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If we persevere in faith, we can approach the 'shore' - the state of great charity - from which we will depart to Heaven at our death, 2004 (w/c on paper)
If we persevere in faith, we can approach the 'shore' - the state of great charity - from which we will depart to Heaven at our death, 2004 (w/c on paper)

WNG6369880: If we persevere in faith, we can approach the 'shore' - the state of great charity - from which we will depart to Heaven at our death, 2004 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

As we pray the Rosary, the Saints join in the first half of the 'Hail Mary', praying it with us to honour Our Lady and to glorify her son, Jesus., 2004 (w/c on paper)
As we pray the Rosary, the Saints join in the first half of the 'Hail Mary', praying it with us to honour Our Lady and to glorify her son, Jesus., 2004 (w/c on paper)

WNG6369886: As we pray the Rosary, the Saints join in the first half of the 'Hail Mary', praying it with us to honour Our Lady and to glorify her son, Jesus., 2004 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

Battle of Rivoli, early 19th century (litho)
Battle of Rivoli, early 19th century (litho)

SEM6370219: Battle of Rivoli, early 19th century (litho), Motte, Charles Etienne Pierre (1785-1836) / Bridgeman Images

Visit to Tomb of Frederick the Great, early
19th century (litho)
Visit to Tomb of Frederick the Great, early
19th century (litho)

SEM6370225: Visit to Tomb of Frederick the Great, early 19th century (litho), Motte, Charles Etienne Pierre (1785-1836) / Bridgeman Images

Infernal Machine, early 19th century (litho)
Infernal Machine, early 19th century (litho)

SEM6370259: Infernal Machine, early 19th century (litho), Motte, Charles Etienne Pierre (1785-1836) / Bridgeman Images

Plate, 1662 - 1722 (Hard paste porcelain)
Plate, 1662 - 1722 (Hard paste porcelain)

SEM6370262: Plate, 1662 - 1722 (Hard paste porcelain), Chinese School, (17th-18th century) / Bridgeman Images

A Harlot's Fall, designed 1732, printed 1744
Gift of Lloyd Spencer (Etching and engraving)
A Harlot's Fall, designed 1732, printed 1744
Gift of Lloyd Spencer (Etching and engraving)

SEM6370268: A Harlot's Fall, designed 1732, printed 1744 Gift of Lloyd Spencer (Etching and engraving), Hogarth, William (1697-1764) / Bridgeman Images

The Harlot Lodged in Bridewell, 1744 (etching)
The Harlot Lodged in Bridewell, 1744 (etching)

SEM6370269: The Harlot Lodged in Bridewell, 1744 (etching), Hogarth, William (1697-1764) / Bridgeman Images

Interesting Meeting - Bayeux, c.1821 (etching)
Interesting Meeting - Bayeux, c.1821 (etching)

SEM6370294: Interesting Meeting - Bayeux, c.1821 (etching), Lewis, George Robert (1782-1871) / Bridgeman Images

Harvest, Augsbourg, c.1821 (etching)
Harvest, Augsbourg, c.1821 (etching)

SEM6370296: Harvest, Augsbourg, c.1821 (etching), Lewis, George Robert (1782-1871) / Bridgeman Images

The Great Battle of Kawanakajima between Two Generals, c.1859-71 (woodblock on paper)
The Great Battle of Kawanakajima between Two Generals, c.1859-71 (woodblock on paper)

MAI6437209: The Great Battle of Kawanakajima between Two Generals, c.1859-71 (woodblock on paper), Utagawa Kuninaga (d.1829) / Bridgeman Images

In the Spring Mist a Procession of Flowers, 1812 (woodblock print on paper)
In the Spring Mist a Procession of Flowers, 1812 (woodblock print on paper)

MAI6437297: In the Spring Mist a Procession of Flowers, 1812 (woodblock print on paper), Eizen, Kikugawa (1787-1867) / Bridgeman Images

Nioteru of the Ogiya brothel from the series Courtesans Viewing Cherry Blossoms, 1785 (woodblock print on paper)
Nioteru of the Ogiya brothel from the series Courtesans Viewing Cherry Blossoms, 1785 (woodblock print on paper)

MAI6437306: Nioteru of the Ogiya brothel from the series Courtesans Viewing Cherry Blossoms, 1785 (woodblock print on paper), Kiyonaga, Torii (1752-1815) / Bridgeman Images

Horse startled by kite, c.1830-1839 (woodblock print on paper)
Horse startled by kite, c.1830-1839 (woodblock print on paper)

MAI6437395: Horse startled by kite, c.1830-1839 (woodblock print on paper), Itcho, Hanabusa (1652-1724) / Bridgeman Images

Perspective picture of the Hachiman shrine by Fukagawa River, c.1770-1780 (woodblock print on paper)
Perspective picture of the Hachiman shrine by Fukagawa River, c.1770-1780 (woodblock print on paper)

MAI6437397: Perspective picture of the Hachiman shrine by Fukagawa River, c.1770-1780 (woodblock print on paper), Toyoharu, Utagawa (1735-1814) / Bridgeman Images

Moon from the series Snow, Moon and Flowers compared to Beautiful Women, 1808 (woodblock print on paper)
Moon from the series Snow, Moon and Flowers compared to Beautiful Women, 1808 (woodblock print on paper)

MAI6437399: Moon from the series Snow, Moon and Flowers compared to Beautiful Women, 1808 (woodblock print on paper), Utamaro, Kitagawa II (fl.1800-1831) / Bridgeman Images

Winter from the series Elegant Pleasures of the Four Seasons, c.1758-1806 (woodblock print on paper)
Winter from the series Elegant Pleasures of the Four Seasons, c.1758-1806 (woodblock print on paper)

MAI6437400: Winter from the series Elegant Pleasures of the Four Seasons, c.1758-1806 (woodblock print on paper), Utamaro, Kitagawa (1753-1806) / Bridgeman Images

Sweetflag and rocks in a basin of water from the series Imitations of the Eight Views, c.1797-1798 (woodblock print on paper)
Sweetflag and rocks in a basin of water from the series Imitations of the Eight Views, c.1797-1798 (woodblock print on paper)

MAI6437401: Sweetflag and rocks in a basin of water from the series Imitations of the Eight Views, c.1797-1798 (woodblock print on paper), Utamaro, Kitagawa (1753-1806) / Bridgeman Images

Sojo Henjo from the series Modern children as the 6 immortal poets, c.1800-1806 (woodblock print on paper)
Sojo Henjo from the series Modern children as the 6 immortal poets, c.1800-1806 (woodblock print on paper)

MAI6437403: Sojo Henjo from the series Modern children as the 6 immortal poets, c.1800-1806 (woodblock print on paper), Utamaro, Kitagawa (1753-1806) / Bridgeman Images

Influence of Utamaro, 19th century (woodblock print on paper)
Influence of Utamaro, 19th century (woodblock print on paper)

MAI6437415: Influence of Utamaro, 19th century (woodblock print on paper), Jihei, Moriya (fl.1797-1840) / Bridgeman Images

Half-length (bust) of actor Nakamura Utaemon in character, 1794 (woodblock print on paper)
Half-length (bust) of actor Nakamura Utaemon in character, 1794 (woodblock print on paper)

MAI6437418: Half-length (bust) of actor Nakamura Utaemon in character, 1794 (woodblock print on paper), Sharaku, Toshusai (fl.1794-95) / Bridgeman Images

Daikoku (standing) in conversation with a seated lady, c.1758-1806 (woodblock print on paper)
Daikoku (standing) in conversation with a seated lady, c.1758-1806 (woodblock print on paper)

MAI6437423: Daikoku (standing) in conversation with a seated lady, c.1758-1806 (woodblock print on paper), Utamaro, Kitagawa (1753-1806) / Bridgeman Images

Bathers, c.1920 (oil on canvas)
Bathers, c.1920 (oil on canvas)

DTR6366335: Bathers, c.1920 (oil on canvas), Muller or Mueller, Otto (1874-1930) / Bridgeman Images

Mill on the Coast, near Scarborough, Yorkshire, undated (w/c)
Mill on the Coast, near Scarborough, Yorkshire, undated (w/c)

WHT6366783: Mill on the Coast, near Scarborough, Yorkshire, undated (w/c), Nicholson, Francis (1753-1844) / Bridgeman Images

The OFF Man, 2018, (ink on paper)
The OFF Man, 2018, (ink on paper)

ABG6368579: The OFF Man, 2018, (ink on paper) , Alexander Booth, Vincent / Bridgeman Images

Ski Francais, Morzine, 2020 (oil on canvas)
Ski Francais, Morzine, 2020 (oil on canvas)

ANA6368705: Ski Francais, Morzine, 2020 (oil on canvas), Macara, Andrew / Bridgeman Images

Mother of all Architecture (2), 1998, (ceramic porcelain)
Mother of all Architecture (2), 1998, (ceramic porcelain)

ABG6368709: Mother of all Architecture (2), 1998, (ceramic porcelain), Alexander Booth, Vincent / Bridgeman Images

Worcester, 1927 (pencil, w/c, bodycolour, pen and ink on paper)
Worcester, 1927 (pencil, w/c, bodycolour, pen and ink on paper)

MAI6368803: Worcester, 1927 (pencil, w/c, bodycolour, pen and ink on paper), Goodwin, Albert (1845-1932) / Bridgeman Images

Bebe Le Bone, 2002, (ink on paper)
Bebe Le Bone, 2002, (ink on paper)

ABG6368843: Bebe Le Bone, 2002, (ink on paper), Alexander Booth, Vincent / Bridgeman Images

As Mary travelled to Bethlehem, she was like the Son she would bear, resembling Him in humility, love, trust and obedience, 2003 (w/c on paper)
As Mary travelled to Bethlehem, she was like the Son she would bear, resembling Him in humility, love, trust and obedience, 2003 (w/c on paper)

WNG6369403: As Mary travelled to Bethlehem, she was like the Son she would bear, resembling Him in humility, love, trust and obedience, 2003 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

God is like a permanent Presence above us, reaching out all over the Earth, to touch, help, heal, calm, teach and console, 2004 (w/c on paper)
God is like a permanent Presence above us, reaching out all over the Earth, to touch, help, heal, calm, teach and console, 2004 (w/c on paper)

WNG6369406: God is like a permanent Presence above us, reaching out all over the Earth, to touch, help, heal, calm, teach and console, 2004 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

Christ loves to be with us in Holy Communion, but so few of us greet Him, love Him, or offer to serve Him, 2004 (w/c on paper)
Christ loves to be with us in Holy Communion, but so few of us greet Him, love Him, or offer to serve Him, 2004 (w/c on paper)

WNG6369413: Christ loves to be with us in Holy Communion, but so few of us greet Him, love Him, or offer to serve Him, 2004 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

Christ offers comfort to everyone; but if we refuse to draw close to Him we cannot receive his help, 2004 (w/c on paper)
Christ offers comfort to everyone; but if we refuse to draw close to Him we cannot receive his help, 2004 (w/c on paper)

WNG6369425: Christ offers comfort to everyone; but if we refuse to draw close to Him we cannot receive his help, 2004 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

We should never doubt the love of Christ. He forgives all our sins and failings if we turn to him with trust and contrition., 2004 (w/c on paper)
We should never doubt the love of Christ. He forgives all our sins and failings if we turn to him with trust and contrition., 2004 (w/c on paper)

WNG6369427: We should never doubt the love of Christ. He forgives all our sins and failings if we turn to him with trust and contrition., 2004 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

If we refuse to follow the teachings of Christ and His Church, and lead immoral lives, we are like people who ignore a 'danger' sign and walk across a road where there is severe subsidence, 2004 (w/c on paper)
If we refuse to follow the teachings of Christ and His Church, and lead immoral lives, we are like people who ignore a 'danger' sign and walk across a road where there is severe subsidence, 2004 (w/c on paper)

WNG6369431: If we refuse to follow the teachings of Christ and His Church, and lead immoral lives, we are like people who ignore a 'danger' sign and walk across a road where there is severe subsidence, 2004 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

The angels 'guard' the Lord, Who is present in the Tabernacle in the Blessed Sacrament, 2004 (w/c on paper)
The angels 'guard' the Lord, Who is present in the Tabernacle in the Blessed Sacrament, 2004 (w/c on paper)

WNG6369432: The angels 'guard' the Lord, Who is present in the Tabernacle in the Blessed Sacrament, 2004 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images


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