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Pendants, Austral Islands, left: modelled after chief's seat, centre and right: modelled after human testicles, 18th century (sperm whale ivory, coconut fibre sennit)
Pendants, Austral Islands, left: modelled after chief's seat, centre and right: modelled after human testicles, 18th century (sperm whale ivory, coconut fibre sennit)

BPA399868: Pendants, Austral Islands, left: modelled after chief's seat, centre and right: modelled after human testicles, 18th century (sperm whale ivory, coconut fibre sennit), Polynesian School, (18th century) / Bridgeman Images

Mr Bumble degraded in the eyes of the paupers, from 'The Adventures of Oliver Twist' by Charles Dickens (1812-70) 1838, published by Chapman & Hall, 1901 (engraving)
Mr Bumble degraded in the eyes of the paupers, from 'The Adventures of Oliver Twist' by Charles Dickens (1812-70) 1838, published by Chapman & Hall, 1901 (engraving)

XJF396011: Mr Bumble degraded in the eyes of the paupers, from 'The Adventures of Oliver Twist' by Charles Dickens (1812-70) 1838, published by Chapman & Hall, 1901 (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

The Industrious 'Prentice Performing the Duty of a Christian, plate II of 'Industry and Idleness', 1747 (engraving)
The Industrious 'Prentice Performing the Duty of a Christian, plate II of 'Industry and Idleness', 1747 (engraving)

XJF396050: The Industrious 'Prentice Performing the Duty of a Christian, plate II of 'Industry and Idleness', 1747 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

The Swan Theatre on the Bankside as it appeared in 1614 (engraving)
The Swan Theatre on the Bankside as it appeared in 1614 (engraving)

XJF396091: The Swan Theatre on the Bankside as it appeared in 1614 (engraving), English School / Bridgeman Images

Apotheosis of Peter the Great (engraving)
Apotheosis of Peter the Great (engraving)

XJF396623: Apotheosis of Peter the Great (engraving), Russian School, (18th century) / Bridgeman Images

Edward, the Black Prince (engraving)
Edward, the Black Prince (engraving)

XJF396617: Edward, the Black Prince (engraving), Marshall, William (fl.1617-49) / Bridgeman Images

Masquerades and Operas, Burlington Gate, 1724 (engraving)
Masquerades and Operas, Burlington Gate, 1724 (engraving)

XJF397627: Masquerades and Operas, Burlington Gate, 1724 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

Portrait of Erasmus (engraving)
Portrait of Erasmus (engraving)

XJF397965: Portrait of Erasmus (engraving), Holbein the Younger, Hans (1497/8-1543) (after) / Bridgeman Images

A Harlot's Progress, Plate III,, 1732 (engraving)
A Harlot's Progress, Plate III,, 1732 (engraving)

XJF397612: A Harlot's Progress, Plate III,, 1732 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

Mask of a king magus used in processions to celebrate the feast of the Epiphany in Mexico on 6 January (painted wood)
Mask of a king magus used in processions to celebrate the feast of the Epiphany in Mexico on 6 January (painted wood)

REV397376: Mask of a king magus used in processions to celebrate the feast of the Epiphany in Mexico on 6 January (painted wood), Mexican School / Bridgeman Images

Meditation of the Solitaires of Port-Royal, copy by M. Charles Sanlaville (fl.1920-30), illustration from 'Histoire de la Nation Francaise', by Gabriel Hanotaux (1853-1944), 1924 (colour litho)
Meditation of the Solitaires of Port-Royal, copy by M. Charles Sanlaville (fl.1920-30), illustration from 'Histoire de la Nation Francaise', by Gabriel Hanotaux (1853-1944), 1924 (colour litho)

STC397226: Meditation of the Solitaires of Port-Royal, copy by M. Charles Sanlaville (fl.1920-30), illustration from 'Histoire de la Nation Francaise', by Gabriel Hanotaux (1853-1944), 1924 (colour litho), French School, (17th century) (after) / Bridgeman Images

Ritual mask of Santiago used in the Mexican dance of the Moors and the Christians (painted wood)
Ritual mask of Santiago used in the Mexican dance of the Moors and the Christians (painted wood)

REV397373: Ritual mask of Santiago used in the Mexican dance of the Moors and the Christians (painted wood), Mexican School / Bridgeman Images

Mexican family in Plaza Santo Domingo, Mexico City, c.1840 (colour litho)
Mexican family in Plaza Santo Domingo, Mexico City, c.1840 (colour litho)

REV397915: Mexican family in Plaza Santo Domingo, Mexico City, c.1840 (colour litho), German School, (19th century) / Bridgeman Images

Love of arriving late at theatrical productions, illustration from 'Pont: An Account of the Life and Work of the great Punch artist' (litho)
Love of arriving late at theatrical productions, illustration from 'Pont: An Account of the Life and Work of the great Punch artist' (litho)

STC398787: Love of arriving late at theatrical productions, illustration from 'Pont: An Account of the Life and Work of the great Punch artist' (litho), Pont (Graham Laidler) (1908-40) / Bridgeman Images

Signature,  1899 (litho)
Signature,  1899 (litho)

KDC397347: Signature, 1899 (litho), Beardsley, Aubrey (1872-98) / Bridgeman Images

A Nigerian woman holding reeds, 1583 (black chalk, pen & brown ink on paper)
A Nigerian woman holding reeds, 1583 (black chalk, pen & brown ink on paper)

CH397241: A Nigerian woman holding reeds, 1583 (black chalk, pen & brown ink on paper), Lorck, Melchior (c.1526-88) / Bridgeman Images

Abbe Nollet's electricity machine, 1746, copy by Boris Mestchersky (d.1957) illustration from 'Histoire de la Nation Francaise', Sciences, Volumes I & II, by Gabriel Hanotaux (1853-1944), 1924 (litho)
Abbe Nollet's electricity machine, 1746, copy by Boris Mestchersky (d.1957) illustration from 'Histoire de la Nation Francaise', Sciences, Volumes I & II, by Gabriel Hanotaux (1853-1944), 1924 (litho)

STC397184: Abbe Nollet's electricity machine, 1746, copy by Boris Mestchersky (d.1957) illustration from 'Histoire de la Nation Francaise', Sciences, Volumes I & II, by Gabriel Hanotaux (1853-1944), 1924 (litho), French School, (18th century) (after) / Bridgeman Images

Etienne Bezout, illustration from 'Histoire de la Nation Francaise', Sciences, Volumes I & II, by Gabriel Hanotaux (1853-1944), 1924 (engraving) (b/w photo)
Etienne Bezout, illustration from 'Histoire de la Nation Francaise', Sciences, Volumes I & II, by Gabriel Hanotaux (1853-1944), 1924 (engraving) (b/w photo)

STC397174: Etienne Bezout, illustration from 'Histoire de la Nation Francaise', Sciences, Volumes I & II, by Gabriel Hanotaux (1853-1944), 1924 (engraving) (b/w photo), French School, (18th century) (after) / Bridgeman Images

Dr Lloyd George proposes to cure the sufferer from the unemployment epidemic with four hot water bottles,'Insurance Levy', 'Relief Works', 'Loans' and 'Export Credits', 1921 (litho)
Dr Lloyd George proposes to cure the sufferer from the unemployment epidemic with four hot water bottles,'Insurance Levy', 'Relief Works', 'Loans' and 'Export Credits', 1921 (litho)

KDC397332: Dr Lloyd George proposes to cure the sufferer from the unemployment epidemic with four hot water bottles,'Insurance Levy', 'Relief Works', 'Loans' and 'Export Credits', 1921 (litho), Partridge, Bernard John (1861-1945) / Bridgeman Images

An incident in the Battle of Villersexel, illustration from 'Battles of the Nineteenth Century' by Archibald Forbes, G.A. Henty and Major Arthur Griffiths (litho)
An incident in the Battle of Villersexel, illustration from 'Battles of the Nineteenth Century' by Archibald Forbes, G.A. Henty and Major Arthur Griffiths (litho)

STC397093: An incident in the Battle of Villersexel, illustration from 'Battles of the Nineteenth Century' by Archibald Forbes, G.A. Henty and Major Arthur Griffiths (litho), Neuville, Alphonse Marie de (1835-85) (after) / Bridgeman Images

Mask of Jaguar (painted wood & cloth)
Mask of Jaguar (painted wood & cloth)

REV397366: Mask of Jaguar (painted wood & cloth), Mexican School / Bridgeman Images

General Zurlinden, former Minister of War, member of the War Council, illustration from 'L'assiette au Beurre: Nos Generaux', 12th July 1902 (colour litho)
General Zurlinden, former Minister of War, member of the War Council, illustration from 'L'assiette au Beurre: Nos Generaux', 12th July 1902 (colour litho)

STC397153: General Zurlinden, former Minister of War, member of the War Council, illustration from 'L'assiette au Beurre: Nos Generaux', 12th July 1902 (colour litho), Camara, Leal de (1877-1948) / Bridgeman Images

Lieutenant Harley, at the head of forty Sikhs and sixty Kashmiris, rushed the house over the mouth of the mine, illustration from 'Battles of the Nineteenth Century' by Archibald Forbes, G.A. Henty and Major Arthur Griffiths (litho)
Lieutenant Harley, at the head of forty Sikhs and sixty Kashmiris, rushed the house over the mouth of the mine, illustration from 'Battles of the Nineteenth Century' by Archibald Forbes, G.A. Henty and Major Arthur Griffiths (litho)

STC397091: Lieutenant Harley, at the head of forty Sikhs and sixty Kashmiris, rushed the house over the mouth of the mine, illustration from 'Battles of the Nineteenth Century' by Archibald Forbes, G.A. Henty and Major Arthur Griffiths (litho), Groome, William Henry Charles (1881-1914) / Bridgeman Images

German naval uniforms, late 19th century (colour litho)
German naval uniforms, late 19th century (colour litho)

CHT397994: German naval uniforms, late 19th century (colour litho), German School, (19th century) / Bridgeman Images

Store Skagastolstind (oil on board)
Store Skagastolstind (oil on board)

OVR395255: Store Skagastolstind (oil on board), Flintoe, Johannes (1787-1870) / Bridgeman Images

The Birch, 1845 (oil on board)
The Birch, 1845 (oil on board)

OVR395268: The Birch, 1845 (oil on board), Reusch, Hans Leganger (1800-54) / Bridgeman Images

Club with cross-hatch pattern reminiscent of tattoo patterns from the island, Rotuma, 18th or early 19th century (wood)
Club with cross-hatch pattern reminiscent of tattoo patterns from the island, Rotuma, 18th or early 19th century (wood)

BPA399825: Club with cross-hatch pattern reminiscent of tattoo patterns from the island, Rotuma, 18th or early 19th century (wood), Polynesian School, (18th century) / Bridgeman Images

Bowl, Austral Islands, 18th century (wood, coconut fibre sennit, iron (repairs))
Bowl, Austral Islands, 18th century (wood, coconut fibre sennit, iron (repairs))

BPA399872: Bowl, Austral Islands, 18th century (wood, coconut fibre sennit, iron (repairs)), Polynesian School, (18th century) / Bridgeman Images

Masi bolabola, barkcloth, early 19th century (vegetal fibre, pigment)
Masi bolabola, barkcloth, early 19th century (vegetal fibre, pigment)

BPA399549: Masi bolabola, barkcloth, early 19th century (vegetal fibre, pigment), Fijian School (18th-19th century) / Bridgeman Images

'Akau tau, intricately carved club, inlaid with ivory circles, crescents and stars, metaphors for the sun, moon and stars, Tongan, 18th century (wood, whale ivory)
'Akau tau, intricately carved club, inlaid with ivory circles, crescents and stars, metaphors for the sun, moon and stars, Tongan, 18th century (wood, whale ivory)

BPA399439: 'Akau tau, intricately carved club, inlaid with ivory circles, crescents and stars, metaphors for the sun, moon and stars, Tongan, 18th century (wood, whale ivory), Polynesian School, (18th century) / Bridgeman Images

Full dress, 1817 (colour litho)
Full dress, 1817 (colour litho)

FMB398913: Full dress, 1817 (colour litho), English School, (19th century) / Bridgeman Images

Pennsylvania Station, Main Concourse, New York City, c.1910-30 (colour litho)
Pennsylvania Station, Main Concourse, New York City, c.1910-30 (colour litho)

HGL396799: Pennsylvania Station, Main Concourse, New York City, c.1910-30 (colour litho), American School, (20th century) / Bridgeman Images

Salads for Health, 1929 (colour litho)
Salads for Health, 1929 (colour litho)

HGL396903: Salads for Health, 1929 (colour litho), American School, (20th century) / Bridgeman Images

Advertisement for REO Motor Trucks, c.1910 (colour litho)
Advertisement for REO Motor Trucks, c.1910 (colour litho)

HGL396926: Advertisement for REO Motor Trucks, c.1910 (colour litho), American School, (20th century) / Bridgeman Images

Front cover of 'The Chalmers Clubman' 1916 Show Number, 1916 (colour litho)
Front cover of 'The Chalmers Clubman' 1916 Show Number, 1916 (colour litho)

HGL396943: Front cover of 'The Chalmers Clubman' 1916 Show Number, 1916 (colour litho), American School, (20th century) / Bridgeman Images

Union Station, Main Entrance, Los Angeles, California, c.1939-50 (colour litho)
Union Station, Main Entrance, Los Angeles, California, c.1939-50 (colour litho)

HGL396811: Union Station, Main Entrance, Los Angeles, California, c.1939-50 (colour litho), American School, (20th century) / Bridgeman Images


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