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MS CCC 13 f.175 St. John, from a New Testament by the humanist scribe Peter Meghen (b.1466-p.1537) Flemish, 16th century (parchment)
MS CCC 13 f.175 St. John, from a New Testament by the humanist scribe Peter Meghen (b.1466-p.1537) Flemish, 16th century (parchment)

CCC95534: MS CCC 13 f.175 St. John, from a New Testament by the humanist scribe Peter Meghen (b.1466-p.1537) Flemish, 16th century (parchment) / Bridgeman Images

ID: CCC95534

MS CCC 13 f.175 St. John, from a New Testament by the humanist scribe Peter Meghen (b.1466-p.1537) Flemish, 16th century (parchment)

In the Barracks, 1989 (oil on canvas)
In the Barracks, 1989 (oil on canvas)

CAI107024: In the Barracks, 1989 (oil on canvas), Caine, Osmund (1914-2004) / Bridgeman Images

ID: CAI107024

In the Barracks, 1989 (oil on canvas)

Caine, Osmund (1914-2004)

Fair Is My Love, 1900 (oil on canvas)
Fair Is My Love, 1900 (oil on canvas)

HMP107094: Fair Is My Love, 1900 (oil on canvas), Abbey, Edwin Austin (1852-1911) / Bridgeman Images

ID: HMP107094

Fair Is My Love, 1900 (oil on canvas)

Abbey, Edwin Austin (1852-1911)

County Fire Office on Regent Street, London, 1819 (pen & ink and w/c on paper)
County Fire Office on Regent Street, London, 1819 (pen & ink and w/c on paper)

CJP107278: County Fire Office on Regent Street, London, 1819 (pen & ink and w/c on paper), Abraham, Robert (1774-1850) / Bridgeman Images

ID: CJP107278

County Fire Office on Regent Street, London, 1819 (pen & ink and w/c on paper)

Abraham, Robert (1774-1850)

View of a Country House in a Park, c.1825 (gouache on paper)
View of a Country House in a Park, c.1825 (gouache on paper)

CJP107703: View of a Country House in a Park, c.1825 (gouache on paper), English School, (19th century) / Bridgeman Images

ID: CJP107703

View of a Country House in a Park, c.1825 (gouache on paper)

English School, (19th century)

The Spell, c.1870 (charcoal on paper)
The Spell, c.1870 (charcoal on paper)

CJP107712: The Spell, c.1870 (charcoal on paper), English School, (19th century) / Bridgeman Images

ID: CJP107712

The Spell, c.1870 (charcoal on paper)

English School, (19th century)

Neo-Classical Design for a Title Page, 1776 (pen & ink and gouache on paper)
Neo-Classical Design for a Title Page, 1776 (pen & ink and gouache on paper)

CJP107758: Neo-Classical Design for a Title Page, 1776 (pen & ink and gouache on paper), Richardson, George (1736-1817) / Bridgeman Images

ID: CJP107758

Neo-Classical Design for a Title Page, 1776 (pen & ink and gouache on paper)

Richardson, George (1736-1817)

Hippolytus, 1832, after a painting by Baron Pierre Narcisse Guerin (1774-1833) (charcoal on paper)
Hippolytus, 1832, after a painting by Baron Pierre Narcisse Guerin (1774-1833) (charcoal on paper)

CJP107795: Hippolytus, 1832, after a painting by Baron Pierre Narcisse Guerin (1774-1833) (charcoal on paper), Denagers, Eugene (fl.1832) / Bridgeman Images

ID: CJP107795

Hippolytus, 1832, after a painting by Baron Pierre Narcisse Guerin (1774-1833) (charcoal on paper)

Denagers, Eugene (fl.1832)

View of a Villa on the Bay of Naples (w/c on paper)
View of a Villa on the Bay of Naples (w/c on paper)

CJP108033: View of a Villa on the Bay of Naples (w/c on paper), Fontaine, Pierre Francois Leonard (1762-1853) / Bridgeman Images

ID: CJP108033

View of a Villa on the Bay of Naples (w/c on paper)

Fontaine, Pierre Francois Leonard (1762-1853)

Vermont Scene (oil on canvas)
Vermont Scene (oil on canvas)

FIN108232: Vermont Scene (oil on canvas), Pierce, Charles Franklin (1844-1920) / Bridgeman Images

ID: FIN108232

Vermont Scene (oil on canvas)

Pierce, Charles Franklin (1844-1920)

Neo-Classical Bedchamber, 1819 (w/c on paper)
Neo-Classical Bedchamber, 1819 (w/c on paper)

CJP108331: Neo-Classical Bedchamber, 1819 (w/c on paper), Russian School (19th century) / Bridgeman Images

ID: CJP108331

Neo-Classical Bedchamber, 1819 (w/c on paper)

Russian School (19th century)

Bedroom Interior in Albany, New York, 1861 (w/c with pencil on paper)
Bedroom Interior in Albany, New York, 1861 (w/c with pencil on paper)

CJP108338: Bedroom Interior in Albany, New York, 1861 (w/c with pencil on paper), American School, (19th century) / Bridgeman Images

ID: CJP108338

Bedroom Interior in Albany, New York, 1861 (w/c with pencil on paper)

American School, (19th century)

The Falls at Tivoli, 1770 (w/c and gouache on paper)
The Falls at Tivoli, 1770 (w/c and gouache on paper)

LMG109243: The Falls at Tivoli, 1770 (w/c and gouache on paper), Hackert, Jacob-Philippe (1737-1807) / Bridgeman Images

ID: LMG109243

The Falls at Tivoli, 1770 (w/c and gouache on paper)

Hackert, Jacob-Philippe (1737-1807)

Return from the Hills (oil on canvas)
Return from the Hills (oil on canvas)

FLE109290: Return from the Hills (oil on canvas), Ansdell, Richard (1815-85) / Bridgeman Images

ID: FLE109290

Return from the Hills (oil on canvas)

Ansdell, Richard (1815-85)

Houses on a Hill, c.1958 (oil on canvas)
Houses on a Hill, c.1958 (oil on canvas)

FLE109295: Houses on a Hill, c.1958 (oil on canvas), Redpath, Anne (1895-1965) / Bridgeman Images

ID: FLE109295

Houses on a Hill, c.1958 (oil on canvas)

Redpath, Anne (1895-1965)

Courtyard in Venice, 1964 (oil on canvas)
Courtyard in Venice, 1964 (oil on canvas)

FLE109298: Courtyard in Venice, 1964 (oil on canvas), Redpath, Anne (1895-1965) / Bridgeman Images

ID: FLE109298

Courtyard in Venice, 1964 (oil on canvas)

Redpath, Anne (1895-1965)

Blue Iris and Insects (w/c on paper)
Blue Iris and Insects (w/c on paper)

FIT109629: Blue Iris and Insects (w/c on paper), Chinese School (19th century) / Bridgeman Images

ID: FIT109629

Blue Iris and Insects (w/c on paper)

Chinese School (19th century)

FIT109649: "Appears to the Americans", plate 4 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: FIT109649

"Appears to the Americans", plate 4 from 'America, a Prophecy', 1793 (relief etching & w/c on paper)

Blake, William (1757-1827)

FIT109651: "The Morning Comes", plate 6 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: FIT109651

"The Morning Comes", plate 6 from 'America, a Prophecy', 1793 (relief etching & w/c on paper)

Blake, William (1757-1827)

The First Letter, 1857 (oil on canvas)
The First Letter, 1857 (oil on canvas)

VFS109703: The First Letter, 1857 (oil on canvas), Chapman, R.W. (fl.1855-1861) / Bridgeman Images

ID: VFS109703

The First Letter, 1857 (oil on canvas)

Chapman, R.W. (fl.1855-1861)

The Soldier's Return (oil on prepared board)
The Soldier's Return (oil on prepared board)

VFS109711: The Soldier's Return (oil on prepared board), Faed, Thomas (1826-1900) / Bridgeman Images

ID: VFS109711

The Soldier's Return (oil on prepared board)

Faed, Thomas (1826-1900)

Changing Weather, 1862 (w/c on paper)
Changing Weather, 1862 (w/c on paper)

VFS109762: Changing Weather, 1862 (w/c on paper), Nicol, Erskine (1825-1904) / Bridgeman Images

ID: VFS109762

Changing Weather, 1862 (w/c on paper)

Nicol, Erskine (1825-1904)

The Very Tame Lamb, from 'The Square Book of Animals', published by William Heinemann, 1899 (hand-coloured woodcut)
The Very Tame Lamb, from 'The Square Book of Animals', published by William Heinemann, 1899 (hand-coloured woodcut)

ELB109817: The Very Tame Lamb, from 'The Square Book of Animals', published by William Heinemann, 1899 (hand-coloured woodcut), Nicholson, William (1872-1949) / Bridgeman Images

ID: ELB109817

The Very Tame Lamb, from 'The Square Book of Animals', published by William Heinemann, 1899 (hand-coloured woodcut)

Nicholson, William (1872-1949)

The Learned Pig, from 'The Square Book of Animals', published by William Heinemann, 1899 (hand-coloured woodcut)
The Learned Pig, from 'The Square Book of Animals', published by William Heinemann, 1899 (hand-coloured woodcut)

ELB109820: The Learned Pig, from 'The Square Book of Animals', published by William Heinemann, 1899 (hand-coloured woodcut), Nicholson, William (1872-1949) / Bridgeman Images

ID: ELB109820

The Learned Pig, from 'The Square Book of Animals', published by William Heinemann, 1899 (hand-coloured woodcut)

Nicholson, William (1872-1949)

The Simple Sheep, illustration from 'The Square Book of Animals', published by William Heinemann, 1899 (hand-coloured woodblock print)
The Simple Sheep, illustration from 'The Square Book of Animals', published by William Heinemann, 1899 (hand-coloured woodblock print)

ELB109822: The Simple Sheep, illustration from 'The Square Book of Animals', published by William Heinemann, 1899 (hand-coloured woodblock print), Nicholson, William (1872-1949) / Bridgeman Images

ID: ELB109822

The Simple Sheep, illustration from 'The Square Book of Animals', published by William Heinemann, 1899 (hand-coloured woodblock print)

Nicholson, William (1872-1949)

C is for Countess, illustration from 'An Alphabet', pub. 1898 (hand-coloured woodcut)
C is for Countess, illustration from 'An Alphabet', pub. 1898 (hand-coloured woodcut)

ELB109837: C is for Countess, illustration from 'An Alphabet', pub. 1898 (hand-coloured woodcut), Nicholson, William (1872-1949) / Bridgeman Images

ID: ELB109837

C is for Countess, illustration from 'An Alphabet', pub. 1898 (hand-coloured woodcut)

Nicholson, William (1872-1949)

L is for Lady, illustration from 'An Alphabet', published by William Heinemann, 1898 (hand-coloured woodcut)
L is for Lady, illustration from 'An Alphabet', published by William Heinemann, 1898 (hand-coloured woodcut)

ELB109846: L is for Lady, illustration from 'An Alphabet', published by William Heinemann, 1898 (hand-coloured woodcut), Nicholson, William (1872-1949) / Bridgeman Images

ID: ELB109846

L is for Lady, illustration from 'An Alphabet', published by William Heinemann, 1898 (hand-coloured woodcut)

Nicholson, William (1872-1949)

J for Jockey, illustration from 'An Alphabet', published by William Heinemann, 1898 (hand-coloured woodcut)
J for Jockey, illustration from 'An Alphabet', published by William Heinemann, 1898 (hand-coloured woodcut)

ELB109848: J for Jockey, illustration from 'An Alphabet', published by William Heinemann, 1898 (hand-coloured woodcut), Nicholson, William (1872-1949) / Bridgeman Images

ID: ELB109848

J for Jockey, illustration from 'An Alphabet', published by William Heinemann, 1898 (hand-coloured woodcut)

Nicholson, William (1872-1949)

President Theodore Roosevelt, illustration from 'Twelve Portraits', published 1899 (hand-coloured woodblock)
President Theodore Roosevelt, illustration from 'Twelve Portraits', published 1899 (hand-coloured woodblock)

ELB109855: President Theodore Roosevelt, illustration from 'Twelve Portraits', published 1899 (hand-coloured woodblock), Nicholson, William (1872-1949) / Bridgeman Images

ID: ELB109855

President Theodore Roosevelt, illustration from 'Twelve Portraits', published 1899 (hand-coloured woodblock)

Nicholson, William (1872-1949)

Pope Leo XIII, Gioacchino Vincenzo Raffaele Luigi Pecci (1878-1903) illustration from 'Twelve Portraits - Second Series', published 1899 (hand-coloured woodblock)
Pope Leo XIII, Gioacchino Vincenzo Raffaele Luigi Pecci (1878-1903) illustration from 'Twelve Portraits - Second Series', published 1899 (hand-coloured woodblock)

ELB109862: Pope Leo XIII, Gioacchino Vincenzo Raffaele Luigi Pecci (1878-1903) illustration from 'Twelve Portraits - Second Series', published 1899 (hand-coloured woodblock), Nicholson, William (1872-1949) / Bridgeman Images

ID: ELB109862

Pope Leo XIII, Gioacchino Vincenzo Raffaele Luigi Pecci (1878-1903) illustration from 'Twelve Portraits - Second Series', published 1899 (hand-coloured woodblock)

Nicholson, William (1872-1949)

Miss Havisham, illustration from 'Characters of Romance', first published 1900 (colour litho)
Miss Havisham, illustration from 'Characters of Romance', first published 1900 (colour litho)

ELB109868: Miss Havisham, illustration from 'Characters of Romance', first published 1900 (colour litho), Nicholson, William (1872-1949) / Bridgeman Images

ID: ELB109868

Miss Havisham, illustration from 'Characters of Romance', first published 1900 (colour litho)

Nicholson, William (1872-1949)

Madge Wildfire, illustration from 'Characters of Romance', first published 1900 (colour litho)
Madge Wildfire, illustration from 'Characters of Romance', first published 1900 (colour litho)

ELB109872: Madge Wildfire, illustration from 'Characters of Romance', first published 1900 (colour litho), Nicholson, William (1872-1949) / Bridgeman Images

ID: ELB109872

Madge Wildfire, illustration from 'Characters of Romance', first published 1900 (colour litho)

Nicholson, William (1872-1949)

Mr Jorrocks, illustration from 'Characters of Romance', first published 1900 (colour litho)
Mr Jorrocks, illustration from 'Characters of Romance', first published 1900 (colour litho)

ELB109878: Mr Jorrocks, illustration from 'Characters of Romance', first published 1900 (colour litho), Nicholson, William (1872-1949) / Bridgeman Images

ID: ELB109878

Mr Jorrocks, illustration from 'Characters of Romance', first published 1900 (colour litho)

Nicholson, William (1872-1949)

Summer, detail (oil on canvas)
Summer, detail (oil on canvas)

SOU112530: Summer, detail (oil on canvas), Arcimboldo, Giuseppe (1527-93) / Bridgeman Images

ID: SOU112530

Summer, detail (oil on canvas)

Arcimboldo, Giuseppe (1527-93)

Santa and his helper (w/c on paper)
Santa and his helper (w/c on paper)

CBB112567: Santa and his helper (w/c on paper), Bradbury, Catherine / Bridgeman Images

ID: CBB112567

Santa and his helper (w/c on paper)

Bradbury, Catherine

Infancy, lunette from a series of six, c.1847 (oil on canvas)
Infancy, lunette from a series of six, c.1847 (oil on canvas)

LMG112908: Infancy, lunette from a series of six, c.1847 (oil on canvas), Millais, John Everett (1829-96) / Bridgeman Images

ID: LMG112908

Infancy, lunette from a series of six, c.1847 (oil on canvas)

Millais, John Everett (1829-96)


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