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Al-Harith and Abu-Zayd at King's palace, 1237 (miniature)
Al-Harith and Abu-Zayd at King's palace, 1237 (miniature)

JLJ4658807: Al-Harith and Abu-Zayd at King's palace, 1237 (miniature), Al-Wasiti, Yahya ibn Mahmud (13th Century) / Bridgeman Images

ID: JLJ4658807

Al-Harith and Abu-Zayd at King's palace, 1237 (miniature)

Al-Wasiti, Yahya ibn Mahmud (13th Century)

The wandering navigator Abu-Zayd and the sleeping merchants Miniature taken from the
The wandering navigator Abu-Zayd and the sleeping merchants Miniature taken from the

JLJ4658821: The wandering navigator Abu-Zayd and the sleeping merchants Miniature taken from the "Maqamat", 1237 (miniature), Al-Wasiti, Yahya ibn Mahmud (13th Century) / Bridgeman Images

ID: JLJ4658821

The wandering navigator Abu-Zayd and the sleeping merchants Miniature taken from the "Maqamat", 1237 (miniature)

Al-Wasiti, Yahya ibn Mahmud (13th Century)

Egypt - Abu Simbel - Egypt - Abu Simbel - The temple of Ramses II seen during the sound and light show in Abu Simbel. The great temple of Ramesses II at Abu Simbel seen during the sound and light show
Egypt - Abu Simbel - Egypt - Abu Simbel - The temple of Ramses II seen during the sound and light show in Abu Simbel. The great temple of Ramesses II at Abu Simbel seen during the sound and light show

PIX4658842: Egypt - Abu Simbel - Egypt - Abu Simbel - The temple of Ramses II seen during the sound and light show in Abu Simbel. The great temple of Ramesses II at Abu Simbel seen during the sound and light show / Bridgeman Images

ID: PIX4658842

Egypt - Abu Simbel - Egypt - Abu Simbel - The temple of Ramses II seen during the sound and light show in Abu Simbel. The great temple of Ramesses II at Abu Simbel seen during the sound and light show

The doctor and the recipe of the Theriac Miniature from
The doctor and the recipe of the Theriac Miniature from

JLJ4658889: The doctor and the recipe of the Theriac Miniature from " Le livre des antidotes" 1199 (miniature), Unknown Artist, (12th century) / Bridgeman Images

ID: JLJ4658889

The doctor and the recipe of the Theriac Miniature from " Le livre des antidotes" 1199 (miniature)

Unknown Artist, (12th century)

The house Cassandre in Versailles (Les Yvelines). Construction 1924-1925, architects Auguste (1874-1954) and Gustave (1876-1952) Perret. Built for the poster designer Jean Marie Mouron, known as Cassandre, made of weapon concrete and featuring a large workshop overlooking the garden on the ground floor, it is located in a 19th century residential area, close to the railway station on the right bank and the villa Bomsel d'Andre Lurcat. Photography 10/06/88.
The house Cassandre in Versailles (Les Yvelines). Construction 1924-1925, architects Auguste (1874-1954) and Gustave (1876-1952) Perret. Built for the poster designer Jean Marie Mouron, known as Cassandre, made of weapon concrete and featuring a large workshop overlooking the garden on the ground floor, it is located in a 19th century residential area, close to the railway station on the right bank and the villa Bomsel d'Andre Lurcat. Photography 10/06/88.

TEC4658899: The house Cassandre in Versailles (Les Yvelines). Construction 1924-1925, architects Auguste (1874-1954) and Gustave (1876-1952) Perret. Built for the poster designer Jean Marie Mouron, known as Cassandre, made of weapon concrete and featuring a large workshop overlooking the garden on the ground floor, it is located in a 19th century residential area, close to the railway station on the right bank and the villa Bomsel d'Andre Lurcat. Photography 10/06/88., Perret, Auguste (1874-1954) & Gustave (1876-1952) / Bridgeman Images

ID: TEC4658899

The house Cassandre in Versailles (Les Yvelines). Construction 1924-1925, architects Auguste (1874-1954) and Gustave (1876-1952) Perret. Built for the poster designer Jean Marie Mouron, known as Cassandre, made of weapon concrete and featuring a large workshop overlooking the garden on the ground floor, it is located in a 19th century residential area, close to the railway station on the right bank and the villa Bomsel d'Andre Lurcat. Photography 10/06/88.

Perret, Auguste (1874-1954) & Gustave (1876-1952)

Egypt - Abu Simbel - Egypt - Abu Simbel - The Temple of Ramses II in Abu Simbel. Detail The great temple of Ramesses II at Abu Simbel.Detai
Egypt - Abu Simbel - Egypt - Abu Simbel - The Temple of Ramses II in Abu Simbel. Detail The great temple of Ramesses II at Abu Simbel.Detai

PIX4658918: Egypt - Abu Simbel - Egypt - Abu Simbel - The Temple of Ramses II in Abu Simbel. Detail The great temple of Ramesses II at Abu Simbel.Detai / Bridgeman Images

ID: PIX4658918

Egypt - Abu Simbel - Egypt - Abu Simbel - The Temple of Ramses II in Abu Simbel. Detail The great temple of Ramesses II at Abu Simbel.Detai

Portrait of the writer Alphonse Daudet (1840-1897), 19th century (engraving)
Portrait of the writer Alphonse Daudet (1840-1897), 19th century (engraving)

JLJ4658972: Portrait of the writer Alphonse Daudet (1840-1897), 19th century (engraving), Renouard, Charles Paul (1845-1924) / Bridgeman Images

ID: JLJ4658972

Portrait of the writer Alphonse Daudet (1840-1897), 19th century (engraving)

Renouard, Charles Paul (1845-1924)

France: fantasy photography of a cook blowing up the crepe, 1903
France: fantasy photography of a cook blowing up the crepe, 1903

LUX4726906: France: fantasy photography of a cook blowing up the crepe, 1903 / Bridgeman Images

ID: LUX4726906

France: fantasy photography of a cook blowing up the crepe, 1903

Gustave II Adolphe, known as the Great or the Northern Lion (1594-1632) unbarking in Pomerania July 6, 1630 - engraving from the end of the 19th century - Gustav Adolf Landing in Pomerania
Gustave II Adolphe, known as the Great or the Northern Lion (1594-1632) unbarking in Pomerania July 6, 1630 - engraving from the end of the 19th century - Gustav Adolf Landing in Pomerania

GIA4726971: Gustave II Adolphe, known as the Great or the Northern Lion (1594-1632) unbarking in Pomerania July 6, 1630 - engraving from the end of the 19th century - Gustav Adolf Landing in Pomerania, Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4726971

Gustave II Adolphe, known as the Great or the Northern Lion (1594-1632) unbarking in Pomerania July 6, 1630 - engraving from the end of the 19th century - Gustav Adolf Landing in Pomerania

Unknown Artist, (19th century)

Portrait of Eduard Napravnik (1839-1916) Czech composer
Portrait of Eduard Napravnik (1839-1916) Czech composer

LUX4727063: Portrait of Eduard Napravnik (1839-1916) Czech composer / Bridgeman Images

ID: LUX4727063

Portrait of Eduard Napravnik (1839-1916) Czech composer

The Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architect: Nicolas Dupuis in 1548-1560 and rehabilitated in 1660 by Francois Mansart. Dedicated to the history of Paris, this grand museum has occupied two adjoining hotels since 1991: Hotel Carnavalet, one of the most beautiful hotels of the Parisian Renaissance and Hotel Le Peletier de Saint-Fargeau, built in the 18th century. In 1660, Francois Mansart was commissioned to expand and modernize it. In the foreground is the Victory Court with French gardens. Photograph 1992.
The Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architect: Nicolas Dupuis in 1548-1560 and rehabilitated in 1660 by Francois Mansart. Dedicated to the history of Paris, this grand museum has occupied two adjoining hotels since 1991: Hotel Carnavalet, one of the most beautiful hotels of the Parisian Renaissance and Hotel Le Peletier de Saint-Fargeau, built in the 18th century. In 1660, Francois Mansart was commissioned to expand and modernize it. In the foreground is the Victory Court with French gardens. Photograph 1992.

TEC4727093: The Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architect: Nicolas Dupuis in 1548-1560 and rehabilitated in 1660 by Francois Mansart. Dedicated to the history of Paris, this grand museum has occupied two adjoining hotels since 1991: Hotel Carnavalet, one of the most beautiful hotels of the Parisian Renaissance and Hotel Le Peletier de Saint-Fargeau, built in the 18th century. In 1660, Francois Mansart was commissioned to expand and modernize it. In the foreground is the Victory Court with French gardens. Photograph 1992. / Bridgeman Images

ID: TEC4727093

The Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architect: Nicolas Dupuis in 1548-1560 and rehabilitated in 1660 by Francois Mansart. Dedicated to the history of Paris, this grand museum has occupied two adjoining hotels since 1991: Hotel Carnavalet, one of the most beautiful hotels of the Parisian Renaissance and Hotel Le Peletier de Saint-Fargeau, built in the 18th century. In 1660, Francois Mansart was commissioned to expand and modernize it. In the foreground is the Victory Court with French gardens. Photograph 1992.

France: a young man and two young girls pose disguises in Pierrot and Colombine, 1910
France: a young man and two young girls pose disguises in Pierrot and Colombine, 1910

LUX4727139: France: a young man and two young girls pose disguises in Pierrot and Colombine, 1910 / Bridgeman Images

ID: LUX4727139

France: a young man and two young girls pose disguises in Pierrot and Colombine, 1910

Sir Walter Raleigh (1554-1618)
Sir Walter Raleigh (1554-1618)

GIA4727318: Sir Walter Raleigh (1554-1618), Unknown Artist / Bridgeman Images

ID: GIA4727318

Sir Walter Raleigh (1554-1618)

Unknown Artist

The Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architect: Nicolas Dupuis in 1548-1560 and rebuilt in 1660 by Francois Mansart. Room dedicated to the Second Empire. Photography 1992.
The Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architect: Nicolas Dupuis in 1548-1560 and rebuilt in 1660 by Francois Mansart. Room dedicated to the Second Empire. Photography 1992.

TEC4727344: The Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architect: Nicolas Dupuis in 1548-1560 and rebuilt in 1660 by Francois Mansart. Room dedicated to the Second Empire. Photography 1992. / Bridgeman Images

ID: TEC4727344

The Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architect: Nicolas Dupuis in 1548-1560 and rebuilt in 1660 by Francois Mansart. Room dedicated to the Second Empire. Photography 1992.

The Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architect: Nicolas Dupuis in 1548-1560 and rebuilt in 1660 by Francois Mansart. Detail of the ballroom of the Wendel hotel. Decorative set made in 1925 by the Catalan painter Jose-Maria Sert for the Wendel family mansion. Huge composition evenly covering walls and ceiling, on a silver background, representing the Depart of the Queen of Sheba going to visit King Solomon. Photography 1992
The Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architect: Nicolas Dupuis in 1548-1560 and rebuilt in 1660 by Francois Mansart. Detail of the ballroom of the Wendel hotel. Decorative set made in 1925 by the Catalan painter Jose-Maria Sert for the Wendel family mansion. Huge composition evenly covering walls and ceiling, on a silver background, representing the Depart of the Queen of Sheba going to visit King Solomon. Photography 1992

TEC4727362: The Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architect: Nicolas Dupuis in 1548-1560 and rebuilt in 1660 by Francois Mansart. Detail of the ballroom of the Wendel hotel. Decorative set made in 1925 by the Catalan painter Jose-Maria Sert for the Wendel family mansion. Huge composition evenly covering walls and ceiling, on a silver background, representing the Depart of the Queen of Sheba going to visit King Solomon. Photography 1992 / Bridgeman Images

ID: TEC4727362

The Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architect: Nicolas Dupuis in 1548-1560 and rebuilt in 1660 by Francois Mansart. Detail of the ballroom of the Wendel hotel. Decorative set made in 1925 by the Catalan painter Jose-Maria Sert for the Wendel family mansion. Huge composition evenly covering walls and ceiling, on a silver background, representing the Depart of the Queen of Sheba going to visit King Solomon. Photography 1992

Portrait of Arthur Nikisch (b/w photo)
Portrait of Arthur Nikisch (b/w photo)

LRI4727380: Portrait of Arthur Nikisch (b/w photo), Unknown photographer, (19th century) / Bridgeman Images

ID: LRI4727380

Portrait of Arthur Nikisch (b/w photo)

Unknown photographer, (19th century)

Founding of the city of Lyon, 1530 (tapestry)
Founding of the city of Lyon, 1530 (tapestry)

JLJ4659044: Founding of the city of Lyon, 1530 (tapestry), French School, (16th century) / Bridgeman Images

ID: JLJ4659044

Founding of the city of Lyon, 1530 (tapestry)

French School, (16th century)

Greek antiquite: “” dancer clothed with sails””” marble relief from the late 5th century BC. Palermo, Museo Archeologico Nazionale
Greek antiquite: “” dancer clothed with sails””” marble relief from the late 5th century BC. Palermo, Museo Archeologico Nazionale

LRI4659067: Greek antiquite: “” dancer clothed with sails””” marble relief from the late 5th century BC. Palermo, Museo Archeologico Nazionale, Greek school, (5th century BC) / Bridgeman Images

ID: LRI4659067

Greek antiquite: “” dancer clothed with sails””” marble relief from the late 5th century BC. Palermo, Museo Archeologico Nazionale

Greek school, (5th century BC)

Housing building, 51 rue Raynouard in Paris 75016. Construction 1932-1934, architects Auguste (1874-1954) and Gustave (1876-1952) Perret. Built to place the agency and several family apartments of the architect.
Housing building, 51 rue Raynouard in Paris 75016. Construction 1932-1934, architects Auguste (1874-1954) and Gustave (1876-1952) Perret. Built to place the agency and several family apartments of the architect.

TEC4659133: Housing building, 51 rue Raynouard in Paris 75016. Construction 1932-1934, architects Auguste (1874-1954) and Gustave (1876-1952) Perret. Built to place the agency and several family apartments of the architect., Perret, Auguste (1874-1954) & Gustave (1876-1952) / Bridgeman Images

ID: TEC4659133

Housing building, 51 rue Raynouard in Paris 75016. Construction 1932-1934, architects Auguste (1874-1954) and Gustave (1876-1952) Perret. Built to place the agency and several family apartments of the architect.

Perret, Auguste (1874-1954) & Gustave (1876-1952)

Oceanian continent: View of the island of New Caledonia with its inhabitants in the 18th century Engraving, 18th century (engraving)
Oceanian continent: View of the island of New Caledonia with its inhabitants in the 18th century Engraving, 18th century (engraving)

JLJ4659284: Oceanian continent: View of the island of New Caledonia with its inhabitants in the 18th century Engraving, 18th century (engraving), Unknown artist, (18th century) / Bridgeman Images

ID: JLJ4659284

Oceanian continent: View of the island of New Caledonia with its inhabitants in the 18th century Engraving, 18th century (engraving)

Unknown artist, (18th century)

St. Helene Island - St. Helena Island - St. Helene Island seen from the International Space Station (ISS) on 7 May 2009. Sainte-Helene is located 1860 km off the African coast in the Atlantic Ocean. Saint Helena Island, located in the South Atlantic Ocean approximately 1,860 kilometers (1,156 miles) west of Africa, was one of the many isolated islands that naturalist Charles Darwin visited during his scientific voyages in the nineteenth century. This image was acquired by astronauts onboard the International Space Station on May 7, 2009. This astronaut photograph shows the island's sharp peaks and deep ravines; the rugged topography results from erosion of the volcanic rocks that make up the island. The change in elevation from the coast to the interior creates a climate gradient. The higher, wetter center is covered with green vegetation, whereas the lower coastal areas are drier and hotter, with little vegetation cover. Human presence on the island has also caused dramatic changes to the original plants and animals of the island. Only about 10 percent of the forest cover observed by the first explorers now remains in a semi-natural state, concentrated in the interior highlands. Saint Helena Island is perhaps best known as the final resting place of Napoleon Bonaparte I of France. Bonaparte was exiled to the island following his defeat at the Battle of Waterloo in 1815; he died on the island six years later in 1821. Today, the island is a British Overseas Territory, with access provided thirty times a year by a single ship, the Royal Mail Ship St. Helena
St. Helene Island - St. Helena Island - St. Helene Island seen from the International Space Station (ISS) on 7 May 2009. Sainte-Helene is located 1860 km off the African coast in the Atlantic Ocean. Saint Helena Island, located in the South Atlantic Ocean approximately 1,860 kilometers (1,156 miles) west of Africa, was one of the many isolated islands that naturalist Charles Darwin visited during his scientific voyages in the nineteenth century. This image was acquired by astronauts onboard the International Space Station on May 7, 2009. This astronaut photograph shows the island's sharp peaks and deep ravines; the rugged topography results from erosion of the volcanic rocks that make up the island. The change in elevation from the coast to the interior creates a climate gradient. The higher, wetter center is covered with green vegetation, whereas the lower coastal areas are drier and hotter, with little vegetation cover. Human presence on the island has also caused dramatic changes to the original plants and animals of the island. Only about 10 percent of the forest cover observed by the first explorers now remains in a semi-natural state, concentrated in the interior highlands. Saint Helena Island is perhaps best known as the final resting place of Napoleon Bonaparte I of France. Bonaparte was exiled to the island following his defeat at the Battle of Waterloo in 1815; he died on the island six years later in 1821. Today, the island is a British Overseas Territory, with access provided thirty times a year by a single ship, the Royal Mail Ship St. Helena

PIX4659322: St. Helene Island - St. Helena Island - St. Helene Island seen from the International Space Station (ISS) on 7 May 2009. Sainte-Helene is located 1860 km off the African coast in the Atlantic Ocean. Saint Helena Island, located in the South Atlantic Ocean approximately 1,860 kilometers (1,156 miles) west of Africa, was one of the many isolated islands that naturalist Charles Darwin visited during his scientific voyages in the nineteenth century. This image was acquired by astronauts onboard the International Space Station on May 7, 2009. This astronaut photograph shows the island's sharp peaks and deep ravines; the rugged topography results from erosion of the volcanic rocks that make up the island. The change in elevation from the coast to the interior creates a climate gradient. The higher, wetter center is covered with green vegetation, whereas the lower coastal areas are drier and hotter, with little vegetation cover. Human presence on the island has also caused dramatic changes to the original plants and animals of the island. Only about 10 percent of the forest cover observed by the first explorers now remains in a semi-natural state, concentrated in the interior highlands. Saint Helena Island is perhaps best known as the final resting place of Napoleon Bonaparte I of France. Bonaparte was exiled to the island following his defeat at the Battle of Waterloo in 1815; he died on the island six years later in 1821. Today, the island is a British Overseas Territory, with access provided thirty times a year by a single ship, the Royal Mail Ship St. Helena / Bridgeman Images

ID: PIX4659322

St. Helene Island - St. Helena Island - St. Helene Island seen from the International Space Station (ISS) on 7 May 2009. Sainte-Helene is located 1860 km off the African coast in the Atlantic Ocean. Saint Helena Island, located in the South Atlantic Ocean approximately 1,860 kilometers (1,156 miles) west of Africa, was one of the many isolated islands that naturalist Charles Darwin visited during his scientific voyages in the nineteenth century. This image was acquired by astronauts onboard the International Space Station on May 7, 2009. This astronaut photograph shows the island's sharp peaks and deep ravines; the rugged topography results from erosion of the volcanic rocks that make up the island. The change in elevation from the coast to the interior creates a climate gradient. The higher, wetter center is covered with green vegetation, whereas the lower coastal areas are drier and hotter, with little vegetation cover. Human presence on the island has also caused dramatic changes to

Africa by satellite. Chad - Possible impact crateres - radar view - 20/03/1996 The impact of an asteroid or comet several hundred million years ago left scars in the landscape that are still visible in this spaceborne radar image of an area in the Sahara Desert of northern Chad. The concentric ring structure left of center is the Aorounga impact crater with a diameter of about 17 kilometers (10.5 miles). Scientists are using radar images to investigate the possibility that Aorounga formed as part of a multiple impact event. A proposed second crater, similar in size to the main structure, appears as a circular trough surrounding a central peak in the center of the image. A third structure, also about the same size, is seen as a dark, partial circular trough with a possible central structure in the right center of the image. The proposed crater “” chain”” could have formed when a 1 km to 2 km (0.5 mile to 1 mile) diameter object broke apart before impact. The dark streaks are deposits of windblown sand that migrate along valleys cut by thousands of years of wind erosion. Radar imaging is a valuable tool for the study of desert regions because the radar waves can penetrate thin layers of dry sand to reveal details of geologic structure that are invisible to other sensors. The image was acquired by the Spaceborne Imaging Radar - C/X - band Synthetic Aperture Radar (SIR - C/X - SAR) on April 18 and 19, 1994, onboard the space shuttle Endeavour. The area shown is 45 kilometers by 61 kilometers (28 miles by 38 miles) and is centered at 19.25 degrees north latitude, 19.25 degrees east longitude. North is toward the upper right. The colors are assigned to different radar frequencies and polarizations as follows: red is L - band, horizontally transmitted and received; green is C - band, horizontally transmitted and received; and blue is C - band, horizontally transmitted, vertically received. SIR-C/X-SAR, a joint mission of the German, Italian and United States space a
Africa by satellite. Chad - Possible impact crateres - radar view - 20/03/1996 The impact of an asteroid or comet several hundred million years ago left scars in the landscape that are still visible in this spaceborne radar image of an area in the Sahara Desert of northern Chad. The concentric ring structure left of center is the Aorounga impact crater with a diameter of about 17 kilometers (10.5 miles). Scientists are using radar images to investigate the possibility that Aorounga formed as part of a multiple impact event. A proposed second crater, similar in size to the main structure, appears as a circular trough surrounding a central peak in the center of the image. A third structure, also about the same size, is seen as a dark, partial circular trough with a possible central structure in the right center of the image. The proposed crater “” chain”” could have formed when a 1 km to 2 km (0.5 mile to 1 mile) diameter object broke apart before impact. The dark streaks are deposits of windblown sand that migrate along valleys cut by thousands of years of wind erosion. Radar imaging is a valuable tool for the study of desert regions because the radar waves can penetrate thin layers of dry sand to reveal details of geologic structure that are invisible to other sensors. The image was acquired by the Spaceborne Imaging Radar - C/X - band Synthetic Aperture Radar (SIR - C/X - SAR) on April 18 and 19, 1994, onboard the space shuttle Endeavour. The area shown is 45 kilometers by 61 kilometers (28 miles by 38 miles) and is centered at 19.25 degrees north latitude, 19.25 degrees east longitude. North is toward the upper right. The colors are assigned to different radar frequencies and polarizations as follows: red is L - band, horizontally transmitted and received; green is C - band, horizontally transmitted and received; and blue is C - band, horizontally transmitted, vertically received. SIR-C/X-SAR, a joint mission of the German, Italian and United States space a

PIX4659396: Africa by satellite. Chad - Possible impact crateres - radar view - 20/03/1996 The impact of an asteroid or comet several hundred million years ago left scars in the landscape that are still visible in this spaceborne radar image of an area in the Sahara Desert of northern Chad. The concentric ring structure left of center is the Aorounga impact crater with a diameter of about 17 kilometers (10.5 miles). Scientists are using radar images to investigate the possibility that Aorounga formed as part of a multiple impact event. A proposed second crater, similar in size to the main structure, appears as a circular trough surrounding a central peak in the center of the image. A third structure, also about the same size, is seen as a dark, partial circular trough with a possible central structure in the right center of the image. The proposed crater “” chain”” could have formed when a 1 km to 2 km (0.5 mile to 1 mile) diameter object broke apart before impact. The dark streaks are deposits of windblown sand that migrate along valleys cut by thousands of years of wind erosion. Radar imaging is a valuable tool for the study of desert regions because the radar waves can penetrate thin layers of dry sand to reveal details of geologic structure that are invisible to other sensors. The image was acquired by the Spaceborne Imaging Radar - C/X - band Synthetic Aperture Radar (SIR - C/X - SAR) on April 18 and 19, 1994, onboard the space shuttle Endeavour. The area shown is 45 kilometers by 61 kilometers (28 miles by 38 miles) and is centered at 19.25 degrees north latitude, 19.25 degrees east longitude. North is toward the upper right. The colors are assigned to different radar frequencies and polarizations as follows: red is L - band, horizontally transmitted and received; green is C - band, horizontally transmitted and received; and blue is C - band, horizontally transmitted, vertically received. SIR-C/X-SAR, a joint mission of the German, Italian and United States space a / Bridgeman Images

ID: PIX4659396

Africa by satellite. Chad - Possible impact crateres - radar view - 20/03/1996 The impact of an asteroid or comet several hundred million years ago left scars in the landscape that are still visible in this spaceborne radar image of an area in the Sahara Desert of northern Chad. The concentric ring structure left of center is the Aorounga impact crater with a diameter of about 17 kilometers (10.5 miles). Scientists are using radar images to investigate the possibility that Aorounga formed as part of a multiple impact event. A proposed second crater, similar in size to the main structure, appears as a circular trough surrounding a central peak in the center of the image. A third structure, also about the same size, is seen as a dark, partial circular trough with a possible central structure in the right center of the image. The proposed crater “” chain”” could have formed when a 1 km to 2 km (0.5 mile to 1 mile) diameter object broke apart before impact. The dark streaks are deposits of

France, Picardie, Somme (80), Aault: group of children on the beach of Ault, 1910
France, Picardie, Somme (80), Aault: group of children on the beach of Ault, 1910

LUX4727403: France, Picardie, Somme (80), Aault: group of children on the beach of Ault, 1910 / Bridgeman Images

ID: LUX4727403

France, Picardie, Somme (80), Aault: group of children on the beach of Ault, 1910

George Monck dit Monk 1st Duke of Albemarle (Aumale), General of the Sea (Admiral) 1608-1670
George Monck dit Monk 1st Duke of Albemarle (Aumale), General of the Sea (Admiral) 1608-1670

GIA4727534: George Monck dit Monk 1st Duke of Albemarle (Aumale), General of the Sea (Admiral) 1608-1670, Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4727534

George Monck dit Monk 1st Duke of Albemarle (Aumale), General of the Sea (Admiral) 1608-1670

Unknown Artist, (19th century)

La salle de lecture de La Bibliotheque Sainte-Genevieve (Sainte Genevieve), 10 place du Pantheon, Paris 75005. Architecture by Henri Labrouste, 1845-1851.
La salle de lecture de La Bibliotheque Sainte-Genevieve (Sainte Genevieve), 10 place du Pantheon, Paris 75005. Architecture by Henri Labrouste, 1845-1851.

TEC4727647: La salle de lecture de La Bibliotheque Sainte-Genevieve (Sainte Genevieve), 10 place du Pantheon, Paris 75005. Architecture by Henri Labrouste, 1845-1851. / Bridgeman Images

ID: TEC4727647

La salle de lecture de La Bibliotheque Sainte-Genevieve (Sainte Genevieve), 10 place du Pantheon, Paris 75005. Architecture by Henri Labrouste, 1845-1851.

Demolition of the central market in Paris, in August 1971(b/w photo)
Demolition of the central market in Paris, in August 1971(b/w photo)

LRI4727675: Demolition of the central market in Paris, in August 1971(b/w photo), Baltard, Victor (1805-74) / Bridgeman Images

ID: LRI4727675

Demolition of the central market in Paris, in August 1971(b/w photo)

Baltard, Victor (1805-74)

Pious image: Saint Anne de Beaupre, patron saint of Quebec (chromolithography)
Pious image: Saint Anne de Beaupre, patron saint of Quebec (chromolithography)

LRI4727692: Pious image: Saint Anne de Beaupre, patron saint of Quebec (chromolithography), Anonymous / Bridgeman Images

ID: LRI4727692

Pious image: Saint Anne de Beaupre, patron saint of Quebec (chromolithography)

Anonymous

La salle de lecture de La Bibliotheque Sainte-Genevieve (Sainte Genevieve), 10 place du Pantheon, Paris 75005. Architecture by Henri Labrouste, 1845-1851.
La salle de lecture de La Bibliotheque Sainte-Genevieve (Sainte Genevieve), 10 place du Pantheon, Paris 75005. Architecture by Henri Labrouste, 1845-1851.

TEC4727723: La salle de lecture de La Bibliotheque Sainte-Genevieve (Sainte Genevieve), 10 place du Pantheon, Paris 75005. Architecture by Henri Labrouste, 1845-1851. / Bridgeman Images

ID: TEC4727723

La salle de lecture de La Bibliotheque Sainte-Genevieve (Sainte Genevieve), 10 place du Pantheon, Paris 75005. Architecture by Henri Labrouste, 1845-1851.

Portrait of Arlette Dorgere (1880-1965), French comedian, dancer and singer - Photography 1903
Portrait of Arlette Dorgere (1880-1965), French comedian, dancer and singer - Photography 1903

LUX4727767: Portrait of Arlette Dorgere (1880-1965), French comedian, dancer and singer - Photography 1903 / Bridgeman Images

ID: LUX4727767

Portrait of Arlette Dorgere (1880-1965), French comedian, dancer and singer - Photography 1903

Basilica of Saint Denis - Basilica of Saint Denis - France, Ile-de-France, Seine-Saint-Denis,
Basilica of Saint Denis - Basilica of Saint Denis - France, Ile-de-France, Seine-Saint-Denis,

ITR4727802: Basilica of Saint Denis - Basilica of Saint Denis - France, Ile-de-France, Seine-Saint-Denis, / Bridgeman Images

ID: ITR4727802

Basilica of Saint Denis - Basilica of Saint Denis - France, Ile-de-France, Seine-Saint-Denis,

Pious image: King st Louis during the crusade (print)
Pious image: King st Louis during the crusade (print)

LRI4727954: Pious image: King st Louis during the crusade (print), Anonymous / Bridgeman Images

ID: LRI4727954

Pious image: King st Louis during the crusade (print)

Anonymous

Chrysochroa splendens (macrophotography)
Chrysochroa splendens (macrophotography)

LRI4683316: Chrysochroa splendens (macrophotography) / Bridgeman Images

ID: LRI4683316

Chrysochroa splendens (macrophotography)

Romanesque art: model of the Abbey of Cluny (photo)
Romanesque art: model of the Abbey of Cluny (photo)

JLJ4683407: Romanesque art: model of the Abbey of Cluny (photo) / Bridgeman Images

ID: JLJ4683407

Romanesque art: model of the Abbey of Cluny (photo)

Anthaxia candens, From Greece (macrophotography)
Anthaxia candens, From Greece (macrophotography)

LRI4683444: Anthaxia candens, From Greece (macrophotography) / Bridgeman Images

ID: LRI4683444

Anthaxia candens, From Greece (macrophotography)

Portrait Of Doctor Rostan (1790-1866), 19th century (oil on canvas)
Portrait Of Doctor Rostan (1790-1866), 19th century (oil on canvas)

JLJ4683581: Portrait Of Doctor Rostan (1790-1866), 19th century (oil on canvas), Flandrin, Hippolyte (1809-64) / Bridgeman Images

ID: JLJ4683581

Portrait Of Doctor Rostan (1790-1866), 19th century (oil on canvas)

Flandrin, Hippolyte (1809-64)

The United States district in Lyon (Rhone). Construction 1919-1934, architect Tony Garnier (1869-1948). Thanks to Edouard Herriot, mayor of Lyon since 1905, Tony Garnier, a Lyon architect, conceived the United States district as a miniature city, following the great socialist utopias of the 19th century. It is based on the principle of the gardens that were carried out at the same time in Europe and the United States. Renovation of the district took place from 1993 to 1998. Photography 1993.
The United States district in Lyon (Rhone). Construction 1919-1934, architect Tony Garnier (1869-1948). Thanks to Edouard Herriot, mayor of Lyon since 1905, Tony Garnier, a Lyon architect, conceived the United States district as a miniature city, following the great socialist utopias of the 19th century. It is based on the principle of the gardens that were carried out at the same time in Europe and the United States. Renovation of the district took place from 1993 to 1998. Photography 1993.

TEC4659491: The United States district in Lyon (Rhone). Construction 1919-1934, architect Tony Garnier (1869-1948). Thanks to Edouard Herriot, mayor of Lyon since 1905, Tony Garnier, a Lyon architect, conceived the United States district as a miniature city, following the great socialist utopias of the 19th century. It is based on the principle of the gardens that were carried out at the same time in Europe and the United States. Renovation of the district took place from 1993 to 1998. Photography 1993., Garnier, Tony (1869-1948) / Bridgeman Images

ID: TEC4659491

The United States district in Lyon (Rhone). Construction 1919-1934, architect Tony Garnier (1869-1948). Thanks to Edouard Herriot, mayor of Lyon since 1905, Tony Garnier, a Lyon architect, conceived the United States district as a miniature city, following the great socialist utopias of the 19th century. It is based on the principle of the gardens that were carried out at the same time in Europe and the United States. Renovation of the district took place from 1993 to 1998. Photography 1993.

Garnier, Tony (1869-1948)


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