FLO4606478: Woman in a bath's bonnet with frills and ribbons. Beanie has the Bather. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895. / Bridgeman Images

FLO4606489: Woman in the Kiss bonnet, Beanie at Becquot, with tails hanging behind. Becquot was a slang term for a kiss among the gallants. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895. / Bridgeman Images

FLO4606368: Woman in hairstyle with ringlets and plumes tied with a love band, 1770s. Love Bandon hairstyle. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895. / Bridgeman Images

FLO4606502: Woman in hairstyle with ringlets, plumes and miniature hat called Feelings Returned. Hairstyle with feelings replies. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895. / Bridgeman Images

FLO4606618: Hairstyle with ringlets and curls surmounted by a Luxembourg pouf. Coeffure in Rolling and Floating Loops topped by a Pouf in Luxembourg. Handcoloured copperplate engraving by an unknown artist from an Album of Fashionable Hairstyles of 1783, Suite des Coeffures a la Mode en 1783, Enauts et Rapilly, Paris, 1783. / Bridgeman Images

FLO4606732: Claude Cartigny and Capitaine Coop in La Jeunesse de Henri V by Alexandre Duval, Theatre Francais, 1823. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825. / Bridgeman Images

FLO4606852: Charles Francois Grandin Grandville and Lisimon in Le Glorieux by Nericault Destouches, Theatre Français, 1824. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825. / Bridgeman Images

FLO4606861: Dancer and actress Miss Emilie Leverd as Celimene in Le Misanthrope by Moliere, Theatre Français, 1808. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825., Colin, Alexandre Marie (1798-1875) / Bridgeman Images

FLO4606973: Baritone opera singer Henri Bernard Dabadie as Telasco in Fernand Cortez by Gaspare Spontini, Royal Academy of Music. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825. / Bridgeman Images

FLO4605373: Portrait of Montezuma II (Moctezumaii, 1466-1520), Aztec Emperor of Mexico, in gold crown and gorgette, and of David Cusick (c.1780-c.1831), a Tuscarora Baptist preacher and author, in western clothes. Handcoloured steel engraving by Lizars after an illustration by Charles Hamilton Smith from his Natural History of the Human Species. / Bridgeman Images

FLO4605414: La Zedoaire (Curcuma zedoaria) - Strong Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin”” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831 / Bridgeman Images

LRI4605433: St James, son of Zebedee (oilon canvas, 1516), Dürer or Duerer, Albrecht (1471-1528) / Bridgeman Images

FLO4605457: Tansy (Tanacetum vulgare) - Strong water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831 / Bridgeman Images

FLO4605535: Pistacia lentiscus (Pistacia lentiscus) - Strong Water by William Clarke to illustrate “Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831 / Bridgeman Images

FLO4605323: Bout Alikhooki, Tierra del Fuego man drawn from life in European clothes at Plymouth, and Patagonian of Cape Gregory in llama fur coat. Natives of South America. Handcoloured steel engraving by Lizars after an illustration by Charles Hamilton Smith from his Natural History of the Human Species, Edinburgh, W. H. Lizars, 1848 / Bridgeman Images

LRI4607304: The parable of Lazarus and the rich man, 17th century (oil on wood), Knüpfer, Nikolaus (1603-55) / Bridgeman Images

FLO4607849: Minerve protects Telemaque et le preserve des powers de l'amour - Minerva protecting Telemachus and preserving him from the shafts of love. Copperplate engraving by W. Walker after an illustration by C. Monnet from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images

FLO4607617: Indian tree rosebay, Rhododendron arboreum. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s. / Bridgeman Images

FLO4607633: Evergreen swamp magnolia, Magnolia glauca sempervirens. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s. / Bridgeman Images

FLO4607872: The departure of Telemaque from Egypt - The departure of Telemachus from Egypt. Copperplate engraving by W. Walker after an illustration by C. Monnet from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images

FLO4608056: Pierre Bayle, English philosopher and writer. Copperplate engraving by William Walker from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images

FLO4608532: Napoleon Bonaparte ordering the poisoning of plague-ridden English troops after the Siege of Jaffa. Egyptian Campaign, 1799. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815. / Bridgeman Images

FLO4608659: Scandix comb of Venus and common chervil. Coloriee copper engraving, in herbarium of English medicinal plants (published by Joshua Hamilton in 1792) by Nicolas Culpeper (1616-1654), English herbalist, botanist, and astrologer. Shepherds needle, Scandix pecten veneris, and hemlock chervil, Scandix anthriscus, Anthriscus cerefolium. Handcoloured copperplate engraving from Joshua Hamilton's “Culpeper's English Family Physician” 1792. Nicholas Culpeper (1616-1654) was an English botanist, herbalist and astrologer famous for his “” Complete Herbal””” of 1653. / Bridgeman Images

FLO4608620: Napoleon Bonaparte watching the Fire of Moscow after the Battle of Borodino, 1812. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815. / Bridgeman Images

FLO4608706: Dr. Richardson's polemonium, Polemonium richardsonii. Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828. / Bridgeman Images

FLO4609191: Mussaenda pubescens. Handcoloured copperplate engraving after an illustration by John Curtis from Samuel Curtis' Botanical Magazine, London, 1819. / Bridgeman Images

FLO4609208: Flamevine or orange trumpetvine, Pyrostegia venusta (Bignonia venusta). Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1819. / Bridgeman Images

FLO4609308: Betoine blanchatre. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England. / Bridgeman Images

FLO4609363: White lily variete. Copper engraving, starring John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England. / Bridgeman Images

FLO4609556: Variete of mimosa caterpillar. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England. / Bridgeman Images

FLO4605770: Amyris elemifera or Elemi Tree (Commiphora gileadensis) Strong water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831 / Bridgeman Images

FLO4605792: Salsepareille (Smilax regelii) - Strong Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831 / Bridgeman Images

LRI4605747: Sacrifice Scene Bible characters regroups around an altar. A lamb lies at the foot of the altar. Painting by Luigi Miradori dit Il Genovesino (ca. 1608-1655) 17th century Parma, Galleria Nazionale, Miradori, Luigi (Il Genovesino) (c.1605-c.1654) / Bridgeman Images

FLO4605892: Rhubarb (Rheum undulatum) - Strong water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin”” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831 / Bridgeman Images

FLO4606722: Charlotte Tousez as Baronne de Vieuxbois in La Faume Agnes by Nericault Destouches, Theatre Français, 1823. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825. / Bridgeman Images

FLO4607050: Tenor singer Lafeuillade as Montfort in La Bergere Chatelaine by Daniel Auber, Theatre Royal de l'Opera Comique, 1820. Handcoloured lithograph by F. Noel after an illustration by Lavigne Marin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825. / Bridgeman Images