STC101450:
Still Life with Fruit, 1860 (sepia photo), Fenton, Roger (1819-69) / Bridgeman Images
ID: STC101450
Still Life with Fruit, 1860 (sepia photo)
Fenton, Roger (1819-69)
EHL92849:
Portrait of a Man in a Cap, possibly self portrait, after 1923 (litho), Liebermann, Max (1847-1935) / Bridgeman Images
ID: EHL92849
Portrait of a Man in a Cap, possibly self portrait, after 1923 (litho)
Liebermann, Max (1847-1935)
EHL92855:
'I am Black but Comely' (Nigra Sum Sed Formosa) illustration from 'The Song of Songs' (Canticum Canticoram Salomonis) 1929 (woodcut), Gill, Eric (1882-1940) / Bridgeman Images
ID: EHL92855
'I am Black but Comely' (Nigra Sum Sed Formosa) illustration from 'The Song of Songs' (Canticum Canticoram Salomonis) 1929 (woodcut)
Gill, Eric (1882-1940)
CK101563:
White Tulips (oil on canvas), Marval, Jacqueline (1866-1932) / Bridgeman Images
ID: CK101563
White Tulips (oil on canvas)
Marval, Jacqueline (1866-1932)
CH92975:
Campo Santa Maria Formosa, Venice, c.1898 (w/c on paper), Prendergast, Maurice Brazil (1858-1924) / Bridgeman Images
ID: CH92975
Campo Santa Maria Formosa, Venice, c.1898 (w/c on paper)
Prendergast, Maurice Brazil (1858-1924)
PWI101645:
View looking west from the nave, rose window designed by Bernard de Soissons, with surrounding statues, 13th century (photo) / Bridgeman Images
ID: PWI101645
View looking west from the nave, rose window designed by Bernard de Soissons, with surrounding statues, 13th century (photo)
PWI101664:
Monstrance reliquary of St. Francis of Assisi, 1228-30 (gold and enamel) / Bridgeman Images
ID: PWI101664
Monstrance reliquary of St. Francis of Assisi, 1228-30 (gold and enamel)
STC101693:
The Return of the Old Parliamentary Hand, Herbert Henry Asquith (1852-1928) in the House of Commons after a four year absence, illustration from 'The Graphic', 1920 (litho), Salmon, Balliol (1868-1953) (after) / Bridgeman Images
ID: STC101693
The Return of the Old Parliamentary Hand, Herbert Henry Asquith (1852-1928) in the House of Commons after a four year absence, illustration from 'The Graphic', 1920 (litho)
Salmon, Balliol (1868-1953) (after)
XIR101739:
The Gallant Reunion (oil on canvas), Janssens, Hieronymus (1624-93) / Bridgeman Images
ID: XIR101739
The Gallant Reunion (oil on canvas)
Janssens, Hieronymus (1624-93)
PML114364:
Portrait of John Opie (1761-1807), engraved by Ridley, 1798 (engraving), Opie, John (1761-1807) (after) / Bridgeman Images
ID: PML114364
Portrait of John Opie (1761-1807), engraved by Ridley, 1798 (engraving)
Opie, John (1761-1807) (after)
STC93061:
"A Lazy Horsekeeper for the Mail", engraved by R.G. Reeve (fl.1811-37) pub. by Thomas McLean, 1834 (litho), Newhouse, Charles B. (1805-77) (after) / Bridgeman Images
ID: STC93061
"A Lazy Horsekeeper for the Mail", engraved by R.G. Reeve (fl.1811-37) pub. by Thomas McLean, 1834 (litho)
Newhouse, Charles B. (1805-77) (after)
STC93076:
The Orchard, 1902 (litho), Green, Elizabeth Shippen (1871-1954) / Bridgeman Images
ID: STC93076
The Orchard, 1902 (litho)
Green, Elizabeth Shippen (1871-1954)
TOP93102:
Ms Fr 13091 f.26 St. Simon, from the Psalter of Jean, Duke of Berry (vellum), Beauneveu, Andre (c.1335-1403/13) / Bridgeman Images
ID: TOP93102
Ms Fr 13091 f.26 St. Simon, from the Psalter of Jean, Duke of Berry (vellum)
Beauneveu, Andre (c.1335-1403/13)
MIG93214:
Old Roses in an Orvieto Jug (oil on canvas), Armfield, Diana (b.1920) / Bridgeman Images
ID: MIG93214
Old Roses in an Orvieto Jug (oil on canvas)
Armfield, Diana (b.1920)
KAB93230:
Tile with a Sunflower Design (pietra dura) / Bridgeman Images
ID: KAB93230
Tile with a Sunflower Design (pietra dura)
CK93270:
Young Girl with Long Hair (oil on canvas), Renoir, Pierre Auguste (1841-1919) / Bridgeman Images
ID: CK93270
Young Girl with Long Hair (oil on canvas)
Renoir, Pierre Auguste (1841-1919)
CK93285:
Profile of a Breton Woman (oil on board), Redon, Odilon (1840-1916) / Bridgeman Images
ID: CK93285
Profile of a Breton Woman (oil on board)
Redon, Odilon (1840-1916)
STC101815:
Portraits of Sir John Tenniel (1820-1914) and George Cruikshank (1792-1878) c.1860 (albumen print), Watkins, J.C. (19th century) / Bridgeman Images
ID: STC101815
Portraits of Sir John Tenniel (1820-1914) and George Cruikshank (1792-1878) c.1860 (albumen print)
Watkins, J.C. (19th century)
AAH101926:
Annie, 1889 (w/c on paper), Gotch, Thomas Cooper (1854-1931) / Bridgeman Images
ID: AAH101926
Annie, 1889 (w/c on paper)
Gotch, Thomas Cooper (1854-1931)
AAH101942:
Gleam of Sunlight (oil on canvas), Newton, Algernon Cecil (1880-1968) / Bridgeman Images
ID: AAH101942
Gleam of Sunlight (oil on canvas)
Newton, Algernon Cecil (1880-1968)
TPG101992:
A Hopi Indian (colour litho), American School, (20th century) / Bridgeman Images
ID: TPG101992
A Hopi Indian (colour litho)
American School, (20th century)
STC102008:
Brahmins singing praises to the god Rama, from 'Il costume antico e moderno...', compiled by Giulio Ferrario (1767-1847) pub. Rome, 1820s-30s (colour litho), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
ID: STC102008
Brahmins singing praises to the god Rama, from 'Il costume antico e moderno...', compiled by Giulio Ferrario (1767-1847) pub. Rome, 1820s-30s (colour litho)
Sanquirico, Alessandro (1777-1849)
TWG114714:
Study for 'The Depth of the Sea' (pencil on paper), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images
ID: TWG114714
Study for 'The Depth of the Sea' (pencil on paper)
Burne-Jones, Edward Coley (1833-98)
TWG114746:
Portrait of Mary Anderson, 1884-85 (oil on canvas), Watts, George Frederic (1817-1904) / Bridgeman Images
ID: TWG114746
Portrait of Mary Anderson, 1884-85 (oil on canvas)
Watts, George Frederic (1817-1904)
SNG114757:
The Empire State Building by Night (photo), Singer, Barbara / Bridgeman Images
ID: SNG114757
The Empire State Building by Night (photo)
Singer, Barbara
BAL114786:
Bertel Thorvaldsen in his studio at Rome, 1834 (oil on canvas), Heuss, Eduard von (1808-80) / Bridgeman Images
ID: BAL114786
Bertel Thorvaldsen in his studio at Rome, 1834 (oil on canvas)
Heuss, Eduard von (1808-80)
BAT102106:
View of the facade from the front garden, designed for Cosimo il Vecchio (1389-1464) by Michelozzo di Bartolommeo (1396-1472) (photo), Battaglini, Nicolo Orsi / Bridgeman Images
ID: BAT102106
View of the facade from the front garden, designed for Cosimo il Vecchio (1389-1464) by Michelozzo di Bartolommeo (1396-1472) (photo)
Battaglini, Nicolo Orsi
BAT102150:
View of the campanile (photo), Battaglini, Nicolo Orsi / Bridgeman Images
ID: BAT102150
View of the campanile (photo)
Battaglini, Nicolo Orsi
BAT102179:
View of the nave, detail of the west end (photo), Battaglini, Nicolo Orsi / Bridgeman Images
ID: BAT102179
View of the nave, detail of the west end (photo)
Battaglini, Nicolo Orsi
KWE102326:
Crossing the Colorado River in the 1860s (engraving), Gusman, Adolphe (1821-1905) / Bridgeman Images
ID: KWE102326
Crossing the Colorado River in the 1860s (engraving)
Gusman, Adolphe (1821-1905)
KWE102340:
Comanche Indians in the 1860s (engraving), French School, (19th century) / Bridgeman Images
ID: KWE102340
Comanche Indians in the 1860s (engraving)
French School, (19th century)
CWA93328:
Macclesfield Bridge and the Canal after the Regent's Park Explosion, 1874 (w/c on paper), Turck, Eliza (1832-p.1886) / Bridgeman Images
ID: CWA93328
Macclesfield Bridge and the Canal after the Regent's Park Explosion, 1874 (w/c on paper)
Turck, Eliza (1832-p.1886)
BON93414:
Indian summer carpet with design of flowers and leaves with inner boteh band, c.1830 (silk on a cotton ground) / Bridgeman Images
ID: BON93414
Indian summer carpet with design of flowers and leaves with inner boteh band, c.1830 (silk on a cotton ground)
BON93423:
Portrait of Baradar Nawab Aslam Khan, late Shah Jehan (1627-57) or early Awrangzib Period, Mughal, c.1660 (pigment on paper) / Bridgeman Images
ID: BON93423
Portrait of Baradar Nawab Aslam Khan, late Shah Jehan (1627-57) or early Awrangzib Period, Mughal, c.1660 (pigment on paper)
BON93428:
Hilya or hilyeh with thuluth and naskhi script surrounded by a floral border, signed by Mohammad Javad, Ottoman, from Turkey, early 20th century manuscript / Bridgeman Images
ID: BON93428
Hilya or hilyeh with thuluth and naskhi script surrounded by a floral border, signed by Mohammad Javad, Ottoman, from Turkey, early 20th century manuscript
BAL93451:
Elegant Company on the Beach at Scheveningen, 1787 (oil on canvas), Meyer, Hendrick de (1737-93) / Bridgeman Images
ID: BAL93451
Elegant Company on the Beach at Scheveningen, 1787 (oil on canvas)