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Bird's Eye View of Prague from the Nuremberg Chronicle by Hartmann Schedel (1440-1514) 1493 (woodcut)
Bird's Eye View of Prague from the Nuremberg Chronicle by Hartmann Schedel (1440-1514) 1493 (woodcut)

STC94463: Bird's Eye View of Prague from the Nuremberg Chronicle by Hartmann Schedel (1440-1514) 1493 (woodcut), German School, (15th century) / Bridgeman Images

ID: STC94463

Bird's Eye View of Prague from the Nuremberg Chronicle by Hartmann Schedel (1440-1514) 1493 (woodcut)

German School, (15th century)

Central American Utensils, plate 45 from 'The History of the Nations' (aquatint)
Central American Utensils, plate 45 from 'The History of the Nations' (aquatint)

STC94492: Central American Utensils, plate 45 from 'The History of the Nations' (aquatint), Italian School, (19th century) / Bridgeman Images

ID: STC94492

Central American Utensils, plate 45 from 'The History of the Nations' (aquatint)

Italian School, (19th century)

Central American Antiquities, plate 46 from 'The History of the Nations' (aquatint)
Central American Antiquities, plate 46 from 'The History of the Nations' (aquatint)

STC94493: Central American Antiquities, plate 46 from 'The History of the Nations' (aquatint), Italian School, (19th century) / Bridgeman Images

ID: STC94493

Central American Antiquities, plate 46 from 'The History of the Nations' (aquatint)

Italian School, (19th century)

Centaur and female Lapith, metope no. 11 from the south frieze of the Parthenon, Greek, 447-440 BC (marble)
Centaur and female Lapith, metope no. 11 from the south frieze of the Parthenon, Greek, 447-440 BC (marble)

PWI94604: Centaur and female Lapith, metope no. 11 from the south frieze of the Parthenon, Greek, 447-440 BC (marble) / Bridgeman Images

ID: PWI94604

Centaur and female Lapith, metope no. 11 from the south frieze of the Parthenon, Greek, 447-440 BC (marble)

The Mares of Diomedes, detail of a horse's head from a series of metopes depicting the Labours of Herakles (Hercules) from the Temple of Zeus in Olympia, Greek, Early Classical Period, c.470-457 BC (Parian marble)
The Mares of Diomedes, detail of a horse's head from a series of metopes depicting the Labours of Herakles (Hercules) from the Temple of Zeus in Olympia, Greek, Early Classical Period, c.470-457 BC (Parian marble)

PWI94615: The Mares of Diomedes, detail of a horse's head from a series of metopes depicting the Labours of Herakles (Hercules) from the Temple of Zeus in Olympia, Greek, Early Classical Period, c.470-457 BC (Parian marble) / Bridgeman Images

ID: PWI94615

The Mares of Diomedes, detail of a horse's head from a series of metopes depicting the Labours of Herakles (Hercules) from the Temple of Zeus in Olympia, Greek, Early Classical Period, c.470-457 BC (Parian marble)

Statuette of Mercury, 2nd-3rd century BC (silver)
Statuette of Mercury, 2nd-3rd century BC (silver)

PWI94616: Statuette of Mercury, 2nd-3rd century BC (silver) / Bridgeman Images

ID: PWI94616

Statuette of Mercury, 2nd-3rd century BC (silver)

Torso of an athlete, Greek (Parian marble)
Torso of an athlete, Greek (Parian marble)

PWI94621: Torso of an athlete, Greek (Parian marble) / Bridgeman Images

ID: PWI94621

Torso of an athlete, Greek (Parian marble)

Tchao-Hoei in his Camp below the walls of Yerechim Receives the Homage of the Inhabitants of the Town and Province in July 1759, plate 4 from the series of prints representing the conquests of Qianlong, the Emperor of China, engraved by Pierre Philippe Choffard (1730-1809) 1774 (engraving)
Tchao-Hoei in his Camp below the walls of Yerechim Receives the Homage of the Inhabitants of the Town and Province in July 1759, plate 4 from the series of prints representing the conquests of Qianlong, the Emperor of China, engraved by Pierre Philippe Choffard (1730-1809) 1774 (engraving)

STC93616: Tchao-Hoei in his Camp below the walls of Yerechim Receives the Homage of the Inhabitants of the Town and Province in July 1759, plate 4 from the series of prints representing the conquests of Qianlong, the Emperor of China, engraved by Pierre Philippe Choffard (1730-1809) 1774 (engraving), Damascene, Jean (An Tai) (d.1781) (after) / Bridgeman Images

ID: STC93616

Tchao-Hoei in his Camp below the walls of Yerechim Receives the Homage of the Inhabitants of the Town and Province in July 1759, plate 4 from the series of prints representing the conquests of Qianlong, the Emperor of China, engraved by Pierre Philippe Choffard (1730-1809) 1774 (engraving)

Damascene, Jean (An Tai) (d.1781) (after)

Tchao-Hoei Occupies his Troops with Exercises and Military Games in 1758, plate 5 from a series of prints representing the conquests of Qianlong, the Emperor of China, engraved by Pierre Philippe Choffard (1730-1809) 1772 (engraving)
Tchao-Hoei Occupies his Troops with Exercises and Military Games in 1758, plate 5 from a series of prints representing the conquests of Qianlong, the Emperor of China, engraved by Pierre Philippe Choffard (1730-1809) 1772 (engraving)

STC93617: Tchao-Hoei Occupies his Troops with Exercises and Military Games in 1758, plate 5 from a series of prints representing the conquests of Qianlong, the Emperor of China, engraved by Pierre Philippe Choffard (1730-1809) 1772 (engraving), Damascene, Jean (An Tai) (d.1781) (after) / Bridgeman Images

ID: STC93617

Tchao-Hoei Occupies his Troops with Exercises and Military Games in 1758, plate 5 from a series of prints representing the conquests of Qianlong, the Emperor of China, engraved by Pierre Philippe Choffard (1730-1809) 1772 (engraving)

Damascene, Jean (An Tai) (d.1781) (after)

Interior of the Mosque of Kaid-Bey, plate 55 from 'Monuments and Buildings of Cairo', engraved by Auguste Hibon (1780-1857) 1829 (litho)
Interior of the Mosque of Kaid-Bey, plate 55 from 'Monuments and Buildings of Cairo', engraved by Auguste Hibon (1780-1857) 1829 (litho)

STC93637: Interior of the Mosque of Kaid-Bey, plate 55 from 'Monuments and Buildings of Cairo', engraved by Auguste Hibon (1780-1857) 1829 (litho), Coste, Pascal Xavier (1787-1879) (after) / Bridgeman Images

ID: STC93637

Interior of the Mosque of Kaid-Bey, plate 55 from 'Monuments and Buildings of Cairo', engraved by Auguste Hibon (1780-1857) 1829 (litho)

Coste, Pascal Xavier (1787-1879) (after)

Funerary plaque bearing the form of a woman known as the Lady of Antinoe, 2nd-3rd century
Funerary plaque bearing the form of a woman known as the Lady of Antinoe, 2nd-3rd century

PWI93794: Funerary plaque bearing the form of a woman known as the Lady of Antinoe, 2nd-3rd century / Bridgeman Images

ID: PWI93794

Funerary plaque bearing the form of a woman known as the Lady of Antinoe, 2nd-3rd century

T33968 Winter Landscape, 1886 (oil on landscape)
T33968 Winter Landscape, 1886 (oil on landscape)

PFA93801: T33968 Winter Landscape, 1886 (oil on landscape), Duntze, Johannes Bartolomaus (1823-95) / Bridgeman Images

ID: PFA93801

T33968 Winter Landscape, 1886 (oil on landscape)

Duntze, Johannes Bartolomaus (1823-95)

T34208 The Madonna in and Child with SS. Thomas, Catherine of Alexandria, John the Evangelist and Donor, c.1520 (oil on panel)
T34208 The Madonna in and Child with SS. Thomas, Catherine of Alexandria, John the Evangelist and Donor, c.1520 (oil on panel)

PFA93806: T34208 The Madonna in and Child with SS. Thomas, Catherine of Alexandria, John the Evangelist and Donor, c.1520 (oil on panel), German School, (16th century) / Bridgeman Images

ID: PFA93806

T34208 The Madonna in and Child with SS. Thomas, Catherine of Alexandria, John the Evangelist and Donor, c.1520 (oil on panel)

German School, (16th century)

The Abduction of the Daughters of Leucippus, 1911 (oil on canvas)
The Abduction of the Daughters of Leucippus, 1911 (oil on canvas)

PWI94158: The Abduction of the Daughters of Leucippus, 1911 (oil on canvas), Roussel, Ker Xavier (1867-1944) / Bridgeman Images

ID: PWI94158

The Abduction of the Daughters of Leucippus, 1911 (oil on canvas)

Roussel, Ker Xavier (1867-1944)

Monumental vase with relief decoration of a head with radiating sunrays (photo)
Monumental vase with relief decoration of a head with radiating sunrays (photo)

PWI94165: Monumental vase with relief decoration of a head with radiating sunrays (photo), French School, (17th century) / Bridgeman Images

ID: PWI94165

Monumental vase with relief decoration of a head with radiating sunrays (photo)

French School, (17th century)

Tennis Scene, c.1920 (stencil on paper)
Tennis Scene, c.1920 (stencil on paper)

STC92048: Tennis Scene, c.1920 (stencil on paper), Martin, Charles (1848-1934) / Bridgeman Images

ID: STC92048

Tennis Scene, c.1920 (stencil on paper)

Martin, Charles (1848-1934)

Horse Racing, c.1920 (stencil on paper)
Horse Racing, c.1920 (stencil on paper)

STC92051: Horse Racing, c.1920 (stencil on paper), Martin, Charles (1848-1934) / Bridgeman Images

ID: STC92051

Horse Racing, c.1920 (stencil on paper)

Martin, Charles (1848-1934)

Panoramic View of Derwentwater and the Vale of Keswick, detail of Skiddaw and Keswick, c.1772 (pencil & wash on paper) (see 92086-88 and 92090-91)
Panoramic View of Derwentwater and the Vale of Keswick, detail of Skiddaw and Keswick, c.1772 (pencil & wash on paper) (see 92086-88 and 92090-91)

SC92089: Panoramic View of Derwentwater and the Vale of Keswick, detail of Skiddaw and Keswick, c.1772 (pencil & wash on paper) (see 92086-88 and 92090-91), Griffith, Moses (1747-1819) (attr. to) / Bridgeman Images

ID: SC92089

Panoramic View of Derwentwater and the Vale of Keswick, detail of Skiddaw and Keswick, c.1772 (pencil & wash on paper) (see 92086-88 and 92090-91)

Griffith, Moses (1747-1819) (attr. to)

Four-way Arch of Marcus Aurelius and Lucius Verus, detail of the carved decoration, AD 163 (photo) (detail of 92102)
Four-way Arch of Marcus Aurelius and Lucius Verus, detail of the carved decoration, AD 163 (photo) (detail of 92102)

XAM92101: Four-way Arch of Marcus Aurelius and Lucius Verus, detail of the carved decoration, AD 163 (photo) (detail of 92102) / Bridgeman Images

ID: XAM92101

Four-way Arch of Marcus Aurelius and Lucius Verus, detail of the carved decoration, AD 163 (photo) (detail of 92102)

View of the Roman theatre, 168-169 AD (photo) (see also 92109 & 92111)
View of the Roman theatre, 168-169 AD (photo) (see also 92109 & 92111)

XAM92110: View of the Roman theatre, 168-169 AD (photo) (see also 92109 & 92111) / Bridgeman Images

ID: XAM92110

View of the Roman theatre, 168-169 AD (photo) (see also 92109 & 92111)

View of the Roman theatre, 168-169 AD (photo) (see also 92109-10)
View of the Roman theatre, 168-169 AD (photo) (see also 92109-10)

XAM92111: View of the Roman theatre, 168-169 AD (photo) (see also 92109-10) / Bridgeman Images

ID: XAM92111

View of the Roman theatre, 168-169 AD (photo) (see also 92109-10)

View of the Capitolium, front facade, 166-167 AD (photo) (see also 92114)
View of the Capitolium, front facade, 166-167 AD (photo) (see also 92114)

XAM92113: View of the Capitolium, front facade, 166-167 AD (photo) (see also 92114), Roman, (2nd century) / Bridgeman Images

ID: XAM92113

View of the Capitolium, front facade, 166-167 AD (photo) (see also 92114)

Roman, (2nd century)

Fragments and Parts of the Exterior of Henry the Seventh Chapel, plate 12 from 'Westminster Abbey', engraved by Thomas Sutherland, pub. by Rudolph Ackermann (1764-1834) 1811 (aquatint)
Fragments and Parts of the Exterior of Henry the Seventh Chapel, plate 12 from 'Westminster Abbey', engraved by Thomas Sutherland, pub. by Rudolph Ackermann (1764-1834) 1811 (aquatint)

STC92141: Fragments and Parts of the Exterior of Henry the Seventh Chapel, plate 12 from 'Westminster Abbey', engraved by Thomas Sutherland, pub. by Rudolph Ackermann (1764-1834) 1811 (aquatint), Mackenzie, Frederick (c.1788-1854) (after) / Bridgeman Images

ID: STC92141

Fragments and Parts of the Exterior of Henry the Seventh Chapel, plate 12 from 'Westminster Abbey', engraved by Thomas Sutherland, pub. by Rudolph Ackermann (1764-1834) 1811 (aquatint)

Mackenzie, Frederick (c.1788-1854) (after)

Fragments of Ceilings, plate 15 from 'Westminster Abbey', engraved by Thomas Sutherland, pub. by Rudolph Ackermann (1764-1834) 1811 (aquatint)
Fragments of Ceilings, plate 15 from 'Westminster Abbey', engraved by Thomas Sutherland, pub. by Rudolph Ackermann (1764-1834) 1811 (aquatint)

STC92144: Fragments of Ceilings, plate 15 from 'Westminster Abbey', engraved by Thomas Sutherland, pub. by Rudolph Ackermann (1764-1834) 1811 (aquatint), Mackenzie, Frederick (c.1788-1854) (after) / Bridgeman Images

ID: STC92144

Fragments of Ceilings, plate 15 from 'Westminster Abbey', engraved by Thomas Sutherland, pub. by Rudolph Ackermann (1764-1834) 1811 (aquatint)

Mackenzie, Frederick (c.1788-1854) (after)

West View of St. Edmund's Chapel, plate 30 from 'Westminster Abbey', engraved by J. Bluck (fl.1791-1831) pub. by Rudolph Ackermann (1764-1834) 1811 (aquatint)
West View of St. Edmund's Chapel, plate 30 from 'Westminster Abbey', engraved by J. Bluck (fl.1791-1831) pub. by Rudolph Ackermann (1764-1834) 1811 (aquatint)

STC92150: West View of St. Edmund's Chapel, plate 30 from 'Westminster Abbey', engraved by J. Bluck (fl.1791-1831) pub. by Rudolph Ackermann (1764-1834) 1811 (aquatint), Pugin, Augustus Charles (1762-1832) (after) / Bridgeman Images

ID: STC92150

West View of St. Edmund's Chapel, plate 30 from 'Westminster Abbey', engraved by J. Bluck (fl.1791-1831) pub. by Rudolph Ackermann (1764-1834) 1811 (aquatint)

Pugin, Augustus Charles (1762-1832) (after)

The Tomb of George Villiers, Duke of Buckingham, plate 37 from 'Westminster Abbey', engraved by J. Bluck (fl.1791-1831) and James Hopwood (c.1752-1819) pub. by Rudolph Ackermann (1764-1834) 1812 (aquatint)
The Tomb of George Villiers, Duke of Buckingham, plate 37 from 'Westminster Abbey', engraved by J. Bluck (fl.1791-1831) and James Hopwood (c.1752-1819) pub. by Rudolph Ackermann (1764-1834) 1812 (aquatint)

STC92155: The Tomb of George Villiers, Duke of Buckingham, plate 37 from 'Westminster Abbey', engraved by J. Bluck (fl.1791-1831) and James Hopwood (c.1752-1819) pub. by Rudolph Ackermann (1764-1834) 1812 (aquatint), Mackenzie, Frederick (c.1788-1854) (after) / Bridgeman Images

ID: STC92155

The Tomb of George Villiers, Duke of Buckingham, plate 37 from 'Westminster Abbey', engraved by J. Bluck (fl.1791-1831) and James Hopwood (c.1752-1819) pub. by Rudolph Ackermann (1764-1834) 1812 (aquatint)

Mackenzie, Frederick (c.1788-1854) (after)

The Tombs of Queen Elizabeth I and Mary Queen of Scots, plate 39 from 'Westminster Abbey', engraved by Thomas Sutherland, pub. by Rudolph Ackermann (1764-1834) 1811 (aquatint)
The Tombs of Queen Elizabeth I and Mary Queen of Scots, plate 39 from 'Westminster Abbey', engraved by Thomas Sutherland, pub. by Rudolph Ackermann (1764-1834) 1811 (aquatint)

STC92156: The Tombs of Queen Elizabeth I and Mary Queen of Scots, plate 39 from 'Westminster Abbey', engraved by Thomas Sutherland, pub. by Rudolph Ackermann (1764-1834) 1811 (aquatint), Mackenzie, Frederick (c.1788-1854) (after) / Bridgeman Images

ID: STC92156

The Tombs of Queen Elizabeth I and Mary Queen of Scots, plate 39 from 'Westminster Abbey', engraved by Thomas Sutherland, pub. by Rudolph Ackermann (1764-1834) 1811 (aquatint)

Mackenzie, Frederick (c.1788-1854) (after)

Chapel of St. John the Evangelist, plate 46 from 'Westminster Abbey', engraved by Lewis, pub. by Rudolph Ackermann (1764-1834) 1812 (aquatint)
Chapel of St. John the Evangelist, plate 46 from 'Westminster Abbey', engraved by Lewis, pub. by Rudolph Ackermann (1764-1834) 1812 (aquatint)

STC92158: Chapel of St. John the Evangelist, plate 46 from 'Westminster Abbey', engraved by Lewis, pub. by Rudolph Ackermann (1764-1834) 1812 (aquatint), Mackenzie, Frederick (c.1788-1854) (after) / Bridgeman Images

ID: STC92158

Chapel of St. John the Evangelist, plate 46 from 'Westminster Abbey', engraved by Lewis, pub. by Rudolph Ackermann (1764-1834) 1812 (aquatint)

Mackenzie, Frederick (c.1788-1854) (after)

Album, page 105 (w/c on paper)
Album, page 105 (w/c on paper)

PWI92231: Album, page 105 (w/c on paper), Derain, Andre (1880-1954) / Bridgeman Images

ID: PWI92231

Album, page 105 (w/c on paper)

Derain, Andre (1880-1954)

Female Nude with Skipping Rope, 1944 (oil on canvas)
Female Nude with Skipping Rope, 1944 (oil on canvas)

PWI92246: Female Nude with Skipping Rope, 1944 (oil on canvas), Dubuffet, Jean (1901-85) / Bridgeman Images

ID: PWI92246

Female Nude with Skipping Rope, 1944 (oil on canvas)

Dubuffet, Jean (1901-85)

Harvest Scene (oil on canvas)
Harvest Scene (oil on canvas)

PWI92251: Harvest Scene (oil on canvas), Dufy, Raoul (1877-1953) / Bridgeman Images

ID: PWI92251

Harvest Scene (oil on canvas)

Dufy, Raoul (1877-1953)

Street decorated with Flags, Le Havre (oil on canvas)
Street decorated with Flags, Le Havre (oil on canvas)

PWI92256: Street decorated with Flags, Le Havre (oil on canvas), Dufy, Raoul (1877-1953) / Bridgeman Images

ID: PWI92256

Street decorated with Flags, Le Havre (oil on canvas)

Dufy, Raoul (1877-1953)

Composition, 1956 (w/c on paper)
Composition, 1956 (w/c on paper)

PWI92272: Composition, 1956 (w/c on paper), Esteve, Maurice (1904-2001) / Bridgeman Images

ID: PWI92272

Composition, 1956 (w/c on paper)

Esteve, Maurice (1904-2001)

Marine, 1924 (oil on canvas)
Marine, 1924 (oil on canvas)

PWI92274: Marine, 1924 (oil on canvas), Feininger, Lyonel (1871-1956) / Bridgeman Images

ID: PWI92274

Marine, 1924 (oil on canvas)

Feininger, Lyonel (1871-1956)

The Entombment, 1913 (oil on canvas)
The Entombment, 1913 (oil on canvas)

XAB92374: The Entombment, 1913 (oil on canvas), Grigoriev, Boris Dmitrievich (1886-1939) / Bridgeman Images

ID: XAB92374

The Entombment, 1913 (oil on canvas)

Grigoriev, Boris Dmitrievich (1886-1939)

Twenty Five Pupils from the Studio of Antoine Jean Gros (1771-1835) 1820 (charcoal & chalk on paper)
Twenty Five Pupils from the Studio of Antoine Jean Gros (1771-1835) 1820 (charcoal & chalk on paper)

XIR92392: Twenty Five Pupils from the Studio of Antoine Jean Gros (1771-1835) 1820 (charcoal & chalk on paper), Boilly, Louis Leopold (1761-1845) / Bridgeman Images

ID: XIR92392

Twenty Five Pupils from the Studio of Antoine Jean Gros (1771-1835) 1820 (charcoal & chalk on paper)

Boilly, Louis Leopold (1761-1845)


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