2497598 Search Results
PFH2965863: Japan: "Hikifuda" advertising poster depicting two Shinto deities and symbols of prosperity. It has been left blank so that the printer can add the text required by the purchaser in the column at the left. Late Meiji (1868-1912) period / Bridgeman Images
PFH2965868: Japan: "Hikifuda" advertising poster depicting a pennyfarthing and a rickshaw. Late Meiji (1868-1912) period / Bridgeman Images
PFH2965933: Burma / Myanmar: Buddha fresco at the Khay Min Gha Temple (12th century), Bagan (Pagan) Ancient City / Bridgeman Images
PFH2965799: Japan: "Hikifuda" advertising poster depicting a Treasure Ship. It has been left blank so that the printer can add the text required by the purchaser in the column on the left hand side. Late Meiji (1868-1912) period / Bridgeman Images
PFH2965803: Japan: Ebisu, the Shinto God of Good Luck and Patron Saint of Fishermen, Anon., 1902 / Bridgeman Images
PFH2965867: Japan: "Hikifuda" advertising poster depicting a Shinto deity and symbols of good fortune. Late Meiji (1868-1912) period / Bridgeman Images
PFH2965930: Burma / Myanmar: Buddha fresco at the Khay Min Gha Temple (12th century), Bagan (Pagan) Ancient City / Bridgeman Images
PFH2966062: India: Muhammad Khan Bangash (1665-1743), Nawab of Farrukhabad (1715-1743), with female musicians and attendant, c. 1730 / Bridgeman Images
PFH2966066: Japan: A rainy day by the shore of the Sumida river. Utagawa Kuniyoshi (1798-1861), 1833 / Bridgeman Images
PFH2966158: Japan: 'Beautiful Japan', advertising poster for Japan Government Railways, Japan Tourist Bureau, c. 1925 / Bridgeman Images
REV2963063: Silhouette of a Man with a Top Hat, Frock coat and Umbrella (pen & ink on paper), Gapp, J. (fl.1827-40) / Bridgeman Images
XOS2963085: It was the air and attitude of a Montoni, 1907 (illustration), Brock, Charles Edmund (1870-1938) / Bridgeman Images
MOR2963127: His majesty was then deep in a problem. From Gulliver's voyage to Laputa. From Gullivers Travels published c.1875 / Bridgeman Images
MOR2963133: Some of them seized my cake and carried it piecemeal away. Gulliver attacked by giant insects during his voyage to Brobdingnag. From Gullivers Travels published c.1875 / Bridgeman Images
MOR2963150: English Infantry soldier in 1750. From The Story of England, published 1930. / Bridgeman Images
MOR2963173: Baker's oven, bread and flour mills discovered in the excavations at Pompeii, Naples, Italy in the late 19th century. From Italian Pictures by Rev. Samuel Manning, published c.1890., Manning, Reverend Samuel (fl.1880s) / Bridgeman Images
TW2963236: View of the Barrack Walls on the Leazes, Newcastle upon Tyne (w/c on paper, on card), Richardson, Henry Burdon (fl.1828-72) / Bridgeman Images
XCK2963322: Tankard, London, 1811-12 (silver), Emes, Rebecca & Barnard, Edward I (fl.1808-29) / Bridgeman Images
BPA2963345: North-Island Kiwi, from 'A History of the birds of of New Zealand', by Walter Buller, pub. London, 1873 (hand-coloured litho) , Keulemans, Johan Gerard (1842-1912) / Bridgeman Images
JMT2963367: Trahie-Perplexite (oil on panel), Stevens, Alfred Emile (1823-1906) / Bridgeman Images
JMT2963374: The Conversion of St. Paul (oil on panel), Bourdon, Sebastien (1616-71) / Bridgeman Images
JMT2963398: A mountain hut in the Engadine Valley, Switzerland (oil on card laid ), Fischer, R. (20th century) / Bridgeman Images
JMT2963426: Still life with pumpkin and eggs, 1854 (oil on canvas), Bonvin, Francois (1817-87) / Bridgeman Images
JMT2963451: Estuary scene with figures and boats (pen and grey ink and w/c), Atkins, Samuel (fl.1787-1808) / Bridgeman Images
XCC2972588: 'Il Mascherone,' a Rocaille Fountain on the Grounds of the Villa Borghese, c.1754 (black chalk, heightened with white chalk & graphite, on blue laid paper, laid down on card), Wilson, Richard (1713/14-82) / Bridgeman Images
XCC2972604: Charles Francois Mallet, c.1809 (etching & drypoint), Boucheron, Angelo (c.1776-1859) / Bridgeman Images
XCC2972693: Five Sketches for a Cavalry Battle, 1813-14 (pen & brown ink with brush and brown wash, over graphite, on cream wove paper, perimeter mounted on ivory laid paper), Gericault, Theodore (1791-1824) / Bridgeman Images
XCC2972716: They Say 'Yes' and Give Their Hand to the First Comer, plate two from Los Caprichos, 1797-99 (etching and aquatint on ivory laid paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
XCC2972773: Battle of the Lapiths and Centaurs, c.1600 (woodcut on cream laid paper), Parasole, Geronima Cagnaccia (c.1569-1622) / Bridgeman Images
XCC2971372: Rev. James Langton Clark and son Charles (Robin), 1864 (albumen silver print), Dodgson, Charles Lutwidge (Lewis Carroll) (1832-98) / Bridgeman Images
XCC2971461: Fortitude (or Strength) Flanked by Two Satyrs (brush & brown wash, heightened with lead white (partially oxidized), over black chalk, on blue laid paper, squared in black chalk), Veronese, (Caliari, Paolo) (1528-88) / Bridgeman Images
XCC2971520: Study for Arrangement in Black: Lady Meux, 1881 (pen & brown ink on ivory wove paper laid down on ivory wove board), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XCC2972590: Banks of the River Dee near Eaton Hall, Cheshire, c.1759 (black & white chalk on blue laid paper, laid down on card), Wilson, Richard (1713/14-82) / Bridgeman Images
XCC2972665: Saint Luke, c.1508 (engraving), Leyden, Lucas van (c.1494-1533) / Bridgeman Images
XCC2972682: Sketch of Trees Near Bridge (charcoal & graphite on blue laid paper, tipped onto cream wove paper), Wilson, Richard (1714-82) (attr.to) / Bridgeman Images
XCC2972696: Study of a leg, flourish, and doodles, 1610-17 (pen & ink on paper), Bellange, Jacques (c.1575-1616) / Bridgeman Images
