / Bridgeman Images

ID: LSE4110417

The Ark of Noe after the Deluge (ceramic)

Unknown Artist

View of the portal of Saint Gervais, built according to drawings by architect Jacques Desbrosses, Paris. In prittoresque views of the main buildings of Paris by Sergeant, 1787, BHVP.
View of the portal of Saint Gervais, built according to drawings by architect Jacques Desbrosses, Paris. In prittoresque views of the main buildings of Paris by Sergeant, 1787, BHVP.

LSE4110461: View of the portal of Saint Gervais, built according to drawings by architect Jacques Desbrosses, Paris. In prittoresque views of the main buildings of Paris by Sergeant, 1787, BHVP., Sergent-Marceau, Antoine Louis Francois (1751-1847) / Bridgeman Images

ID: LSE4110461

View of the portal of Saint Gervais, built according to drawings by architect Jacques Desbrosses, Paris. In prittoresque views of the main buildings of Paris by Sergeant, 1787, BHVP.

Sergent-Marceau, Antoine Louis Francois (1751-1847)

In the love of the good of Sauvageot, second half of the 19th century.
In the love of the good of Sauvageot, second half of the 19th century.

LSE4110527: In the love of the good of Sauvageot, second half of the 19th century., French School, (19th century) / Bridgeman Images

ID: LSE4110527

In the love of the good of Sauvageot, second half of the 19th century.

French School, (19th century)

Craft craft: the gold shooter (stretcher or silver advance) in his workshop. In “” Comprehensive description of arts and crafts and workshops for young people”” by Johan Peter Vue. Ed. Nuremberg, Weigel and Schneider, 1790.
Craft craft: the gold shooter (stretcher or silver advance) in his workshop. In “” Comprehensive description of arts and crafts and workshops for young people”” by Johan Peter Vue. Ed. Nuremberg, Weigel and Schneider, 1790.

LSE4110706: Craft craft: the gold shooter (stretcher or silver advance) in his workshop. In “” Comprehensive description of arts and crafts and workshops for young people”” by Johan Peter Vue. Ed. Nuremberg, Weigel and Schneider, 1790., German School, (18th century) / Bridgeman Images

ID: LSE4110706

Craft craft: the gold shooter (stretcher or silver advance) in his workshop. In “” Comprehensive description of arts and crafts and workshops for young people”” by Johan Peter Vue. Ed. Nuremberg, Weigel and Schneider, 1790.

German School, (18th century)

Crafts: the clock maker in his workshop. In “” Comprehensive description of arts and crafts and workshops for young people”” by Johan Peter Vue. Ed. Nuremberg, Weigel and Schneider, 1790.
Crafts: the clock maker in his workshop. In “” Comprehensive description of arts and crafts and workshops for young people”” by Johan Peter Vue. Ed. Nuremberg, Weigel and Schneider, 1790.

LSE4110747: Crafts: the clock maker in his workshop. In “” Comprehensive description of arts and crafts and workshops for young people”” by Johan Peter Vue. Ed. Nuremberg, Weigel and Schneider, 1790., Unknown artist, (18th century) / Bridgeman Images

ID: LSE4110747

Crafts: the clock maker in his workshop. In “” Comprehensive description of arts and crafts and workshops for young people”” by Johan Peter Vue. Ed. Nuremberg, Weigel and Schneider, 1790.

Unknown artist, (18th century)

From 1830 to 1848. Princess Marie, Marie Amélie, Louis Philippe 1st, the Count of Paris, The Duke of Chartres and Princess Hélène. Engraving of the 19th century.
From 1830 to 1848. Princess Marie, Marie Amélie, Louis Philippe 1st, the Count of Paris, The Duke of Chartres and Princess Hélène. Engraving of the 19th century.

LSE4110668: From 1830 to 1848. Princess Marie, Marie Amélie, Louis Philippe 1st, the Count of Paris, The Duke of Chartres and Princess Hélène. Engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4110668

From 1830 to 1848. Princess Marie, Marie Amélie, Louis Philippe 1st, the Count of Paris, The Duke of Chartres and Princess Hélène. Engraving of the 19th century.

Unknown Artist, (19th century)

Craft craft: the manufacturer of buttons in his workshop. In “” Comprehensive description of arts and crafts and workshops for young people”” by Johan Peter Vue. Ed. Nuremberg, Weigel and Schneider, 1790.
Craft craft: the manufacturer of buttons in his workshop. In “” Comprehensive description of arts and crafts and workshops for young people”” by Johan Peter Vue. Ed. Nuremberg, Weigel and Schneider, 1790.

LSE4110763: Craft craft: the manufacturer of buttons in his workshop. In “” Comprehensive description of arts and crafts and workshops for young people”” by Johan Peter Vue. Ed. Nuremberg, Weigel and Schneider, 1790., Unknown artist, (18th century) / Bridgeman Images

ID: LSE4110763

Craft craft: the manufacturer of buttons in his workshop. In “” Comprehensive description of arts and crafts and workshops for young people”” by Johan Peter Vue. Ed. Nuremberg, Weigel and Schneider, 1790.

Unknown artist, (18th century)

Portrait of the Duke of Chaulnes, governor of Brittany and friend of Marie de Rabutin-Chantal (Rabutin Chantal), Marquise of Sevigne known as Madame de Sevigne (1626-1696), whose house was stoned during the revolt of stamped paper in 1675.
Portrait of the Duke of Chaulnes, governor of Brittany and friend of Marie de Rabutin-Chantal (Rabutin Chantal), Marquise of Sevigne known as Madame de Sevigne (1626-1696), whose house was stoned during the revolt of stamped paper in 1675.

LSE4109815: Portrait of the Duke of Chaulnes, governor of Brittany and friend of Marie de Rabutin-Chantal (Rabutin Chantal), Marquise of Sevigne known as Madame de Sevigne (1626-1696), whose house was stoned during the revolt of stamped paper in 1675., French School, (19th century) / Bridgeman Images

ID: LSE4109815

Portrait of the Duke of Chaulnes, governor of Brittany and friend of Marie de Rabutin-Chantal (Rabutin Chantal), Marquise of Sevigne known as Madame de Sevigne (1626-1696), whose house was stoned during the revolt of stamped paper in 1675.

French School, (19th century)

The calf hall of the boulevard saint germain from the garden, Paris. In prittoresque views of the main buildings of Paris by Sergeant, 1787, BHVP.
The calf hall of the boulevard saint germain from the garden, Paris. In prittoresque views of the main buildings of Paris by Sergeant, 1787, BHVP.

LSE4109852: The calf hall of the boulevard saint germain from the garden, Paris. In prittoresque views of the main buildings of Paris by Sergeant, 1787, BHVP., Sergent-Marceau, Antoine Louis Francois (1751-1847) / Bridgeman Images

ID: LSE4109852

The calf hall of the boulevard saint germain from the garden, Paris. In prittoresque views of the main buildings of Paris by Sergeant, 1787, BHVP.

Sergent-Marceau, Antoine Louis Francois (1751-1847)

The opera built according to the drawings of the architect Le Noir near the Porte Saint Martin in Paris today the theatre of the Porte Saint Martin. In prittoresque views of the main buildings of Paris by Sergeant, 1787, BHVP.
The opera built according to the drawings of the architect Le Noir near the Porte Saint Martin in Paris today the theatre of the Porte Saint Martin. In prittoresque views of the main buildings of Paris by Sergeant, 1787, BHVP.

LSE4109857: The opera built according to the drawings of the architect Le Noir near the Porte Saint Martin in Paris today the theatre of the Porte Saint Martin. In prittoresque views of the main buildings of Paris by Sergeant, 1787, BHVP., Sergent-Marceau, Antoine Louis Francois (1751-1847) / Bridgeman Images

ID: LSE4109857

The opera built according to the drawings of the architect Le Noir near the Porte Saint Martin in Paris today the theatre of the Porte Saint Martin. In prittoresque views of the main buildings of Paris by Sergeant, 1787, BHVP.

Sergent-Marceau, Antoine Louis Francois (1751-1847)

The mailbox - Lithography of Marlet, late 19th century
The mailbox - Lithography of Marlet, late 19th century

LSE4109888: The mailbox - Lithography of Marlet, late 19th century, Marlet, Jean Henri (1771-1847) / Bridgeman Images

ID: LSE4109888

The mailbox - Lithography of Marlet, late 19th century

Marlet, Jean Henri (1771-1847)

Former street metier in Paris: the poor patient leads to the hospital by the stretchers. Engraving by Jean Henry Marlet (1771-1847) in “” Les Tableaux de Paris””, series of 72 prints, late 19th century.
Former street metier in Paris: the poor patient leads to the hospital by the stretchers. Engraving by Jean Henry Marlet (1771-1847) in “” Les Tableaux de Paris””, series of 72 prints, late 19th century.

LSE4109905: Former street metier in Paris: the poor patient leads to the hospital by the stretchers. Engraving by Jean Henry Marlet (1771-1847) in “” Les Tableaux de Paris””, series of 72 prints, late 19th century., Marlet, Jean Henri (1771-1847) / Bridgeman Images

ID: LSE4109905

Former street metier in Paris: the poor patient leads to the hospital by the stretchers. Engraving by Jean Henry Marlet (1771-1847) in “” Les Tableaux de Paris””, series of 72 prints, late 19th century.

Marlet, Jean Henri (1771-1847)

Allegory of the French Revolution removing all thrones of the crowned robbers
Allegory of the French Revolution removing all thrones of the crowned robbers

LSE4109943: Allegory of the French Revolution removing all thrones of the crowned robbers, French School, (18th century) / Bridgeman Images

ID: LSE4109943

Allegory of the French Revolution removing all thrones of the crowned robbers

French School, (18th century)

French Revolution: “” Portrait of the bookseller and editor of the Journal de Versailles Blaizot who published the accounts of the États Generaux”” Painting of the French school. 18th century
French Revolution: “” Portrait of the bookseller and editor of the Journal de Versailles Blaizot who published the accounts of the États Generaux”” Painting of the French school. 18th century

LSE4109952: French Revolution: “” Portrait of the bookseller and editor of the Journal de Versailles Blaizot who published the accounts of the États Generaux”” Painting of the French school. 18th century, French School, (18th century) / Bridgeman Images

ID: LSE4109952

French Revolution: “” Portrait of the bookseller and editor of the Journal de Versailles Blaizot who published the accounts of the États Generaux”” Painting of the French school. 18th century

French School, (18th century)

Marat's triumph (Marat acquitted by the revolutionary court on 24 April 1793) - by Louis Bailly
Marat's triumph (Marat acquitted by the revolutionary court on 24 April 1793) - by Louis Bailly

LSE4109969: Marat's triumph (Marat acquitted by the revolutionary court on 24 April 1793) - by Louis Bailly, Bailly, Louis (b.1905) / Bridgeman Images

ID: LSE4109969

Marat's triumph (Marat acquitted by the revolutionary court on 24 April 1793) - by Louis Bailly

Bailly, Louis (b.1905)

Yachting in the Archipelago, early 20th century (watercolour)
Yachting in the Archipelago, early 20th century (watercolour)

LSE4110029: Yachting in the Archipelago, early 20th century (watercolour), Gervex, Henri (1852-1929) (after) / Bridgeman Images

ID: LSE4110029

Yachting in the Archipelago, early 20th century (watercolour)

Gervex, Henri (1852-1929) (after)

Angélique Burlon, Woman Soldier under the Revolution (nicknamed “Liberté”, 1st Woman Decorated by the Legion of Honour in 1851) - Oil On Canvas, by Auguste Dubois, 1884, Mairie de Dinan
Angélique Burlon, Woman Soldier under the Revolution (nicknamed “Liberté”, 1st Woman Decorated by the Legion of Honour in 1851) - Oil On Canvas, by Auguste Dubois, 1884, Mairie de Dinan

LSE4110033: Angélique Burlon, Woman Soldier under the Revolution (nicknamed “Liberté”, 1st Woman Decorated by the Legion of Honour in 1851) - Oil On Canvas, by Auguste Dubois, 1884, Mairie de Dinan, Dubois, Auguste (19th-20th century) / Bridgeman Images

ID: LSE4110033

Angélique Burlon, Woman Soldier under the Revolution (nicknamed “Liberté”, 1st Woman Decorated by the Legion of Honour in 1851) - Oil On Canvas, by Auguste Dubois, 1884, Mairie de Dinan

Dubois, Auguste (19th-20th century)

Duke Guillaume ordered the construction of ships, trees were cut down - Bayeux tapestry, known as Embroidery of Queen Mathilde, 1077 Bayeux Library
Duke Guillaume ordered the construction of ships, trees were cut down - Bayeux tapestry, known as Embroidery of Queen Mathilde, 1077 Bayeux Library

LSE4110077: Duke Guillaume ordered the construction of ships, trees were cut down - Bayeux tapestry, known as Embroidery of Queen Mathilde, 1077 Bayeux Library, Unknown Artist, (11th century) / Bridgeman Images

ID: LSE4110077

Duke Guillaume ordered the construction of ships, trees were cut down - Bayeux tapestry, known as Embroidery of Queen Mathilde, 1077 Bayeux Library

Unknown Artist, (11th century)

Intendant Wadard (on horseback) and Guillaume's troupe men - Bayeux tapestry, known as Embroidery of Queen Mathilde, 1077 Library of Bayeux
Intendant Wadard (on horseback) and Guillaume's troupe men - Bayeux tapestry, known as Embroidery of Queen Mathilde, 1077 Library of Bayeux

LSE4110078: Intendant Wadard (on horseback) and Guillaume's troupe men - Bayeux tapestry, known as Embroidery of Queen Mathilde, 1077 Library of Bayeux, Unknown Artist, (11th century) / Bridgeman Images

ID: LSE4110078

Intendant Wadard (on horseback) and Guillaume's troupe men - Bayeux tapestry, known as Embroidery of Queen Mathilde, 1077 Library of Bayeux

Unknown Artist, (11th century)

Hijacked by the storm, the ship of Harold II (1022 - 1066) stranded on the coast of Ponthieu - Bayeux Tapestry, known as Embroidery of Queen Mathilde, 1077. Library of Bayeux
Hijacked by the storm, the ship of Harold II (1022 - 1066) stranded on the coast of Ponthieu - Bayeux Tapestry, known as Embroidery of Queen Mathilde, 1077. Library of Bayeux

LSE4110089: Hijacked by the storm, the ship of Harold II (1022 - 1066) stranded on the coast of Ponthieu - Bayeux Tapestry, known as Embroidery of Queen Mathilde, 1077. Library of Bayeux, Unknown Artist, (11th century) / Bridgeman Images

ID: LSE4110089

Hijacked by the storm, the ship of Harold II (1022 - 1066) stranded on the coast of Ponthieu - Bayeux Tapestry, known as Embroidery of Queen Mathilde, 1077. Library of Bayeux

Unknown Artist, (11th century)


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