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Interior view of the choir and presbytery (photo)
Interior view of the choir and presbytery (photo)

FTB97023: Interior view of the choir and presbytery (photo) / Bridgeman Images

ID: FTB97023

Interior view of the choir and presbytery (photo)

Model for the Monument of Francesco Pisano (wood and wax)
Model for the Monument of Francesco Pisano (wood and wax)

FTB97045: Model for the Monument of Francesco Pisano (wood and wax), Canova, Antonio (1757-1822) / Bridgeman Images

ID: FTB97045

Model for the Monument of Francesco Pisano (wood and wax)

Canova, Antonio (1757-1822)

Portrait of the Doge Marco Cornaro (oil on canvas)
Portrait of the Doge Marco Cornaro (oil on canvas)

FTB97076: Portrait of the Doge Marco Cornaro (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

ID: FTB97076

Portrait of the Doge Marco Cornaro (oil on canvas)

Tiepolo, Giovanni Battista (Giambattista) (1696-1770)

The Disembarkation of the Doge on the Bucintoro for the Marriage to the Sea, engraved by Giovanni Battista Brustolon (1712-96) (engraving)
The Disembarkation of the Doge on the Bucintoro for the Marriage to the Sea, engraved by Giovanni Battista Brustolon (1712-96) (engraving)

FTB96868: The Disembarkation of the Doge on the Bucintoro for the Marriage to the Sea, engraved by Giovanni Battista Brustolon (1712-96) (engraving), Canaletto, Antonio (1697-1768) (after) / Bridgeman Images

ID: FTB96868

The Disembarkation of the Doge on the Bucintoro for the Marriage to the Sea, engraved by Giovanni Battista Brustolon (1712-96) (engraving)

Canaletto, Antonio (1697-1768) (after)

The Brighton Coach on the Open Road (oil on canvas)
The Brighton Coach on the Open Road (oil on canvas)

AFR97156: The Brighton Coach on the Open Road (oil on canvas), Shayer, William Joseph (1811-92) / Bridgeman Images

ID: AFR97156

The Brighton Coach on the Open Road (oil on canvas)

Shayer, William Joseph (1811-92)

The Annunciation with SS. Francis and Michael (tempera on panel)
The Annunciation with SS. Francis and Michael (tempera on panel)

FTB97015: The Annunciation with SS. Francis and Michael (tempera on panel), Vivarini, Antonio (c.1415-1476/84) / Bridgeman Images

ID: FTB97015

The Annunciation with SS. Francis and Michael (tempera on panel)

Vivarini, Antonio (c.1415-1476/84)

Portrait of Ferdinando IV, King of Spain (1711-59) (oil on canvas)
Portrait of Ferdinando IV, King of Spain (1711-59) (oil on canvas)

FTB96458: Portrait of Ferdinando IV, King of Spain (1711-59) (oil on canvas), Amigoni, Jacopo (c. 1675-1752) / Bridgeman Images

ID: FTB96458

Portrait of Ferdinando IV, King of Spain (1711-59) (oil on canvas)

Amigoni, Jacopo (c. 1675-1752)

Master Knipe (oil on canvas)
Master Knipe (oil on canvas)

AFR97111: Master Knipe (oil on canvas), Geddes, Andrew (1783-1844) / Bridgeman Images

ID: AFR97111

Master Knipe (oil on canvas)

Geddes, Andrew (1783-1844)

Dawn, engraved by Paul Furst (c.1605-66) (engraving)
Dawn, engraved by Paul Furst (c.1605-66) (engraving)

STC97248: Dawn, engraved by Paul Furst (c.1605-66) (engraving), German School, (17th century) / Bridgeman Images

ID: STC97248

Dawn, engraved by Paul Furst (c.1605-66) (engraving)

German School, (17th century)

An Old Mare and Foal in a Stable, 1854 (oil on canvas)
An Old Mare and Foal in a Stable, 1854 (oil on canvas)

AFR97120: An Old Mare and Foal in a Stable, 1854 (oil on canvas), Herring Snr, John Frederick (1795-1865) / Bridgeman Images

ID: AFR97120

An Old Mare and Foal in a Stable, 1854 (oil on canvas)

Herring Snr, John Frederick (1795-1865)

Chac mool figure in front of Temple of the Warriors, Maya (photo)
Chac mool figure in front of Temple of the Warriors, Maya (photo)

MEX97333: Chac mool figure in front of Temple of the Warriors, Maya (photo), Sprague, Sean / Bridgeman Images

ID: MEX97333

Chac mool figure in front of Temple of the Warriors, Maya (photo)

Sprague, Sean

The well-known 'Cherry Dance' annually held at Kyoto, c.1880 (hand coloured albumen print on card)
The well-known 'Cherry Dance' annually held at Kyoto, c.1880 (hand coloured albumen print on card)

STC97503: The well-known 'Cherry Dance' annually held at Kyoto, c.1880 (hand coloured albumen print on card), Japanese Photographer, (19th century) / Bridgeman Images

ID: STC97503

The well-known 'Cherry Dance' annually held at Kyoto, c.1880 (hand coloured albumen print on card)

Japanese Photographer, (19th century)

The American Bison, educational illustration pub. by the Society for Promoting Christian Knowledge, 1843 (coloured aquatint)
The American Bison, educational illustration pub. by the Society for Promoting Christian Knowledge, 1843 (coloured aquatint)

STC97200: The American Bison, educational illustration pub. by the Society for Promoting Christian Knowledge, 1843 (coloured aquatint), Whymper, Josiah Wood (1813-1903) / Bridgeman Images

ID: STC97200

The American Bison, educational illustration pub. by the Society for Promoting Christian Knowledge, 1843 (coloured aquatint)

Whymper, Josiah Wood (1813-1903)

Piazza S. Marco, engraved by Brizeghel (litho)
Piazza S. Marco, engraved by Brizeghel (litho)

FTB97090: Piazza S. Marco, engraved by Brizeghel (litho), Moro, Marco (19th century) (after) / Bridgeman Images

ID: FTB97090

Piazza S. Marco, engraved by Brizeghel (litho)

Moro, Marco (19th century) (after)

Royal Visit, St. George's Street, Cape Town, 1925 (oil on canvas)
Royal Visit, St. George's Street, Cape Town, 1925 (oil on canvas)

AFR97103: Royal Visit, St. George's Street, Cape Town, 1925 (oil on canvas), Caldecott, Harry Stratford (1886-1929) / Bridgeman Images

ID: AFR97103

Royal Visit, St. George's Street, Cape Town, 1925 (oil on canvas)

Caldecott, Harry Stratford (1886-1929)

Evening on the Moorland (oil on canvas)
Evening on the Moorland (oil on canvas)

AFR97106: Evening on the Moorland (oil on canvas), Clausen, George (1852-1944) / Bridgeman Images

ID: AFR97106

Evening on the Moorland (oil on canvas)

Clausen, George (1852-1944)

The Old Farm (oil on canvas)
The Old Farm (oil on canvas)

AFR97136: The Old Farm (oil on canvas), Morland, George (1763-1804) / Bridgeman Images

ID: AFR97136

The Old Farm (oil on canvas)

Morland, George (1763-1804)

Cafe Royal in London (engraving)
Cafe Royal in London (engraving)

AFR97157: Cafe Royal in London (engraving), Sickert, Walter Richard (1860-1942) / Bridgeman Images

ID: AFR97157

Cafe Royal in London (engraving)

Sickert, Walter Richard (1860-1942)

Girls in 'Kago' or sedan chairs for travelling mountains, c.1880 (hand coloured albumen print on card)
Girls in 'Kago' or sedan chairs for travelling mountains, c.1880 (hand coloured albumen print on card)

STC97506: Girls in 'Kago' or sedan chairs for travelling mountains, c.1880 (hand coloured albumen print on card), Japanese Photographer, (19th century) / Bridgeman Images

ID: STC97506

Girls in 'Kago' or sedan chairs for travelling mountains, c.1880 (hand coloured albumen print on card)

Japanese Photographer, (19th century)

Fisherchildren, 1875 (oil on canvas)
Fisherchildren, 1875 (oil on canvas)

BFA97529: Fisherchildren, 1875 (oil on canvas), McTaggart, William (1835-1910) / Bridgeman Images

ID: BFA97529

Fisherchildren, 1875 (oil on canvas)

McTaggart, William (1835-1910)

Picking Primroses, 1906 (w/c)
Picking Primroses, 1906 (w/c)

CKG84599: Picking Primroses, 1906 (w/c), Swanwick, Joseph Harold (1866-1929) / Bridgeman Images

ID: CKG84599

Picking Primroses, 1906 (w/c)

Swanwick, Joseph Harold (1866-1929)

T29661 The Favourite Rabbit, engraved and pub. by Charles Knight (1743-c.1826) 1792 (engraving) (for pair see 84684)
T29661 The Favourite Rabbit, engraved and pub. by Charles Knight (1743-c.1826) 1792 (engraving) (for pair see 84684)

PFA84685: T29661 The Favourite Rabbit, engraved and pub. by Charles Knight (1743-c.1826) 1792 (engraving) (for pair see 84684), Russell, John (1745-1806) (after) / Bridgeman Images

ID: PFA84685

T29661 The Favourite Rabbit, engraved and pub. by Charles Knight (1743-c.1826) 1792 (engraving) (for pair see 84684)

Russell, John (1745-1806) (after)

Vertumnus and Pomona
Vertumnus and Pomona

RAF86507: Vertumnus and Pomona, Werner, Joseph (1637-1710) / Bridgeman Images

ID: RAF86507

Vertumnus and Pomona

Werner, Joseph (1637-1710)

Rollo with Ornaments, 1946 (oil on canvas)
Rollo with Ornaments, 1946 (oil on canvas)

SW85362: Rollo with Ornaments, 1946 (oil on canvas), Oscar, A. (1919-94) / Bridgeman Images

ID: SW85362

Rollo with Ornaments, 1946 (oil on canvas)

Oscar, A. (1919-94)

George III white marble semi-circular commode top, ormolu-mounted, painted and gilt attributed to George Brookshaw (1751-1823) c.1790 (see also 87642)
George III white marble semi-circular commode top, ormolu-mounted, painted and gilt attributed to George Brookshaw (1751-1823) c.1790 (see also 87642)

PAR87643: George III white marble semi-circular commode top, ormolu-mounted, painted and gilt attributed to George Brookshaw (1751-1823) c.1790 (see also 87642), Brookshaw, George (1751-1823) (attr. to) / Bridgeman Images

ID: PAR87643

George III white marble semi-circular commode top, ormolu-mounted, painted and gilt attributed to George Brookshaw (1751-1823) c.1790 (see also 87642)

Brookshaw, George (1751-1823) (attr. to)

The Young Artist, 1878 (panel)
The Young Artist, 1878 (panel)

MAL87777: The Young Artist, 1878 (panel), Hemsley, William (1819-1906) / Bridgeman Images

ID: MAL87777

The Young Artist, 1878 (panel)

Hemsley, William (1819-1906)

The Last Judgement, detail of the damned entering hell, from the vault above the apse, 1225 (mosaic)
The Last Judgement, detail of the damned entering hell, from the vault above the apse, 1225 (mosaic)

BEN98879: The Last Judgement, detail of the damned entering hell, from the vault above the apse, 1225 (mosaic), Coppo di Marcovaldo (fl.1225/30-after 1274) / Bridgeman Images

ID: BEN98879

The Last Judgement, detail of the damned entering hell, from the vault above the apse, 1225 (mosaic)

Coppo di Marcovaldo (fl.1225/30-after 1274)

View of the Xisto with heraldic bears and acorns, from the Parco dei Mostri (Monster Park) gardens laid out between 1550-63 by the Duke of Orsini, to designs by Giacomo Barozzi da Vignola (1507-73) (stone) (photo)
View of the Xisto with heraldic bears and acorns, from the Parco dei Mostri (Monster Park) gardens laid out between 1550-63 by the Duke of Orsini, to designs by Giacomo Barozzi da Vignola (1507-73) (stone) (photo)

BEN98886: View of the Xisto with heraldic bears and acorns, from the Parco dei Mostri (Monster Park) gardens laid out between 1550-63 by the Duke of Orsini, to designs by Giacomo Barozzi da Vignola (1507-73) (stone) (photo), Vignola, Jacopo [Giacomo] (Barozzi da) (1507-73) / Bridgeman Images

ID: BEN98886

View of the Xisto with heraldic bears and acorns, from the Parco dei Mostri (Monster Park) gardens laid out between 1550-63 by the Duke of Orsini, to designs by Giacomo Barozzi da Vignola (1507-73) (stone) (photo)

Vignola, Jacopo [Giacomo] (Barozzi da) (1507-73)

Monstrous figures, column capital (stone)
Monstrous figures, column capital (stone)

PWI98084: Monstrous figures, column capital (stone), French School, (11th century) / Bridgeman Images

ID: PWI98084

Monstrous figures, column capital (stone)

French School, (11th century)

George Monck, 1st Duke of Albemarle (1608-70), engraved by Robert Sheppard, 1735 (engraving)
George Monck, 1st Duke of Albemarle (1608-70), engraved by Robert Sheppard, 1735 (engraving)

CWA98165: George Monck, 1st Duke of Albemarle (1608-70), engraved by Robert Sheppard, 1735 (engraving), Loggan, David (1633/35-92) (after) / Bridgeman Images

ID: CWA98165

George Monck, 1st Duke of Albemarle (1608-70), engraved by Robert Sheppard, 1735 (engraving)

Loggan, David (1633/35-92) (after)

View of the Palatine from the Circus Maximus (photo) (see also 99012)
View of the Palatine from the Circus Maximus (photo) (see also 99012)

SAL99013: View of the Palatine from the Circus Maximus (photo) (see also 99012), Roman / Bridgeman Images

ID: SAL99013

View of the Palatine from the Circus Maximus (photo) (see also 99012)

Roman

North East View of Fort Louis, Martinique, engraved by Samuel Alken (1750-1815) 1796 (print)
North East View of Fort Louis, Martinique, engraved by Samuel Alken (1750-1815) 1796 (print)

BAL99080: North East View of Fort Louis, Martinique, engraved by Samuel Alken (1750-1815) 1796 (print), Willyams, Cooper (1762-1816) (after) / Bridgeman Images

ID: BAL99080

North East View of Fort Louis, Martinique, engraved by Samuel Alken (1750-1815) 1796 (print)

Willyams, Cooper (1762-1816) (after)

An Itinerant Doctor at Tien-Sing, from 'China in a Series of Views' by George Newenham Wright (c.1790-1877) 1843 (coloured engraving)
An Itinerant Doctor at Tien-Sing, from 'China in a Series of Views' by George Newenham Wright (c.1790-1877) 1843 (coloured engraving)

STC98424: An Itinerant Doctor at Tien-Sing, from 'China in a Series of Views' by George Newenham Wright (c.1790-1877) 1843 (coloured engraving), Allom, Thomas (1804-72) (after) / Bridgeman Images

ID: STC98424

An Itinerant Doctor at Tien-Sing, from 'China in a Series of Views' by George Newenham Wright (c.1790-1877) 1843 (coloured engraving)

Allom, Thomas (1804-72) (after)

The Toy Shop, from 'The Book of Shops', 1899 (colour litho)
The Toy Shop, from 'The Book of Shops', 1899 (colour litho)

STC98454: The Toy Shop, from 'The Book of Shops', 1899 (colour litho), Bedford, Francis Donkin (1864-1954) / Bridgeman Images

ID: STC98454

The Toy Shop, from 'The Book of Shops', 1899 (colour litho)

Bedford, Francis Donkin (1864-1954)

Crucifixion with St. Anthony (oil on panel)
Crucifixion with St. Anthony (oil on panel)

SCP98934: Crucifixion with St. Anthony (oil on panel), Botticini, Francesco (c.1446-97) / Bridgeman Images

ID: SCP98934

Crucifixion with St. Anthony (oil on panel)

Botticini, Francesco (c.1446-97)

The Narva Gates, St. Petersburg (litho)
The Narva Gates, St. Petersburg (litho)

STC99366: The Narva Gates, St. Petersburg (litho), English School, (19th century) / Bridgeman Images

ID: STC99366

The Narva Gates, St. Petersburg (litho)

English School, (19th century)


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