BAL3049:
Mwai mask from the Sepik River, New Guinea (not worn by men but displayed in canoes), African School / Bridgeman Images
ID: BAL3049
Mwai mask from the Sepik River, New Guinea (not worn by men but displayed in canoes)
African School
BAL3069:
Spring Gardens, Ranelagh, Rowlandson, Thomas (1756-1827) / Bridgeman Images
ID: BAL3069
Spring Gardens, Ranelagh
Rowlandson, Thomas (1756-1827)
HB3134:
Mantlepiece, c.1870 (carved and painted wood), pair of chairs, c.1875, and screen, New York, c.1880 (stained glass in cherry-wood frame), American School, (19th century) / Bridgeman Images
ID: HB3134
Mantlepiece, c.1870 (carved and painted wood), pair of chairs, c.1875, and screen, New York, c.1880 (stained glass in cherry-wood frame)
American School, (19th century)
BAL3260:
Victorian coach-lace fire-screen shown at the Great Exhibition, 1851 / Bridgeman Images
ID: BAL3260
Victorian coach-lace fire-screen shown at the Great Exhibition, 1851
BAL11732:
A Distant View of Corfe Castle, Danckerts, P. (17th century) / Bridgeman Images
ID: BAL11732
A Distant View of Corfe Castle
Danckerts, P. (17th century)
SHM28528:
Simon, 1st Lord Harcourt (Chancellor to Queen Anne), Kneller, Godfrey (1646-1723) / Bridgeman Images
ID: SHM28528
Simon, 1st Lord Harcourt (Chancellor to Queen Anne)
Kneller, Godfrey (1646-1723)
MOM28811:
The Farmer with a bandaged head from 'A Farmer went trotting upon his grey mare', Caldecott, Randolph (1846-86) / Bridgeman Images
ID: MOM28811
The Farmer with a bandaged head from 'A Farmer went trotting upon his grey mare'
Caldecott, Randolph (1846-86)
CW12184:
A Dry Summer, Davies, Norman Prescott (1862-1915) / Bridgeman Images
ID: CW12184
A Dry Summer
Davies, Norman Prescott (1862-1915)
GHL12205:
Strawberry Hill: East Front, 1784 (engraving) / Bridgeman Images
ID: GHL12205
Strawberry Hill: East Front, 1784 (engraving)
GHL12250:
Trinity House, London 1810, watercolour / Bridgeman Images
ID: GHL12250
Trinity House, London 1810, watercolour
SC28891:
The Whistonian Controversy, 1844 from 'The Vicar of Wakefield' by Oliver Goldsmith (oil on canvas), Mulready, William (1786-1863) / Bridgeman Images
ID: SC28891
The Whistonian Controversy, 1844 from 'The Vicar of Wakefield' by Oliver Goldsmith (oil on canvas)
Mulready, William (1786-1863)
FC12267:
For the Squire, 1882 (oil on canvas), Millais, John Everett (1829-96) / Bridgeman Images
BAL3945:
Watch, signed 'Jas.Upjohn & Co.', London, 1778-79 (enamelled gold), English School, (18th century) / Bridgeman Images
ID: BAL3945
Watch, signed 'Jas.Upjohn & Co.', London, 1778-79 (enamelled gold)
English School, (18th century)
SC4040:
I.S.227-1950 A'zam Shahr, third son of Emperor Aurangzeb, holding a falcon, Golconda, c.1680 (gouache with floral border), Deccani School, (17th century) / Bridgeman Images
ID: SC4040
I.S.227-1950 A'zam Shahr, third son of Emperor Aurangzeb, holding a falcon, Golconda, c.1680 (gouache with floral border)
Deccani School, (17th century)
BAL4078:
Piece of Turkish material, 16th century / Bridgeman Images
ID: BAL4078
Piece of Turkish material, 16th century
SC12018:
"With Yearnings for your Intense Joy", Victorian Christmas card (chromo-lithograph) / Bridgeman Images
ID: SC12018
"With Yearnings for your Intense Joy", Victorian Christmas card (chromo-lithograph)