OJ123455:
Turkeys (oil on board), Huggins, William (1820-84) / Bridgeman Images
ID: OJ123455
Turkeys (oil on board)
Huggins, William (1820-84)
PFA123528:
The Nativity, School of the Middle Rhine, c.1510 (oil on panel) (see also 123529-31), German School, (16th century) / Bridgeman Images
ID: PFA123528
The Nativity, School of the Middle Rhine, c.1510 (oil on panel) (see also 123529-31)
German School, (16th century)
STC122308:
The Tomb of the Grand Visir Raghib-Pascha, plate 40 from Part III, Volume I of 'The History of the Nations', engraved by Giacomo Bussi (aquatint), Italian School, (19th century) / Bridgeman Images
ID: STC122308
The Tomb of the Grand Visir Raghib-Pascha, plate 40 from Part III, Volume I of 'The History of the Nations', engraved by Giacomo Bussi (aquatint)
Italian School, (19th century)
PFA123866:
The Love Letter (oil on canvas), Pasmore, Daniel (1829-91) / Bridgeman Images
ID: PFA123866
The Love Letter (oil on canvas)
Pasmore, Daniel (1829-91)
PFA123581:
Fox in a Winter Landscape (oil on canvas), Liljefors, Bruno Andreas (1860-1939) / Bridgeman Images
ID: PFA123581
Fox in a Winter Landscape (oil on canvas)
Liljefors, Bruno Andreas (1860-1939)
PFA123589:
The Picnic (oil on canvas), Voirin, Jules Antoine (1833-98) / Bridgeman Images
ID: PFA123589
The Picnic (oil on canvas)
Voirin, Jules Antoine (1833-98)
NP125770:
"Old Chairs to Mend", plate 10 of 'The Cries of London', engraved by Giovanni Vendramini (1769-1839), pub. by Colnaghi & Co., 1795 (stipple engraving), Wheatley, Francis (1747-1801) (after) / Bridgeman Images
ID: NP125770
"Old Chairs to Mend", plate 10 of 'The Cries of London', engraved by Giovanni Vendramini (1769-1839), pub. by Colnaghi & Co., 1795 (stipple engraving)
Wheatley, Francis (1747-1801) (after)
BAL126937:
Charcoal and Batteas Vendors, from 'The Ancient Cities of the New World', by Claude-Joseph-Desire Charnay, engraved by Henri-Theophile Hildebrand (1824-97), pub. 1887 (engraving), Ronjat, Etienne (b.1822) (after) / Bridgeman Images
ID: BAL126937
Charcoal and Batteas Vendors, from 'The Ancient Cities of the New World', by Claude-Joseph-Desire Charnay, engraved by Henri-Theophile Hildebrand (1824-97), pub. 1887 (engraving)
Ronjat, Etienne (b.1822) (after)
BAL126963:
Tehuantepec Women, from 'The Ancient Cities of the New World', by Claude-Joseph-Desire Charnay, pub. 1887 (engraving), French School, (19th century) / Bridgeman Images
ID: BAL126963
Tehuantepec Women, from 'The Ancient Cities of the New World', by Claude-Joseph-Desire Charnay, pub. 1887 (engraving)
French School, (19th century)
SNG127321:
Poster advertising the 'Italian Exhibition in Hamburg', 1895 (colour litho), German School, (19th century) / Bridgeman Images
ID: SNG127321
Poster advertising the 'Italian Exhibition in Hamburg', 1895 (colour litho)
German School, (19th century)
RIK127630:
The Presentation of Gifts (carved wood and polychrome), Russian School, (16th century) / Bridgeman Images
ID: RIK127630
The Presentation of Gifts (carved wood and polychrome)
Russian School, (16th century)
LVP127607:
The Holy family (oil on panel), Fontana, Prospero (1512-97) / Bridgeman Images
ID: LVP127607
The Holy family (oil on panel)
Fontana, Prospero (1512-97)
BEN127648:
Statue of the Divine Adoratress Karomama, Third Intermediate Period (bronze with gold, silver & electrum) (detail of 127647), Egyptian 22nd Dynasty (945-715 BC) / Bridgeman Images
ID: BEN127648
Statue of the Divine Adoratress Karomama, Third Intermediate Period (bronze with gold, silver & electrum) (detail of 127647)
Egyptian 22nd Dynasty (945-715 BC)
AGR127703:
Place de la Concorde, Paris, c.1900 (oil on board), Stanislawski, Jan (1860-1907) / Bridgeman Images
ID: AGR127703
Place de la Concorde, Paris, c.1900 (oil on board)
XKH147235:
The Mourning Widow, 1852 (oil on canvas), Huebner, Carl Wilhelm (1814-79) / Bridgeman Images
ID: XKH147235
The Mourning Widow, 1852 (oil on canvas)
Huebner, Carl Wilhelm (1814-79)
XKH147250:
The Pavilion of the Bosch House, the Residence of the Keeper of the City of Gravenhage (oil on panel), Heyden, Jan van der (1637-1712) / Bridgeman Images
ID: XKH147250
The Pavilion of the Bosch House, the Residence of the Keeper of the City of Gravenhage (oil on panel)
Heyden, Jan van der (1637-1712)
STC147706:
Marriyammai, engraved by C.sde Motte (1785-1836) (colour litho), French School, (19th century) / Bridgeman Images
ID: STC147706
Marriyammai, engraved by C.sde Motte (1785-1836) (colour litho)
French School, (19th century)
XKH147951:
Departure from the Alpine Pasture, 1832 (oil on canvas), Kauffmann, Hermann (1808-89) / Bridgeman Images
ID: XKH147951
Departure from the Alpine Pasture, 1832 (oil on canvas)
Kauffmann, Hermann (1808-89)
KAB148346:
St. Ludovic of Toulouse, 1861 (oil on canvas), Franchi, Alessandro (1838-1914) / Bridgeman Images
ID: KAB148346
St. Ludovic of Toulouse, 1861 (oil on canvas)
Franchi, Alessandro (1838-1914)
KAB148335:
Portrait of Lorenzo Bartolini (1777-1850), detail from the ceiling of the Sala del Sindaco, 1870 (mural), Pezzati, Pietro (b.1828) / Bridgeman Images
ID: KAB148335
Portrait of Lorenzo Bartolini (1777-1850), detail from the ceiling of the Sala del Sindaco, 1870 (mural)
Pezzati, Pietro (b.1828)
KAB148349:
Ceiling of the Saletta, c.1570 (mural), Barbiere, Alessandro del (1543-92) (attr.to) / Bridgeman Images
ID: KAB148349
Ceiling of the Saletta, c.1570 (mural)
Barbiere, Alessandro del (1543-92) (attr.to)
KAA138737:
Ruins from the Inca settlement, c.1300-1500 (photo), Incan / Bridgeman Images
ID: KAA138737
Ruins from the Inca settlement, c.1300-1500 (photo)
Incan
PFA139327:
The Goldfinch (pastel on paper), Orpen, William (1878-1931) / Bridgeman Images
ID: PFA139327
The Goldfinch (pastel on paper)
Orpen, William (1878-1931)
JB139373:
The White Garden with the cottage behind, created between 1908-48 (photo), Bethell, John / Bridgeman Images
ID: JB139373
The White Garden with the cottage behind, created between 1908-48 (photo)
Bethell, John
BAT139087:
St. Ivo Passes Judgement (tempera on panel), Bicci, Neri di (1419-91) / Bridgeman Images
PFA139324:
Tenterden (pencil, pen, ink, watercolour and chalk on paper), Pissarro, Lucien (1863-1944) / Bridgeman Images
ID: PFA139324
Tenterden (pencil, pen, ink, watercolour and chalk on paper)
Pissarro, Lucien (1863-1944)
JB139380:
Brahmin Bulls on the east parapet of the Indian Bridge, designed by Thomas Daniell (1749-1840) (photo), Bethell, John / Bridgeman Images
ID: JB139380
Brahmin Bulls on the east parapet of the Indian Bridge, designed by Thomas Daniell (1749-1840) (photo)
Bethell, John
JB139386:
The Italian Garden with the pavilion beyond, probably designed in 1840s (photo), Bethell, John / Bridgeman Images
ID: JB139386
The Italian Garden with the pavilion beyond, probably designed in 1840s (photo)
Bethell, John
LMG139551:
Wooded Landscape, Country Cart and Figures (engraving), Gainsborough, Thomas (1727-88) / Bridgeman Images
ID: LMG139551
Wooded Landscape, Country Cart and Figures (engraving)
Gainsborough, Thomas (1727-88)
JB139569:
Shepherd Boy (photo), Bethell, John / Bridgeman Images
ID: JB139569
Shepherd Boy (photo)
Bethell, John
MEX139612:
The 'Nazarenes' in the Passion Play beginning on Holy Thursday (photo), Sprague, Sean / Bridgeman Images
ID: MEX139612
The 'Nazarenes' in the Passion Play beginning on Holy Thursday (photo)
Sprague, Sean
LMG139562:
Success (A Box at the Theatre), Nevinson, Christopher Richard Wynne (1889-1946) / Bridgeman Images
ID: LMG139562
Success (A Box at the Theatre)
Nevinson, Christopher Richard Wynne (1889-1946)
JB139594:
The Turkish Tent, built by Charles Hamilton in 1758-60 (photo), Bethell, John / Bridgeman Images
ID: JB139594
The Turkish Tent, built by Charles Hamilton in 1758-60 (photo)
Bethell, John
NBR140089:
Front cover of the music score for 'High Jinks Quadrilles', arranged by Theo Bonheur (colour litho), Banks, H. G. (19th century) / Bridgeman Images
ID: NBR140089
Front cover of the music score for 'High Jinks Quadrilles', arranged by Theo Bonheur (colour litho)