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Icon of The Just entering Paradise, early 16th century (oil on panel)
Icon of The Just entering Paradise, early 16th century (oil on panel)

AMO1217391: Icon of The Just entering Paradise, early 16th century (oil on panel), Russian School (16th century) / Bridgeman Images

ID: AMO1217391

Icon of The Just entering Paradise, early 16th century (oil on panel)

Russian School (16th century)

Icon of The Just in Paradise, early 16th century (oil on panel)
Icon of The Just in Paradise, early 16th century (oil on panel)

AMO1217392: Icon of The Just in Paradise, early 16th century (oil on panel), Russian School (16th century) / Bridgeman Images

ID: AMO1217392

Icon of The Just in Paradise, early 16th century (oil on panel)

Russian School (16th century)

Duff House, Banff, 1794 (watercolour, with some scratching out, over indications in graphite)
Duff House, Banff, 1794 (watercolour, with some scratching out, over indications in graphite)

AMO1217401: Duff House, Banff, 1794 (watercolour, with some scratching out, over indications in graphite), Girtin, Thomas (1775-1802) / Bridgeman Images

ID: AMO1217401

Duff House, Banff, 1794 (watercolour, with some scratching out, over indications in graphite)

Girtin, Thomas (1775-1802)

West Front of Peterborough Cathedral, 1794 (watercolour over indications in graphite)
West Front of Peterborough Cathedral, 1794 (watercolour over indications in graphite)

AMO1217402: West Front of Peterborough Cathedral, 1794 (watercolour over indications in graphite), Girtin, Thomas (1775-1802) / Bridgeman Images

ID: AMO1217402

West Front of Peterborough Cathedral, 1794 (watercolour over indications in graphite)

Girtin, Thomas (1775-1802)

Sonning Bridge, c. 1882 (watercolour on paper)
Sonning Bridge, c. 1882 (watercolour on paper)

AMO1217412: Sonning Bridge, c. 1882 (watercolour on paper), Hunt, Alfred William (1830-96) / Bridgeman Images

ID: AMO1217412

Sonning Bridge, c. 1882 (watercolour on paper)

Hunt, Alfred William (1830-96)

A Basket of Plums, 1869 - 1869 (oil on canvas, mounted as a drawing)
A Basket of Plums, 1869 - 1869 (oil on canvas, mounted as a drawing)

AMO1217421: A Basket of Plums, 1869 - 1869 (oil on canvas, mounted as a drawing), Fantin-Latour, Ignace Henri Jean (1836-1904) / Bridgeman Images

ID: AMO1217421

A Basket of Plums, 1869 - 1869 (oil on canvas, mounted as a drawing)

Fantin-Latour, Ignace Henri Jean (1836-1904)

Landscape: Sunset (oil on panel)
Landscape: Sunset (oil on panel)

AMO1217426: Landscape: Sunset (oil on panel), Daubigny, Charles Francois (1817-78) / Bridgeman Images

ID: AMO1217426

Landscape: Sunset (oil on panel)

Daubigny, Charles Francois (1817-78)

A Bend in the River Loing, 1896 (oil on canvas)
A Bend in the River Loing, 1896 (oil on canvas)

AMO1217427: A Bend in the River Loing, 1896 (oil on canvas), Sisley, Alfred (1839-99) / Bridgeman Images

ID: AMO1217427

A Bend in the River Loing, 1896 (oil on canvas)

Sisley, Alfred (1839-99)

Portrait of a young Girl (oil on canvas)
Portrait of a young Girl (oil on canvas)

AMO1217432: Portrait of a young Girl (oil on canvas), Millais, John Everett (1829-96) (attr.to) / Bridgeman Images

ID: AMO1217432

Portrait of a young Girl (oil on canvas)

Millais, John Everett (1829-96) (attr.to)

Portrait of Cardinal Pietro Aldobrandini (black chalk, heightened with white on drab, blue-grey paper)
Portrait of Cardinal Pietro Aldobrandini (black chalk, heightened with white on drab, blue-grey paper)

AMO1217439: Portrait of Cardinal Pietro Aldobrandini (black chalk, heightened with white on drab, blue-grey paper), Leoni, Ottavio Mario (c.1578-1630) / Bridgeman Images

ID: AMO1217439

Portrait of Cardinal Pietro Aldobrandini (black chalk, heightened with white on drab, blue-grey paper)

Leoni, Ottavio Mario (c.1578-1630)

The Sculpture Gallery in the Examination Schools, Oxford, 1813 (Pen and brown ink and watercolours over indications in graphite)
The Sculpture Gallery in the Examination Schools, Oxford, 1813 (Pen and brown ink and watercolours over indications in graphite)

AMO1217440: The Sculpture Gallery in the Examination Schools, Oxford, 1813 (Pen and brown ink and watercolours over indications in graphite), Westall, William (1781-1850) / Bridgeman Images

ID: AMO1217440

The Sculpture Gallery in the Examination Schools, Oxford, 1813 (Pen and brown ink and watercolours over indications in graphite)

Westall, William (1781-1850)

Philip Bury Duncan, 1837 (oil on canvas)
Philip Bury Duncan, 1837 (oil on canvas)

AMO1217442: Philip Bury Duncan, 1837 (oil on canvas), Smith, William (fl.1815-59) / Bridgeman Images

ID: AMO1217442

Philip Bury Duncan, 1837 (oil on canvas)

Smith, William (fl.1815-59)

The Invention of Drawing (brown chalk on off-white paper edged with black ink)
The Invention of Drawing (brown chalk on off-white paper edged with black ink)

AMO1217446: The Invention of Drawing (brown chalk on off-white paper edged with black ink), Boucher, Francois (1703-70) / Bridgeman Images

ID: AMO1217446

The Invention of Drawing (brown chalk on off-white paper edged with black ink)

Boucher, Francois (1703-70)

Beach Scene (oil on board)
Beach Scene (oil on board)

AMO1217447: Beach Scene (oil on board), Churchyard, Thomas (1798-1865) / Bridgeman Images

ID: AMO1217447

Beach Scene (oil on board)

Churchyard, Thomas (1798-1865)

A Fisherman's Hut by the Sea (oil on board)
A Fisherman's Hut by the Sea (oil on board)

AMO1217449: A Fisherman's Hut by the Sea (oil on board), Churchyard, Thomas (1798-1865) / Bridgeman Images

ID: AMO1217449

A Fisherman's Hut by the Sea (oil on board)

Churchyard, Thomas (1798-1865)

The Nativity (brush and Indian ink with grey wash)
The Nativity (brush and Indian ink with grey wash)

AMO1217451: The Nativity (brush and Indian ink with grey wash), Holbein the Younger, Hans (1497/8-1543) / Bridgeman Images

ID: AMO1217451

The Nativity (brush and Indian ink with grey wash)

Holbein the Younger, Hans (1497/8-1543)

A Vase of Flowers, c. 1616 (oil on panel)
A Vase of Flowers, c. 1616 (oil on panel)

AMO1217485: A Vase of Flowers, c. 1616 (oil on panel), Beert, Osias the Elder (c.1570-1624) (style of) / Bridgeman Images

ID: AMO1217485

A Vase of Flowers, c. 1616 (oil on panel)

Beert, Osias the Elder (c.1570-1624) (style of)

Decorative Still-Life Composition with Birds and Two Bats (oil on copper)
Decorative Still-Life Composition with Birds and Two Bats (oil on copper)

AMO1217495: Decorative Still-Life Composition with Birds and Two Bats (oil on copper), Kessel, Jan van, the Elder (1626-79) / Bridgeman Images

ID: AMO1217495

Decorative Still-Life Composition with Birds and Two Bats (oil on copper)

Kessel, Jan van, the Elder (1626-79)

The Grave of Shelley (watercolour on paper)
The Grave of Shelley (watercolour on paper)

AMO1217521: The Grave of Shelley (watercolour on paper), Crane, Walter (1845-1915) / Bridgeman Images

ID: AMO1217521

The Grave of Shelley (watercolour on paper)

Crane, Walter (1845-1915)

The Ford, 1865 (etching)
The Ford, 1865 (etching)

AMO1217554: The Ford, 1865 (etching), Daubigny, Charles Francois (1817-78) / Bridgeman Images

ID: AMO1217554

The Ford, 1865 (etching)

Daubigny, Charles Francois (1817-78)

Portrait of Isadora Duncan dancing (brush and Indian ink over traces of graphite, corrected in white bodycolour on fine-textured off-white paper)
Portrait of Isadora Duncan dancing (brush and Indian ink over traces of graphite, corrected in white bodycolour on fine-textured off-white paper)

AMO1217595: Portrait of Isadora Duncan dancing (brush and Indian ink over traces of graphite, corrected in white bodycolour on fine-textured off-white paper), Bakst, Leon (1866-1924) / Bridgeman Images

ID: AMO1217595

Portrait of Isadora Duncan dancing (brush and Indian ink over traces of graphite, corrected in white bodycolour on fine-textured off-white paper)

Bakst, Leon (1866-1924)

Cockerel, followed by black and white Hens (graphite with black and coloured chalk on white paper, edged with a line in black chalk)
Cockerel, followed by black and white Hens (graphite with black and coloured chalk on white paper, edged with a line in black chalk)

AMO1217621: Cockerel, followed by black and white Hens (graphite with black and coloured chalk on white paper, edged with a line in black chalk), Steinlen, Theophile Alexandre (1859-1923) / Bridgeman Images

ID: AMO1217621

Cockerel, followed by black and white Hens (graphite with black and coloured chalk on white paper, edged with a line in black chalk)

Steinlen, Theophile Alexandre (1859-1923)

View over the Estuary, Harfleur, 1903 (oil on canvas)
View over the Estuary, Harfleur, 1903 (oil on canvas)

AMO1217652: View over the Estuary, Harfleur, 1903 (oil on canvas), Pissarro, Lucien (1863-1944) / Bridgeman Images

ID: AMO1217652

View over the Estuary, Harfleur, 1903 (oil on canvas)

Pissarro, Lucien (1863-1944)

Half-length portrait of Lucien Pissarro (1863-1944), c. 1875 (watercolour over charcoal)
Half-length portrait of Lucien Pissarro (1863-1944), c. 1875 (watercolour over charcoal)

AMO1217667: Half-length portrait of Lucien Pissarro (1863-1944), c. 1875 (watercolour over charcoal), Pissarro, Camille (1830-1903) / Bridgeman Images

ID: AMO1217667

Half-length portrait of Lucien Pissarro (1863-1944), c. 1875 (watercolour over charcoal)

Pissarro, Camille (1830-1903)

Compositional study of a milking scene at Eragny-sur-Epte, 1884 (watercolour over black chalk)
Compositional study of a milking scene at Eragny-sur-Epte, 1884 (watercolour over black chalk)

AMO1217676: Compositional study of a milking scene at Eragny-sur-Epte, 1884 (watercolour over black chalk), Pissarro, Camille (1830-1903) / Bridgeman Images

ID: AMO1217676

Compositional study of a milking scene at Eragny-sur-Epte, 1884 (watercolour over black chalk)

Pissarro, Camille (1830-1903)

Compositional study of four female peasants working in an orchard ('Spring'), c. 1894 (red-brown and Indian inks over charcoal on blue paper)
Compositional study of four female peasants working in an orchard ('Spring'), c. 1894 (red-brown and Indian inks over charcoal on blue paper)

AMO1217690: Compositional study of four female peasants working in an orchard ('Spring'), c. 1894 (red-brown and Indian inks over charcoal on blue paper), Pissarro, Camille (1830-1903) / Bridgeman Images

ID: AMO1217690

Compositional study of four female peasants working in an orchard ('Spring'), c. 1894 (red-brown and Indian inks over charcoal on blue paper)

Pissarro, Camille (1830-1903)

He thrust the weapons into the youth's hand
He thrust the weapons into the youth's hand

IL1192662: He thrust the weapons into the youth's hand, Cole, Herbert (1867-1930) / Bridgeman Images

ID: IL1192662

He thrust the weapons into the youth's hand

Cole, Herbert (1867-1930)

Herzegovinian Refugees at Ragusa (engraving)
Herzegovinian Refugees at Ragusa (engraving)

LIP1105885: Herzegovinian Refugees at Ragusa (engraving), English School, (19th century) / Bridgeman Images

ID: LIP1105885

Herzegovinian Refugees at Ragusa (engraving)

English School, (19th century)

The Royal Visit to India, Grand Review at Delhi, the Gallop Past (engraving)
The Royal Visit to India, Grand Review at Delhi, the Gallop Past (engraving)

LIP1105915: The Royal Visit to India, Grand Review at Delhi, the Gallop Past (engraving), English School, (19th century) / Bridgeman Images

ID: LIP1105915

The Royal Visit to India, Grand Review at Delhi, the Gallop Past (engraving)

English School, (19th century)

The War in the Herzegovina, Battle of 20 January (engraving)
The War in the Herzegovina, Battle of 20 January (engraving)

LIP1105925: The War in the Herzegovina, Battle of 20 January (engraving), English School, (19th century) / Bridgeman Images

ID: LIP1105925

The War in the Herzegovina, Battle of 20 January (engraving)

English School, (19th century)

Lama Dance at Jummoo, performed before the Prince of Wales (engraving)
Lama Dance at Jummoo, performed before the Prince of Wales (engraving)

LIP1105926: Lama Dance at Jummoo, performed before the Prince of Wales (engraving), Overend, William Heysham (1851-98) (after) / Bridgeman Images

ID: LIP1105926

Lama Dance at Jummoo, performed before the Prince of Wales (engraving)

Overend, William Heysham (1851-98) (after)

The Queen at the Concert in the Royal Albert Hall (engraving)
The Queen at the Concert in the Royal Albert Hall (engraving)

LIP1105940: The Queen at the Concert in the Royal Albert Hall (engraving), English School, (19th century) / Bridgeman Images

ID: LIP1105940

The Queen at the Concert in the Royal Albert Hall (engraving)

English School, (19th century)

The London Hospital in 1753 (engraving)
The London Hospital in 1753 (engraving)

LIP1105949: The London Hospital in 1753 (engraving), English School, (19th century) / Bridgeman Images

ID: LIP1105949

The London Hospital in 1753 (engraving)

English School, (19th century)

The Prince of Wales in the Terai, crossing a Nullah in the Jungle (engraving)
The Prince of Wales in the Terai, crossing a Nullah in the Jungle (engraving)

LIP1105975: The Prince of Wales in the Terai, crossing a Nullah in the Jungle (engraving), English School, (19th century) / Bridgeman Images

ID: LIP1105975

The Prince of Wales in the Terai, crossing a Nullah in the Jungle (engraving)

English School, (19th century)

The Cathedral (Trinity Church), Shanghai (engraving)
The Cathedral (Trinity Church), Shanghai (engraving)

LIP1106219: The Cathedral (Trinity Church), Shanghai (engraving), English School, (19th century) / Bridgeman Images

ID: LIP1106219

The Cathedral (Trinity Church), Shanghai (engraving)

English School, (19th century)

The Thirty-Eight Ton Gun-Boat Delta, for the Chinese Government (engraving)
The Thirty-Eight Ton Gun-Boat Delta, for the Chinese Government (engraving)

LIP1106221: The Thirty-Eight Ton Gun-Boat Delta, for the Chinese Government (engraving), English School, (19th century) / Bridgeman Images

ID: LIP1106221

The Thirty-Eight Ton Gun-Boat Delta, for the Chinese Government (engraving)

English School, (19th century)


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