1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2491708 Search Results

Nancy Price as Martha Fenwick in The Stars look Down, A J Cronin (b/w photo)
Nancy Price as Martha Fenwick in The Stars look Down, A J Cronin (b/w photo)

LLM5224907: Nancy Price as Martha Fenwick in The Stars look Down, A J Cronin (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: LLM5224907

Nancy Price as Martha Fenwick in The Stars look Down, A J Cronin (b/w photo)

English Photographer, (20th century)

Robert Morley as the Prince Regent in The First Gentleman, Norman Ginsbury (b/w photo)
Robert Morley as the Prince Regent in The First Gentleman, Norman Ginsbury (b/w photo)

LLM5224903: Robert Morley as the Prince Regent in The First Gentleman, Norman Ginsbury (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: LLM5224903

Robert Morley as the Prince Regent in The First Gentleman, Norman Ginsbury (b/w photo)

English Photographer, (20th century)

Flora Robson as Sarah, Duchess of Marlborough in Viceroy Sarah, Norman Ginsbury (b/w photo)
Flora Robson as Sarah, Duchess of Marlborough in Viceroy Sarah, Norman Ginsbury (b/w photo)

LLM5224908: Flora Robson as Sarah, Duchess of Marlborough in Viceroy Sarah, Norman Ginsbury (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: LLM5224908

Flora Robson as Sarah, Duchess of Marlborough in Viceroy Sarah, Norman Ginsbury (b/w photo)

English Photographer, (20th century)

Robert Speaight as Elijah in The Old Man of the Mountains, Norman Nicholson (b/w photo)
Robert Speaight as Elijah in The Old Man of the Mountains, Norman Nicholson (b/w photo)

LLM5224918: Robert Speaight as Elijah in The Old Man of the Mountains, Norman Nicholson (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: LLM5224918

Robert Speaight as Elijah in The Old Man of the Mountains, Norman Nicholson (b/w photo)

English Photographer, (20th century)

Illustration for Kidnapped by Robert Louis Stevenson (colour litho)
Illustration for Kidnapped by Robert Louis Stevenson (colour litho)

LLM5225007: Illustration for Kidnapped by Robert Louis Stevenson (colour litho), English School, (20th century) / Bridgeman Images

ID: LLM5225007

Illustration for Kidnapped by Robert Louis Stevenson (colour litho)

English School, (20th century)

Vienna: Municipal Bathing-Beach
Vienna: Municipal Bathing-Beach

LLM5225352: Vienna: Municipal Bathing-Beach "Gansehaufel" (b/w photo), Austrian Photographer, (20th century) / Bridgeman Images

ID: LLM5225352

Vienna: Municipal Bathing-Beach "Gansehaufel" (b/w photo)

Austrian Photographer, (20th century)

Kom-Ombo, the Temple of Kom-Ombo,
Kom-Ombo, the Temple of Kom-Ombo,

LLM5225668: Kom-Ombo, the Temple of Kom-Ombo, "the mound of Ombo" (coloured photo), Egyptian Photographer, (20th century) / Bridgeman Images

ID: LLM5225668

Kom-Ombo, the Temple of Kom-Ombo, "the mound of Ombo" (coloured photo)

Egyptian Photographer, (20th century)

Kaiser Wilhelm II of Germany and Prince Henry of Prussia in a motor car, 1900s (b/w photo)
Kaiser Wilhelm II of Germany and Prince Henry of Prussia in a motor car, 1900s (b/w photo)

LLM5207577: Kaiser Wilhelm II of Germany and Prince Henry of Prussia in a motor car, 1900s (b/w photo), European Photographer, (20th century) / Bridgeman Images

ID: LLM5207577

Kaiser Wilhelm II of Germany and Prince Henry of Prussia in a motor car, 1900s (b/w photo)

European Photographer, (20th century)

Leon Quartermaine as Mr Coade in Dear Brutus, J M Barrie (b/w photo)
Leon Quartermaine as Mr Coade in Dear Brutus, J M Barrie (b/w photo)

LLM5224906: Leon Quartermaine as Mr Coade in Dear Brutus, J M Barrie (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: LLM5224906

Leon Quartermaine as Mr Coade in Dear Brutus, J M Barrie (b/w photo)

English Photographer, (20th century)

Muriel Aked as Miss Mayne in Autumn Crocus, Dodie Smith (b/w photo)
Muriel Aked as Miss Mayne in Autumn Crocus, Dodie Smith (b/w photo)

LLM5224877: Muriel Aked as Miss Mayne in Autumn Crocus, Dodie Smith (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: LLM5224877

Muriel Aked as Miss Mayne in Autumn Crocus, Dodie Smith (b/w photo)

English Photographer, (20th century)

Ralph Richardson in the title role of Peer Gynt, Ibsen (b/w photo)
Ralph Richardson in the title role of Peer Gynt, Ibsen (b/w photo)

LLM5224912: Ralph Richardson in the title role of Peer Gynt, Ibsen (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: LLM5224912

Ralph Richardson in the title role of Peer Gynt, Ibsen (b/w photo)

English Photographer, (20th century)

Athene Seyler (b/w photo)
Athene Seyler (b/w photo)

LLM5224914: Athene Seyler (b/w photo), European Photographer, (20th century) / Bridgeman Images

ID: LLM5224914

Athene Seyler (b/w photo)

European Photographer, (20th century)

Herding the ox (colour litho)
Herding the ox (colour litho)

GNG5287115: Herding the ox (colour litho), Unknown Artist / Bridgeman Images

ID: GNG5287115

Herding the ox (colour litho)

Unknown Artist

Catching the Ox (colour litho)
Catching the Ox (colour litho)

GNG5287095: Catching the Ox (colour litho), Unknown Artist / Bridgeman Images

ID: GNG5287095

Catching the Ox (colour litho)

Unknown Artist

Commentary on the Bible - Angels - Vatican Museum, Rome, Italie
Commentary on the Bible - Angels - Vatican Museum, Rome, Italie

GNG5284002: Commentary on the Bible - Angels - Vatican Museum, Rome, Italie / Bridgeman Images

ID: GNG5284002

Commentary on the Bible - Angels - Vatican Museum, Rome, Italie

Bayreuth Festival. (illustration, 1938)
Bayreuth Festival. (illustration, 1938)

CCI5975660: Bayreuth Festival. (illustration, 1938), German School, (20th century) / Bridgeman Images

ID: CCI5975660

Bayreuth Festival. (illustration, 1938)

German School, (20th century)

Company drinking around a table. Walk and Oraison. (illustration, circa 1930)
Company drinking around a table. Walk and Oraison. (illustration, circa 1930)

CCI5975716: Company drinking around a table. Walk and Oraison. (illustration, circa 1930) / Bridgeman Images

ID: CCI5975716

Company drinking around a table. Walk and Oraison. (illustration, circa 1930)

Olive oil in Tunisia. (Illustration, circa 1930)
Olive oil in Tunisia. (Illustration, circa 1930)

CCI5975912: Olive oil in Tunisia. (Illustration, circa 1930) / Bridgeman Images

ID: CCI5975912

Olive oil in Tunisia. (Illustration, circa 1930)

Air France Seaplanes. (b/w photo, 1936)
Air France Seaplanes. (b/w photo, 1936)

CCI5975676: Air France Seaplanes. (b/w photo, 1936), Unknown photographer, (20th century) / Bridgeman Images

ID: CCI5975676

Air France Seaplanes. (b/w photo, 1936)

Unknown photographer, (20th century)

Ballad against the enemies of France (Illustration, circa 1930)
Ballad against the enemies of France (Illustration, circa 1930)

CCI5975729: Ballad against the enemies of France (Illustration, circa 1930) / Bridgeman Images

ID: CCI5975729

Ballad against the enemies of France (Illustration, circa 1930)

After the war tank. (b/w photo, 1929)
After the war tank. (b/w photo, 1929)

CCI5975776: After the war tank. (b/w photo, 1929) / Bridgeman Images

ID: CCI5975776

After the war tank. (b/w photo, 1929)

fortune-teller. (Illustration 1926)
fortune-teller. (Illustration 1926)

CCI5975790: fortune-teller. (Illustration 1926) / Bridgeman Images

ID: CCI5975790

fortune-teller. (Illustration 1926)

The poor millionaire. (engraving, circa 1913)
The poor millionaire. (engraving, circa 1913)

CCI5975841: The poor millionaire. (engraving, circa 1913) / Bridgeman Images

ID: CCI5975841

The poor millionaire. (engraving, circa 1913)

Benedictine Palace. (Illustration, circa 1930)
Benedictine Palace. (Illustration, circa 1930)

CCI5975927: Benedictine Palace. (Illustration, circa 1930) / Bridgeman Images

ID: CCI5975927

Benedictine Palace. (Illustration, circa 1930)

Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from
Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from

GRL5962683: Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from "Orlando Furioso": "Angelica and Medoro in the shepherds' house", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

ID: GRL5962683

Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from "Orlando Furioso": "Angelica and Medoro in the shepherds' house", 1756-57 (fresco)

Tiepolo, Giovanni Battista (Giambattista) (1696-1770)

Palazzina (Small Building), the third room or room of the Aeneid:
Palazzina (Small Building), the third room or room of the Aeneid:

GRL5962696: Palazzina (Small Building), the third room or room of the Aeneid: "Aeneas introduces Eros to Didone in the likeness of Ascanius", detail, 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

ID: GRL5962696

Palazzina (Small Building), the third room or room of the Aeneid: "Aeneas introduces Eros to Didone in the likeness of Ascanius", detail, 1756-57 (fresco)

Tiepolo, Giovanni Battista (Giambattista) (1696-1770)

Palazzina (Small Building): view of the fourth room or of Torquato Tasso, with freescoes representing episodes of
Palazzina (Small Building): view of the fourth room or of Torquato Tasso, with freescoes representing episodes of

GRL5962705: Palazzina (Small Building): view of the fourth room or of Torquato Tasso, with freescoes representing episodes of "Jerusalem Delivered": "The witch Armida sees Rinaldo, who is asleep, and falls in love with him", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

ID: GRL5962705

Palazzina (Small Building): view of the fourth room or of Torquato Tasso, with freescoes representing episodes of "Jerusalem Delivered": "The witch Armida sees Rinaldo, who is asleep, and falls in love with him", 1756-57 (fresco)

Tiepolo, Giovanni Battista (Giambattista) (1696-1770)

Guest Lodgings, the Room of the Putti, medallion with putti:
Guest Lodgings, the Room of the Putti, medallion with putti:

GRL5962657: Guest Lodgings, the Room of the Putti, medallion with putti: "Three putti playing on a wooden horset", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

ID: GRL5962657

Guest Lodgings, the Room of the Putti, medallion with putti: "Three putti playing on a wooden horset", 1757 (fresco)

Tiepolo, Giovanni Battista (Giambattista) (1696-1770)

Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from
Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from

GRL5962678: Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from "Orlando Furioso": "Ruggiero rescuing Angelica from the sea monster", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

ID: GRL5962678

Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from "Orlando Furioso": "Ruggiero rescuing Angelica from the sea monster", 1756-57 (fresco)

Tiepolo, Giovanni Battista (Giambattista) (1696-1770)

Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from
Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from

GRL5962686: Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from "Orlando Furioso": "Angelica takes care of Medoro's wounds", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

ID: GRL5962686

Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from "Orlando Furioso": "Angelica takes care of Medoro's wounds", 1756-57 (fresco)

Tiepolo, Giovanni Battista (Giambattista) (1696-1770)

Palazzina (Small Building), the third room or room of the Aeneid: monochrome fresco representing Vulcan, god of fire, who supervises the work of the blacksmiths who are forging weapons for Aeneas in the presence of Venus in his forge, 1756-57 (fresco)
Palazzina (Small Building), the third room or room of the Aeneid: monochrome fresco representing Vulcan, god of fire, who supervises the work of the blacksmiths who are forging weapons for Aeneas in the presence of Venus in his forge, 1756-57 (fresco)

GRL5962698: Palazzina (Small Building), the third room or room of the Aeneid: monochrome fresco representing Vulcan, god of fire, who supervises the work of the blacksmiths who are forging weapons for Aeneas in the presence of Venus in his forge, 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

ID: GRL5962698

Palazzina (Small Building), the third room or room of the Aeneid: monochrome fresco representing Vulcan, god of fire, who supervises the work of the blacksmiths who are forging weapons for Aeneas in the presence of Venus in his forge, 1756-57 (fresco)

Tiepolo, Giovanni Battista (Giambattista) (1696-1770)

Guest Lodgings, Room of the Rural Scenes:
Guest Lodgings, Room of the Rural Scenes:

GRL5962731: Guest Lodgings, Room of the Rural Scenes: "The Peasant's Rest", detail, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

ID: GRL5962731

Guest Lodgings, Room of the Rural Scenes: "The Peasant's Rest", detail, 1757 (fresco)

Tiepolo, Giovanni Battista (Giambattista) (1696-1770)

Guest Lodgings, the Room of the Carnival Scenes:
Guest Lodgings, the Room of the Carnival Scenes:

GRL5962752: Guest Lodgings, the Room of the Carnival Scenes: "Moor Servant on a False Staircase", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

ID: GRL5962752

Guest Lodgings, the Room of the Carnival Scenes: "Moor Servant on a False Staircase", 1757 (fresco)

Tiepolo, Giovanni Battista (Giambattista) (1696-1770)

Guest Lodgings, Room of the False Gothic Architectures:
Guest Lodgings, Room of the False Gothic Architectures:

GRL5962734: Guest Lodgings, Room of the False Gothic Architectures: "The Love Declaration", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

ID: GRL5962734

Guest Lodgings, Room of the False Gothic Architectures: "The Love Declaration", 1757 (fresco)

Tiepolo, Giovanni Battista (Giambattista) (1696-1770)

Guest Lodgings, the Room of the Putti, medallion with putti:
Guest Lodgings, the Room of the Putti, medallion with putti:

GRL5962768: Guest Lodgings, the Room of the Putti, medallion with putti: "Three putti and a cart", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

ID: GRL5962768

Guest Lodgings, the Room of the Putti, medallion with putti: "Three putti and a cart", 1757 (fresco)

Tiepolo, Giovanni Battista (Giambattista) (1696-1770)

Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from
Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from

GRL5962680: Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from "Orlando Furioso": "Angelica and Medoro engrave their names on the bark of the plants", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

ID: GRL5962680

Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from "Orlando Furioso": "Angelica and Medoro engrave their names on the bark of the plants", 1756-57 (fresco)

Tiepolo, Giovanni Battista (Giambattista) (1696-1770)


Back to top