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Electrical pipes: electric poles. Anonymous illustration of 1925 (print)
Electrical pipes: electric poles. Anonymous illustration of 1925 (print)

XEE4140692: Electrical pipes: electric poles. Anonymous illustration of 1925 (print), Anonymous / Bridgeman Images

ID: XEE4140692

Electrical pipes: electric poles. Anonymous illustration of 1925 (print)

Anonymous

Marriage of Prince Napoleon (1822-1891) and Princess Clotilde of Savoy (1843-1911), 1859: signature of the marriage contract in the presence of the brides, King Victor Emmanuel II (Vittorio Emanuele) (Victor-Emmanuel) (1820-1878) and General Adolphe Niel (1802-1869). Palace of Turin, Italy, January 23, 1859. Based on a drawing by Mr. Riou. Engraving in “” Le Monde Illustré”” n°96 of 12 February 1859.
Marriage of Prince Napoleon (1822-1891) and Princess Clotilde of Savoy (1843-1911), 1859: signature of the marriage contract in the presence of the brides, King Victor Emmanuel II (Vittorio Emanuele) (Victor-Emmanuel) (1820-1878) and General Adolphe Niel (1802-1869). Palace of Turin, Italy, January 23, 1859. Based on a drawing by Mr. Riou. Engraving in “” Le Monde Illustré”” n°96 of 12 February 1859.

XEE4140811: Marriage of Prince Napoleon (1822-1891) and Princess Clotilde of Savoy (1843-1911), 1859: signature of the marriage contract in the presence of the brides, King Victor Emmanuel II (Vittorio Emanuele) (Victor-Emmanuel) (1820-1878) and General Adolphe Niel (1802-1869). Palace of Turin, Italy, January 23, 1859. Based on a drawing by Mr. Riou. Engraving in “” Le Monde Illustré”” n°96 of 12 February 1859., French School, (19th century) / Bridgeman Images

ID: XEE4140811

Marriage of Prince Napoleon (1822-1891) and Princess Clotilde of Savoy (1843-1911), 1859: signature of the marriage contract in the presence of the brides, King Victor Emmanuel II (Vittorio Emanuele) (Victor-Emmanuel) (1820-1878) and General Adolphe Niel (1802-1869). Palace of Turin, Italy, January 23, 1859. Based on a drawing by Mr. Riou. Engraving in “” Le Monde Illustré”” n°96 of 12 February 1859.

French School, (19th century)

Earth magnetism: at magnetic poles, the compasse loses the compasse, 1925 (print)
Earth magnetism: at magnetic poles, the compasse loses the compasse, 1925 (print)

XEE4140847: Earth magnetism: at magnetic poles, the compasse loses the compasse, 1925 (print), Anonymous / Bridgeman Images

ID: XEE4140847

Earth magnetism: at magnetic poles, the compasse loses the compasse, 1925 (print)

Anonymous

Wireless telephony: in the city. Anonymous illustration of 1925 (print)
Wireless telephony: in the city. Anonymous illustration of 1925 (print)

XEE4140874: Wireless telephony: in the city. Anonymous illustration of 1925 (print), Anonymous / Bridgeman Images

ID: XEE4140874

Wireless telephony: in the city. Anonymous illustration of 1925 (print)

Anonymous

The T.S.F. used in the poles. 1925 (print)
The T.S.F. used in the poles. 1925 (print)

XEE4140895: The T.S.F. used in the poles. 1925 (print), Anonymous / Bridgeman Images

ID: XEE4140895

The T.S.F. used in the poles. 1925 (print)

Anonymous

Fishing boats on Hastings Beach, England, 1859. Engraving in “” Le Monde Illustré”” n°109 of 14 May 1859.
Fishing boats on Hastings Beach, England, 1859. Engraving in “” Le Monde Illustré”” n°109 of 14 May 1859.

XEE4141051: Fishing boats on Hastings Beach, England, 1859. Engraving in “” Le Monde Illustré”” n°109 of 14 May 1859., French School, (19th century) / Bridgeman Images

ID: XEE4141051

Fishing boats on Hastings Beach, England, 1859. Engraving in “” Le Monde Illustré”” n°109 of 14 May 1859.

French School, (19th century)

X-rays: radioscopy of a human body. 1925 (print)
X-rays: radioscopy of a human body. 1925 (print)

XEE4141079: X-rays: radioscopy of a human body. 1925 (print), Anonymous / Bridgeman Images

ID: XEE4141079

X-rays: radioscopy of a human body. 1925 (print)

Anonymous

Electric railways: air transport. 1925 (print)
Electric railways: air transport. 1925 (print)

XEE4140760: Electric railways: air transport. 1925 (print), Anonymous / Bridgeman Images

ID: XEE4140760

Electric railways: air transport. 1925 (print)

Anonymous

Electrochemistry: electrolysis of sea salt or sodium chloride. 1925 (print)
Electrochemistry: electrolysis of sea salt or sodium chloride. 1925 (print)

XEE4140779: Electrochemistry: electrolysis of sea salt or sodium chloride. 1925 (print), Anonymous / Bridgeman Images

ID: XEE4140779

Electrochemistry: electrolysis of sea salt or sodium chloride. 1925 (print)

Anonymous

Terrestrial magnetism: Christopher Columbus (1451-1506) discovers the variations of the magnetic needle of a compasssole during his journey to America in 1492, 1925
Terrestrial magnetism: Christopher Columbus (1451-1506) discovers the variations of the magnetic needle of a compasssole during his journey to America in 1492, 1925

XEE4140823: Terrestrial magnetism: Christopher Columbus (1451-1506) discovers the variations of the magnetic needle of a compasssole during his journey to America in 1492, 1925, Anonymous / Bridgeman Images

ID: XEE4140823

Terrestrial magnetism: Christopher Columbus (1451-1506) discovers the variations of the magnetic needle of a compasssole during his journey to America in 1492, 1925

Anonymous

Wireless telephony: T.S.F. in a railway wagon. 1925 (print)
Wireless telephony: T.S.F. in a railway wagon. 1925 (print)

XEE4140873: Wireless telephony: T.S.F. in a railway wagon. 1925 (print), Anonymous / Bridgeman Images

ID: XEE4140873

Wireless telephony: T.S.F. in a railway wagon. 1925 (print)

Anonymous

Marriage of Prince Napoleon (1822-1891) and Princess Clotilde of Savoy (1843-1911), 1859: General Adolphe Niel (1802-1869) asked King Victor Emmanuel II (Vittorio Emanuele) (Victor-Emmanuel) (1820-1878) for the princess. Turin, Italy. Based on Mr. Riou's drawings. Engraving in “” Le Monde Illustré”” n°95 of 5 February 1859.
Marriage of Prince Napoleon (1822-1891) and Princess Clotilde of Savoy (1843-1911), 1859: General Adolphe Niel (1802-1869) asked King Victor Emmanuel II (Vittorio Emanuele) (Victor-Emmanuel) (1820-1878) for the princess. Turin, Italy. Based on Mr. Riou's drawings. Engraving in “” Le Monde Illustré”” n°95 of 5 February 1859.

XEE4140887: Marriage of Prince Napoleon (1822-1891) and Princess Clotilde of Savoy (1843-1911), 1859: General Adolphe Niel (1802-1869) asked King Victor Emmanuel II (Vittorio Emanuele) (Victor-Emmanuel) (1820-1878) for the princess. Turin, Italy. Based on Mr. Riou's drawings. Engraving in “” Le Monde Illustré”” n°95 of 5 February 1859., Riou, Edouard (1833-1900) / Bridgeman Images

ID: XEE4140887

Marriage of Prince Napoleon (1822-1891) and Princess Clotilde of Savoy (1843-1911), 1859: General Adolphe Niel (1802-1869) asked King Victor Emmanuel II (Vittorio Emanuele) (Victor-Emmanuel) (1820-1878) for the princess. Turin, Italy. Based on Mr. Riou's drawings. Engraving in “” Le Monde Illustré”” n°95 of 5 February 1859.

Riou, Edouard (1833-1900)

The atoms: law of distribution by Jean Perrin. 1925 (print)
The atoms: law of distribution by Jean Perrin. 1925 (print)

XEE4140949: The atoms: law of distribution by Jean Perrin. 1925 (print), Anonymous / Bridgeman Images

ID: XEE4140949

The atoms: law of distribution by Jean Perrin. 1925 (print)

Anonymous

New gas properties: air composition. 1925 (print)
New gas properties: air composition. 1925 (print)

XEE4140997: New gas properties: air composition. 1925 (print), Anonymous / Bridgeman Images

ID: XEE4140997

New gas properties: air composition. 1925 (print)

Anonymous

Mechanical traction: bus. Anonymous illustration of 1925 (print)
Mechanical traction: bus. Anonymous illustration of 1925 (print)

XEE4141159: Mechanical traction: bus. Anonymous illustration of 1925 (print), Anonymous / Bridgeman Images

ID: XEE4141159

Mechanical traction: bus. Anonymous illustration of 1925 (print)

Anonymous

Coal mine in France at the end of the 19th century: Wood gallery. Chromolithography of the late 19th century
Coal mine in France at the end of the 19th century: Wood gallery. Chromolithography of the late 19th century

XEE4141283: Coal mine in France at the end of the 19th century: Wood gallery. Chromolithography of the late 19th century, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4141283

Coal mine in France at the end of the 19th century: Wood gallery. Chromolithography of the late 19th century

Unknown Artist, (19th century)

Chocolate manufacturing, mixing room. Chromolithography of the end of the 19th century
Chocolate manufacturing, mixing room. Chromolithography of the end of the 19th century

XEE4141309: Chocolate manufacturing, mixing room. Chromolithography of the end of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4141309

Chocolate manufacturing, mixing room. Chromolithography of the end of the 19th century

Unknown Artist, (19th century)

The Fall of Icarus - The Fall of Icarus. Anonymous illustration of 1925 (print)
The Fall of Icarus - The Fall of Icarus. Anonymous illustration of 1925 (print)

XEE4141048: The Fall of Icarus - The Fall of Icarus. Anonymous illustration of 1925 (print), Anonymous / Bridgeman Images

ID: XEE4141048

The Fall of Icarus - The Fall of Icarus. Anonymous illustration of 1925 (print)

Anonymous

Colour photography: the process invented by Gabriel Lippmann in 1891. 1925 (print)
Colour photography: the process invented by Gabriel Lippmann in 1891. 1925 (print)

XEE4141070: Colour photography: the process invented by Gabriel Lippmann in 1891. 1925 (print), Anonymous / Bridgeman Images

ID: XEE4141070

Colour photography: the process invented by Gabriel Lippmann in 1891. 1925 (print)

Anonymous

Telegraph: telegraph by Claude Chappe in 1790. 1925 (print)
Telegraph: telegraph by Claude Chappe in 1790. 1925 (print)

XEE4141090: Telegraph: telegraph by Claude Chappe in 1790. 1925 (print), Anonymous / Bridgeman Images

ID: XEE4141090

Telegraph: telegraph by Claude Chappe in 1790. 1925 (print)

Anonymous

Mechanical traction: motorcycle culture. Anonymous illustration of 1925 (print)
Mechanical traction: motorcycle culture. Anonymous illustration of 1925 (print)

XEE4141152: Mechanical traction: motorcycle culture. Anonymous illustration of 1925 (print), Anonymous / Bridgeman Images

ID: XEE4141152

Mechanical traction: motorcycle culture. Anonymous illustration of 1925 (print)

Anonymous

Sardine industry: cutting heads, salting. Chromolithography of the late 19th century
Sardine industry: cutting heads, salting. Chromolithography of the late 19th century

XEE4141300: Sardine industry: cutting heads, salting. Chromolithography of the late 19th century, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4141300

Sardine industry: cutting heads, salting. Chromolithography of the late 19th century

Unknown Artist, (19th century)

XEE4141500: "Le roi Soleil", 1904 (chromo), Leloir, Maurice (1853-1940) / Bridgeman Images

ID: XEE4141500

"Le roi Soleil", 1904 (chromo)

Leloir, Maurice (1853-1940)

Souvenir postcard of Lourdes - Hautes Pyrenees around 1900.
Souvenir postcard of Lourdes - Hautes Pyrenees around 1900.

XEE4141560: Souvenir postcard of Lourdes - Hautes Pyrenees around 1900., Anonymous / Bridgeman Images

ID: XEE4141560

Souvenir postcard of Lourdes - Hautes Pyrenees around 1900.

Anonymous

Portrait of Willem (Wilhelm) Beukels who invented a way to preserve herrings, 1833 (engraving)
Portrait of Willem (Wilhelm) Beukels who invented a way to preserve herrings, 1833 (engraving)

XEE4141379: Portrait of Willem (Wilhelm) Beukels who invented a way to preserve herrings, 1833 (engraving), French School, (19th century) / Bridgeman Images

ID: XEE4141379

Portrait of Willem (Wilhelm) Beukels who invented a way to preserve herrings, 1833 (engraving)

French School, (19th century)

Portrait of Nicola Sottile, 1833 (engraving)
Portrait of Nicola Sottile, 1833 (engraving)

XEE4141396: Portrait of Nicola Sottile, 1833 (engraving), Anonymous / Bridgeman Images

ID: XEE4141396

Portrait of Nicola Sottile, 1833 (engraving)

Anonymous

Protestant rite: baptism of Prince Frederic Guillaume Victor Albert of Prussia (who became William II, King of Prussia and Emperor of Germany, 1859-1941) in the palace chapel in Berlin, Germany, on March 5, 1859. The child is present by Prince Regent (now William I, 1797-1888). Engraving in “” Le Monde Illustré”” n°102 of 26 March 1859.
Protestant rite: baptism of Prince Frederic Guillaume Victor Albert of Prussia (who became William II, King of Prussia and Emperor of Germany, 1859-1941) in the palace chapel in Berlin, Germany, on March 5, 1859. The child is present by Prince Regent (now William I, 1797-1888). Engraving in “” Le Monde Illustré”” n°102 of 26 March 1859.

XEE4141463: Protestant rite: baptism of Prince Frederic Guillaume Victor Albert of Prussia (who became William II, King of Prussia and Emperor of Germany, 1859-1941) in the palace chapel in Berlin, Germany, on March 5, 1859. The child is present by Prince Regent (now William I, 1797-1888). Engraving in “” Le Monde Illustré”” n°102 of 26 March 1859., French School, (19th century) / Bridgeman Images

ID: XEE4141463

Protestant rite: baptism of Prince Frederic Guillaume Victor Albert of Prussia (who became William II, King of Prussia and Emperor of Germany, 1859-1941) in the palace chapel in Berlin, Germany, on March 5, 1859. The child is present by Prince Regent (now William I, 1797-1888). Engraving in “” Le Monde Illustré”” n°102 of 26 March 1859.

French School, (19th century)

Portrait of Marguerite Hessein, Madame de la Sabliere (1636-1693) French Salonniere. Engraving of the 19th century.
Portrait of Marguerite Hessein, Madame de la Sabliere (1636-1693) French Salonniere. Engraving of the 19th century.

XEE4141498: Portrait of Marguerite Hessein, Madame de la Sabliere (1636-1693) French Salonniere. Engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4141498

Portrait of Marguerite Hessein, Madame de la Sabliere (1636-1693) French Salonniere. Engraving of the 19th century.

Unknown Artist, (19th century)

Anne Ninon”” of the Enclo (or Ninon de Lenclos or Ninon de Lanclos, 1620-1705) with the Duke of Beaufort. Engraving of the 19th century in “” Confessions of Ninon de Lenclos”” by Eugene Moret.
Anne Ninon”” of the Enclo (or Ninon de Lenclos or Ninon de Lanclos, 1620-1705) with the Duke of Beaufort. Engraving of the 19th century in “” Confessions of Ninon de Lenclos”” by Eugene Moret.

XEE4141537: Anne Ninon”” of the Enclo (or Ninon de Lenclos or Ninon de Lanclos, 1620-1705) with the Duke of Beaufort. Engraving of the 19th century in “” Confessions of Ninon de Lenclos”” by Eugene Moret., French School, (19th century) / Bridgeman Images

ID: XEE4141537

Anne Ninon”” of the Enclo (or Ninon de Lenclos or Ninon de Lanclos, 1620-1705) with the Duke of Beaufort. Engraving of the 19th century in “” Confessions of Ninon de Lenclos”” by Eugene Moret.

French School, (19th century)

Anne Ninon””” of the Enclo (or Ninon de Lenclos or Ninon de Lanclos, 1620-1705) in the bed of Saint-Etienne (Saint Stephen), one of her lovers. Engraving of the 19th century in “” Confessions of Ninon de Lenclos”” by Eugene Moret.
Anne Ninon””” of the Enclo (or Ninon de Lenclos or Ninon de Lanclos, 1620-1705) in the bed of Saint-Etienne (Saint Stephen), one of her lovers. Engraving of the 19th century in “” Confessions of Ninon de Lenclos”” by Eugene Moret.

XEE4141550: Anne Ninon””” of the Enclo (or Ninon de Lenclos or Ninon de Lanclos, 1620-1705) in the bed of Saint-Etienne (Saint Stephen), one of her lovers. Engraving of the 19th century in “” Confessions of Ninon de Lenclos”” by Eugene Moret., French School, (19th century) / Bridgeman Images

ID: XEE4141550

Anne Ninon””” of the Enclo (or Ninon de Lenclos or Ninon de Lanclos, 1620-1705) in the bed of Saint-Etienne (Saint Stephen), one of her lovers. Engraving of the 19th century in “” Confessions of Ninon de Lenclos”” by Eugene Moret.

French School, (19th century)

View of the rue au Fevres in Lisieux (Calvados - region Basse-Normandie) around 1935.
View of the rue au Fevres in Lisieux (Calvados - region Basse-Normandie) around 1935.

XEE4141920: View of the rue au Fevres in Lisieux (Calvados - region Basse-Normandie) around 1935., Unknown photographer, (20th century) / Bridgeman Images

ID: XEE4141920

View of the rue au Fevres in Lisieux (Calvados - region Basse-Normandie) around 1935.

Unknown photographer, (20th century)

Advertising for the “” Department Stores de l'Avenir de Lyon”” in 1898.
Advertising for the “” Department Stores de l'Avenir de Lyon”” in 1898.

XEE4141824: Advertising for the “” Department Stores de l'Avenir de Lyon”” in 1898., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4141824

Advertising for the “” Department Stores de l'Avenir de Lyon”” in 1898.

Unknown Artist, (19th century)

Risorgimento, 1859: post office for the service of Emperor Napoleon III at the Calcio camp (Italy). According to Mr. Moullin's sketches. Engraving in “” Le Monde Illustré”” n°115 of June 27, 1859.
Risorgimento, 1859: post office for the service of Emperor Napoleon III at the Calcio camp (Italy). According to Mr. Moullin's sketches. Engraving in “” Le Monde Illustré”” n°115 of June 27, 1859.

XEE4141916: Risorgimento, 1859: post office for the service of Emperor Napoleon III at the Calcio camp (Italy). According to Mr. Moullin's sketches. Engraving in “” Le Monde Illustré”” n°115 of June 27, 1859., French School, (19th century) / Bridgeman Images

ID: XEE4141916

Risorgimento, 1859: post office for the service of Emperor Napoleon III at the Calcio camp (Italy). According to Mr. Moullin's sketches. Engraving in “” Le Monde Illustré”” n°115 of June 27, 1859.

French School, (19th century)

Clemence allegory. She is represented holding a spear and an olive branch to indicate that she has the power to punish but also to forgive. The lion is the attribute of generosite. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.
Clemence allegory. She is represented holding a spear and an olive branch to indicate that she has the power to punish but also to forgive. The lion is the attribute of generosite. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.

XEE4135703: Clemence allegory. She is represented holding a spear and an olive branch to indicate that she has the power to punish but also to forgive. The lion is the attribute of generosite. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection., Austrian School, (19th century) / Bridgeman Images

ID: XEE4135703

Clemence allegory. She is represented holding a spear and an olive branch to indicate that she has the power to punish but also to forgive. The lion is the attribute of generosite. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.

Austrian School, (19th century)

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4135709: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

ID: XEE4135709

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

Austrian School, (19th century)

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4135734: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

ID: XEE4135734

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

Austrian School, (19th century)


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