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The Room of the Nine Nobles, Crathes Castle, Kincardineshire, Scotland (photo)
The Room of the Nine Nobles, Crathes Castle, Kincardineshire, Scotland (photo)

XZL148183: The Room of the Nine Nobles, Crathes Castle, Kincardineshire, Scotland (photo) / Bridgeman Images

ID: XZL148183

The Room of the Nine Nobles, Crathes Castle, Kincardineshire, Scotland (photo)

Sunday Morning - The Walk from Church, 1846 (oil on canvas)
Sunday Morning - The Walk from Church, 1846 (oil on canvas)

XZL148187: Sunday Morning - The Walk from Church, 1846 (oil on canvas), Redgrave, Richard (1804-88) / Bridgeman Images

ID: XZL148187

Sunday Morning - The Walk from Church, 1846 (oil on canvas)

Redgrave, Richard (1804-88)

Entrance to the Kuskovo Palace (photo)
Entrance to the Kuskovo Palace (photo)

JB148492: Entrance to the Kuskovo Palace (photo), Bethell, John / Bridgeman Images

ID: JB148492

Entrance to the Kuskovo Palace (photo)

Bethell, John

Palace Square towards Red Army Arch (photo)
Palace Square towards Red Army Arch (photo)

JB148498: Palace Square towards Red Army Arch (photo), Bethell, John / Bridgeman Images

ID: JB148498

Palace Square towards Red Army Arch (photo)

Bethell, John

Untitled work from 'Kleine Konstruktion', New York, 1966-68 (pen & ink on paper)
Untitled work from 'Kleine Konstruktion', New York, 1966-68 (pen & ink on paper)

XKH158735: Untitled work from 'Kleine Konstruktion', New York, 1966-68 (pen & ink on paper), Darboven, Hanne (1941-2009) / Bridgeman Images

ID: XKH158735

Untitled work from 'Kleine Konstruktion', New York, 1966-68 (pen & ink on paper)

Darboven, Hanne (1941-2009)

Study of a Head, for 'The Mill', c.1872-80 (w/c on paper)
Study of a Head, for 'The Mill', c.1872-80 (w/c on paper)

RWS137234: Study of a Head, for 'The Mill', c.1872-80 (w/c on paper), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

ID: RWS137234

Study of a Head, for 'The Mill', c.1872-80 (w/c on paper)

Burne-Jones, Edward Coley (1833-98)

A Cornish Haven, 1930 (w/c and pencil on paper)
A Cornish Haven, 1930 (w/c and pencil on paper)

RWS137246: A Cornish Haven, 1930 (w/c and pencil on paper), Southall, Joseph Edward (1861-1944) / Bridgeman Images

ID: RWS137246

A Cornish Haven, 1930 (w/c and pencil on paper)

Southall, Joseph Edward (1861-1944)

The Weaver (w/c on paper)
The Weaver (w/c on paper)

RWS137251: The Weaver (w/c on paper), Vosper, Sydney Curnow (1866-1942) / Bridgeman Images

ID: RWS137251

The Weaver (w/c on paper)

Vosper, Sydney Curnow (1866-1942)

Portrait of Carel Weight (1908-97) 1978 (w/c on paper)
Portrait of Carel Weight (1908-97) 1978 (w/c on paper)

RWS137271: Portrait of Carel Weight (1908-97) 1978 (w/c on paper), Sheppard, Maurice (b.1947) / Bridgeman Images

ID: RWS137271

Portrait of Carel Weight (1908-97) 1978 (w/c on paper)

Sheppard, Maurice (b.1947)

The Savill Garden, in Spring (photo)
The Savill Garden, in Spring (photo)

JB137299: The Savill Garden, in Spring (photo), Bethell, John / Bridgeman Images

ID: JB137299

The Savill Garden, in Spring (photo)

Bethell, John

British Fishermen, from 'Costume of Great Britain', published by William Miller, 1805 (colour litho)
British Fishermen, from 'Costume of Great Britain', published by William Miller, 1805 (colour litho)

STC137324: British Fishermen, from 'Costume of Great Britain', published by William Miller, 1805 (colour litho), Pyne, William Henry (1769-1843) / Bridgeman Images

ID: STC137324

British Fishermen, from 'Costume of Great Britain', published by William Miller, 1805 (colour litho)

Pyne, William Henry (1769-1843)

Memon, Winner of St. Leger 1825 ridden by W. Scott, c.1893 (oil on canvas)
Memon, Winner of St. Leger 1825 ridden by W. Scott, c.1893 (oil on canvas)

DRE137509: Memon, Winner of St. Leger 1825 ridden by W. Scott, c.1893 (oil on canvas), Veal, George (fl.1893) / Bridgeman Images

ID: DRE137509

Memon, Winner of St. Leger 1825 ridden by W. Scott, c.1893 (oil on canvas)

Veal, George (fl.1893)

The Obelisk at the end of the Fir Walk (photo)
The Obelisk at the end of the Fir Walk (photo)

JB137607: The Obelisk at the end of the Fir Walk (photo), Bethell, John / Bridgeman Images

ID: JB137607

The Obelisk at the end of the Fir Walk (photo)

Bethell, John

Arco del Paradiso (stone)
Arco del Paradiso (stone)

SQ148793: Arco del Paradiso (stone), Italian School, (14th century) / Bridgeman Images

ID: SQ148793

Arco del Paradiso (stone)

Italian School, (14th century)

The stern preceptor, with his threat'ning nod, calls in the wise corretion of the rod, from 'A Compendious Treatise on Modern Education', 1802 (hand coloured etched plate)
The stern preceptor, with his threat'ning nod, calls in the wise corretion of the rod, from 'A Compendious Treatise on Modern Education', 1802 (hand coloured etched plate)

STC148812: The stern preceptor, with his threat'ning nod, calls in the wise corretion of the rod, from 'A Compendious Treatise on Modern Education', 1802 (hand coloured etched plate), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC148812

The stern preceptor, with his threat'ning nod, calls in the wise corretion of the rod, from 'A Compendious Treatise on Modern Education', 1802 (hand coloured etched plate)

Rowlandson, Thomas (1756-1827)

The Dutch Garden, designed in c.1904-10 by Sir Edwin Lutyens (1869-1944) and Miss Gertrude Jekyll (1843-1932) (photo)
The Dutch Garden, designed in c.1904-10 by Sir Edwin Lutyens (1869-1944) and Miss Gertrude Jekyll (1843-1932) (photo)

JB137687: The Dutch Garden, designed in c.1904-10 by Sir Edwin Lutyens (1869-1944) and Miss Gertrude Jekyll (1843-1932) (photo), Bethell, John / Bridgeman Images

ID: JB137687

The Dutch Garden, designed in c.1904-10 by Sir Edwin Lutyens (1869-1944) and Miss Gertrude Jekyll (1843-1932) (photo)

Bethell, John

Untitled work from the series 'Konstruktion New York', New York, 1966-67 (pencil on paper)
Untitled work from the series 'Konstruktion New York', New York, 1966-67 (pencil on paper)

XKH158742: Untitled work from the series 'Konstruktion New York', New York, 1966-67 (pencil on paper), Darboven, Hanne (1941-2009) / Bridgeman Images

ID: XKH158742

Untitled work from the series 'Konstruktion New York', New York, 1966-67 (pencil on paper)

Darboven, Hanne (1941-2009)

Moses Parting the Waters of the Red Sea (oil on panel)
Moses Parting the Waters of the Red Sea (oil on panel)

XJL158813: Moses Parting the Waters of the Red Sea (oil on panel), Coter, Colijn de (c.1455-c.1540) / Bridgeman Images

ID: XJL158813

Moses Parting the Waters of the Red Sea (oil on panel)

Coter, Colijn de (c.1455-c.1540)

Southern Scene with Man Driving a Carriage, 1915 (oil on canvas)
Southern Scene with Man Driving a Carriage, 1915 (oil on canvas)

BRN158970: Southern Scene with Man Driving a Carriage, 1915 (oil on canvas), Pascin, Jules (1885-1930) / Bridgeman Images

ID: BRN158970

Southern Scene with Man Driving a Carriage, 1915 (oil on canvas)

Pascin, Jules (1885-1930)

'He will return you pure and chaste to your husband', scene from Act IV of 'The Marriage of Figaro' by Pierre-Augustin Caron de Beaumarchais (1732-99) engraved by Claude Nicolas Malapeau (1755-1803) 1785 (engraving) (b/w photo)
'He will return you pure and chaste to your husband', scene from Act IV of 'The Marriage of Figaro' by Pierre-Augustin Caron de Beaumarchais (1732-99) engraved by Claude Nicolas Malapeau (1755-1803) 1785 (engraving) (b/w photo)

XIR159007: 'He will return you pure and chaste to your husband', scene from Act IV of 'The Marriage of Figaro' by Pierre-Augustin Caron de Beaumarchais (1732-99) engraved by Claude Nicolas Malapeau (1755-1803) 1785 (engraving) (b/w photo), Saint-Quentin, Jacques Philippe Joseph de (b.1738) (after) / Bridgeman Images

ID: XIR159007

'He will return you pure and chaste to your husband', scene from Act IV of 'The Marriage of Figaro' by Pierre-Augustin Caron de Beaumarchais (1732-99) engraved by Claude Nicolas Malapeau (1755-1803) 1785 (engraving) (b/w photo)

Saint-Quentin, Jacques Philippe Joseph de (b.1738) (after)

A Terrace in Posilipo (oil on panel)
A Terrace in Posilipo (oil on panel)

CH137842: A Terrace in Posilipo (oil on panel), Unterberger, Franz Richard (1838-1902) / Bridgeman Images

ID: CH137842

A Terrace in Posilipo (oil on panel)

Unterberger, Franz Richard (1838-1902)

Catherine Dickens, 1848 (engraving) (b/w photo)
Catherine Dickens, 1848 (engraving) (b/w photo)

DHM137872: Catherine Dickens, 1848 (engraving) (b/w photo), Maclise, Daniel (1806-70) (after) / Bridgeman Images

ID: DHM137872

Catherine Dickens, 1848 (engraving) (b/w photo)

Maclise, Daniel (1806-70) (after)

Daisy Powder Compact, 1950s (enamel)
Daisy Powder Compact, 1950s (enamel)

EDY137888: Daisy Powder Compact, 1950s (enamel), Unknown Artist, (20th century) / Bridgeman Images

ID: EDY137888

Daisy Powder Compact, 1950s (enamel)

Unknown Artist, (20th century)

Marquisite Poodle Watch Powder Compact, 1950s
Marquisite Poodle Watch Powder Compact, 1950s

EDY137897: Marquisite Poodle Watch Powder Compact, 1950s, English School, (20th century) / Bridgeman Images

ID: EDY137897

Marquisite Poodle Watch Powder Compact, 1950s

English School, (20th century)

View of the tympanum showing the stories of St. Martin and St. Nicholas, from the right portal of the South Porch, early 13th century (photo) (see 137912)
View of the tympanum showing the stories of St. Martin and St. Nicholas, from the right portal of the South Porch, early 13th century (photo) (see 137912)

PWI137911: View of the tympanum showing the stories of St. Martin and St. Nicholas, from the right portal of the South Porch, early 13th century (photo) (see 137912) / Bridgeman Images

ID: PWI137911

View of the tympanum showing the stories of St. Martin and St. Nicholas, from the right portal of the South Porch, early 13th century (photo) (see 137912)

Facade of the Duomo of Santa Maria Assunta, Pescia, Italy (photo)
Facade of the Duomo of Santa Maria Assunta, Pescia, Italy (photo)

KAB137929: Facade of the Duomo of Santa Maria Assunta, Pescia, Italy (photo) / Bridgeman Images

ID: KAB137929

Facade of the Duomo of Santa Maria Assunta, Pescia, Italy (photo)

The Deposition of Christ, 1361 (wood)
The Deposition of Christ, 1361 (wood)

KAB137938: The Deposition of Christ, 1361 (wood), Italian School, (13th century) / Bridgeman Images

ID: KAB137938

The Deposition of Christ, 1361 (wood)

Italian School, (13th century)

The Chevalier St. George, Commonly Called 'The Pretender' (1688-1766) (engraving)
The Chevalier St. George, Commonly Called 'The Pretender' (1688-1766) (engraving)

XJF137989: The Chevalier St. George, Commonly Called 'The Pretender' (1688-1766) (engraving), English School, (19th century) / Bridgeman Images

ID: XJF137989

The Chevalier St. George, Commonly Called 'The Pretender' (1688-1766) (engraving)

English School, (19th century)

Lobelia Siphilitica from 'Phytographie Medicale' by Joseph Roques (1772-1850), published in 1821 (engraving)
Lobelia Siphilitica from 'Phytographie Medicale' by Joseph Roques (1772-1850), published in 1821 (engraving)

STC148932: Lobelia Siphilitica from 'Phytographie Medicale' by Joseph Roques (1772-1850), published in 1821 (engraving), Hoquart, L.F.J. (fl 1821) / Bridgeman Images

ID: STC148932

Lobelia Siphilitica from 'Phytographie Medicale' by Joseph Roques (1772-1850), published in 1821 (engraving)

Hoquart, L.F.J. (fl 1821)

Mad cow, 1954 (Indian ink and watercolour on paper)
Mad cow, 1954 (Indian ink and watercolour on paper)

XKH148947: Mad cow, 1954 (Indian ink and watercolour on paper), Dubuffet, Jean (1901-85) / Bridgeman Images

ID: XKH148947

Mad cow, 1954 (Indian ink and watercolour on paper)

Dubuffet, Jean (1901-85)

Old woman knitting (charcoal on paper) (b/w photo)
Old woman knitting (charcoal on paper) (b/w photo)

FFA149034: Old woman knitting (charcoal on paper) (b/w photo), Barlach, Ernst (1870-1938) / Bridgeman Images

ID: FFA149034

Old woman knitting (charcoal on paper) (b/w photo)

Barlach, Ernst (1870-1938)

The Loner, 1911 (wood)
The Loner, 1911 (wood)

XKH149083: The Loner, 1911 (wood), Barlach, Ernst (1870-1938) / Bridgeman Images

ID: XKH149083

The Loner, 1911 (wood)

Barlach, Ernst (1870-1938)

Sir Winston Churchill (1874-1965) (bronze)
Sir Winston Churchill (1874-1965) (bronze)

RAF159087: Sir Winston Churchill (1874-1965) (bronze), Nemon, Oscar (1906-85) / Bridgeman Images

ID: RAF159087

Sir Winston Churchill (1874-1965) (bronze)

Nemon, Oscar (1906-85)

Ex Voto, 1860 (oil on canvas) (b/w photo)
Ex Voto, 1860 (oil on canvas) (b/w photo)

XIR159109: Ex Voto, 1860 (oil on canvas) (b/w photo), Legros, Alphonse (1837-1911) / Bridgeman Images

ID: XIR159109

Ex Voto, 1860 (oil on canvas) (b/w photo)

Legros, Alphonse (1837-1911)

L to R: H.E. Abd El Aziz Yehieh Bey, Governor of Kena, Lord Carnarvon (1866-1923) Mohamed Fahmy Bey, Momour Markay, Luxor and Sheikh Ahmed Shaker, Judge of Luxor Chatting on the Terrace of the Winter Palace Hotel, 1922 (gelatin silver print)
L to R: H.E. Abd El Aziz Yehieh Bey, Governor of Kena, Lord Carnarvon (1866-1923) Mohamed Fahmy Bey, Momour Markay, Luxor and Sheikh Ahmed Shaker, Judge of Luxor Chatting on the Terrace of the Winter Palace Hotel, 1922 (gelatin silver print)

STC159185: L to R: H.E. Abd El Aziz Yehieh Bey, Governor of Kena, Lord Carnarvon (1866-1923) Mohamed Fahmy Bey, Momour Markay, Luxor and Sheikh Ahmed Shaker, Judge of Luxor Chatting on the Terrace of the Winter Palace Hotel, 1922 (gelatin silver print), Burton, Harry (1879-1940) / Bridgeman Images

ID: STC159185

L to R: H.E. Abd El Aziz Yehieh Bey, Governor of Kena, Lord Carnarvon (1866-1923) Mohamed Fahmy Bey, Momour Markay, Luxor and Sheikh Ahmed Shaker, Judge of Luxor Chatting on the Terrace of the Winter Palace Hotel, 1922 (gelatin silver print)

Burton, Harry (1879-1940)

The Whore Riding the Beast, no. 65 from 'The Apocalypse of Angers', 1373-87 (tapestry)
The Whore Riding the Beast, no. 65 from 'The Apocalypse of Angers', 1373-87 (tapestry)

XIR159201: The Whore Riding the Beast, no. 65 from 'The Apocalypse of Angers', 1373-87 (tapestry), Bataille, Nicolas (fl. 1363-1400) / Bridgeman Images

ID: XIR159201

The Whore Riding the Beast, no. 65 from 'The Apocalypse of Angers', 1373-87 (tapestry)

Bataille, Nicolas (fl. 1363-1400)


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